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This book is the first to tell the full and true story of Le Corbusier’s adventure in automobile design. Le Corbusier (with Pierre Jeanneret) entered an automobile design competition, submitting plans for "a minimalist vehicle for maximum functionality," the Voiture Minimum. Despite Le Corbusier’s energetic promotion of his design to several important automakers, the(...)
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This book is the first to tell the full and true story of Le Corbusier’s adventure in automobile design. Le Corbusier (with Pierre Jeanneret) entered an automobile design competition, submitting plans for "a minimalist vehicle for maximum functionality," the Voiture Minimum. Despite Le Corbusier’s energetic promotion of his design to several important automakers, the(...)
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March 2011
March 2011
Title:
Voiture minimum: Le Corbusier and the automobile
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This book is the first to tell the full and true story of Le Corbusier’s adventure in automobile design. Le Corbusier (with Pierre Jeanneret) entered an automobile design competition, submitting plans for "a minimalist vehicle for maximum functionality," the Voiture Minimum. Despite Le Corbusier’s energetic promotion of his design to several important automakers, the Voiture Minimum was never mass-produced. Architect Antonio Amado describes the project in detail, linking it to Le Corbusier’s architectural work, to Modernist utopian urban visions, and to the automobile design projects of other architects including Walter Gropius and Frank Lloyd Wright.
Voiture minimum: Le Corbusier and the automobile
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This book is the first to tell the full and true story of Le Corbusier’s adventure in automobile design. Le Corbusier (with Pierre Jeanneret) entered an automobile design competition, submitting plans for "a minimalist vehicle for maximum functionality," the Voiture Minimum. Despite Le Corbusier’s energetic promotion of his design to several important automakers, the Voiture Minimum was never mass-produced. Architect Antonio Amado describes the project in detail, linking it to Le Corbusier’s architectural work, to Modernist utopian urban visions, and to the automobile design projects of other architects including Walter Gropius and Frank Lloyd Wright.
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books
books
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March 2011
March 2011
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books
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Why does a visual artist, as Austrian photographer Georg Salner, make a photographic ‘excursion’ to Le Corbusier (and Pierre Jeanneret) in Chandigarh and to Oscar Niemeyer in Brasília (Niterói and Rio de Janeiro)? Of all grandmasters, Le Corbusier and Niemeyer are the only ones to have infused entire capitals with their ideas and endowed them with key buildings. They were(...)
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Why does a visual artist, as Austrian photographer Georg Salner, make a photographic ‘excursion’ to Le Corbusier (and Pierre Jeanneret) in Chandigarh and to Oscar Niemeyer in Brasília (Niterói and Rio de Janeiro)? Of all grandmasters, Le Corbusier and Niemeyer are the only ones to have infused entire capitals with their ideas and endowed them with key buildings. They were(...)
Title:
Georg Salner: Chandigarh Brasilia, revision
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Why does a visual artist, as Austrian photographer Georg Salner, make a photographic ‘excursion’ to Le Corbusier (and Pierre Jeanneret) in Chandigarh and to Oscar Niemeyer in Brasília (Niterói and Rio de Janeiro)? Of all grandmasters, Le Corbusier and Niemeyer are the only ones to have infused entire capitals with their ideas and endowed them with key buildings. They were all ‘ideal types’ of designers: innovative, influential and motivated by a huge commitment to a world civilization whose – at times utopian – approaches were not always able to flourish in every sense. Indeed, they remained lone figures with many outstanding comrades in arms and successors.
Georg Salner: Chandigarh Brasilia, revision
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Why does a visual artist, as Austrian photographer Georg Salner, make a photographic ‘excursion’ to Le Corbusier (and Pierre Jeanneret) in Chandigarh and to Oscar Niemeyer in Brasília (Niterói and Rio de Janeiro)? Of all grandmasters, Le Corbusier and Niemeyer are the only ones to have infused entire capitals with their ideas and endowed them with key buildings. They were all ‘ideal types’ of designers: innovative, influential and motivated by a huge commitment to a world civilization whose – at times utopian – approaches were not always able to flourish in every sense. Indeed, they remained lone figures with many outstanding comrades in arms and successors.
