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Bearing witness to the tensions of public space in Europe: this is the aim of the European Prize for Urban Public Space. It was established in 2000 by the Centre of Contemporary Culture of Barcelona (CCCB) and now counts with the collaboration of six other European institutions. This book is the first publication about the prize, which celebrates its 10th issue. It(...)
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Bearing witness to the tensions of public space in Europe: this is the aim of the European Prize for Urban Public Space. It was established in 2000 by the Centre of Contemporary Culture of Barcelona (CCCB) and now counts with the collaboration of six other European institutions. This book is the first publication about the prize, which celebrates its 10th issue. It(...)
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In favour of public space: 10 years of the European prize for urban public space
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Bearing witness to the tensions of public space in Europe: this is the aim of the European Prize for Urban Public Space. It was established in 2000 by the Centre of Contemporary Culture of Barcelona (CCCB) and now counts with the collaboration of six other European institutions. This book is the first publication about the prize, which celebrates its 10th issue. It presents a selection of projects from former and new winners and theoretical texts from Manuel de Solà-Morales, president of the 2008 award, Dietmar Steiner, director of Architekturzentrum Wien and a jury member since 2002, the architect and president of the 2010 jury, Rafael Moneo and David Bravo, secretary of the 2010 award.
In favour of public space: 10 years of the European prize for urban public space
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Bearing witness to the tensions of public space in Europe: this is the aim of the European Prize for Urban Public Space. It was established in 2000 by the Centre of Contemporary Culture of Barcelona (CCCB) and now counts with the collaboration of six other European institutions. This book is the first publication about the prize, which celebrates its 10th issue. It presents a selection of projects from former and new winners and theoretical texts from Manuel de Solà-Morales, president of the 2008 award, Dietmar Steiner, director of Architekturzentrum Wien and a jury member since 2002, the architect and president of the 2010 jury, Rafael Moneo and David Bravo, secretary of the 2010 award.
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books
books
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August 2010
August 2010
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books
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$22.95
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For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In "Ornaments of the metropolis", Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of(...)
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For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In "Ornaments of the metropolis", Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of(...)
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Ornaments of the metropolis : Siegfried Kracuaer and the Modern urban culture
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For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In "Ornaments of the metropolis", Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of Jacques Offenbach in Paris. Kracauer (1889-1966), often associated with the Frankfurt School and the intellectual milieu of Walter Benjamin, is best known for his writings on cinema and the philosophy of history. Reeh examines Kracauer's lesser-known early work, much of it written for the trendsetting newspaper Frankfurter Zeitung in the 1920s and early 1930s, and analyzes Kracauer's continuing reflections on modern urban life, through the pivotal idea of ornament. Kracauer deciphers the subjective experience of the city by viewing fragments of the city as dynamic ornaments; an employment exchange, a day shelter for the homeless, a movie theater, and an amusement park become urban microcosms. Reeh focuses on three substantial works written by Kracauer before his emigration to the United States in 1940. In the early autobiographical novel "Ginster, written by himself", a young architect finds aesthetic pleasure in the ornamental forms that are largely unused in the profession of the time. The collection "Streets of Berlin and elsewhere", with many essays from Kracauer's years in Berlin, documents the subjectiveness of urban life. Finally, "Jacques Offenbach and the Paris of his time" shows how the superficial - in a sense, ornamental - milieu of the operetta evolved into a critical force during the Second Empire. Reeh argues that Kracauer's novel, essays, and historiography all suggest ways in which the subjective can reappropriate urban life. The book also includes a series of photographs by the author that reflect the ornamental experience of the metropolis in Paris, Frankfurt, and other cities.
