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books
books
Title:
British mosques
British mosques
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This book, a collaboration between the Victoria and Albert Museum and the University of Westminster, captures the British mosque at a pivotal moment in its history. There are 1,800 mosques in the UK today – mostly converted from terraced houses, libraries, cinemas and supermarkets. Now, these improvised spaces are beginning to disappear, as Muslim communities replace them(...)
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Summary:
This book, a collaboration between the Victoria and Albert Museum and the University of Westminster, captures the British mosque at a pivotal moment in its history. There are 1,800 mosques in the UK today – mostly converted from terraced houses, libraries, cinemas and supermarkets. Now, these improvised spaces are beginning to disappear, as Muslim communities replace them(...)
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Publication:
May 2021
May 2021
Title:
British mosques
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$45.00
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This book, a collaboration between the Victoria and Albert Museum and the University of Westminster, captures the British mosque at a pivotal moment in its history. There are 1,800 mosques in the UK today – mostly converted from terraced houses, libraries, cinemas and supermarkets. Now, these improvised spaces are beginning to disappear, as Muslim communities replace them with purpose-built structures. This timely exploration of the British mosque reveals how ad-hoc adaptations have evolved into a uniquely British-Islamic architecture, tracing its development through waves of twentieth-century migration, and further back to the Orientalist visions of Victorian collectors. Born out of two projects at the Venice Architecture Biennale and the V, ''British mosques'' brings together perspectives from curators, architects and artists. Using approaches ranging from archival study to site-specific installations and 3D scanning, together they tell the story of a hybrid architecture that has quietly found its place in Britain’s urban landscape.
British mosques
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$45.00
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Summary:
This book, a collaboration between the Victoria and Albert Museum and the University of Westminster, captures the British mosque at a pivotal moment in its history. There are 1,800 mosques in the UK today – mostly converted from terraced houses, libraries, cinemas and supermarkets. Now, these improvised spaces are beginning to disappear, as Muslim communities replace them with purpose-built structures. This timely exploration of the British mosque reveals how ad-hoc adaptations have evolved into a uniquely British-Islamic architecture, tracing its development through waves of twentieth-century migration, and further back to the Orientalist visions of Victorian collectors. Born out of two projects at the Venice Architecture Biennale and the V, ''British mosques'' brings together perspectives from curators, architects and artists. Using approaches ranging from archival study to site-specific installations and 3D scanning, together they tell the story of a hybrid architecture that has quietly found its place in Britain’s urban landscape.
Form:
books
books
Publication:
May 2021
May 2021
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Form:
books
books
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$69.95
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Summary:
Ralf Coussée and Klaas Goris. Over a period of twenty years, the two architects have built up a solid oeuvre. The proof can be found in this book, which offers a survey of the architecture of the due, both of works on paper and of designs that have been built. This book takes you on a guided tour of their work that is full of surprises. It shows you why Coussée & Goris do(...)
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Ralf Coussée and Klaas Goris. Over a period of twenty years, the two architects have built up a solid oeuvre. The proof can be found in this book, which offers a survey of the architecture of the due, both of works on paper and of designs that have been built. This book takes you on a guided tour of their work that is full of surprises. It shows you why Coussée & Goris do(...)
Title:
Coussée & Goris : architectuur/architecture
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Ralf Coussée and Klaas Goris. Over a period of twenty years, the two architects have built up a solid oeuvre. The proof can be found in this book, which offers a survey of the architecture of the due, both of works on paper and of designs that have been built. This book takes you on a guided tour of their work that is full of surprises. It shows you why Coussée & Goris do not strive inflexibly for an absolute, radical Modernist renewal, but to let old and new flow into one another harmoniously. You discover an oeuvre that is evidence of an architecture with a style of its own, based on an intriguing play of patterns, themes and constructional methods, and that at the same time reveals the 'thinking in doing' of architecture. You learn how remote their work is from doctrines, manifestos and concepts that alienate the design process from the architectural traditions of making and building. This book is more than just a monograph. It is a real architects' book, like an artist's book. After all, the architecture of Coussée & Goris should not be read as a series of individual buildings, but as an imaginary landscape, a capriccio, in which the principles are made visible of an architecture that inscribes itself in a contemporary framework. To understand the working and scenographic force of the landscape as the supporting element in the architecture of Coussée & Goris, the architecture theoretician Koen Van Synghel confronts pairs of designs: the master plan for the Jeugd- en Natuurdomein De Hoge Rielen, the reconversion of an industrial transformer complex near Kortrijk into a multifunctional urban landscape, the building of a factory shed in Roeselare, the conversion of a furniture store into a school of architecture in Brussels, and the award-winning submission for a crematorium in Hofheide. The art and poetry from which the artists draw their inspiration have forced their way into this book, show the world behind the designs, and make this publication unique.