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books
books
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January 2017
January 2017
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Photography monographs
Photography monographs
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Charles-Édouard Jeanneret, known as Le Corbusier (1887–1965), is famous for transforming 20th-century architecture and urbanism. Less attention has been paid to his artistic production, although he began his career as a painter. Le Corbusier indeed studied under Charles L’Éplattenier and, together with the artist Amédée Ozenfant, founded the Purist movement in the(...)
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Charles-Édouard Jeanneret, known as Le Corbusier (1887–1965), is famous for transforming 20th-century architecture and urbanism. Less attention has been paid to his artistic production, although he began his career as a painter. Le Corbusier indeed studied under Charles L’Éplattenier and, together with the artist Amédée Ozenfant, founded the Purist movement in the(...)
Title:
Le Corbusier: drawing as process
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Charles-Édouard Jeanneret, known as Le Corbusier (1887–1965), is famous for transforming 20th-century architecture and urbanism. Less attention has been paid to his artistic production, although he began his career as a painter. Le Corbusier indeed studied under Charles L’Éplattenier and, together with the artist Amédée Ozenfant, founded the Purist movement in the manifesto After Cubism. Even after Le Corbusier turned to architecture, he continued to paint and draw. His thousands of drawings, rarely exhibited but meticulously stored in two watch cabinets from his family home, were particularly significant; he considered his work as a draftsman to be fundamental to his creative process.
Le Corbusier: drawing as process
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Charles-Édouard Jeanneret, known as Le Corbusier (1887–1965), is famous for transforming 20th-century architecture and urbanism. Less attention has been paid to his artistic production, although he began his career as a painter. Le Corbusier indeed studied under Charles L’Éplattenier and, together with the artist Amédée Ozenfant, founded the Purist movement in the manifesto After Cubism. Even after Le Corbusier turned to architecture, he continued to paint and draw. His thousands of drawings, rarely exhibited but meticulously stored in two watch cabinets from his family home, were particularly significant; he considered his work as a draftsman to be fundamental to his creative process.
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books
books
Publication:
November 2018
November 2018
Subject:
Architecture Monographs
Architecture Monographs
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books
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In 1911, Le Corbusier (1887–1965), then twenty-four and still going by the name of Charles-Edouard Jeanneret, embarked on a grand tour of Eastern Europe, Turkey, and the Balkans with his friend, August Klipstein (1885–1951), an art history scholar. Together, the two visited Prague, Vienna, Budapest, Bulgaria and Serbia, Constantinople, Mount Athos, and Athens, as well as(...)
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In 1911, Le Corbusier (1887–1965), then twenty-four and still going by the name of Charles-Edouard Jeanneret, embarked on a grand tour of Eastern Europe, Turkey, and the Balkans with his friend, August Klipstein (1885–1951), an art history scholar. Together, the two visited Prague, Vienna, Budapest, Bulgaria and Serbia, Constantinople, Mount Athos, and Athens, as well as(...)
Title:
Klip and Corb on the road: the dual diaries of August Klipstein and Le Corbusier, 1911
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In 1911, Le Corbusier (1887–1965), then twenty-four and still going by the name of Charles-Edouard Jeanneret, embarked on a grand tour of Eastern Europe, Turkey, and the Balkans with his friend, August Klipstein (1885–1951), an art history scholar. Together, the two visited Prague, Vienna, Budapest, Bulgaria and Serbia, Constantinople, Mount Athos, and Athens, as well as Rome and Pompeii. Both young men kept detailed notebooks throughout their journey with drawings, sketches, and photographs created en route. While Le Corbusier’s notebooks were published in 1966 as “Journey to the East” and went on to attain wide renown, Klipstein’s records of their travels have remained relatively unknown. In “Klip and Corb on the Road”, Ivan Žaknic´ brings the notebooks together for the first time to explore the fruitful creative symbiosis of this friendship and offer a new perspective on this seemingly well-known undertaking. The two men sometimes address the same events or subjects—a seasick passage, the bustle of a Turkish bazaar—and even copy one another’s work. But while Klipstein’s reflections tend to focus on research for his thesis, Jeanneret’s impressions evince a more romantic mindset inspired by his immediate surroundings. The book includes copious previously unpublished material, including the complete text of Klipstein’s diary, as well as that of the correspondence between Jeanneret and Klipstein. Reintroducing readers to Klipstein, who went on to a career as a prominent art dealer, it also offers insight into a key influence in the artistic development of Le Corbusier in his formative years. The book also includes an essay by British architectural historian Tim Benton.