Ornaments of the metropolis : Siegfried Kracuaer and the Modern urban culture
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For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In "Ornaments of the metropolis", Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of Jacques Offenbach in Paris. Kracauer (1889-1966), often associated with the Frankfurt School and the intellectual milieu of Walter Benjamin, is best known for his writings on cinema and the philosophy of history. Reeh examines Kracauer's lesser-known early work, much of it written for the trendsetting newspaper Frankfurter Zeitung in the 1920s and early 1930s, and analyzes Kracauer's continuing reflections on modern urban life, through the pivotal idea of ornament. Kracauer deciphers the subjective experience of the city by viewing fragments of the city as dynamic ornaments; an employment exchange, a day shelter for the homeless, a movie theater, and an amusement park become urban microcosms. Reeh focuses on three substantial works written by Kracauer before his emigration to the United States in 1940. In the early autobiographical novel "Ginster, written by himself", a young architect finds aesthetic pleasure in the ornamental forms that are largely unused in the profession of the time. The collection "Streets of Berlin and elsewhere", with many essays from Kracauer's years in Berlin, documents the subjectiveness of urban life. Finally, "Jacques Offenbach and the Paris of his time" shows how the superficial - in a sense, ornamental - milieu of the operetta evolved into a critical force during the Second Empire. Reeh argues that Kracauer's novel, essays, and historiography all suggest ways in which the subjective can reappropriate urban life. The book also includes a series of photographs by the author that reflect the ornamental experience of the metropolis in Paris, Frankfurt, and other cities.
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books
books
Publication:
October 2006, Cambridge (MA), London
October 2006, Cambridge (MA), London
Subject:
Urban Theory
Urban Theory
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books
books
Title:
Richter and Dahl Rocha architects : a modern move - transforming Nestlé headquarters in Vevey
Richter and Dahl Rocha architects : a modern move - transforming Nestlé headquarters in Vevey
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The building which houses the international headquarters of Nestle SA in Vevey, Switzerland succeeds in conveying the fascination of Swiss post-war modernization like no other. Located on Lake Geneva, set in a landscaped park, this masterpiece from the architect Jean Tschumi combines the essential features of modern architecture with spaciousness and elegance. Jacques(...)
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The building which houses the international headquarters of Nestle SA in Vevey, Switzerland succeeds in conveying the fascination of Swiss post-war modernization like no other. Located on Lake Geneva, set in a landscaped park, this masterpiece from the architect Jean Tschumi combines the essential features of modern architecture with spaciousness and elegance. Jacques(...)
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Richter and Dahl Rocha architects : a modern move - transforming Nestlé headquarters in Vevey
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The building which houses the international headquarters of Nestle SA in Vevey, Switzerland succeeds in conveying the fascination of Swiss post-war modernization like no other. Located on Lake Geneva, set in a landscaped park, this masterpiece from the architect Jean Tschumi combines the essential features of modern architecture with spaciousness and elegance. Jacques Richter and Ignacio Dahl Rocha have spent many years renovating, modernizing and extending this building. Their transformation has become a manifesto for an intuitive and creative approach to working with historical monuments.
Richter and Dahl Rocha architects : a modern move - transforming Nestlé headquarters in Vevey
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The building which houses the international headquarters of Nestle SA in Vevey, Switzerland succeeds in conveying the fascination of Swiss post-war modernization like no other. Located on Lake Geneva, set in a landscaped park, this masterpiece from the architect Jean Tschumi combines the essential features of modern architecture with spaciousness and elegance. Jacques Richter and Ignacio Dahl Rocha have spent many years renovating, modernizing and extending this building. Their transformation has become a manifesto for an intuitive and creative approach to working with historical monuments.
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books
books
Publication:
October 2002, Basel
October 2002, Basel
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes,(...)
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes,(...)
