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Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in(...)
Building a new New World: Amerikanizm in Russian Architecture
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Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in Revolutionary America, through the spectacular World’s Fairs of the nineteenth century, to department stores, skyscrapers, and factories built in Russia using American methods during the twentieth century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, when the Cold War induced a strategic competition. Tracing the many journeys of Russian writers, politicians, and planners through the American territory, foregrounding the constant streams of cultural and technological transfer from the U.S.A. to Russia, and revealing the parallel fascination among Russian and American intellectuals with the ongoing pursuit of land occupation and development within their respective borders, this study of Amerikanizm in the architecture and urban design of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics.
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December 2019
CCA Publications
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This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone,(...)
Long Island Modernism, 1930-1980
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This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone, Richard Neutra, William Lescaze, Gordon Chadwick for George Nelson, Ludwig Mies van der Rohe, Philip Johnson, Paul Rudolph, and Richard Meier. Caroline Rob Zaleski’s research on the work of key figures in twentieth-century architecture - the relatively unknown aspects of their production, their associations with clients, artists, and politicians - is complemented by more than three hundred archival photographs, specially commissioned new photography, and plans. Zaleski documents the development of exurbia and the rise of visionary structures : residences for commuters and weekenders, public housing, houses of worship, universities, shopping centers, and office complexes. In this part architectural, part social history, she explains why modernism was embraced by Long Island’s civic, cultural, and business leaders—as well as by those who wanted to settle away from the city during an epoch when open space was prime for development. An inventory of important architects, with their Long Island commissions by date and location, complements the main text.
Modernism
The subversive seventies
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A thought-provoking reconsideration of how the revolutionary movements of the 1970s set the mold for today's activism. The 1970s was a decade of "subversives". Faced with various progressive and revolutionary social movements, the forces of order--politicians, law enforcement, journalists, and conservative intellectuals--saw subversives everywhere. From indigenous peasant(...)
The subversive seventies
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A thought-provoking reconsideration of how the revolutionary movements of the 1970s set the mold for today's activism. The 1970s was a decade of "subversives". Faced with various progressive and revolutionary social movements, the forces of order--politicians, law enforcement, journalists, and conservative intellectuals--saw subversives everywhere. From indigenous peasant armies and gay liberation organizations, to anti-nuclear activists and Black liberation militants, subversives challenged authority, laid siege to the established order, and undermined time-honored ways of life. Every corner of the left was fertile ground for subversive elements, which the forces of order had to root out and destroy--a project they pursued with zeal and brutality. In "The subversive seventies", Michael Hardt sets out to show that popular understandings of the political movements of the seventies--often seen as fractious, violent, and largely unsuccessful--are not just inaccurate, but foreclose valuable lessons for the political struggles of today. While many accounts of the 1970s have been written about the regimes of domination that emerged throughout the decade, Hardt approaches the subversive from the perspectives of those who sought to undermine the base of established authority and transform the fundamental structures of society. In so doing, he provides a novel account of the theoretical and practical projects of liberation that still speak to us today, too many of which have been all but forgotten.
Social
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Throughout the twentieth century, architects in Italy have attempted to define the role of architecture under diverse political systems, from the monarchy of the first seventy years since Italian unification, to the 21 years of Fascist control, to the post-Second World War parliamentary republic. At the same time, Italy holds some of the most prized architecture and art(...)
Italy
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Throughout the twentieth century, architects in Italy have attempted to define the role of architecture under diverse political systems, from the monarchy of the first seventy years since Italian unification, to the 21 years of Fascist control, to the post-Second World War parliamentary republic. At the same time, Italy holds some of the most prized architecture and art in the world, from antiquity to the baroque, packed into its dense historic city centres, which planners and politicians have negotiated as they struggled to cope with massive migration from the countryside to the city. Diane Ghirardo addresses these and other issues by considering modern architectural production in Italy from the late nineteenth century to the present day within a clear presentation of the larger historical, social and political contexts. From the post-unification efforts to identify a distinctly Italian architectural language to the transformation of the urban environment in Italian cities undergoing industrialization in the late nineteenth and early twentieth centuries, Diane Ghirardo challenges received interpretations of modern architecture, as well as focusing on the subject of illegal building and responses to current ecological challenges. With up-to-date examples, both from the work of widely published architects in the largest cities and from throughout the peninsula, including small towns and rural areas, Italy provides a comprehensive view of the country’s modern built environment.
Architecture since 1900, Europe
Yoko Ono: the other rooms
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The Other Rooms is a sequel to Yoko Ono's Grapefruit, a now classic artist's book that was first published in 1964 and became a cult classic following its wider distribution after 1970. Matching the satisfyingly compact size of Grapefruit, and beautifully bound in white cloth, The Other Rooms is conceived as a series of rooms that unfold the story of, in the words of the(...)
