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Forget makeover culture, forget slavishly following fashion diva dictates, forget your insecurities—forget everything you’ve ever read in fashion magazines! This guide shows you that the secret to finding your inherent natural style is to have fun and be inspired. Kira Jolliffe and Bay Garnett, clothing aficionados and editors of Britain’s hit Cheap Date magazine, show(...)
The cheap date guide to style
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Forget makeover culture, forget slavishly following fashion diva dictates, forget your insecurities—forget everything you’ve ever read in fashion magazines! This guide shows you that the secret to finding your inherent natural style is to have fun and be inspired. Kira Jolliffe and Bay Garnett, clothing aficionados and editors of Britain’s hit Cheap Date magazine, show you how to build your style without going broke, going mad, or coming out looking like everyone else. Included are chapters on developing your own sense of style, the art of accessorizing, and crafting a cool wardrobe from a mix of cheap basics and chic secondhand finds. Because "to be stylish, you need to be into clothes, and if you’re into clothes, you’re into finding them," the CD girls share their time-tested strategies for thrifting, including how to identify prized finds. For further inspiration, throughout the book there are interviews with some of the world’s most stylish women, including Mischa Barton, Rachel Weisz, and Chloë Sevigny. Following the age-old mantra "the rules are—there are no rules," this sophisticated yet scrappy guide will refresh and reinvigorate both you and your wardrobe.
Fashion Design
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A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed,(...)
Max Bill
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A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed, hefty volume—the most thorough Bill overview ever published in English, and the only monograph in print—presents Bill’s oeuvre both chronologically and thematically, across every facet of his multifaceted oeuvre: painting, graphic art, sculpture, architecture, book and magazine design, industrial and furniture design, graphic design and advertising typography—from large-format posters to small inserts in periodicals—as well as his designs for exhibition spaces. Bill stands out for his enormous influence on Latin American geometric art (through his 1951 retrospective at the São Paulo Museum of Modern Art), as well as for his essays, his work as an educator and his political and social concerns. All these aspects of his life and work are covered in this profusely illustrated catalogue, along with essays by scholars and a selection of previously unpublished essays by Bill himself.
Design Monographs
General Idea
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This 768-page volume stands as the most comprehensive source on the Canadian collective General Idea, founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson and active until the deaths of Partz and Zontal in 1994. The book is arranged in three parts: Performances and Actions, In the Streets and In the Showroom. The first two parts focus on ephemeral,(...)
General Idea
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This 768-page volume stands as the most comprehensive source on the Canadian collective General Idea, founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson and active until the deaths of Partz and Zontal in 1994. The book is arranged in three parts: Performances and Actions, In the Streets and In the Showroom. The first two parts focus on ephemeral, time-based and even disposable works. The third part includes a plate section offering a near-complete visual survey of General Idea's practice. Facing-page comparative images show works as they appeared in historical installations or other relevant contexts. These three sections correspond broadly to the collective’s development: from performances, actions, pageants and other practices (1969–78), through works engaging with mass-media formats such as the magazine, television and video (1972–’80s), and finally to works conceived for galleries and museums (1985–94). The publication features a prologue by AA Bronson, a conversation between him and Beatrix Ruf, and new texts by international scholars. The appendix includes a complete scholarly bibliography, exhibition and performance histories, and an illustrated chronology of the group.
Canadian art
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary(...)
General idea: haute culture, a retrospective, 1969-1994
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary projects like File magazine, as well as paintings, installations, sculptures, mail art, photographs, videos, ephemera, TV programs and even a beauty pageant. General Idea came to an end in 1994, when Partz and Zontal died of AIDS. Today General Idea can be seen to anticipate the later art collectives of the 1970s as well as aspects of Relational Aesthetics in the 1990s. This volume presents an overview of the Canadian collective''s bold mingling of reality and fiction and their frequently transgressive, parodic incursions upon both art and society. Including newly commissioned essays and reprinted texts, this volume is richly illustrated with documents and reproductions of the most significant projects realized by General Idea between 1969 and 1994. Exhibited at ARC/Musée d'art moderne de la Ville de Paris and the Art Gallery of Ontario, Toronto in 2011.
Contemporary Art Monographs
Étapes : international 04
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Summary in this issue : "Hot shots" - a portrait of contemporary French photography as represented by Morgane Le Gall, Léa Crespi, Grégoire Alexandre, Cindy Gravelat, Raphaël Dallaporta and Sandrine Expilly; "Brussels in focus" - low-profile but high-quality, Brussels’ graphics scene is surveyed here via five studios and a magazine; "On & roll" - wallpaper is back in(...)
Graphic Design and Typography
February 2006, Paris
Étapes : international 04
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Summary in this issue : "Hot shots" - a portrait of contemporary French photography as represented by Morgane Le Gall, Léa Crespi, Grégoire Alexandre, Cindy Gravelat, Raphaël Dallaporta and Sandrine Expilly; "Brussels in focus" - low-profile but high-quality, Brussels’ graphics scene is surveyed here via five studios and a magazine; "On & roll" - wallpaper is back in fashion, with graphic designers crafting limited editions and playing manipulative games with forms and adhesives; "Chaumont, Graphic-Design lab" - the 16th Chaumont festival blended genres and relocated graphic design to the land of visual exploration; "Lines of inquiry" - adapter, Juliana Russo and Brice Domingues are developing three highly expressive ways with linework in Japan, Brazil and France; "Doma" - meet an Argentinian collective that likes taking over museums and streets with its vehicles of protest; "Swiss graphic design / the brand image" - in Switzerland, posters have a heritage value explored by generations of graphic designers, and tracked by the Museum für Gestaltung in Zurich via collections and commissions; "Swiss graphic design : is there such a thing ?" - after the historical background, the players in contemporary Swiss graphics take centre-stage; "Type in space" - é:i investigates the visual virtues displayed by the typographic objects of Israeli Oded Ezer.
Graphic Design and Typography
Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes(...)
Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes and other buildings in Boston, Cape Cod, Saratoga Springs, and small towns in upstate New York; a series of spontaneous and surreptitious portraits taken on the Manhattan subway; scenes from Cuba in the 1930s; and his commercial assignments as a staff photographer and writer for Fortune magazine. The familiar work from his Farm Security Administration project is also here-views of the rural South immortalized in his collaborative book with James Agee, Let Us Now Praise Famous Men, along with urban images from New Orleans and Savannah. Essays by Christian A. Peterson, associate curator of photography at The Minneapolis Institute of Arts, describe Evans's photographic vision and include information about the acquisition history of many of the photographs in this book. Illustrated with almost one hundred high-quality black-and-white photographs, Walker Evans presents the full breadth of Evans's expansive and varied photographic art.
Photography monographs
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Le dernier numéro est maintenant disponible à la librairie.
Continuité n.175 : Raconter le Québec
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Le dernier numéro est maintenant disponible à la librairie.
Magazines
CV 122 Ciel Variable
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Le dernier numéro est maintenant disponible à la librairie.
CV 122 Ciel Variable
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Le dernier numéro est maintenant disponible à la librairie.
Magazines
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Le dernier numéro est maintenant disponible à la librairie.
Étapes 269 : Usages typographiques
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Le dernier numéro est maintenant disponible à la librairie.
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