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Stories from architecture: Behind the lines at Drawing Matter
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes, conversations, letters, and monologues that collectively offer the imagined histories of twenty-five architectural drawings. Some of these untold stories are factual, like Frank Lloyd Wright’s correspondence with a Wisconsin librarian regarding her $5,000 dream home, or letters written by the English architect John Nash to his irascible aristocratic client. Others recount a fictional, if credible, scenario by placing these drawings—and with them their characters—into their immediate social context. For instance, the dilemmas facing a Regency couple who are considering a move to a suburban villa; a request from the office of Richard Neutra for an assistant to measure Josef von Sternberg’s Rolls-Royce so that the director’s beloved vehicle might fit into the garage being designed by his architect; a teenager dreaming of a life away from parental supervision by gazing at a gadget-filled bachelor pad in Playboy magazine; even a policeman recording the ground plans of the house of a murder scene. The drawings, reproduced in color, are all sourced from the Drawing Matter collection in Somerset, UK, and are fascinating objects in themselves; but Lewis shifts our attention beyond the image to other possible histories that linger, invisible, beyond the page, and in the process animates not just a series of archival documents but the writing of architectural history.
Stories from architecture: Behind the lines at Drawing Matter
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes, conversations, letters, and monologues that collectively offer the imagined histories of twenty-five architectural drawings. Some of these untold stories are factual, like Frank Lloyd Wright’s correspondence with a Wisconsin librarian regarding her $5,000 dream home, or letters written by the English architect John Nash to his irascible aristocratic client. Others recount a fictional, if credible, scenario by placing these drawings—and with them their characters—into their immediate social context. For instance, the dilemmas facing a Regency couple who are considering a move to a suburban villa; a request from the office of Richard Neutra for an assistant to measure Josef von Sternberg’s Rolls-Royce so that the director’s beloved vehicle might fit into the garage being designed by his architect; a teenager dreaming of a life away from parental supervision by gazing at a gadget-filled bachelor pad in Playboy magazine; even a policeman recording the ground plans of the house of a murder scene. The drawings, reproduced in color, are all sourced from the Drawing Matter collection in Somerset, UK, and are fascinating objects in themselves; but Lewis shifts our attention beyond the image to other possible histories that linger, invisible, beyond the page, and in the process animates not just a series of archival documents but the writing of architectural history.
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books
books
Publication:
October 2021
October 2021
Subject:
Architectural Theory
Architectural Theory
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books
books
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Legendary architect, historian and critic, Colin Rowe was an inveterate letter writer. From his student days at Liverpool in the early 1940s until his death in Washington in 1999, he wrote innumerable letters to his parents, renowned architects and scholars, friends, colleagues and former students on both sides of the Atlantic; and most consistently and intimately to his(...)
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Legendary architect, historian and critic, Colin Rowe was an inveterate letter writer. From his student days at Liverpool in the early 1940s until his death in Washington in 1999, he wrote innumerable letters to his parents, renowned architects and scholars, friends, colleagues and former students on both sides of the Atlantic; and most consistently and intimately to his(...)
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The letters of Colin Rowe: five decades of correspondence
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Legendary architect, historian and critic, Colin Rowe was an inveterate letter writer. From his student days at Liverpool in the early 1940s until his death in Washington in 1999, he wrote innumerable letters to his parents, renowned architects and scholars, friends, colleagues and former students on both sides of the Atlantic; and most consistently and intimately to his brother, David, and sister-in-law, Dorothy, in England. Informal and elegant ruminations, they illuminate moments in Rowe's migratory life, addressing a wide range of subjects from books, furniture, landscapes, politics, history and education, to architecture and the urban condition and a host of other engaging topics. Rich with wit and an astonishing array of scholarship, each is written in the incomparable style for which Rowe has long been famous, making evident his love affair with words and revealing a man of great humour, warmth and charm.
The letters of Colin Rowe: five decades of correspondence
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Legendary architect, historian and critic, Colin Rowe was an inveterate letter writer. From his student days at Liverpool in the early 1940s until his death in Washington in 1999, he wrote innumerable letters to his parents, renowned architects and scholars, friends, colleagues and former students on both sides of the Atlantic; and most consistently and intimately to his brother, David, and sister-in-law, Dorothy, in England. Informal and elegant ruminations, they illuminate moments in Rowe's migratory life, addressing a wide range of subjects from books, furniture, landscapes, politics, history and education, to architecture and the urban condition and a host of other engaging topics. Rich with wit and an astonishing array of scholarship, each is written in the incomparable style for which Rowe has long been famous, making evident his love affair with words and revealing a man of great humour, warmth and charm.