Coussée & Goris : architectuur/architecture
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Ralf Coussée and Klaas Goris. Over a period of twenty years, the two architects have built up a solid oeuvre. The proof can be found in this book, which offers a survey of the architecture of the due, both of works on paper and of designs that have been built. This book takes you on a guided tour of their work that is full of surprises. It shows you why Coussée & Goris do not strive inflexibly for an absolute, radical Modernist renewal, but to let old and new flow into one another harmoniously. You discover an oeuvre that is evidence of an architecture with a style of its own, based on an intriguing play of patterns, themes and constructional methods, and that at the same time reveals the 'thinking in doing' of architecture. You learn how remote their work is from doctrines, manifestos and concepts that alienate the design process from the architectural traditions of making and building. This book is more than just a monograph. It is a real architects' book, like an artist's book. After all, the architecture of Coussée & Goris should not be read as a series of individual buildings, but as an imaginary landscape, a capriccio, in which the principles are made visible of an architecture that inscribes itself in a contemporary framework. To understand the working and scenographic force of the landscape as the supporting element in the architecture of Coussée & Goris, the architecture theoretician Koen Van Synghel confronts pairs of designs: the master plan for the Jeugd- en Natuurdomein De Hoge Rielen, the reconversion of an industrial transformer complex near Kortrijk into a multifunctional urban landscape, the building of a factory shed in Roeselare, the conversion of a furniture store into a school of architecture in Brussels, and the award-winning submission for a crematorium in Hofheide. The art and poetry from which the artists draw their inspiration have forced their way into this book, show the world behind the designs, and make this publication unique.
Form:
books
books
Publication:
October 2006, Gent
October 2006, Gent
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$58.95
(available to order)
Summary:
After seizing Jerusalem's eastern precincts from Jordan at the conclusion of the Six-Day War in 1967, Israel unilaterally unified the city and plunged into an ambitious building program, eager to transform the very meaning of one of the world's most emotionally charged urban spaces. The goal was as simple as it was controversial: to both Judaize and modernize Jerusalem.(...)
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Summary:
After seizing Jerusalem's eastern precincts from Jordan at the conclusion of the Six-Day War in 1967, Israel unilaterally unified the city and plunged into an ambitious building program, eager to transform the very meaning of one of the world's most emotionally charged urban spaces. The goal was as simple as it was controversial: to both Judaize and modernize Jerusalem.(...)
Title:
Seizing Jerusalem: the architectures of unilateral unification
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After seizing Jerusalem's eastern precincts from Jordan at the conclusion of the Six-Day War in 1967, Israel unilaterally unified the city and plunged into an ambitious building program, eager to transform the very meaning of one of the world's most emotionally charged urban spaces. The goal was as simple as it was controversial: to both Judaize and modernize Jerusalem. Seizing Jerusalem, the first architectural history of "united Jerusalem," chronicles how numerous disciplines, including architecture, landscape design, and urban planning, as well as everyone from municipal politicians to state bureaucrats, from Israeli-born architects to international luminaries such as Louis Kahn, Buckminster Fuller, and Bruno Zevi, competed to create Jerusalem's new image. This decade-long competition happened with the Palestinian residents still living in the city, even as the new image was inspired by the city's Arab legacy. The politics of space in the Holy City, still contested today, were shaped in this post-1967 decade not only by the legacy of the war and the politics of dispossession, but curiously also by emerging trends in postwar architectural culture.Drawing on previously unexamined archival documents and in-depth interviews with architects, planners, and politicians, Alona Nitzan-Shiftan analyzes the cultural politics of the Israeli state and, in particular, of Jerusalem's influential mayor, Teddy Kollek, whose efforts to legitimate Israeli rule over Jerusalem provided architects a unique, real-world laboratory to explore the possibilities and limits of modernist design--as built form as well as political and social action. Seizing Jerusalem reveals architecture as an active agent in the formation of urban and national identity, and demonstrates how contemporary debates about Zionism, and the crisis within the discipline of architecture over postwar modernism, affected Jerusalem's built environment in ways that continue to resonate today.
