Searching for Sebald
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W.G. Sebaldís books are sui generis hybrids of fiction, travelogue, autobiography and historical expose, in which a narrator (both Sebald and not Sebald) comments on the quick blossoming of natural wonders and the long deaths that come of human atrocities. All his narratives are punctuated with images--murky photographs, architectural plans, engravings, paintings,(...)
Theory of Photography
May 2006, Los Angeles
Searching for Sebald
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W.G. Sebaldís books are sui generis hybrids of fiction, travelogue, autobiography and historical expose, in which a narrator (both Sebald and not Sebald) comments on the quick blossoming of natural wonders and the long deaths that come of human atrocities. All his narratives are punctuated with images--murky photographs, architectural plans, engravings, paintings, newspaper clippings--inserted into the prose without captions and often without obvious connection to the words that surround them. This important volume includes a rare 1993 interview called ì'But the written word is not a true document': A Conversation with W.G. Sebald about Photography and Literature,î in which Sebald talks exclusively about his use of photographs. It contains some of Sebald's most illuminating and poetic remarks about the topic yet.
Theory of Photography
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"Landscapes of play: A collection of imaginative spaces in Japan" is a self-published book exploring Japan’s unique and influential approach to outdoor play design, beginning with Mitsuru Senda’s pioneering of the “play apparatus” concept of the 1960s and extending to more contemporary play environments at the Showa Memorial Park in Tokyo. Through a combination of(...)
October 2025
Landscapes of play: A collective of imaginative spaces in Japan
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"Landscapes of play: A collection of imaginative spaces in Japan" is a self-published book exploring Japan’s unique and influential approach to outdoor play design, beginning with Mitsuru Senda’s pioneering of the “play apparatus” concept of the 1960s and extending to more contemporary play environments at the Showa Memorial Park in Tokyo. Through a combination of photography, research and personal reflections, it documents how these environments invite children and adults to play in ways that transcend conventional designs. The book also features a conversation with Norihiro Kanekiyo from Takano Landscape Planning —the office responsible for several of the projects in the book— which offers deep insight into their design approach to play and the role of nature in the conceptualization of these spaces.
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Guillaume Adjutor Provost de´veloppe depuis biento^t dix ans un travail oriente´ vers l’ame´nagement d’espaces d’hospitalite´ et de collaboration avec une communaute´ de pairs, souvent issus de la performance comme lui, mais e´galement avec des acteurs provenant de milieux non artistiques et dont les histoires demandent a` e^tre raconte´es. Cet espace d’hospitalite´ se(...)
Guillaume Adjutor Provost : Vapeurs
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Guillaume Adjutor Provost de´veloppe depuis biento^t dix ans un travail oriente´ vers l’ame´nagement d’espaces d’hospitalite´ et de collaboration avec une communaute´ de pairs, souvent issus de la performance comme lui, mais e´galement avec des acteurs provenant de milieux non artistiques et dont les histoires demandent a` e^tre raconte´es. Cet espace d’hospitalite´ se mate´rialise ici sous la forme discursive et polyphonique du livre, qui devient une sorte d’extension du domaine de la conversation mis en place par la pratique artistique de Provost. Conc¸u par l’artiste lui-me^me comme une plateforme d’invitations, de discussions et d’e´changes, le pre´sent ouvrage re´unit quatre essais qui forment autant de points d’entre´e dans l’œuvre.
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''Joan Jonas: I know why they left'', printed in conjunction with the 2019 exhibition at the Isabella Stewart Gardner Museum, is an artists book featuring full-colour reproductions of a new series of drawings by this seminal artist. As an Artist-in-Residence in 2017, Jonas was drawn to the vast array of mythical and archetypal animals present in the Gardners collection.(...)
Contemporary Art Monographs
September 2019
Joan Jonas: I know why they left
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''Joan Jonas: I know why they left'', printed in conjunction with the 2019 exhibition at the Isabella Stewart Gardner Museum, is an artists book featuring full-colour reproductions of a new series of drawings by this seminal artist. As an Artist-in-Residence in 2017, Jonas was drawn to the vast array of mythical and archetypal animals present in the Gardners collection. Drawn from objects made of lace, stone, metal, wood, and ceramic, or found in tapestries and paintings, the animal figures allude to the importance of natures life force in the face of disruptive human presence. In this book, which includes a conversation between Joan Jonas and Pieranna Cavalchini, Jonass ability to conjure wonder, fear, and humor through poetic imagery continues to work its magic.