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books
books
Publication:
June 2019
June 2019
Subject:
Architectural Theory
Architectural Theory
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books
books
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$54.95
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The catalogue for an exhibition at MAXXI curated by Pippo Ciorra and Jean-Louis Cohen, this book is an homage to Bruno Zevi, the notable architect, historian, lecturer, critic, politician, and designer. Moreover, it is a reflection on the contemporary Italian architectures that Zevi supported and promoted during his 50-year career through his extensive writing and(...)
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The catalogue for an exhibition at MAXXI curated by Pippo Ciorra and Jean-Louis Cohen, this book is an homage to Bruno Zevi, the notable architect, historian, lecturer, critic, politician, and designer. Moreover, it is a reflection on the contemporary Italian architectures that Zevi supported and promoted during his 50-year career through his extensive writing and(...)
Title:
Zevi's architects: history and counter-history of Italian architecture
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The catalogue for an exhibition at MAXXI curated by Pippo Ciorra and Jean-Louis Cohen, this book is an homage to Bruno Zevi, the notable architect, historian, lecturer, critic, politician, and designer. Moreover, it is a reflection on the contemporary Italian architectures that Zevi supported and promoted during his 50-year career through his extensive writing and criticism. Featuring 35 architects, the book’s drawings, models, and other visual materials clarify the key role Zevi played in the post-war architectural debate in Italy, highlighting the importance of the relationship between architecture and politics and his social passion and presence in the nation’s civic history.
Zevi's architects: history and counter-history of Italian architecture
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The catalogue for an exhibition at MAXXI curated by Pippo Ciorra and Jean-Louis Cohen, this book is an homage to Bruno Zevi, the notable architect, historian, lecturer, critic, politician, and designer. Moreover, it is a reflection on the contemporary Italian architectures that Zevi supported and promoted during his 50-year career through his extensive writing and criticism. Featuring 35 architects, the book’s drawings, models, and other visual materials clarify the key role Zevi played in the post-war architectural debate in Italy, highlighting the importance of the relationship between architecture and politics and his social passion and presence in the nation’s civic history.
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books
books
Publication:
May 2018
May 2018
Subject:
Architectural Theory
Architectural Theory
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books
books
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$52.50
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"Breathing Space" is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully(...)
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"Breathing Space" is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully(...)
Title:
Breathing space: The architecture of pneumatic beings
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"Breathing Space" is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully overridden, it takes place unconsciously and involuntarily—most of the time. However, beginning in the mid-nineteenth century, attitudes toward breathing changed significantly. Breathing became a widely investigated cultural and physiological phenomenon and was the basis for techniques and bodily practices that heightened pulmonary awareness. New understandings of air pollution and disease stimulated a widespread preoccupation with ventilation, impacting architecture in countless ways. Altenhof’s close readings of built structures show how the science of breathing was incorporated into architecture, whether in the design of factories, residences, or medical facilities. The lungs form a major part of the respiratory system and like no other organ tie the living body directly to its surroundings. Yet the role of lungs also poses a topological problem: engaging in atmospheric transfer, they dissolve the division between inside and outside, and despite being an internal organ, they sustain a permanent and living connection to the external world. This ambiguity and permeability constitute the spatial dimension of breathing.
Breathing space: The architecture of pneumatic beings
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"Breathing Space" is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully overridden, it takes place unconsciously and involuntarily—most of the time. However, beginning in the mid-nineteenth century, attitudes toward breathing changed significantly. Breathing became a widely investigated cultural and physiological phenomenon and was the basis for techniques and bodily practices that heightened pulmonary awareness. New understandings of air pollution and disease stimulated a widespread preoccupation with ventilation, impacting architecture in countless ways. Altenhof’s close readings of built structures show how the science of breathing was incorporated into architecture, whether in the design of factories, residences, or medical facilities. The lungs form a major part of the respiratory system and like no other organ tie the living body directly to its surroundings. Yet the role of lungs also poses a topological problem: engaging in atmospheric transfer, they dissolve the division between inside and outside, and despite being an internal organ, they sustain a permanent and living connection to the external world. This ambiguity and permeability constitute the spatial dimension of breathing.
