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First published in 1917, On Growth and Form was at once revolutionary and conservative. Scottish embryologist D'Arcy Wentworth Thompson (1860-1948) grew up in the newly cast shadow of Darwinism, and he took issue with some of the orthodoxies of the day--not because they were necessarily wrong, he said, but because they violated the spirit of Occam's razor, in which simple(...)
$45.95
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Summary:
First published in 1917, On Growth and Form was at once revolutionary and conservative. Scottish embryologist D'Arcy Wentworth Thompson (1860-1948) grew up in the newly cast shadow of Darwinism, and he took issue with some of the orthodoxies of the day--not because they were necessarily wrong, he said, but because they violated the spirit of Occam's razor, in which simple(...)
Subject:
Natural Forms in Architecture
Natural Forms in Architecture
Publication:
January 1900, New York
January 1900, New York
Title:
On growth and form: the complete revised edition
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$45.95
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Summary:
First published in 1917, On Growth and Form was at once revolutionary and conservative. Scottish embryologist D'Arcy Wentworth Thompson (1860-1948) grew up in the newly cast shadow of Darwinism, and he took issue with some of the orthodoxies of the day--not because they were necessarily wrong, he said, but because they violated the spirit of Occam's razor, in which simple explanations are preferable to complex ones. In the case of such subjects as the growth of eggs, skeletons, and crystals, Thompson cited mathematical authority: these were matters of "economy and transformation," and they could be explained by laws governing surface tension and the like. (He doubtless would have enjoyed the study of fractals, which came after his time.) In On Growth and Form, he examines such matters as the curve of frequency or bell curve (which explains variations in height among 10-year-old schoolboys, the florets of a daisy, the distribution of darts on a cork board, the thickness of stripes along a zebra's flanks, the shape of mountain ranges and sand dunes) and spirals (which turn up everywhere in nature you look: in the curve of a seashell, the swirl of water boiling in a saucepan, the sweep of faraway nebulae, the twist of a strand of DNA, the turns of the labyrinth in which the legendary Minotaur lived out its days). The result is an astonishingly varied book that repays skimming and close reading alike.
On growth and form: the complete revised edition
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Summary:
First published in 1917, On Growth and Form was at once revolutionary and conservative. Scottish embryologist D'Arcy Wentworth Thompson (1860-1948) grew up in the newly cast shadow of Darwinism, and he took issue with some of the orthodoxies of the day--not because they were necessarily wrong, he said, but because they violated the spirit of Occam's razor, in which simple explanations are preferable to complex ones. In the case of such subjects as the growth of eggs, skeletons, and crystals, Thompson cited mathematical authority: these were matters of "economy and transformation," and they could be explained by laws governing surface tension and the like. (He doubtless would have enjoyed the study of fractals, which came after his time.) In On Growth and Form, he examines such matters as the curve of frequency or bell curve (which explains variations in height among 10-year-old schoolboys, the florets of a daisy, the distribution of darts on a cork board, the thickness of stripes along a zebra's flanks, the shape of mountain ranges and sand dunes) and spirals (which turn up everywhere in nature you look: in the curve of a seashell, the swirl of water boiling in a saucepan, the sweep of faraway nebulae, the twist of a strand of DNA, the turns of the labyrinth in which the legendary Minotaur lived out its days). The result is an astonishingly varied book that repays skimming and close reading alike.
Form:
books
books
Publication:
January 1900, New York
January 1900, New York
Subject:
Natural Forms in Architecture
Natural Forms in Architecture
Form:
books
books
Title:
Dennis Oppenheim
Dennis Oppenheim
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Cet ouvrage accompagne l’exposition consacrée à Dennis Oppenheim au Musée d’Art Moderne de Saint-Etienne Métropole. Le Musée de Saint-Etienne s’intéresse au travail de cet artiste américain, né en 1938, depuis son ouverture. Alors que l’exposition se préparait en lien direct et régulier avec l’artiste, l’équipe du Musée a brutalement appris sa disparition (janvier 2011).(...)
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Cet ouvrage accompagne l’exposition consacrée à Dennis Oppenheim au Musée d’Art Moderne de Saint-Etienne Métropole. Le Musée de Saint-Etienne s’intéresse au travail de cet artiste américain, né en 1938, depuis son ouverture. Alors que l’exposition se préparait en lien direct et régulier avec l’artiste, l’équipe du Musée a brutalement appris sa disparition (janvier 2011).(...)