Seizing Jerusalem: the architectures of unilateral unification
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$58.95
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Summary:
After seizing Jerusalem's eastern precincts from Jordan at the conclusion of the Six-Day War in 1967, Israel unilaterally unified the city and plunged into an ambitious building program, eager to transform the very meaning of one of the world's most emotionally charged urban spaces. The goal was as simple as it was controversial: to both Judaize and modernize Jerusalem. Seizing Jerusalem, the first architectural history of "united Jerusalem," chronicles how numerous disciplines, including architecture, landscape design, and urban planning, as well as everyone from municipal politicians to state bureaucrats, from Israeli-born architects to international luminaries such as Louis Kahn, Buckminster Fuller, and Bruno Zevi, competed to create Jerusalem's new image. This decade-long competition happened with the Palestinian residents still living in the city, even as the new image was inspired by the city's Arab legacy. The politics of space in the Holy City, still contested today, were shaped in this post-1967 decade not only by the legacy of the war and the politics of dispossession, but curiously also by emerging trends in postwar architectural culture.Drawing on previously unexamined archival documents and in-depth interviews with architects, planners, and politicians, Alona Nitzan-Shiftan analyzes the cultural politics of the Israeli state and, in particular, of Jerusalem's influential mayor, Teddy Kollek, whose efforts to legitimate Israeli rule over Jerusalem provided architects a unique, real-world laboratory to explore the possibilities and limits of modernist design--as built form as well as political and social action. Seizing Jerusalem reveals architecture as an active agent in the formation of urban and national identity, and demonstrates how contemporary debates about Zionism, and the crisis within the discipline of architecture over postwar modernism, affected Jerusalem's built environment in ways that continue to resonate today.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
Arch Middle East
Arch Middle East
Form:
books
books
Price:
$131.95
(available to order)
Summary:
As sculptor, draughtsman, photographer, and environmental artist, Mary Miss straddles the fields of architecture, landscape architecture, and installation art. Her work moves from the urban bustle of New York, to the vast plains of the American Midwest, to the remote forests of Finland, and has been acclaimed worldwide for its poetry and power. Designed in association(...)
$131.95
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Summary:
As sculptor, draughtsman, photographer, and environmental artist, Mary Miss straddles the fields of architecture, landscape architecture, and installation art. Her work moves from the urban bustle of New York, to the vast plains of the American Midwest, to the remote forests of Finland, and has been acclaimed worldwide for its poetry and power. Designed in association(...)
Title:
Mary Miss
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As sculptor, draughtsman, photographer, and environmental artist, Mary Miss straddles the fields of architecture, landscape architecture, and installation art. Her work moves from the urban bustle of New York, to the vast plains of the American Midwest, to the remote forests of Finland, and has been acclaimed worldwide for its poetry and power. Designed in association with the artist, this exquisitely produced monograph, a comprehensive overview of Miss's work, features thirty-five color images and over 150 duotone photographs of her projects accompanied by copious drawings by the artist. Architectural historian Daniel Abramson, who has been granted unparalleled access to the artist and her archives, addresses each of her projects in detail. An introduction by the well-known art critic Eleanor Heartney situates Miss in the context of contemporary movements in art. Architecture critic Joseph Giovannini places her work within contemporary design practice. Together, the text and images of Mary Miss provide a remarkable look at the work of this groundbreaking public artist.