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books
books
Publication:
March 2026
March 2026
Subject:
Architectural Theory
Architectural Theory
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books
books
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$40.00
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A prominent practitioner, an influential theorist, and an esteemed educator, the architect Peter Eisenman today stands at the center of architectural discourse and debate. This book, a companion volume to "Eisenman inside out : selected writings, 1963–1988", gathers a selection of his later writings. In these texts Eisenman undertakes theoretical analyses, close readings(...)
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A prominent practitioner, an influential theorist, and an esteemed educator, the architect Peter Eisenman today stands at the center of architectural discourse and debate. This book, a companion volume to "Eisenman inside out : selected writings, 1963–1988", gathers a selection of his later writings. In these texts Eisenman undertakes theoretical analyses, close readings(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
April 2007, New Haven, London
April 2007, New Haven, London
Title:
Peter Eisenman : written into the void, selected writings, 1990-2004
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A prominent practitioner, an influential theorist, and an esteemed educator, the architect Peter Eisenman today stands at the center of architectural discourse and debate. This book, a companion volume to "Eisenman inside out : selected writings, 1963–1988", gathers a selection of his later writings. In these texts Eisenman undertakes theoretical analyses, close readings of his own works, and innovative assessments of the designs and writings of other architects and critics. In an introduction to the volume, Jeffrey Kipnis looks closely at Eisenman’s approach toward language and writing, a practice in which architecture itself becomes a form of written theory, as well as at his context within a critical canon that includes Jacques Derrida and Rosalind Krauss. Presenting the range of Eisenman’s important contributions to architectural theory, this collection of nineteen essays provides insight into the architect’s own understandings and methodologies and offers provocative challenges for his readers.
Peter Eisenman : written into the void, selected writings, 1990-2004
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A prominent practitioner, an influential theorist, and an esteemed educator, the architect Peter Eisenman today stands at the center of architectural discourse and debate. This book, a companion volume to "Eisenman inside out : selected writings, 1963–1988", gathers a selection of his later writings. In these texts Eisenman undertakes theoretical analyses, close readings of his own works, and innovative assessments of the designs and writings of other architects and critics. In an introduction to the volume, Jeffrey Kipnis looks closely at Eisenman’s approach toward language and writing, a practice in which architecture itself becomes a form of written theory, as well as at his context within a critical canon that includes Jacques Derrida and Rosalind Krauss. Presenting the range of Eisenman’s important contributions to architectural theory, this collection of nineteen essays provides insight into the architect’s own understandings and methodologies and offers provocative challenges for his readers.
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books
books
Publication:
April 2007, New Haven, London
April 2007, New Haven, London
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$42.50
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Picking up on architecture’s tradition of teaching professional experience to students through conversation, this book provides insight into the ideas, methods, and memories of Günther Vogt, and questions the attitude that this innovative landscape architect adopts towards his profession. With reference to five different locations, Günther Vogt speaks about current themes(...)
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Picking up on architecture’s tradition of teaching professional experience to students through conversation, this book provides insight into the ideas, methods, and memories of Günther Vogt, and questions the attitude that this innovative landscape architect adopts towards his profession. With reference to five different locations, Günther Vogt speaks about current themes(...)
Publication:
August 2012
August 2012
Title:
Vogt architects: Landscape as a cabinet of curiosities
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Picking up on architecture’s tradition of teaching professional experience to students through conversation, this book provides insight into the ideas, methods, and memories of Günther Vogt, and questions the attitude that this innovative landscape architect adopts towards his profession. With reference to five different locations, Günther Vogt speaks about current themes of landscape architecture and its relationship to architecture and the city, about his teaching at the ETH Zürich, and about the work of Vogt Landscape Architects; he describes his perception of the landscape as a cabinet of curiosities, tells how he collects various phenomena and individual elements, relates them to each other and rearranges them. And in the reader’s mind’s eye unfolds a cosmos, in which the lack of wholeness of nature seems to be a gain rather than a loss.
