11398 Results
Level of archival description:
Project
Project
Title:
Miragaia, Porto
Miragaia, Porto
Actions:
Reference number:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
People:
Date:
1975-1977
1975-1977
Title:
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
1975-1977
1975-1977
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
People:
Date:
1988-1991
1988-1991
Title:
Reisman-Jenkinson House, Richmond Hill, Ontario (1988-1991)
Actions:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
Reisman-Jenkinson House, Richmond Hill, Ontario (1988-1991)
Actions:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
Level of archival description:
Project
Project
Date:
1988-1991
1988-1991
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1984:0786
PH1984:0786
People:
Subject:
architecture
architecture
Date:
1973
1973
Form:
photographs
photographs
Date:
1973
1973
People:
Subject:
architecture
architecture
Form:
photographs
photographs
Actions:
Reference number:
PH1984:0787
PH1984:0787
People:
Subject:
architecture
architecture
Date:
1973
1973
Title:
View of the Vincent van Gogh National Museum from across the street, Amsterdam, Netherlands
Actions:
PH1984:0787
View of the Vincent van Gogh National Museum from across the street, Amsterdam, Netherlands
Actions:
PH1984:0787
Form:
photographs
photographs
Date:
1973
1973
People:
Subject:
architecture
architecture
Form:
photographs
photographs
Actions:
Reference number:
PH1984:0788
PH1984:0788
People:
Subject:
architecture
architecture
Date:
1973
1973
Form:
photographs
photographs
Date:
1973
1973
People:
Subject:
architecture
architecture
Form:
textual records
textual records
Actions:
Reference number:
ARCH276270
Description:
46 files - Group contains subject and project files, many relating to Arthur Erickson Architectural Corporation, Vancouver. Files are arranged alphabetically (D-Z) and include: Dance Center; Ferris, MO; Frank Lloyd Wright Foundation; Greater Vancouver Transportation Centre; Hangzhou; I.A.A.; Iraq claim; Indonesia; Keller; Kitimat; Kirkor Architects; Kuwait; Michigan House; NATO; PEMB; Photographers; Potential Projects; Proposals; Qatar; Qui, Kang; Qui, Jiang; Presentations; Robson Revitalization; Saudi Embassy, Ottawa; SFU Housing; Silverlink; Sitkum Loidge, Victoria; Stichler; Stockton & Bush; Streetcars; Social Correspondence; Technical info; "New Modernist Group" - Richard Snibbe; Tokyo Embassy; Transvision; UBC Pres. Committee; University of Guelph; U.S. Immigration - Arthur; Walter/Mills Residence; Wang, A; Washington Chancery; Zecha Holdings.
ARCH276270
Description:
46 files - Group contains subject and project files, many relating to Arthur Erickson Architectural Corporation, Vancouver. Files are arranged alphabetically (D-Z) and include: Dance Center; Ferris, MO; Frank Lloyd Wright Foundation; Greater Vancouver Transportation Centre; Hangzhou; I.A.A.; Iraq claim; Indonesia; Keller; Kitimat; Kirkor Architects; Kuwait; Michigan House; NATO; PEMB; Photographers; Potential Projects; Proposals; Qatar; Qui, Kang; Qui, Jiang; Presentations; Robson Revitalization; Saudi Embassy, Ottawa; SFU Housing; Silverlink; Sitkum Loidge, Victoria; Stichler; Stockton & Bush; Streetcars; Social Correspondence; Technical info; "New Modernist Group" - Richard Snibbe; Tokyo Embassy; Transvision; UBC Pres. Committee; University of Guelph; U.S. Immigration - Arthur; Walter/Mills Residence; Wang, A; Washington Chancery; Zecha Holdings.
People:
Date:
1983-2001
1983-2001
Title:
Correspondence, project files from Erickson's office
Actions:
ARCH276270
Description:
46 files - Group contains subject and project files, many relating to Arthur Erickson Architectural Corporation, Vancouver. Files are arranged alphabetically (D-Z) and include: Dance Center; Ferris, MO; Frank Lloyd Wright Foundation; Greater Vancouver Transportation Centre; Hangzhou; I.A.A.; Iraq claim; Indonesia; Keller; Kitimat; Kirkor Architects; Kuwait; Michigan House; NATO; PEMB; Photographers; Potential Projects; Proposals; Qatar; Qui, Kang; Qui, Jiang; Presentations; Robson Revitalization; Saudi Embassy, Ottawa; SFU Housing; Silverlink; Sitkum Loidge, Victoria; Stichler; Stockton & Bush; Streetcars; Social Correspondence; Technical info; "New Modernist Group" - Richard Snibbe; Tokyo Embassy; Transvision; UBC Pres. Committee; University of Guelph; U.S. Immigration - Arthur; Walter/Mills Residence; Wang, A; Washington Chancery; Zecha Holdings.