Title:
Dennis Oppenheim
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Cet ouvrage accompagne l’exposition consacrée à Dennis Oppenheim au Musée d’Art Moderne de Saint-Etienne Métropole. Le Musée de Saint-Etienne s’intéresse au travail de cet artiste américain, né en 1938, depuis son ouverture. Alors que l’exposition se préparait en lien direct et régulier avec l’artiste, l’équipe du Musée a brutalement appris sa disparition (janvier 2011). L’artiste avait déjà pensé l’exposition: cinq installations dans quatre lieux différents du Musée. Chaque lieu convoquerait des univers spécifiques: celui du corps et du mimétisme ironique de la vie avec Theme for a Major Hit (1974) et Table Piece (1975); celui de la transformation jusqu’à la disparition dans le couloir (lieu de transition) avec Aging (1974); celui dela sculpture urbaine, décorative et exubérante avec les Splash Buildings (2009), et enfin celui du jeu entre l’architecture etla sculpture avec les installations des Smokestack Buildings with Frozen Fireworks (2009) et Black (2007). Cette publication accompagne l’exposition mais se veut plus qu’un simple catalogue. Elle offre l’occasion de parcourir les trente dernières années de création de ce fabuleux constructeur de formes et de mécanismes, de ce singulier artiste qui échappe à toute forme de classification ou de système. Outre une riche et précieuse iconographie sur son travail (environ 80 illustrations, sélectionnées en collaboration avec l’épouse de l’artiste), le volume présente un texte émouvant du directeur du Musée et ami de l’artiste, Lóránd Hegyi, et un essai du critique Alberto Fiz.
Dennis Oppenheim
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Cet ouvrage accompagne l’exposition consacrée à Dennis Oppenheim au Musée d’Art Moderne de Saint-Etienne Métropole. Le Musée de Saint-Etienne s’intéresse au travail de cet artiste américain, né en 1938, depuis son ouverture. Alors que l’exposition se préparait en lien direct et régulier avec l’artiste, l’équipe du Musée a brutalement appris sa disparition (janvier 2011). L’artiste avait déjà pensé l’exposition: cinq installations dans quatre lieux différents du Musée. Chaque lieu convoquerait des univers spécifiques: celui du corps et du mimétisme ironique de la vie avec Theme for a Major Hit (1974) et Table Piece (1975); celui de la transformation jusqu’à la disparition dans le couloir (lieu de transition) avec Aging (1974); celui dela sculpture urbaine, décorative et exubérante avec les Splash Buildings (2009), et enfin celui du jeu entre l’architecture etla sculpture avec les installations des Smokestack Buildings with Frozen Fireworks (2009) et Black (2007). Cette publication accompagne l’exposition mais se veut plus qu’un simple catalogue. Elle offre l’occasion de parcourir les trente dernières années de création de ce fabuleux constructeur de formes et de mécanismes, de ce singulier artiste qui échappe à toute forme de classification ou de système. Outre une riche et précieuse iconographie sur son travail (environ 80 illustrations, sélectionnées en collaboration avec l’épouse de l’artiste), le volume présente un texte émouvant du directeur du Musée et ami de l’artiste, Lóránd Hegyi, et un essai du critique Alberto Fiz.
Form:
books
books
Publication:
August 2011
August 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$54.95
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Summary:
Après avoir détruit sa maison-oeuvre-laboratoire en céramique blanche de Garches, Jean-Pierre Raynaud a exposé au CAPC-musée d’Art contemporain de Bordeaux les gravats, telles des reliques, dans des poubelles métalliques en usage dans les blocs opératoires. Pour lui, en effet, l’oeuvre d’art est un but et son unique raison d’être. « Le but n’est pas de faire des oeuvres(...)
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Summary:
Après avoir détruit sa maison-oeuvre-laboratoire en céramique blanche de Garches, Jean-Pierre Raynaud a exposé au CAPC-musée d’Art contemporain de Bordeaux les gravats, telles des reliques, dans des poubelles métalliques en usage dans les blocs opératoires. Pour lui, en effet, l’oeuvre d’art est un but et son unique raison d’être. « Le but n’est pas de faire des oeuvres(...)