Mary Miss
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$131.95
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Summary:
As sculptor, draughtsman, photographer, and environmental artist, Mary Miss straddles the fields of architecture, landscape architecture, and installation art. Her work moves from the urban bustle of New York, to the vast plains of the American Midwest, to the remote forests of Finland, and has been acclaimed worldwide for its poetry and power. Designed in association with the artist, this exquisitely produced monograph, a comprehensive overview of Miss's work, features thirty-five color images and over 150 duotone photographs of her projects accompanied by copious drawings by the artist. Architectural historian Daniel Abramson, who has been granted unparalleled access to the artist and her archives, addresses each of her projects in detail. An introduction by the well-known art critic Eleanor Heartney situates Miss in the context of contemporary movements in art. Architecture critic Joseph Giovannini places her work within contemporary design practice. Together, the text and images of Mary Miss provide a remarkable look at the work of this groundbreaking public artist.
Form:
books
books
Publication:
January 2004, New York
January 2004, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$16.00
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Summary:
Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad(...)
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad(...)
Title:
Alina, Barbara, Halina, Helena, Zofia
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad shared her enthusiasm after researching the work of five women that conceived several residential neighbourhoods in Warsaw after the Second World War and redefined the city as a green haven. If the two book projects she presented in our exhibition—Atlas (2000) and Copy Cities (2003–2004)—brought together multiple fragments of her extensive and systematic documentary work on cities, her survey of the work of Alina Scholtz, Barbara Brukalska, Halina Skibniewska, Helena Syrkus, and Zofia Hansen leads now to a travel diary that reflects on the role of architecture and landscape architecture in defining places of bonding and belonging.
Alina, Barbara, Halina, Helena, Zofia
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Summary:
Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad shared her enthusiasm after researching the work of five women that conceived several residential neighbourhoods in Warsaw after the Second World War and redefined the city as a green haven. If the two book projects she presented in our exhibition—Atlas (2000) and Copy Cities (2003–2004)—brought together multiple fragments of her extensive and systematic documentary work on cities, her survey of the work of Alina Scholtz, Barbara Brukalska, Halina Skibniewska, Helena Syrkus, and Zofia Hansen leads now to a travel diary that reflects on the role of architecture and landscape architecture in defining places of bonding and belonging.
Form:
books
books
Publication:
November 2024
November 2024
Subject:
CCA Publications
CCA Publications
Form:
books
books
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$45.00
(available to order)
Summary:
Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere(...)
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere(...)
Publication:
October 2004, New York
October 2004, New York
Title:
Graffiti world : street art from five continents
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere and one of the most potent influences on youth-oriented marketing and design. With more than 2,000 illustrations by over 150 artists from all over the world and interviews with many of them, this book is the most comprehensive survey of graffiti art ever published. Today's young graffiti artists incorporate a variety of mediums—including stickers, stencils, oils, acrylics, and oil-based chalk—as well as an ever-expanding range of social commentary. This evolution in style and subject matter has earned graffiti the respect of the art world and guaranteed its long-lasting influence on art, graphic design, and style around the world.
Graffiti world : street art from five continents
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere and one of the most potent influences on youth-oriented marketing and design. With more than 2,000 illustrations by over 150 artists from all over the world and interviews with many of them, this book is the most comprehensive survey of graffiti art ever published. Today's young graffiti artists incorporate a variety of mediums—including stickers, stencils, oils, acrylics, and oil-based chalk—as well as an ever-expanding range of social commentary. This evolution in style and subject matter has earned graffiti the respect of the art world and guaranteed its long-lasting influence on art, graphic design, and style around the world.
Form:
books
books
Publication:
October 2004, New York
October 2004, New York
Form:
books
books
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$34.95
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Summary:
Old Montreal is a one-square-kilometre historic district located in the heart of one of North America's great cities. The old city centre offers a unique blend of history and heritage that spans thousands of years, from prehistoric encampments to architectural masterpieces of later days. Constantly changing throughout its history, the district nonetheless bears striking(...)
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Old Montreal is a one-square-kilometre historic district located in the heart of one of North America's great cities. The old city centre offers a unique blend of history and heritage that spans thousands of years, from prehistoric encampments to architectural masterpieces of later days. Constantly changing throughout its history, the district nonetheless bears striking(...)