Yoko Ono: the other rooms
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The Other Rooms is a sequel to Yoko Ono's Grapefruit, a now classic artist's book that was first published in 1964 and became a cult classic following its wider distribution after 1970. Matching the satisfyingly compact size of Grapefruit, and beautifully bound in white cloth, The Other Rooms is conceived as a series of rooms that unfold the story of, in the words of the artist, “the life of a woman seeing through the eyes of her son.” On page after page, or room after room, Ono walks the reader through her unique expression of motherly utopian pedagogy, providing observations and instruction “pieces” such as the following, for “Balance Piece”: a) Politicians should wear pink transparent loose robes or pajama-like outfits without the bottoms at all times. b) A priest should wear a bright red suit with one sleeve and bell-bottom pants with his penis exposed at all times. c) The army should wear drag (cocktail party-type flair skirts) and high-heel shoes with jewelry (earrings, etc.) Other sequences simply describe imaginary rooms, and invite the reader to inhabit them, or suggest new approaches to tasks such as gardening, or to one's hometown, all in the serenely open style for which Ono is so famed. The Other Rooms is joyfully interactive in this sense, finding ways “to open doors… where there are no doors.”
Contemporary Art Monographs
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In 1950, only 30 percent of the world's population lived in cities. By 2007, the planet's population has doubled, and today, as many people live in cities as populated the entire planet in 1950. Eighty percent of the planet's greenhouse gases are created by these energy-intensive urban centers. Thus, the key to creating climate change solutions resides with cities.(...)
Urban meltdown: cities, climate change and politics as usual
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In 1950, only 30 percent of the world's population lived in cities. By 2007, the planet's population has doubled, and today, as many people live in cities as populated the entire planet in 1950. Eighty percent of the planet's greenhouse gases are created by these energy-intensive urban centers. Thus, the key to creating climate change solutions resides with cities. Author and Ottawa city councilor Clive Doucet provides a razor-sharp insider's perspective, stating his central theme: "It's not about planning. It's about politics." Climate change is proceeding so quickly not for lack of knowledge, but because politicians who deviate from the car-based sprawl model cannot get elected. Urban Meltdown describes how we got here, why we got here, and what can be done about it, as evidenced by the author's observations that: Economic growth has no built-in environmental accountability. Until the political thinking about growth and the progress model itself is changed, our environmental concerns will never be properly addressed. We need a new governance paradigm at all three levels. The cautionary tale of how the 1960s tried to take us down a different route failed, not for lack of leadership but because the system didn't permit it. Urban Meltdown reveals, castigates, and inspires. This is an important book for anyone who cares about thinking differently, acting differently, and making a difference. Clive Doucet is an urban activist, well-known journalist, best-selling author, and the first poet ever elected to Ottawa City Council.
Green Architecture
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Since its founding in 1898, the Art Commission of the City of New York (ACNY) has served as the city’s aesthetic gatekeeper, evaluating all works of art intended for display on city property. And over the years, the commission’s domain has expanded dramatically to include everything from parks and courthouses to trash cans and sidewalks. In "The politics of urban beauty",(...)
The politics of urban beauty : New York and its art commission
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Since its founding in 1898, the Art Commission of the City of New York (ACNY) has served as the city’s aesthetic gatekeeper, evaluating all works of art intended for display on city property. And over the years, the commission’s domain has expanded dramatically to include everything from parks and courthouses to trash cans and sidewalks. In "The politics of urban beauty", Michele H. Bogart argues that this unprecedented authority has made the commission host to some complex negotiations — involving artists, architects, business leaders, activists, and politicians — about not only the role of art in urban design, but also the shape and meaning of the city and its public spaces. A former vice president of the ACNY, Bogart tells its story here from an insider’s perspective, tracing the commission’s history from its origins as an outgrowth of progressive reform to its role in New York’s reconstruction after 9/11. Drawing on archival correspondence, drawings, and photographs from commission collections, Bogart presents examples of works — ranging from New Deal murals to Louis Kahn’s unbuilt Memorial to Six Million Jewish Martyrs — that illuminate the ACNY’s role in shaping New York’s identity. The Politics of Urban Beauty is thus a fascinating history of a New York art world that paralleled—and sometimes unpredictably intersected with—the more familiar realm of prominent architects, painters, galleries, and museums. Bogart’s fresh view adds a critical dimension to our understanding of “the city beautiful” and makes an important and lively contribution to the study of art history, urban design, and New York City itself.
Urban Theory
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366 cartograms cover a vast array of subjects, providing a definitive reference on how regions and countries compare in resources, production, consumption, and more. Advances in technology have made widespread and detailed data gathering easier, resulting in a deluge of statistics on subjects as diverse as literacy rates, military spending, overweight children,(...)