Title:
La maison de Jean-Pierre Raynaud contruction destruction 1969-1993
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Après avoir détruit sa maison-oeuvre-laboratoire en céramique blanche de Garches, Jean-Pierre Raynaud a exposé au CAPC-musée d’Art contemporain de Bordeaux les gravats, telles des reliques, dans des poubelles métalliques en usage dans les blocs opératoires. Pour lui, en effet, l’oeuvre d’art est un but et son unique raison d’être. « Le but n’est pas de faire des oeuvres d’art, il est de vivre l’oeuvre d’art comme un but ». « En 23 ans, la maison a connu cinq stades successifs. Et je tenais beaucoup à en assurer moi-même les métamorphoses. Quand j’ai pris conscience, en 1988, qu’elle était réellement terminée, cela a été un choc terrible, comme l’aboutissement d’une recherche, la fin d’une vie. Je n’ai pas voulu accepter que ma relation avec elle prenne fin, aussi, durant quatre ans, j’ai réfléchi sur le sens de cette « oeuvre » qui m’échouait comme si je devais en être le gardien jusqu’à ma mort. J’ai réalisé qu’étant unique elle méritait plus d’audace et d’égard que cette architecture parfaite, figée qu’elle était devenue, ce qui est le propre des objets d’art, il me fallait lui faire subir un sort exceptionnel, digne d’elle. Je décidai de la métamorphoser, de l’emporter ailleurs, de lui faire vivre une expérience absolue. Pour cela, elle devait se soumettre à une ultime transformation : la démolition ». Jean-Pierre Raynaud, 1993. Le livre retrace l'histoire de la maison, de sa construction à sa destruction. Il est accompagné du film de Michelle Porte (33 min).
La maison de Jean-Pierre Raynaud contruction destruction 1969-1993
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$54.95
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Summary:
Après avoir détruit sa maison-oeuvre-laboratoire en céramique blanche de Garches, Jean-Pierre Raynaud a exposé au CAPC-musée d’Art contemporain de Bordeaux les gravats, telles des reliques, dans des poubelles métalliques en usage dans les blocs opératoires. Pour lui, en effet, l’oeuvre d’art est un but et son unique raison d’être. « Le but n’est pas de faire des oeuvres d’art, il est de vivre l’oeuvre d’art comme un but ». « En 23 ans, la maison a connu cinq stades successifs. Et je tenais beaucoup à en assurer moi-même les métamorphoses. Quand j’ai pris conscience, en 1988, qu’elle était réellement terminée, cela a été un choc terrible, comme l’aboutissement d’une recherche, la fin d’une vie. Je n’ai pas voulu accepter que ma relation avec elle prenne fin, aussi, durant quatre ans, j’ai réfléchi sur le sens de cette « oeuvre » qui m’échouait comme si je devais en être le gardien jusqu’à ma mort. J’ai réalisé qu’étant unique elle méritait plus d’audace et d’égard que cette architecture parfaite, figée qu’elle était devenue, ce qui est le propre des objets d’art, il me fallait lui faire subir un sort exceptionnel, digne d’elle. Je décidai de la métamorphoser, de l’emporter ailleurs, de lui faire vivre une expérience absolue. Pour cela, elle devait se soumettre à une ultime transformation : la démolition ». Jean-Pierre Raynaud, 1993. Le livre retrace l'histoire de la maison, de sa construction à sa destruction. Il est accompagné du film de Michelle Porte (33 min).
Form:
books
books
Publication:
December 2011
December 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$26.95
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Summary:
There are an estimated 600,000,000 passenger cars in the world, and that number is increasing every day. So too is Earth’s supply of parking spaces. In some cities, parking lots cover more than one-third of the metropolitan footprint. It’s official:we have paved paradise and put up a parking lot. In this publication,author Eran Ben-Joseph shares a different vision for(...)
$26.95
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Summary:
There are an estimated 600,000,000 passenger cars in the world, and that number is increasing every day. So too is Earth’s supply of parking spaces. In some cities, parking lots cover more than one-third of the metropolitan footprint. It’s official:we have paved paradise and put up a parking lot. In this publication,author Eran Ben-Joseph shares a different vision for(...)