Vogt architects: Landscape as a cabinet of curiosities
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Picking up on architecture’s tradition of teaching professional experience to students through conversation, this book provides insight into the ideas, methods, and memories of Günther Vogt, and questions the attitude that this innovative landscape architect adopts towards his profession. With reference to five different locations, Günther Vogt speaks about current themes of landscape architecture and its relationship to architecture and the city, about his teaching at the ETH Zürich, and about the work of Vogt Landscape Architects; he describes his perception of the landscape as a cabinet of curiosities, tells how he collects various phenomena and individual elements, relates them to each other and rearranges them. And in the reader’s mind’s eye unfolds a cosmos, in which the lack of wholeness of nature seems to be a gain rather than a loss.
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books
books
Publication:
August 2012
August 2012
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books
books
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$70.00
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Opened in 1992, the Kunsthal in Rotterdam is a key design in the portfolio of Rem Koolhaas, one of the most influential architectural thinkers of our time, and OMA, the renowned firm he cofounded in 1975. It is part of the Museumpark, a park designed by OMA and the location of the Nederlands Architectuurinstituut NAi, the Museum Boijmans Van Beuningen, and the Museum of(...)
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Opened in 1992, the Kunsthal in Rotterdam is a key design in the portfolio of Rem Koolhaas, one of the most influential architectural thinkers of our time, and OMA, the renowned firm he cofounded in 1975. It is part of the Museumpark, a park designed by OMA and the location of the Nederlands Architectuurinstituut NAi, the Museum Boijmans Van Beuningen, and the Museum of(...)
Title:
OMA’s Kunsthal in Rotterdam: Rem Koolhaas and the New Europe
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Opened in 1992, the Kunsthal in Rotterdam is a key design in the portfolio of Rem Koolhaas, one of the most influential architectural thinkers of our time, and OMA, the renowned firm he cofounded in 1975. It is part of the Museumpark, a park designed by OMA and the location of the Nederlands Architectuurinstituut NAi, the Museum Boijmans Van Beuningen, and the Museum of Natural History. This outstanding space for art is a destination for countless architecture fans every year. It is celebrated by Tibor Pataky, architect and architectural historian, in this inspiring book. He explains the history, the programmatic background, and the cultural references of the design. He also places it in the context of OMA’s work of the 1980s and the intellectual environment of Deconstructivism. Nine series of illustrations—historic and new photographs, plans and documents from OMA’s archive, newly drawn plans of the finished building, and other images—focus on the structure’s outstanding qualities. ''OMA’s Kunsthal in Rotterdam'' is a tribute to one of the most significant works of post-WWII architecture in Europe.
OMA’s Kunsthal in Rotterdam: Rem Koolhaas and the New Europe
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Opened in 1992, the Kunsthal in Rotterdam is a key design in the portfolio of Rem Koolhaas, one of the most influential architectural thinkers of our time, and OMA, the renowned firm he cofounded in 1975. It is part of the Museumpark, a park designed by OMA and the location of the Nederlands Architectuurinstituut NAi, the Museum Boijmans Van Beuningen, and the Museum of Natural History. This outstanding space for art is a destination for countless architecture fans every year. It is celebrated by Tibor Pataky, architect and architectural historian, in this inspiring book. He explains the history, the programmatic background, and the cultural references of the design. He also places it in the context of OMA’s work of the 1980s and the intellectual environment of Deconstructivism. Nine series of illustrations—historic and new photographs, plans and documents from OMA’s archive, newly drawn plans of the finished building, and other images—focus on the structure’s outstanding qualities. ''OMA’s Kunsthal in Rotterdam'' is a tribute to one of the most significant works of post-WWII architecture in Europe.
Form:
books
books
Publication:
September 2023
September 2023
Subject:
Architecture Monographs
Architecture Monographs