Correspondence, project files from Erickson's office
Actions:
ARCH276270
Description:
46 files - Group contains subject and project files, many relating to Arthur Erickson Architectural Corporation, Vancouver. Files are arranged alphabetically (D-Z) and include: Dance Center; Ferris, MO; Frank Lloyd Wright Foundation; Greater Vancouver Transportation Centre; Hangzhou; I.A.A.; Iraq claim; Indonesia; Keller; Kitimat; Kirkor Architects; Kuwait; Michigan House; NATO; PEMB; Photographers; Potential Projects; Proposals; Qatar; Qui, Kang; Qui, Jiang; Presentations; Robson Revitalization; Saudi Embassy, Ottawa; SFU Housing; Silverlink; Sitkum Loidge, Victoria; Stichler; Stockton & Bush; Streetcars; Social Correspondence; Technical info; "New Modernist Group" - Richard Snibbe; Tokyo Embassy; Transvision; UBC Pres. Committee; University of Guelph; U.S. Immigration - Arthur; Walter/Mills Residence; Wang, A; Washington Chancery; Zecha Holdings.
Form:
textual records
textual records
Date:
1983-2001
1983-2001
People:
Level of archival description:
Series
Series
Reference number:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
People:
Date:
2000 - 2007
2000 - 2007
Title:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Level of archival description:
Series
Series
Date:
2000 - 2007
2000 - 2007
People:
Form:
photographs
photographs
Reference number:
ARCH274436
Description:
Group consists of negatives (123 negatives) and photographs (103 photographs) of Chandigarh, India, including photographs of the Capitol Complex's buildings, housings and private houses, the Bhakra Dam near Talwara and photographs of the construction workers.
ARCH274436
Description:
Group consists of negatives (123 negatives) and photographs (103 photographs) of Chandigarh, India, including photographs of the Capitol Complex's buildings, housings and private houses, the Bhakra Dam near Talwara and photographs of the construction workers.
People:
Date:
between 1951 and 1965
between 1951 and 1965
Title:
Photographs of Chandigarh, India
Actions:
ARCH274436
Description:
Group consists of negatives (123 negatives) and photographs (103 photographs) of Chandigarh, India, including photographs of the Capitol Complex's buildings, housings and private houses, the Bhakra Dam near Talwara and photographs of the construction workers.
Photographs of Chandigarh, India
Actions:
ARCH274436
Description:
Group consists of negatives (123 negatives) and photographs (103 photographs) of Chandigarh, India, including photographs of the Capitol Complex's buildings, housings and private houses, the Bhakra Dam near Talwara and photographs of the construction workers.
Form:
photographs
photographs
Date:
between 1951 and 1965
between 1951 and 1965
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Wohnhaus Schlesisches Tor—also known as Bonjour Tristesse—in Berlin and Punt en Komma in The Hague are Álvaro Siza’s first built works outside his native Portugal. The two projects resemble one another in size, scale, program, and ambition: both were built in the 1980s, both are results of a distinct attitude towards the city, and both were social housing projects(...)
Wohnhaus Schlesisches Tor—also known as Bonjour Tristesse—in Berlin and Punt en Komma in The Hague are Álvaro Siza’s first built works outside his native Portugal. The two projects resemble one another in size, scale, program, and ambition: both were built in the 1980s, both are results of a distinct attitude towards the city, and both were social housing projects(...)
Location:
Octagonal gallery Keyword(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Octagonal gallery Keyword(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Date:
24 September 2015 to 22 May 2016
24 September 2015 to 22 May 2016
Title:
Corner, Block, Neighbourhood, Cities. Álvaro Siza in Berlin and The Hague
Actions:
Description:
Wohnhaus Schlesisches Tor—also known as Bonjour Tristesse—in Berlin and Punt en Komma in The Hague are Álvaro Siza’s first built works outside his native Portugal. The two projects resemble one another in size, scale, program, and ambition: both were built in the 1980s, both are results of a distinct attitude towards the city, and both were social housing projects(...)