Title:
Rethinking a lot : the design and culture of parking
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There are an estimated 600,000,000 passenger cars in the world, and that number is increasing every day. So too is Earth’s supply of parking spaces. In some cities, parking lots cover more than one-third of the metropolitan footprint. It’s official:we have paved paradise and put up a parking lot. In this publication,author Eran Ben-Joseph shares a different vision for parking’s future. Parking lots, he writes, are ripe for transformation. After all, as he points out, their design and function has not been rethought since the 1950s. With this book, Ben-Joseph pushes the parking lot into the twenty-first century. Can’t parking lots be aesthetically pleasing, environmentally and architecturally responsible? Used for something other than car storage? Ben-Joseph shows us that they can. He provides a visual history of this often ignored urban space, introducing us to some of the many alternative and nonparking purposes that parking lots have served - from RV campgrounds to stages for “Shakespeare in the Parking Lot.” He shows us parking lots that are not concrete wastelands but lushly planted with trees and flowers and beautifully integrated with the rest of the built environment. With purposeful design, Ben-Joseph argues, parking lots could be significant public places, contributing as much to their communities as great boulevards, parks, or plazas. For all the acreage they cover, parking lots have received scant attention. It’s time to change that; it’s time to rethink the lot.
Rethinking a lot : the design and culture of parking
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Price:
$26.95
(available to order)
Summary:
There are an estimated 600,000,000 passenger cars in the world, and that number is increasing every day. So too is Earth’s supply of parking spaces. In some cities, parking lots cover more than one-third of the metropolitan footprint. It’s official:we have paved paradise and put up a parking lot. In this publication,author Eran Ben-Joseph shares a different vision for parking’s future. Parking lots, he writes, are ripe for transformation. After all, as he points out, their design and function has not been rethought since the 1950s. With this book, Ben-Joseph pushes the parking lot into the twenty-first century. Can’t parking lots be aesthetically pleasing, environmentally and architecturally responsible? Used for something other than car storage? Ben-Joseph shows us that they can. He provides a visual history of this often ignored urban space, introducing us to some of the many alternative and nonparking purposes that parking lots have served - from RV campgrounds to stages for “Shakespeare in the Parking Lot.” He shows us parking lots that are not concrete wastelands but lushly planted with trees and flowers and beautifully integrated with the rest of the built environment. With purposeful design, Ben-Joseph argues, parking lots could be significant public places, contributing as much to their communities as great boulevards, parks, or plazas. For all the acreage they cover, parking lots have received scant attention. It’s time to change that; it’s time to rethink the lot.
Form:
books
books
Publication:
March 2012
March 2012
Subject:
Transportation, Tourism, Migration
Transportation, Tourism, Migration
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books
books
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Description:
780 pages : illustrations (some color) ; 24 cm
Description:
780 pages : illustrations (some color) ; 24 cm
Author:
- Mathieu Copeland -- Reiko Tomii ; A can of the universe / Akasegawa Genpei -- Reiko Tomii -- Graciela Carnevale ; Graciela Carnevale in conversation with Mathieu Copeland -- Michel Gauthier --,
- Jim Drobnick -- Reiko Tomii -- Stewart Home -- Henry Flynt -- Robert Morris -- George Maciunas -- Yvonne Rainer -- Dora Vallier -- Billy Childish and Charles Thomson -- Stanley Fisher -- Stanley Fisher, Sam Goodman, Boris Lurie et al. -- Stanley Fisher, Sam Goodman, Boris Lurie et al. -- Lil Picard -- Boris Lurie -- Iris Clert --,