Subject:
Architecture de Montréal
Architecture de Montréal
Publication:
November 2004, Sainte-Foy
November 2004, Sainte-Foy
Title:
Old Montreal : history through heritage
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Old Montreal is a one-square-kilometre historic district located in the heart of one of North America's great cities. The old city centre offers a unique blend of history and heritage that spans thousands of years, from prehistoric encampments to architectural masterpieces of later days. Constantly changing throughout its history, the district nonetheless bears striking evidence of each major stage in its development. The authors explain how Old Montreal's diverse architectural heritage and many features of its urban landscape—archaeological remains, streets, squares, gardens, docks and public works of art—reveal so much about the district's past and the people who lived there. Each chapter covers a distinct historical period. The unfolding story traces how the historic district emerged as a powerful business district, casting its influence over the larger city, its region and even, in part, over the development of the continent. Recounted in an accessible manner, the history of Old Montreal comes alive with 270 illustrations, including colour photographs commissioned for this book.
Old Montreal : history through heritage
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Old Montreal is a one-square-kilometre historic district located in the heart of one of North America's great cities. The old city centre offers a unique blend of history and heritage that spans thousands of years, from prehistoric encampments to architectural masterpieces of later days. Constantly changing throughout its history, the district nonetheless bears striking evidence of each major stage in its development. The authors explain how Old Montreal's diverse architectural heritage and many features of its urban landscape—archaeological remains, streets, squares, gardens, docks and public works of art—reveal so much about the district's past and the people who lived there. Each chapter covers a distinct historical period. The unfolding story traces how the historic district emerged as a powerful business district, casting its influence over the larger city, its region and even, in part, over the development of the continent. Recounted in an accessible manner, the history of Old Montreal comes alive with 270 illustrations, including colour photographs commissioned for this book.
Form:
books
books
Publication:
November 2004, Sainte-Foy
November 2004, Sainte-Foy
Subject:
Architecture de Montréal
Architecture de Montréal
Form:
journals and magazines
journals and magazines
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$29.95
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Summary:
"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the(...)
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"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the(...)
Subject:
Magazines
Magazines
Publication:
June 2003, New Haven
June 2003, New Haven
Title:
Perspecta 34 : temporary architecture
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"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the contemporary as a fluid practice in which games, intuition, collective imagination, and style emerge alongside conventional architectural approaches as ways to comprehend and shape the temporary landscape. Case studies--on the Olympics, Belgrade protests, refugee housing--ask how temporary events intensify the possibilities and limitations for architectural innovation. Perspecta 34 also explores the built environment as an ecology of change consisting of dynamic economies, movements of people, and overlapping systems of authority. The issue includes a portfolio of twentieth-century temporary projects that reflect changing ideas of fabrication, the deployment of the architectural object, and architecture's relationship to social and cultural practices.
Perspecta 34 : temporary architecture
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Summary:
"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the contemporary as a fluid practice in which games, intuition, collective imagination, and style emerge alongside conventional architectural approaches as ways to comprehend and shape the temporary landscape. Case studies--on the Olympics, Belgrade protests, refugee housing--ask how temporary events intensify the possibilities and limitations for architectural innovation. Perspecta 34 also explores the built environment as an ecology of change consisting of dynamic economies, movements of people, and overlapping systems of authority. The issue includes a portfolio of twentieth-century temporary projects that reflect changing ideas of fabrication, the deployment of the architectural object, and architecture's relationship to social and cultural practices.
Form:
journals and magazines
journals and magazines
Publication:
June 2003, New Haven
June 2003, New Haven
Subject:
Magazines
Magazines
Form:
books
books
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$62.00
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Summary:
This book presents an essential selection from the portfolio of Emilio Duhart H. (1917-2006), a pivotal figure in Chilean architecture. Interweaving episodes from his life and work with the expansion of the modern movement as a global phenomenon, this chronicle places Duhart at the center of an ongoing dialogue between the universal precepts of modernism and the(...)
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This book presents an essential selection from the portfolio of Emilio Duhart H. (1917-2006), a pivotal figure in Chilean architecture. Interweaving episodes from his life and work with the expansion of the modern movement as a global phenomenon, this chronicle places Duhart at the center of an ongoing dialogue between the universal precepts of modernism and the(...)