Klip and Corb on the road: the dual diaries of August Klipstein and Le Corbusier, 1911
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In 1911, Le Corbusier (1887–1965), then twenty-four and still going by the name of Charles-Edouard Jeanneret, embarked on a grand tour of Eastern Europe, Turkey, and the Balkans with his friend, August Klipstein (1885–1951), an art history scholar. Together, the two visited Prague, Vienna, Budapest, Bulgaria and Serbia, Constantinople, Mount Athos, and Athens, as well as Rome and Pompeii. Both young men kept detailed notebooks throughout their journey with drawings, sketches, and photographs created en route. While Le Corbusier’s notebooks were published in 1966 as “Journey to the East” and went on to attain wide renown, Klipstein’s records of their travels have remained relatively unknown. In “Klip and Corb on the Road”, Ivan Žaknic´ brings the notebooks together for the first time to explore the fruitful creative symbiosis of this friendship and offer a new perspective on this seemingly well-known undertaking. The two men sometimes address the same events or subjects—a seasick passage, the bustle of a Turkish bazaar—and even copy one another’s work. But while Klipstein’s reflections tend to focus on research for his thesis, Jeanneret’s impressions evince a more romantic mindset inspired by his immediate surroundings. The book includes copious previously unpublished material, including the complete text of Klipstein’s diary, as well as that of the correspondence between Jeanneret and Klipstein. Reintroducing readers to Klipstein, who went on to a career as a prominent art dealer, it also offers insight into a key influence in the artistic development of Le Corbusier in his formative years. The book also includes an essay by British architectural historian Tim Benton.
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books
books
Publication:
January 2020
January 2020
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$34.00
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Avec Christopher Alexander, Brian Hanson, Michael Mehaffy, Terry M. Mikiten. "Le roi est nu": ce vieil adage est définitivement approprié au triste cas du déconstructivisme, car ce dernier n’est rien d’autre qu’un modernisme déguisé sous une autre forme. Les modernistes, notamment ceux du Bauhaus, voulaient la table rase ; se débarrasser de tout l’existant, tout en(...)
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Avec Christopher Alexander, Brian Hanson, Michael Mehaffy, Terry M. Mikiten. "Le roi est nu": ce vieil adage est définitivement approprié au triste cas du déconstructivisme, car ce dernier n’est rien d’autre qu’un modernisme déguisé sous une autre forme. Les modernistes, notamment ceux du Bauhaus, voulaient la table rase ; se débarrasser de tout l’existant, tout en(...)
Title:
Anti-architecture et déconstruction
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Avec Christopher Alexander, Brian Hanson, Michael Mehaffy, Terry M. Mikiten. "Le roi est nu": ce vieil adage est définitivement approprié au triste cas du déconstructivisme, car ce dernier n’est rien d’autre qu’un modernisme déguisé sous une autre forme. Les modernistes, notamment ceux du Bauhaus, voulaient la table rase ; se débarrasser de tout l’existant, tout en revendiquant cependant certains liens avec le passé : le Parthénon (Jeanneret-Gris, alias Le Corbusier, etc.), le mouvement anglais Arts and Crafts (Pevsner, etc.) et le néoclassicisme prussien (Mies Van der Rohe), afin de donner une fausse parenté historique à leurs fins et à leurs créations. Aujourd’hui, ce sont les architectes déconstructivistes et leurs supporters qui se réclament de toutes sortes de liens et de précédents fumeux pour soutenir leurs travaux.
Anti-architecture et déconstruction
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Avec Christopher Alexander, Brian Hanson, Michael Mehaffy, Terry M. Mikiten. "Le roi est nu": ce vieil adage est définitivement approprié au triste cas du déconstructivisme, car ce dernier n’est rien d’autre qu’un modernisme déguisé sous une autre forme. Les modernistes, notamment ceux du Bauhaus, voulaient la table rase ; se débarrasser de tout l’existant, tout en revendiquant cependant certains liens avec le passé : le Parthénon (Jeanneret-Gris, alias Le Corbusier, etc.), le mouvement anglais Arts and Crafts (Pevsner, etc.) et le néoclassicisme prussien (Mies Van der Rohe), afin de donner une fausse parenté historique à leurs fins et à leurs créations. Aujourd’hui, ce sont les architectes déconstructivistes et leurs supporters qui se réclament de toutes sortes de liens et de précédents fumeux pour soutenir leurs travaux.