- Branislav Dimitrijević -- Krist Gruijthuijsen -- Déborah Laks -- Véronique Follet -- Storm van Helsing and Gareth James -- Tim Griffin in conversation with Storm van Helsing -- Nicolas de Oliveira and Nicola Oxley -- Balthazar Lovay -- Bob Nickas -- Peter Weibel -- Johannes Cladders -- Sören Schmeling -- Olivier Suter -- Jean Toche -- Jon Hendricks and Jean Toche -- Jon Hendricks and Jean Toche -- Jon Hendricks and Jean Toche -- Jon Kendricks, Jean Toche -- Jon Hendricks, Poppy Johnson, Silvianna, Jean Toche -- Jon Hendricks, Poppy Johnson, Silvianna, Jean Toche -- Jon Hendricks, Poppy Johnson, Jean Toche -- Guerrilla Art Action Group -- Alan Wallach -- Achille Mbembe -- Reiko Tomii -- Michel Giroud -- Richard Goldstein -- Piero Gilardi in conversation with Andrea Bellini.,
- Andrea Branzi (Archizoom Associati) -- Ettore Sottsass -- Andrea Branzi -- Alessandro Mendini -- Alessandro Mendini -- Alessandro Mendini -- Yona Friedman -- Beatriz Colomina -- Takis -- Roberto Jacoby -- Zach Blas -- Matthieu Saladin -- Thibault Walter -- Thibault Walter -- GX Jupitter-Larsen -- Erik Bullot -- Fanny Schulmann -- Guillaume Apollinaire -- Kenneth Goldsmith -- Ryan Holmberg -- Steven Parrino -- Jean Toche -- Jakob Jakobsen -- Olivier Quintyn -- Paulo Pires do Vale -- Georges Ribemont-Dessaignes -- Georges Ribemont-Dessaignes -- Robin Page -- Ben Vautier -- Hans Hollein -- Arnaud Labelle-Rojoux.,
- Copeland, Mathieu,,
- Lovay, Balthazar,,
- Apollinaire, Guillaume, 1880-1918,,
- Fri-Art (Fribourg, Switzerland),
(See more)
Subject:
- Bornholms Kunstmuseum Gudhjem,
- Allgemeine Deutsche Kunstausstellung,
- Artists and museums Exhibitions.,
- Art museums History Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Art, Modern 21st century Exhibitions.,
- Artists' writings.,
- Artists Interviews.,
- Artistes et musées Expositions.,
- Art 20e siècle Expositions.,
- Art 21e siècle Expositions.,
- Écrits d'artistes.,
- Artistes Entretiens.,
- Art, Modern.,
- Art museums.,
- Artists.,
- Artists and museums.,
- Ästhetik,
- Gegenkultur,
- Essay,
- Interview,
- Exhibition catalogs.,
- exhibition catalogs.,
- essays.,
- interviews.,
- Essays.,
- History.,
- Interviews.,
- Catalogues d'exposition.,
- Essais.
(See more)
Publication:
Fribourg, Switzerland : Fri Art ; London : Koenig Books, [2017], ©2017
Fribourg, Switzerland : Fri Art ; London : Koenig Books, [2017], ©2017
Title:
The anti-museum : an anthology / by Mathieu Copeland and Balthazar Lovay ; authors & contributors, Guillaume Apollinaire [and many others] ; translation, Thomas Butler [and nine others].
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780 pages : illustrations (some color) ; 24 cm
The anti-museum : an anthology / by Mathieu Copeland and Balthazar Lovay ; authors & contributors, Guillaume Apollinaire [and many others] ; translation, Thomas Butler [and nine others].
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Description:
780 pages : illustrations (some color) ; 24 cm
Form:
books
books
Publication:
Fribourg, Switzerland : Fri Art ; London : Koenig Books, [2017], ©2017
Fribourg, Switzerland : Fri Art ; London : Koenig Books, [2017], ©2017
Author:
- Mathieu Copeland -- Reiko Tomii ; A can of the universe / Akasegawa Genpei -- Reiko Tomii -- Graciela Carnevale ; Graciela Carnevale in conversation with Mathieu Copeland -- Michel Gauthier --,
- Jim Drobnick -- Reiko Tomii -- Stewart Home -- Henry Flynt -- Robert Morris -- George Maciunas -- Yvonne Rainer -- Dora Vallier -- Billy Childish and Charles Thomson -- Stanley Fisher -- Stanley Fisher, Sam Goodman, Boris Lurie et al. -- Stanley Fisher, Sam Goodman, Boris Lurie et al. -- Lil Picard -- Boris Lurie -- Iris Clert --,
- Branislav Dimitrijević -- Krist Gruijthuijsen -- Déborah Laks -- Véronique Follet -- Storm van Helsing and Gareth James -- Tim Griffin in conversation with Storm van Helsing -- Nicolas de Oliveira and Nicola Oxley -- Balthazar Lovay -- Bob Nickas -- Peter Weibel -- Johannes Cladders -- Sören Schmeling -- Olivier Suter -- Jean Toche -- Jon Hendricks and Jean Toche -- Jon Hendricks and Jean Toche -- Jon Hendricks and Jean Toche -- Jon Kendricks, Jean Toche -- Jon Hendricks, Poppy Johnson, Silvianna, Jean Toche -- Jon Hendricks, Poppy Johnson, Silvianna, Jean Toche -- Jon Hendricks, Poppy Johnson, Jean Toche -- Guerrilla Art Action Group -- Alan Wallach -- Achille Mbembe -- Reiko Tomii -- Michel Giroud -- Richard Goldstein -- Piero Gilardi in conversation with Andrea Bellini.,