Corner, Block, Neighbourhood, Cities. Álvaro Siza in Berlin and The Hague
Actions:
Description:
Wohnhaus Schlesisches Tor—also known as Bonjour Tristesse—in Berlin and Punt en Komma in The Hague are Álvaro Siza’s first built works outside his native Portugal. The two projects resemble one another in size, scale, program, and ambition: both were built in the 1980s, both are results of a distinct attitude towards the city, and both were social housing projects(...)
Form:
exhibitions
exhibitions
Date:
24 September 2015 to
22 May 2016
24 September 2015 to
22 May 2016
Location:
Octagonal gallery Keyword(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Octagonal gallery Keyword(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Form:
textual records
textual records
Actions:
Reference number:
ARCH257321
Description:
mixed reports: Transit Station and Large Public assembly Facilities, Office Buildings, Science, Technology and Computer Centres, Museum Packet, Mid East Projects, Hotel List, Law Courts, Office buildings and Data Centres, Project Descriptions R-Z, Projects list, Notes AEA Projects, miscellaneous Photographs: miscellaneous unidentified, Yordale Subway Station, The World Bank, Western Washington, Woodside Residence, Robson Sqaure, Witting Place, U.C Irvine, USCD, Vancouver Art Gallery, Wall Street, Westin Bayshore, Wilshire Art Complex, Village Lake Louise, Taos Resort Study Model, SunLife Building, U.B.C Facility Club, University of Victoria, Tokyo international Trade Fair Pavillon, Teck Mining, Sunkin House, Saudi Embassy, Sawaber Housing, Spadina Quay, Songhees Seniors Tower, Shangai Culture, Saskatoon Hospital
ARCH257321
Description:
mixed reports: Transit Station and Large Public assembly Facilities, Office Buildings, Science, Technology and Computer Centres, Museum Packet, Mid East Projects, Hotel List, Law Courts, Office buildings and Data Centres, Project Descriptions R-Z, Projects list, Notes AEA Projects, miscellaneous Photographs: miscellaneous unidentified, Yordale Subway Station, The World Bank, Western Washington, Woodside Residence, Robson Sqaure, Witting Place, U.C Irvine, USCD, Vancouver Art Gallery, Wall Street, Westin Bayshore, Wilshire Art Complex, Village Lake Louise, Taos Resort Study Model, SunLife Building, U.B.C Facility Club, University of Victoria, Tokyo international Trade Fair Pavillon, Teck Mining, Sunkin House, Saudi Embassy, Sawaber Housing, Spadina Quay, Songhees Seniors Tower, Shangai Culture, Saskatoon Hospital
People:
Title:
Reports, projects descriptions and projects photographs for promotion
Actions:
ARCH257321
Description:
mixed reports: Transit Station and Large Public assembly Facilities, Office Buildings, Science, Technology and Computer Centres, Museum Packet, Mid East Projects, Hotel List, Law Courts, Office buildings and Data Centres, Project Descriptions R-Z, Projects list, Notes AEA Projects, miscellaneous Photographs: miscellaneous unidentified, Yordale Subway Station, The World Bank, Western Washington, Woodside Residence, Robson Sqaure, Witting Place, U.C Irvine, USCD, Vancouver Art Gallery, Wall Street, Westin Bayshore, Wilshire Art Complex, Village Lake Louise, Taos Resort Study Model, SunLife Building, U.B.C Facility Club, University of Victoria, Tokyo international Trade Fair Pavillon, Teck Mining, Sunkin House, Saudi Embassy, Sawaber Housing, Spadina Quay, Songhees Seniors Tower, Shangai Culture, Saskatoon Hospital
Reports, projects descriptions and projects photographs for promotion
Actions:
ARCH257321
Description:
mixed reports: Transit Station and Large Public assembly Facilities, Office Buildings, Science, Technology and Computer Centres, Museum Packet, Mid East Projects, Hotel List, Law Courts, Office buildings and Data Centres, Project Descriptions R-Z, Projects list, Notes AEA Projects, miscellaneous Photographs: miscellaneous unidentified, Yordale Subway Station, The World Bank, Western Washington, Woodside Residence, Robson Sqaure, Witting Place, U.C Irvine, USCD, Vancouver Art Gallery, Wall Street, Westin Bayshore, Wilshire Art Complex, Village Lake Louise, Taos Resort Study Model, SunLife Building, U.B.C Facility Club, University of Victoria, Tokyo international Trade Fair Pavillon, Teck Mining, Sunkin House, Saudi Embassy, Sawaber Housing, Spadina Quay, Songhees Seniors Tower, Shangai Culture, Saskatoon Hospital
Form:
textual records
textual records
People:
