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Graphic designers love music. This is attested not least by the tremendous enthusiasm that readers of the typography magazine Slanted bring to its "Typo Lyrics" column, in which designers interpret music in entirely new ways with the help of fonts. For this publication of the same name, graphic designers like Fons Hickmann as well as young designers from all over the(...)
Graphic Design and Typography
July 2010
Typolyrics : the sound of fonts
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Graphic designers love music. This is attested not least by the tremendous enthusiasm that readers of the typography magazine Slanted bring to its "Typo Lyrics" column, in which designers interpret music in entirely new ways with the help of fonts. For this publication of the same name, graphic designers like Fons Hickmann as well as young designers from all over the world have taken song lyrics and used them as the inspiration for innovative font designs. The result is a collection of visuals – "typographic images" that present contemporary fonts a little bit differently. The interplay of type design and music brings the fonts to life and practically sets them dancing. In contrast to classical pattern books and font fans, this volume provides a special, more emotional experience of typography and illustrates the great expressive potential of typefaces. On analogy with the traditional classification of fonts, the book is organized into eleven chapters, each of which treats a particular font family and song lyrics from a particular musical style.
Graphic Design and Typography
Revues d'architecture dans les années 1960 et 1970/ Architectural periodicals in the 1960s and 1970s
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The 1960s and 1970s were the heroic age of the architectural "little magazine". During this period even commercial periodicals were willing to include theoretical discourse as they catered to a profession confronted by radical social change. These essays by nine international architectural scholars are from the Proceedings of the International Colloquium held in 2004 at(...)
September 2008, Montreal
Revues d'architecture dans les années 1960 et 1970/ Architectural periodicals in the 1960s and 1970s
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The 1960s and 1970s were the heroic age of the architectural "little magazine". During this period even commercial periodicals were willing to include theoretical discourse as they catered to a profession confronted by radical social change. These essays by nine international architectural scholars are from the Proceedings of the International Colloquium held in 2004 at the Canadian Centre for Architecture. They enrich our understanding of a format which monopolized the space for professional debate about what mattered most in architecture at the time. These contributions give architectural periodicals a central place in the historical debates on the period with particular emphasis on material production, intellectual contribution, and critical reception. Six essays in English and three essays in French with a bilingual introduction. Neuf historiens en architecture examinent l’architecture radicale dans la presse parallèle des années 1960 et 1970. Ces périodiques novateurs ont été marqués par les idées expérimentales et les designs avant-gardistes qui ont grandement influencées le discours architectural de la période. Actes du colloque tenu en 2004 au Centre Canadien d'Architecture. Six textes en anglais, trois textes en français avec une introduction bilingue.
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Care and handling of CDs and DVDs : a guide for librarians and archivists / by Fred R. Byers.
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vi, 42 pages : illustrations ; 28 cm
Washington, D.C. : Council on Library and Information Resources ; Gaithersburg, Md. : National Institute of Standards and Technology, 2003.
Care and handling of CDs and DVDs : a guide for librarians and archivists / by Fred R. Byers.
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vi, 42 pages : illustrations ; 28 cm
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Washington, D.C. : Council on Library and Information Resources ; Gaithersburg, Md. : National Institute of Standards and Technology, 2003.
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In the last fifteen years, a tremendously vibrant youth culture movement has emerged made up of DIY artists and creators, who are descended from and inspired by the 1970s to ’80s underground movements of punk, hip-hop, and skateboarding. These predecessors set the foundation for the current movement—which in the broadest sense can be called “street culture”—with their(...)
Revisionaries: a decade of art in Tokion
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In the last fifteen years, a tremendously vibrant youth culture movement has emerged made up of DIY artists and creators, who are descended from and inspired by the 1970s to ’80s underground movements of punk, hip-hop, and skateboarding. These predecessors set the foundation for the current movement—which in the broadest sense can be called “street culture”—with their ability to work outside of the traditional fine art establishment through their own network of independent newspapers, ’zines, books, music, film, and galleries. Today’s renegade artists blur the lines between graffiti, graphic design, folk art, and stoned doodling. From streetwalls to T-shirts, sneakers, and toys, the works of these artists are instantly recognizable and are defining today’s aesthetic. In The Revisionaries, the editors of Tokion, a magazine at the helm of discovering and covering new talent, gather all of these artists in one book. Organized into three sections: graphic arts, folk art, and psychedelia, and with introductory bios and interviews with such artists as Shepherd Fairey, Geoff McFetridge, Ryan McGinness, Swoon, and many more. This book is an indispensable guide to the artists of today and tomorrow.
Graphic Design and Typography
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Robert Polidori's metropolis
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Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most(...)
Photography monographs
November 2004, New York
Robert Polidori's metropolis
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Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most recently, the abandoned, contaminated cities of Chernobyl and Pripyat. Taken together, they add to his ongoing project: the interpretation of the interrupted urban landscape. This new monograph combines the eye of a celebrated photographer with the distinctive voice of an artist and adventurer. Each breathtaking image--meticulously selected by the photographer from his own personal archive--is accompanied by a compelling first person account, based on interviews conducted by Martin C. Pedersen, executive editor of Metropolis magazine. Polidori tells behind-the-scene stories about the making of his photographs, takes us to war-torn Beirut and Brasilia and other world capitals, talks about what makes a building photogenic, how he shoots buildings he doesn’t like, his favorite architects, and his love of mosques. A look at the world’s great cities as seen through the eyes of a sharp social observer
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November 2004, New York
Photography monographs
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Public parks are among the most important open spaces in our cities, and contribute decisively to their character. They fulfil ecological, social and urban design requirements, and upgrade adjacent neighbourhoods and even whole city districts. New parks are being built all over Europe, in the hearts of cities or out in the periphery, as in the case of Invalidenpark in(...)
Gardens
October 2002, Basel
Parks : green urban spaces in European cities
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Public parks are among the most important open spaces in our cities, and contribute decisively to their character. They fulfil ecological, social and urban design requirements, and upgrade adjacent neighbourhoods and even whole city districts. New parks are being built all over Europe, in the hearts of cities or out in the periphery, as in the case of Invalidenpark in Berlin and Thames Barrier Park in London, respectively. Some, such as Park André-Citroën, Paris, serve purely recreational purposes. Others, namely the sculpture garden of the Kröller-Muller Museum Park in the Netherland, are devoted to art or to botanic abundance, as the Botanical Garden in Barcelona. The creation of such extensive new green spaces is always the subject of public and professional discourse, no matter whether this concerns La Villette in Paris, Duisburg-Nord Lanscape Park in the Ruhr, or the new park at Munich's old airport in Riem. According, the compact survey is rounded off by theoretical discussion. Based on essays published in "Topos - European landscape magazine" between 1993 and today, the resulting collection of familiar and less-known parks from many European countries provides an excellent overview of current approaches to park and park design.
Gardens
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The reputation as an auteur that Paul Virilio (1932–2018) enjoys today derives from the work he did for his ''Bunker Archeology''. When, in the second half of the 1950s, he began photographing abandoned Second World War bunkers along France’s Atlantic coast, he was working with glass as an artistic medium. In 1966, he presented his photographs to the public for the first(...)
Paul Virilio: Bunker archeology
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The reputation as an auteur that Paul Virilio (1932–2018) enjoys today derives from the work he did for his ''Bunker Archeology''. When, in the second half of the 1950s, he began photographing abandoned Second World War bunkers along France’s Atlantic coast, he was working with glass as an artistic medium. In 1966, he presented his photographs to the public for the first time in the magazine architecture principe, which he co-edited. At the time, he was particularly interested in the architectural aspects of these wartime installations. He saw the bunkers as “harbingers of a new architecture”, which he sought to capture in the term “cryptic architecture”. The first exhibition of Virilio’s ''Bunker Archeology'' was staged at the Centre Pompidou in 1975, while the museum was still in the process of being established. His seminal book was published in conjunction with this. It laid out all the motifs of his philosophical thinking: military space and communications warfare, camouflage and acceleration, a scrupulous reading of the present coupled with a desire for philosophical speculation. Although it is almost fifty years since the work was first published, ''Bunker Archeology'' is still full of connections to the present.
Photography monographs
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Born in 1934 in Naples--where he still lives and works--Mimmo Jodice has been at the top of his profession, one of the great Italian masters of photography, for more than 45 years. This volume celebrates Jodice's architectural work, uniting his portraits of eight world capitals into a kind of self-portrait. Four of the cities have been the subjects of previous titles:(...)
Photography monographs
April 2007, Milan
Mimmo Jodice : visible cities
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Born in 1934 in Naples--where he still lives and works--Mimmo Jodice has been at the top of his profession, one of the great Italian masters of photography, for more than 45 years. This volume celebrates Jodice's architectural work, uniting his portraits of eight world capitals into a kind of self-portrait. Four of the cities have been the subjects of previous titles: Paris: City of Light; Inlands: A Vision of Boston; São Paulo and La città invisibile: Nuove vedute di Napoli; and four are new to print, including Rome, Moscow, Tokyo and New York. When Jodice's Medeterranean appeared, which includes some Rome images, the architecture critic Herbert Muschamp observed of it in the New York Times that "Mr. Jodice depicts a mythical place, a romantic intertwining of wholeness and solitude: the oceanic sensation of merger between a self and its surroundings." That impression of unity is as strong--if not as relaxing--in his contemporary urban landscapes as in his ancient ones. With text from Stefano Boeri of Domus magazine and an interview with Hans Ulrich Obrist. Jodice's previous books, in addition to those above, include Light, Eden and Tempo Interiore.
Photography monographs
Domesticity at War
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In the years immediately following World War II, America embraced modern architecture--not as something imported from Europe, but as an entirely new mode of operation, with original and captivating designs made in the USA. Beatriz Colomina shows how postwar American architecture adapted the techniques and materials that were developed for military applications to domestic(...)
Domesticity at War
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In the years immediately following World War II, America embraced modern architecture--not as something imported from Europe, but as an entirely new mode of operation, with original and captivating designs made in the USA. Beatriz Colomina shows how postwar American architecture adapted the techniques and materials that were developed for military applications to domestic use. Just as manufacturers were turning wartime industry to peacetime productivity--going from missiles to washing machines--American architects and cultural institutions were, in Buckminster Fuller’s words, turning "weaponry into livingry." This new form of domesticity itself turned out to be a powerful weapon. Images of American domestic bliss--suburban homes, manicured lawns, kitchen accessories--went around the world as an effective propaganda campaign. Cold War anxieties were masked by endlessly repeated images of a picture-perfect domestic environment. Even the popular conception of the architect became domesticated, changing from that of an austere modernist to a plaid-shirt wearing homebody. Domesticity at War itself has a distinctive architecture. Housed within the case are two units: one book of text, and one book of illustrations--most of them in color, including advertisements, newspaper and magazine articles, architectural photographs, and more.
Architectural Theory
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Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important(...)
Friedlander The Museum of Modern Art
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Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important American artists of any kind since World War II Friedlander loves the muchness of the world. He loves the haphazard multitude of things that can pop up in every picture--street signs, sunbeams, bits of roofline, a jagged shadow--all colliding and contradicting one another. In his breezy but very acute introduction to the show's catalogue, Peter Galassi, MoMA's chief curator of photography, gets it just right when he says some of Friedlander's pictures give you the impression that 'the physical world had been broken into fragments and reconstituted under pressure at three times its original density.'" Now available for the first time, the paperback edition of this definitive, comprehensive volume is being published to coincide with the traveling retrospective's stop in San Francisco at SFMOMA.
Photography monographs