C3 431: Let's work together!
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Summary:
When departments within an organisation fail to share information with each other, the popular term is “silo mentality”. Universities also suffer from this phenomenon, with learning and research in one field literally walled off from others. But architecture can create a very different environment: transparent, flexible, interactive. The magazine examines ''UCL East(...)
C3 431: Let's work together!
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Price:
$58.00
(available in store)
Summary:
When departments within an organisation fail to share information with each other, the popular term is “silo mentality”. Universities also suffer from this phenomenon, with learning and research in one field literally walled off from others. But architecture can create a very different environment: transparent, flexible, interactive. The magazine examines ''UCL East Marshgate'', designed by Stanton Williams, and the Faculty of Arts at Warwick University by Feilden Clegg Bradley Studios as excellent examples. Also in this issue, a special feature on the Chilean practice of Pezo von Ellrichshausen and new work by Snøhetta, Wallmarkers, Peter Pichler Architecture, Atelier FCJZ, and more.
Magazines
Monika Sosnowska. Loop
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Text by Will Bradley, Adam Budak, Friedemann Malsch, Jan Verwoert, Anthony Vidler. Monika Sosnowska was born in 1972 in Ryki, Poland. She studied at the Academy of Fine Arts in Poznan and the Rijksakademie in Amsterdam, and currently she lives and works in Warsaw. She represented Poland at last year's art Biennale in Venice. In her installations that echo the formal(...)
Monika Sosnowska. Loop
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$34.00
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Text by Will Bradley, Adam Budak, Friedemann Malsch, Jan Verwoert, Anthony Vidler. Monika Sosnowska was born in 1972 in Ryki, Poland. She studied at the Academy of Fine Arts in Poznan and the Rijksakademie in Amsterdam, and currently she lives and works in Warsaw. She represented Poland at last year's art Biennale in Venice. In her installations that echo the formal language of constructivist avant-garde, minimal and conceptual tendencies of the 60s and the 70s as well as a heritage of modernist architecture, Monika Sosnowska constructs a physical and conceptual labyrinth, a post-narrative, inner world of spatiality, staged in a sequence of interventions that emphasize spaces virtualities and potentials.
Contemporary Art Monographs
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Throughout history great gardeners have risen from all walks of life. Some have been aristocratic amateur gardeners, others professional designers with an international practice. Some have come to garden-making from sister arts such as sculpture or painting; others have been hands-on nurserymen or botanists. What they all have in common is the ability to take an idea and(...)
The lives of the great gardeners
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Throughout history great gardeners have risen from all walks of life. Some have been aristocratic amateur gardeners, others professional designers with an international practice. Some have come to garden-making from sister arts such as sculpture or painting; others have been hands-on nurserymen or botanists. What they all have in common is the ability to take an idea and develop it in a new manner relevant to their times. The book contains four sections. ‘Gardens of ideas’ moves from the politically allusive gardens of 18th-century England made by men such as William Kent, to Charles Jencks’s Scottish garden inspired by 21st-century cosmography. ‘Gardens of straight lines’ explores the lives of the great formalist gardeners, from Le Nôtre at Versailles to the rational English minimalism of contemporary designer Christopher Bradley-Hole. ‘Gardens of curves’ begins with that great exponent of the English landscape garden, ‘Capability’ Brown, and leads to the extraordinary Brazilian designer Roberto Burle Marx. Finally, ‘Gardens of plantsmanship’ moves from the father of naturalistic planting, William Robinson, to the sweeping prairies of New York’s favourite Dutch designer, Piet Oudolf.
Gardens
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We are living in the Anthropocene—an era of dramatic and violent climate change featuring warming oceans, melting icecaps, extreme weather events, habitat loss, species extinction, and more. What will life be like in a climate-changed world? In ''Tomorrow’s parties,'' science fiction authors speculate how we might be able to live and even thrive through the advancing(...)
Tomorrow's parties: Life in the Anthropocene
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We are living in the Anthropocene—an era of dramatic and violent climate change featuring warming oceans, melting icecaps, extreme weather events, habitat loss, species extinction, and more. What will life be like in a climate-changed world? In ''Tomorrow’s parties,'' science fiction authors speculate how we might be able to live and even thrive through the advancing Anthropocene. In ten original stories by writers from around the world, an interview with celebrated writer Kim Stanley Robinson, and a series of intricate and elegant artworks by Sean Bodley, ''Tomorrow’s parties'' takes rational optimism as a moral imperative, or at least a pragmatic alternative to despair. In these stories—by writers from the United Kingdom, the United States, Nigeria, China, Bangladesh, and Australia—a young man steals from delivery drones; a political community lives on an island made of ocean-borne plastic waste; and a climate change denier tries to unmask ''crisis actors.'' Climate-changed life also has its pleasures and epiphanies, as when a father in Africa works to make his son’s dreams of ''Viking adventure'' a reality, and an IT professional dispatched to a distant village encounters a marvelous predigital fungal network. Contributors include Pascall Prize for Criticism winner James Bradley, Hugo Award winners Greg Egan and Sarah Gailey, Philip K Dick Award winner Meg Elison, and New York Times bestselling author Daryl Gregory.
Literature and poetry