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books
books
Publication:
January 1900, Solingen
January 1900, Solingen
Subject:
Architectural Theory
Architectural Theory
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$90.00
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Le 18 septembre 1924, Le Corbusier s'installe au 35, rue de Sèvres, à Paris, au premier étage de l'aile désaffectée d'un couvent occupé par des Jésuites. Il y bénéficie de "la disposition de murs très importants pour l'étude des dessins", pour achever son pavillon de l'Esprit nouveau à l'Exposition internationale des arts décoratifs et industriels modernes de 1925. Le(...)
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Le 18 septembre 1924, Le Corbusier s'installe au 35, rue de Sèvres, à Paris, au premier étage de l'aile désaffectée d'un couvent occupé par des Jésuites. Il y bénéficie de "la disposition de murs très importants pour l'étude des dessins", pour achever son pavillon de l'Esprit nouveau à l'Exposition internationale des arts décoratifs et industriels modernes de 1925. Le(...)
Title:
Le 35 S. L'Atelier de Le Corbusier
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Le 18 septembre 1924, Le Corbusier s'installe au 35, rue de Sèvres, à Paris, au premier étage de l'aile désaffectée d'un couvent occupé par des Jésuites. Il y bénéficie de "la disposition de murs très importants pour l'étude des dessins", pour achever son pavillon de l'Esprit nouveau à l'Exposition internationale des arts décoratifs et industriels modernes de 1925. Le plus emblématique des architectes du XXe siècle y restera quarante ans, jusqu'à sa mort en 1965. Quarante années pendant lesquelles défileront dans ce couloir de 40m de long, 3,50 m de large et 4 m de haut, plus de deux cents architectes venant d'une quarantaine de pays, au premier rang desquels Charlotte Perriand, Pierre Jeanneret, Iannis Xenakis, Josep Lluis Sert, André Wogenscky, Roger Aujame, José Oubrerie, Junzo Sakakura...
Le 35 S. L'Atelier de Le Corbusier
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Le 18 septembre 1924, Le Corbusier s'installe au 35, rue de Sèvres, à Paris, au premier étage de l'aile désaffectée d'un couvent occupé par des Jésuites. Il y bénéficie de "la disposition de murs très importants pour l'étude des dessins", pour achever son pavillon de l'Esprit nouveau à l'Exposition internationale des arts décoratifs et industriels modernes de 1925. Le plus emblématique des architectes du XXe siècle y restera quarante ans, jusqu'à sa mort en 1965. Quarante années pendant lesquelles défileront dans ce couloir de 40m de long, 3,50 m de large et 4 m de haut, plus de deux cents architectes venant d'une quarantaine de pays, au premier rang desquels Charlotte Perriand, Pierre Jeanneret, Iannis Xenakis, Josep Lluis Sert, André Wogenscky, Roger Aujame, José Oubrerie, Junzo Sakakura...
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books
books
Publication:
October 2024
October 2024
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$195.95
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Charlotte Perriand is one of the foremost figures in twentieth-century interior design. Together with her contemporaries and collaborators Pierre Jeanneret and Le Corbusier, she created many pieces of furniture we now consider classics. The first volume in a planned three-part series, this book looks at Perriand’s early life: her education, her work in(...)
$195.95
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Charlotte Perriand is one of the foremost figures in twentieth-century interior design. Together with her contemporaries and collaborators Pierre Jeanneret and Le Corbusier, she created many pieces of furniture we now consider classics. The first volume in a planned three-part series, this book looks at Perriand’s early life: her education, her work in(...)