Title:
Re-imagining modern architecture: Emilio Duhart, 1940-1970
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This book presents an essential selection from the portfolio of Emilio Duhart H. (1917-2006), a pivotal figure in Chilean architecture. Interweaving episodes from his life and work with the expansion of the modern movement as a global phenomenon, this chronicle places Duhart at the center of an ongoing dialogue between the universal precepts of modernism and the specificities of the Chilean cultural landscape. From his early contact with Walter Gropius in the 1940s to his collaboration with Le Corbusier in the 1950s, Duhart crafted an architectural narrative that not only adopted the ideas of modernism but transformed them, translating them into a language deeply tied to the local circumstances. Duhart’s personal and professional trajectory offers a fascinating perspective for understanding the global expansion of modern architecture, exploring themes central to its dissemination, such as migration, education, social class, housing, and urban challenges. In this light, his life and work are presented as a matrix rich in connections, capable of dialogue with other emblematic cases worldwide.
Re-imagining modern architecture: Emilio Duhart, 1940-1970
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$62.00
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Summary:
This book presents an essential selection from the portfolio of Emilio Duhart H. (1917-2006), a pivotal figure in Chilean architecture. Interweaving episodes from his life and work with the expansion of the modern movement as a global phenomenon, this chronicle places Duhart at the center of an ongoing dialogue between the universal precepts of modernism and the specificities of the Chilean cultural landscape. From his early contact with Walter Gropius in the 1940s to his collaboration with Le Corbusier in the 1950s, Duhart crafted an architectural narrative that not only adopted the ideas of modernism but transformed them, translating them into a language deeply tied to the local circumstances. Duhart’s personal and professional trajectory offers a fascinating perspective for understanding the global expansion of modern architecture, exploring themes central to its dissemination, such as migration, education, social class, housing, and urban challenges. In this light, his life and work are presented as a matrix rich in connections, capable of dialogue with other emblematic cases worldwide.
Form:
books
books
Publication:
September 2025
September 2025
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$39.95
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Summary:
The International Garden Festival, held each year in Quebec’s historic Jardins de Métis, is an internationally known tourist and design destination. The reshaping of the modern garden — a hybrid that draws from art and architecture, urban and industrial design, pop culture, and new technologies — is the focus of the festival and its designers. Challenging commonly held(...)
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Summary:
The International Garden Festival, held each year in Quebec’s historic Jardins de Métis, is an internationally known tourist and design destination. The reshaping of the modern garden — a hybrid that draws from art and architecture, urban and industrial design, pop culture, and new technologies — is the focus of the festival and its designers. Challenging commonly held(...)
Title:
Hybrids: Reshaping the contemporary garden in Métis
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$39.95
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The International Garden Festival, held each year in Quebec’s historic Jardins de Métis, is an internationally known tourist and design destination. The reshaping of the modern garden — a hybrid that draws from art and architecture, urban and industrial design, pop culture, and new technologies — is the focus of the festival and its designers. Challenging commonly held assumptions about what a garden is or can be, this book features imaginative, temporary works from the provocative to the playful, created for the festival by architects, landscape architects, and visual artists from Europe, the United States, Australia, and Canada. With text by 22 festival designers, the book offers a portrait of contemporary thinking on the art of the garden, as well as humans’ relationship to, and impact on, the physical world. From the theoretical and historical to the intensely personal, the insightful text explores what makes a garden such a rich site for innovation and experimentation.
Hybrids: Reshaping the contemporary garden in Métis
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(available to order)
Summary:
The International Garden Festival, held each year in Quebec’s historic Jardins de Métis, is an internationally known tourist and design destination. The reshaping of the modern garden — a hybrid that draws from art and architecture, urban and industrial design, pop culture, and new technologies — is the focus of the festival and its designers. Challenging commonly held assumptions about what a garden is or can be, this book features imaginative, temporary works from the provocative to the playful, created for the festival by architects, landscape architects, and visual artists from Europe, the United States, Australia, and Canada. With text by 22 festival designers, the book offers a portrait of contemporary thinking on the art of the garden, as well as humans’ relationship to, and impact on, the physical world. From the theoretical and historical to the intensely personal, the insightful text explores what makes a garden such a rich site for innovation and experimentation.
Form:
books
books
Publication:
November 2007, Vancouver
November 2007, Vancouver
Subject:
Architecture du Québec
Architecture du Québec