- Andrea Branzi (Archizoom Associati) -- Ettore Sottsass -- Andrea Branzi -- Alessandro Mendini -- Alessandro Mendini -- Alessandro Mendini -- Yona Friedman -- Beatriz Colomina -- Takis -- Roberto Jacoby -- Zach Blas -- Matthieu Saladin -- Thibault Walter -- Thibault Walter -- GX Jupitter-Larsen -- Erik Bullot -- Fanny Schulmann -- Guillaume Apollinaire -- Kenneth Goldsmith -- Ryan Holmberg -- Steven Parrino -- Jean Toche -- Jakob Jakobsen -- Olivier Quintyn -- Paulo Pires do Vale -- Georges Ribemont-Dessaignes -- Georges Ribemont-Dessaignes -- Robin Page -- Ben Vautier -- Hans Hollein -- Arnaud Labelle-Rojoux.,
- Copeland, Mathieu,,
- Lovay, Balthazar,,
- Apollinaire, Guillaume, 1880-1918,,
- Fri-Art (Fribourg, Switzerland),
(See more)
Subject:
- Bornholms Kunstmuseum Gudhjem,
- Allgemeine Deutsche Kunstausstellung,
- Artists and museums Exhibitions.,
- Art museums History Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Art, Modern 21st century Exhibitions.,
- Artists' writings.,
- Artists Interviews.,
- Artistes et musées Expositions.,
- Art 20e siècle Expositions.,
- Art 21e siècle Expositions.,
- Écrits d'artistes.,
- Artistes Entretiens.,
- Art, Modern.,
- Art museums.,
- Artists.,
- Artists and museums.,
- Ästhetik,
- Gegenkultur,
- Essay,
- Interview,
- Exhibition catalogs.,
- exhibition catalogs.,
- essays.,
- interviews.,
- Essays.,
- History.,
- Interviews.,
- Catalogues d'exposition.,
- Essais.
(See more)
Form:
books
books
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Description:
viii, 72 pages : illustrations ; 26 x 29 cm.
Description:
viii, 72 pages : illustrations ; 26 x 29 cm.
Author:
Subject:
- Waste paper Recycling Pictorial works.,
- Paper mills Materials Vermont Pictorial works.,
- Photography, Artistic.,
- Photographie artistique.,
- Vieux papiers Recyclage Ouvrages illustrés.,
- Papeteries (Usines) Matériaux Vermont Ouvrages illustrés.,
- art photography.,
- Waste paper Recycling,
- Vermont,
- photobooks.,
- Photobooks,
- Pictorial works,
- Livres de photographies.
(See more)
Publication:
Santa Fe, New Mexico ; Staunton, Virginia : Center for American Places ; Chicago : Columbia College Chicago, 2006., Chicago : University of Chicago Press
Santa Fe, New Mexico ; Staunton, Virginia : Center for American Places ; Chicago : Columbia College Chicago, 2006., Chicago : University of Chicago Press
Title:
Recycled realities / John Willis and Tom Young ; with a conclusion by Martha A. Sandweiss.
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Description:
viii, 72 pages : illustrations ; 26 x 29 cm.
Recycled realities / John Willis and Tom Young ; with a conclusion by Martha A. Sandweiss.
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Description:
viii, 72 pages : illustrations ; 26 x 29 cm.
Form:
books
books
Publication:
Santa Fe, New Mexico ; Staunton, Virginia : Center for American Places ; Chicago : Columbia College Chicago, 2006., Chicago : University of Chicago Press
Santa Fe, New Mexico ; Staunton, Virginia : Center for American Places ; Chicago : Columbia College Chicago, 2006., Chicago : University of Chicago Press
Subject:
- Waste paper Recycling Pictorial works.,
- Paper mills Materials Vermont Pictorial works.,
- Photography, Artistic.,
- Photographie artistique.,
- Vieux papiers Recyclage Ouvrages illustrés.,
- Papeteries (Usines) Matériaux Vermont Ouvrages illustrés.,
- art photography.,
- Waste paper Recycling,
- Vermont,
- photobooks.,
- Photobooks,
- Pictorial works,
- Livres de photographies.
(See more)
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books
books
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Description:
402 pages : illustrations (chiefly color), map, portraits, facsimile ; 25 cm.
Description:
402 pages : illustrations (chiefly color), map, portraits, facsimile ; 25 cm.