Architectural Drawing
October 2008, New York
The atlas of the real world: mapping the way we live
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366 cartograms cover a vast array of subjects, providing a definitive reference on how regions and countries compare in resources, production, consumption, and more. Advances in technology have made widespread and detailed data gathering easier, resulting in a deluge of statistics on subjects as diverse as literacy rates, military spending, overweight children, television viewing figures, and endangered species. But how do we represent and compare data from one part of the world to another in a useful way? Here, sophisticated software combined with comprehensive analysis of every aspect of life represents the world as it really is. Digitally modified maps depict the areas and countries of the world not by their physical size but by their demographic importance on a vast range of topics. The rainforests of South America, with thirty percent of the world's fresh water, make the continent balloon in an analysis of water resources, whereas Kuwait, dependent on desalinated seawater, disappears from the map. Fuel use, alcohol consumption, population, malaria: here are hundreds of key indicators to the way we live. This innovative and exceptionally accessible reference work will be an indispensable tool for journalists, economists, marketers, politicians, financiers, environmentalists, and scholars. Its cartograms are augmented by graphs, tables, and full commentaries. 366 color maps. About the Author Daniel Dorling is Professor of Human Geography at the University of Sheffield, England. Mark Newman is Assistant Professor of Physics and Complex Systems at the University of Michigan. Anna Barford is a Research Associate at the University of Sheffield.
Architectural Drawing
The minimum dwelling
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Karel Teige (1900–1951), one of the most important figures of avant-garde modernism of the 1920s and 1930s, influenced virtually every area of art, design, and urban thinking in his native Czechoslovakia. His "Minimum dwelling", originally published in Czech in 1932, and appearing now for the first time in English, is one of the landmark architectural books of the(...)
The minimum dwelling
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Karel Teige (1900–1951), one of the most important figures of avant-garde modernism of the 1920s and 1930s, influenced virtually every area of art, design, and urban thinking in his native Czechoslovakia. His "Minimum dwelling", originally published in Czech in 1932, and appearing now for the first time in English, is one of the landmark architectural books of the twentieth century. "The minimum dwelling" is not just a book on architecture, but also a blueprint for a new way of living. It calls for a radical rethinking of domestic space and of the role of modern architecture in the planning, design, and construction of new dwelling types for the proletariat. Teige shows how Gropius, Le Corbusier, Mies van der Rohe, and others designed little more than new versions of baroque palaces, mainly for the new financial aristocracy. Teige envisioned the minimum dwelling not as a reduced version of a bourgeois apartment or rural cottage, but as a wholly new dwelling type built on the cooperation of architects, sociologists, economists, health officials, physicians, social workers, politicians, and trade unionists. The book covers many subjects that are still of great relevance. Of particular interest are Teige’s rejection of traditional notions of the kitchen as the core of family-centered plans and of marriage as the foundation of modern cohabitation. He describes alternative lifestyles and new ways of cohabitation of sexes, generations, and classes. The detailed programmatic chapters on collective housing remain far ahead of current thinking, and his comments on collective dwelling presage communal living experiments of the 1960s and 1970s, as well as the communal facilities in contemporary condominium buildings and retirement communities. Translated and introduced by Eric Dluhosch.
Architectural Theory
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At its opening on July 16, 2004, Chicago’s Millennium Park was hailed as one of the most important millennium projects in the world. “Politicians come and go; business leaders come and go,” proclaimed mayor Richard M. Daley, “but artists really define a city.” Part park, part outdoor art museum, part cultural center, and part performance space, Millennium Park is now an(...)
Architecture since 1900, Europe
April 2006, Chicago, London
Millennium park : creating a Chicago landscape
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At its opening on July 16, 2004, Chicago’s Millennium Park was hailed as one of the most important millennium projects in the world. “Politicians come and go; business leaders come and go,” proclaimed mayor Richard M. Daley, “but artists really define a city.” Part park, part outdoor art museum, part cultural center, and part performance space, Millennium Park is now an unprecedented combination of distinctive architecture, monumental sculpture, and innovative landscaping. Including structures and works by Frank Gehry, Anish Kapoor, Jaume Plensa, and Kathryn Gustafson, the park represents the collaborative efforts of hundreds to turn an unused railroad yard in the heart of the city into a world-class civic space—and, in the process, to create an entirely new kind of cultural philanthropy. Timothy Gilfoyle here offers a biography of this phenomenal undertaking, beginning before 1850 when the site of the park, the “city’s front yard,” was part of Lake Michigan. Gilfoyle studied the history of downtown; spent years with the planners, artists, and public officials behind Millennium Park; documented it at every stage of its construction; and traced the skeins of financing through municipal government, global corporations, private foundations, and wealthy civic leaders. The result is an illustrated testament to the park, the city, and all those attempting to think and act on a monumental scale. And underlying Gilfoyle’s history is also a revealing study of the globalization of art, the use of culture as an engine of economic expansion, and the nature of political and philanthropic power. Born out of civic idealism, raised in political controversy, and maturing into a symbol of the new Chicago, Millennium Park is truly a twenty-first-century landmark, and it now has the history it deserves.
Architecture since 1900, Europe