Title:
Charlotte Perriand: complete works volume 1,1903-1940
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Charlotte Perriand is one of the foremost figures in twentieth-century interior design. Together with her contemporaries and collaborators Pierre Jeanneret and Le Corbusier, she created many pieces of furniture we now consider classics. The first volume in a planned three-part series, this book looks at Perriand’s early life: her education, her work in photography, her early interest in pre-fab residential architecture, and her years spent working with Le Corbusier at his studio on the Rue de Sèvres in Paris. While most are familiar with Perriand’s game-changing design work, the book also documents her less widely known involvement with leftist groups and her desire for social change that drove her to create affordable and appealing furniture for the masses.
Charlotte Perriand: complete works volume 1,1903-1940
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Charlotte Perriand is one of the foremost figures in twentieth-century interior design. Together with her contemporaries and collaborators Pierre Jeanneret and Le Corbusier, she created many pieces of furniture we now consider classics. The first volume in a planned three-part series, this book looks at Perriand’s early life: her education, her work in photography, her early interest in pre-fab residential architecture, and her years spent working with Le Corbusier at his studio on the Rue de Sèvres in Paris. While most are familiar with Perriand’s game-changing design work, the book also documents her less widely known involvement with leftist groups and her desire for social change that drove her to create affordable and appealing furniture for the masses.
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books
books
Publication:
April 2014
April 2014
Subject:
Design Monographs
Design Monographs
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books
books
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Charles-Édouard Jeanneret, dit Le Corbusier (1887-1965), est sans conteste l’un des architectes les plus importants du xxe siècle. De la villa Savoye, à Poissy, à la Cité radieuse de Marseille, de son cabanon au bord de la Méditerranée à la ville de Chandigarh en Inde, en passant par des immeubles d’habitation, une chapelle et même un couvent, il a réalisé sa vie durant(...)
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Charles-Édouard Jeanneret, dit Le Corbusier (1887-1965), est sans conteste l’un des architectes les plus importants du xxe siècle. De la villa Savoye, à Poissy, à la Cité radieuse de Marseille, de son cabanon au bord de la Méditerranée à la ville de Chandigarh en Inde, en passant par des immeubles d’habitation, une chapelle et même un couvent, il a réalisé sa vie durant(...)
Title:
La bibliothèque de l'amateur : Le Corbusier
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Charles-Édouard Jeanneret, dit Le Corbusier (1887-1965), est sans conteste l’un des architectes les plus importants du xxe siècle. De la villa Savoye, à Poissy, à la Cité radieuse de Marseille, de son cabanon au bord de la Méditerranée à la ville de Chandigarh en Inde, en passant par des immeubles d’habitation, une chapelle et même un couvent, il a réalisé sa vie durant des bâtiments devenus des icônes du Mouvement moderne que les amateurs du monde entier viennent visiter. Cet architecte, parfois provocateur, a aussi consacré son temps au dessin, à la peinture et à l’écriture. Théoricien, il a publié une quarantaine de livres qui restent des références. « L’architecture est le jeu savant, correct et magnifique des volumes assemblés sous la lumière », écrivait celui qui a durablement marqué cette discipline.
La bibliothèque de l'amateur : Le Corbusier
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Charles-Édouard Jeanneret, dit Le Corbusier (1887-1965), est sans conteste l’un des architectes les plus importants du xxe siècle. De la villa Savoye, à Poissy, à la Cité radieuse de Marseille, de son cabanon au bord de la Méditerranée à la ville de Chandigarh en Inde, en passant par des immeubles d’habitation, une chapelle et même un couvent, il a réalisé sa vie durant des bâtiments devenus des icônes du Mouvement moderne que les amateurs du monde entier viennent visiter. Cet architecte, parfois provocateur, a aussi consacré son temps au dessin, à la peinture et à l’écriture. Théoricien, il a publié une quarantaine de livres qui restent des références. « L’architecture est le jeu savant, correct et magnifique des volumes assemblés sous la lumière », écrivait celui qui a durablement marqué cette discipline.
Form:
books
books
Publication:
March 2026
March 2026
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$50.00
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Summary:
Takashi Homma first encountered the work of Le Corbusier and Pierre Jeanneret in Chandigarh in 2013, while producing photographs commissioned by the CCA, some of which are included in this book. Following that experience, he decided to research and photograph the spatial and perceptual richness of windows in other works by Le Corbusier across the world. His research is(...)