Author:
Subject:
- Information technology Africa Exhibitions.,
- Digital divide Africa Exhibitions.,
- Digital electronics Africa Exhibitions.,
- Aesthetics, African Exhibitions.,
- Technologie de l'information Afrique Expositions.,
- Fossé numérique Afrique Expositions.,
- Électronique numérique Afrique Expositions.,
- Esthétique africaine Expositions.,
- Aesthetics, African,
- Digital divide,
- Digital electronics,
- Information technology,
- Africa,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
(See more)
Publication:
Bielefeld : Kerber Verlag, [2021], ©2021
Bielefeld : Kerber Verlag, [2021], ©2021
Title:
Digital imaginaries : African positions beyond binaries / Richard Rottenburg, Oulimata Gueye, Julien McHardy, Philipp Ziegler (eds.).
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Description:
402 pages : illustrations (chiefly color), map, portraits, facsimile ; 25 cm.
Digital imaginaries : African positions beyond binaries / Richard Rottenburg, Oulimata Gueye, Julien McHardy, Philipp Ziegler (eds.).
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Description:
402 pages : illustrations (chiefly color), map, portraits, facsimile ; 25 cm.
Form:
books
books
Publication:
Bielefeld : Kerber Verlag, [2021], ©2021
Bielefeld : Kerber Verlag, [2021], ©2021
Subject:
- Information technology Africa Exhibitions.,
- Digital divide Africa Exhibitions.,
- Digital electronics Africa Exhibitions.,
- Aesthetics, African Exhibitions.,
- Technologie de l'information Afrique Expositions.,
- Fossé numérique Afrique Expositions.,
- Électronique numérique Afrique Expositions.,
- Esthétique africaine Expositions.,
- Aesthetics, African,
- Digital divide,
- Digital electronics,
- Information technology,
- Africa,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
(See more)
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books
books
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Description:
xiv, 352 pages : illustrations, maps ; 27 cm
Description:
xiv, 352 pages : illustrations, maps ; 27 cm
Subject:
- Refugee camps Palestine.,
- Refugee camps Israel.,
- Refugees Housing Palestine.,
- Refugees Housing Israel.,
- Immigrants Housing Palestine.,
- Immigrants Housing Israel.,
- Internment camps Palestine.,
- Internment camps Israel.,
- Protest camps Palestine.,
- Protest camps Israel.,
- Camps de réfugiés Palestine.,
- Camps de réfugiés Israël.,
- Camps d'internement Israël.,
- Réfugiés Logement Palestine.,
- Réfugiés Logement Israël.,
- Camps d'internement Palestine.,
- Immigrants Housing,
- Internment camps,
- Protest camps,
- Refugee camps,
- Refugees Housing,
- Refugee camps Middle East.,
- Refugee camps West Bank.,
- Internment Camps Eretz Israel.,
- Israel,
- Middle East Palestine
(See more)
Publication:
Minneapolis, MN : University of Minnesota Press, [2022], ©2022
Minneapolis, MN : University of Minnesota Press, [2022], ©2022
Title:
The common camp : architecture of power and resistance in Israel-Palestine / Irit Katz.
Actions:
Holdings:
Description:
xiv, 352 pages : illustrations, maps ; 27 cm
The common camp : architecture of power and resistance in Israel-Palestine / Irit Katz.
Actions:
Holdings:
Description:
xiv, 352 pages : illustrations, maps ; 27 cm
Form:
books
books
Publication:
Minneapolis, MN : University of Minnesota Press, [2022], ©2022
Minneapolis, MN : University of Minnesota Press, [2022], ©2022
Subject:
- Refugee camps Palestine.,
- Refugee camps Israel.,
- Refugees Housing Palestine.,
- Refugees Housing Israel.,
- Immigrants Housing Palestine.,
- Immigrants Housing Israel.,
- Internment camps Palestine.,
- Internment camps Israel.,
- Protest camps Palestine.,
- Protest camps Israel.,
- Camps de réfugiés Palestine.,
- Camps de réfugiés Israël.,
- Camps d'internement Israël.,
- Réfugiés Logement Palestine.,
- Réfugiés Logement Israël.,
- Camps d'internement Palestine.,
- Immigrants Housing,
- Internment camps,
- Protest camps,
- Refugee camps,
- Refugees Housing,
- Refugee camps Middle East.,
- Refugee camps West Bank.,
- Internment Camps Eretz Israel.,
- Israel,
- Middle East Palestine
(See more)
Form:
books
books
Actions:
Holdings:
Description:
135 pages : chiefly illustrations ; 30 x 30 cm
Description:
135 pages : chiefly illustrations ; 30 x 30 cm
Author:
Subject:
Publication:
London ; New York : Phaidon, 2005.
London ; New York : Phaidon, 2005.
Title:
Abelardo Morell / Richard B. Woodward.
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Holdings:
Description:
135 pages : chiefly illustrations ; 30 x 30 cm
Abelardo Morell / Richard B. Woodward.
Actions:
Holdings:
Description:
135 pages : chiefly illustrations ; 30 x 30 cm
Form:
books
books
Publication:
London ; New York : Phaidon, 2005.
London ; New York : Phaidon, 2005.
Form:
books
books
Actions:
Holdings:
Description:
208 pages : illustrations (some color) ; 25 cm.
Description:
208 pages : illustrations (some color) ; 25 cm.
Author:
- Ricciardo, Massimo, 1979-,
- Costanza Caraffa, Almut Goldhahn -- Tiziana Serena interviews Massimo Ricciardo, Costanza Caraffa, Almut Goldhahn -- Anna-Sophia Messner, Eva-Maria Troelenberg -- Angelika Stephen -- Kylie Thomas -- Anna Chiara Cimoli -- Başak Şenova --,
- Caraffa, Costanza,,
- Goldhahn, Almut,,
- Goldhahn, A.,
- Kunsthistorisches Institut in Florenz,
(See more)
Subject:
- Ricciardo, Massimo, 1979- Exhibitions.,
- Found objects (Art) Exhibitions.,
- Personal belongings in art Exhibitions.,
- Emigration and immigration in art Exhibitions.,
- Archives in art Exhibitions.,
- Installations (Art) 21st century.,
- Personal belongings in art.,
- Emigration and immigration in art.,
- Archives in art.,
- Objets personnels dans l'art.,
- Émigration et immigration dans l'art.,
- Archives dans l'art.,
- Installations (Art) 21e siècle.,
- Objets personnels dans l'art Expositions.,
- Émigration et immigration dans l'art Expositions.,
- Archives dans l'art Expositions.,
- Found objects (Art),
- Installations (Art),
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
(See more)
Publication:
Foligno : Viaindustriae Publishing, [2023]
Foligno : Viaindustriae Publishing, [2023]
Title:
Encounters in an archive : object of migration/photo-objects of art history / Massimo Ricciardo ; edited by Costanza Caraffa, Almut Goldhahn ; texts by Costanza Caraffa [and eight others].
Actions:
Holdings:
Description:
208 pages : illustrations (some color) ; 25 cm.
Encounters in an archive : object of migration/photo-objects of art history / Massimo Ricciardo ; edited by Costanza Caraffa, Almut Goldhahn ; texts by Costanza Caraffa [and eight others].
Actions:
Holdings:
Description:
208 pages : illustrations (some color) ; 25 cm.
Form:
books
books
Publication:
Foligno : Viaindustriae Publishing, [2023]
Foligno : Viaindustriae Publishing, [2023]
Author:
- Ricciardo, Massimo, 1979-,
- Costanza Caraffa, Almut Goldhahn -- Tiziana Serena interviews Massimo Ricciardo, Costanza Caraffa, Almut Goldhahn -- Anna-Sophia Messner, Eva-Maria Troelenberg -- Angelika Stephen -- Kylie Thomas -- Anna Chiara Cimoli -- Başak Şenova --,
- Caraffa, Costanza,,
- Goldhahn, Almut,,
- Goldhahn, A.,
- Kunsthistorisches Institut in Florenz,
(See more)
Subject:
- Ricciardo, Massimo, 1979- Exhibitions.,
- Found objects (Art) Exhibitions.,
- Personal belongings in art Exhibitions.,
- Emigration and immigration in art Exhibitions.,
- Archives in art Exhibitions.,
- Installations (Art) 21st century.,
- Personal belongings in art.,
- Emigration and immigration in art.,
- Archives in art.,
- Objets personnels dans l'art.,
- Émigration et immigration dans l'art.,
- Archives dans l'art.,
- Installations (Art) 21e siècle.,
- Objets personnels dans l'art Expositions.,
- Émigration et immigration dans l'art Expositions.,
- Archives dans l'art Expositions.,
- Found objects (Art),
- Installations (Art),
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
(See more)