Contemporary Art Monographs
Nature of enclosure
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Overlapped by cultural consumption and politics, planetary imagination stimulates a useful framework for interrogating the human impact on environmental limitations over a technological foreground. The blurry lines between the engineered logic and cultural imagination are continually embedded and influenced by intuition in the cultural practices of capital enclosure.(...)
Nature of enclosure
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Overlapped by cultural consumption and politics, planetary imagination stimulates a useful framework for interrogating the human impact on environmental limitations over a technological foreground. The blurry lines between the engineered logic and cultural imagination are continually embedded and influenced by intuition in the cultural practices of capital enclosure. Theories, design practices, and the forms of imagination, including science fiction, open up critical questions on the status of our environment here on Earth. This book comprises a series of conversations to gather experts from a range of disciplines at the intersection of architecture and the environment. It continues the conversation with a collection of essays as both reflections from the provocative discussions and expanding the discourse of enclosed environments in architecture and design fields.
Architectural Theory
The material kinship reader: material beyond extraction and kinship beyond the nuclear family
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What does it mean to acknowledge one’s closeness to, enmeshment in or even kinship with the material world? And what does it mean to question family structures – the way they organise, coerce and make deviant certain lifeforms – and dwell in other possibilities of kin-making? Not just a jolly rethinking of objects or a polyamorous romp through relationships, this book(...)
The material kinship reader: material beyond extraction and kinship beyond the nuclear family
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What does it mean to acknowledge one’s closeness to, enmeshment in or even kinship with the material world? And what does it mean to question family structures – the way they organise, coerce and make deviant certain lifeforms – and dwell in other possibilities of kin-making? Not just a jolly rethinking of objects or a polyamorous romp through relationships, this book reckons with the extractavist histories of materials and the social relations that frame much of contemporary life. Spanning fiction and theory, the collection of texts expands the idea of an artist’s book by bringing words into conversation with an aesthetic proposition. From colonial conquest to climate collapse, it tells toxic and tender stories of interdependence among all things sentient and insentient.
Social
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After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first(...)
Sophie Calle: suite vénitienne
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After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first artist's book and the crucible of her inimitable fusion of investigatory methods, fictional constructs, the plundering of real life and the composition of self. This Siglio reissue is a completely new iteration of Suite Vénitienne (first published in 1988 and long out of print), designed in collaboration with Calle to be the definitive English-language edition.
Contemporary Art Monographs
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191 Seiten 23.5 cm x 19 cm
Berlin DISTANZ [2024]
Hansaviertel Portraits Herausgeberinnen Anna Frey, Caterina Rancho ; texts Anna Frey.
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191 Seiten 23.5 cm x 19 cm
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Berlin DISTANZ [2024]
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In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and(...)
Futures of the architectural exhibition: Five conversations on the display of space
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In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and lifestyle in relation to spatial issues of density, economy, policy, infrastructure, climate, and sustainability. This book records a discussion of critical approaches to the representation of architecture through conversations with seven contemporary curators working inside and outside of the museum. Mario Ballesteros (Archivo Diseño y Arquitectura), Giovanna Borasi (Canadian Center for Architecture), Ann Lui (Future Firm), Ana Miljacki (Critical Broadcasting Lab, MIT), Zoë Ryan (ICA, University of Pennsylvania), Martino Stierli (Museum of Modern Art), and Shirley Surya (M+, Hong Kong) speculate on the specific challenges and potentials of exhibiting space.
Museology
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In Matter in the Floating World, Blaine Brownell travels to the offices of twenty leading material and design innovators in Japan, including Tadao Ando, Shigeru Ban, Kengo Kuma, and Kazuyo Sejima, to find the connections between materiality and transience in their work.
Matter in the floating world: Conversations with leading Japanese architects and designers
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In Matter in the Floating World, Blaine Brownell travels to the offices of twenty leading material and design innovators in Japan, including Tadao Ando, Shigeru Ban, Kengo Kuma, and Kazuyo Sejima, to find the connections between materiality and transience in their work.
Contemporary Asian Architecture