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Takashi Homma first encountered the work of Le Corbusier and Pierre Jeanneret in Chandigarh in 2013, while producing photographs commissioned by the CCA, some of which are included in this book. Following that experience, he decided to research and photograph the spatial and perceptual richness of windows in other works by Le Corbusier across the world. His research is(...)
Title:
Looking Through Le Corbusier Windows by Takashi Homma
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Takashi Homma first encountered the work of Le Corbusier and Pierre Jeanneret in Chandigarh in 2013, while producing photographs commissioned by the CCA, some of which are included in this book. Following that experience, he decided to research and photograph the spatial and perceptual richness of windows in other works by Le Corbusier across the world. His research is part of the Windowology program initiated by the Window Research Institute, which aims to define the position of windows in the history of architecture across cultures—in this particular case, their role as spaces, rather than surfaces, that connect the interior of a building and the surrounding landscape, or the private and the public. An essay by Tim Benton complements Homma’s photographs by tracing the evolution of the concept of windows in Le Corbusier’s work.
Looking Through Le Corbusier Windows by Takashi Homma
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Takashi Homma first encountered the work of Le Corbusier and Pierre Jeanneret in Chandigarh in 2013, while producing photographs commissioned by the CCA, some of which are included in this book. Following that experience, he decided to research and photograph the spatial and perceptual richness of windows in other works by Le Corbusier across the world. His research is part of the Windowology program initiated by the Window Research Institute, which aims to define the position of windows in the history of architecture across cultures—in this particular case, their role as spaces, rather than surfaces, that connect the interior of a building and the surrounding landscape, or the private and the public. An essay by Tim Benton complements Homma’s photographs by tracing the evolution of the concept of windows in Le Corbusier’s work.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
CCA Publications
CCA Publications
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books
books
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$68.95
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Summary:
In this third, revised edition of his eidely acclaimed book, Dr. Geoffrey Baker explains the complexities of Le Corbusier's oeuvre using a three-dimensional diagrammatic analysis to identify major themes and influences. The narrative and fine illustration, enhanced by the inclusion of color plates, cover the key buildings from the four developmental stages of his work,(...)
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Summary:
In this third, revised edition of his eidely acclaimed book, Dr. Geoffrey Baker explains the complexities of Le Corbusier's oeuvre using a three-dimensional diagrammatic analysis to identify major themes and influences. The narrative and fine illustration, enhanced by the inclusion of color plates, cover the key buildings from the four developmental stages of his work,(...)
Title:
Le Corbusier : an analysis of form, third edition
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In this third, revised edition of his eidely acclaimed book, Dr. Geoffrey Baker explains the complexities of Le Corbusier's oeuvre using a three-dimensional diagrammatic analysis to identify major themes and influences. The narrative and fine illustration, enhanced by the inclusion of color plates, cover the key buildings from the four developmental stages of his work, making it an excellent guide for architect and student alike. Inclusion of the Pavillion Suisse in this volume reminds us of the transitional nature of this building in which the use of natural material, stone, and curved forms reveals fresh lyricism in Le Corbusier's oeuvre. Inclsuion of the Villa Shodhan in India concludes the cubic domestic progression that begins with the Maison Citrohan, developing through such key examples as the La Roche Jeanneret houses, the Villa Stein-de-Monzie, Villa Savoye, and Villa at Carthage.
Le Corbusier : an analysis of form, third edition
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$68.95
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Summary:
In this third, revised edition of his eidely acclaimed book, Dr. Geoffrey Baker explains the complexities of Le Corbusier's oeuvre using a three-dimensional diagrammatic analysis to identify major themes and influences. The narrative and fine illustration, enhanced by the inclusion of color plates, cover the key buildings from the four developmental stages of his work, making it an excellent guide for architect and student alike. Inclusion of the Pavillion Suisse in this volume reminds us of the transitional nature of this building in which the use of natural material, stone, and curved forms reveals fresh lyricism in Le Corbusier's oeuvre. Inclsuion of the Villa Shodhan in India concludes the cubic domestic progression that begins with the Maison Citrohan, developing through such key examples as the La Roche Jeanneret houses, the Villa Stein-de-Monzie, Villa Savoye, and Villa at Carthage.
Form:
books
books
Publication:
June 2001, London / New York
June 2001, London / New York
Subject:
Architecture Monographs
Architecture Monographs
