5582 Results
Form:
research
research
Actions:
Description:
Bechtel-CCA Collection Research Grants: Peter Coffman (Queens University); Christina Contandriopoulos (McGill University); Heather Diack (University of Toronto); Brent Epp (University of British Columbia); Jennifer Ferng (Massachusetts Institute of Technology); Nicolas Gaudreau (Concordia University, Montreal); Lauren Kroiz (Massachusetts Institute of Technology);(...)
Bechtel-CCA Collection Research Grants: Peter Coffman (Queens University); Christina Contandriopoulos (McGill University); Heather Diack (University of Toronto); Brent Epp (University of British Columbia); Jennifer Ferng (Massachusetts Institute of Technology); Nicolas Gaudreau (Concordia University, Montreal); Lauren Kroiz (Massachusetts Institute of Technology);(...)
Date:
January 2004 to August 2004
January 2004 to August 2004
Title:
Doctoral Students Program 2004
Actions:
Description:
Bechtel-CCA Collection Research Grants: Peter Coffman (Queens University); Christina Contandriopoulos (McGill University); Heather Diack (University of Toronto); Brent Epp (University of British Columbia); Jennifer Ferng (Massachusetts Institute of Technology); Nicolas Gaudreau (Concordia University, Montreal); Lauren Kroiz (Massachusetts Institute of Technology);(...)
Doctoral Students Program 2004
Actions:
Description:
Bechtel-CCA Collection Research Grants: Peter Coffman (Queens University); Christina Contandriopoulos (McGill University); Heather Diack (University of Toronto); Brent Epp (University of British Columbia); Jennifer Ferng (Massachusetts Institute of Technology); Nicolas Gaudreau (Concordia University, Montreal); Lauren Kroiz (Massachusetts Institute of Technology);(...)
Form:
research
research
Date:
January 2004 to
August 2004
January 2004 to
August 2004
Form:
research
research
Actions:
Description:
TD Bank Group-CCA Collection Research Grants Recipients: Amin Alsaden (Harvard University, Graduate School of Design); Heather Braiden (McGill University); Christina Crawford (Harvard University, Graduate School of Design); Ayca Koseoglu (McGill University); Whitten Overby (Cornell University, College of Architecture, Art and Planning); Dana Samuel (Concordia(...)
TD Bank Group-CCA Collection Research Grants Recipients: Amin Alsaden (Harvard University, Graduate School of Design); Heather Braiden (McGill University); Christina Crawford (Harvard University, Graduate School of Design); Ayca Koseoglu (McGill University); Whitten Overby (Cornell University, College of Architecture, Art and Planning); Dana Samuel (Concordia(...)
Date:
June 2014 to September 2014
June 2014 to September 2014
Title:
Doctoral Students Program 2014
Actions:
Description:
TD Bank Group-CCA Collection Research Grants Recipients: Amin Alsaden (Harvard University, Graduate School of Design); Heather Braiden (McGill University); Christina Crawford (Harvard University, Graduate School of Design); Ayca Koseoglu (McGill University); Whitten Overby (Cornell University, College of Architecture, Art and Planning); Dana Samuel (Concordia(...)
Doctoral Students Program 2014
Actions:
Description:
TD Bank Group-CCA Collection Research Grants Recipients: Amin Alsaden (Harvard University, Graduate School of Design); Heather Braiden (McGill University); Christina Crawford (Harvard University, Graduate School of Design); Ayca Koseoglu (McGill University); Whitten Overby (Cornell University, College of Architecture, Art and Planning); Dana Samuel (Concordia(...)
Form:
research
research
Date:
June 2014 to
September 2014
June 2014 to
September 2014
Form:
exhibitions
exhibitions
Actions:
Description:
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
17 April 1996 to 4 August 1996
17 April 1996 to 4 August 1996
Title:
Dieter Appelt: The Catastrophe of Things
Actions:
Description:
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Dieter Appelt: The Catastrophe of Things
Actions:
Description:
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Form:
exhibitions
exhibitions
Date:
17 April 1996 to
4 August 1996
17 April 1996 to
4 August 1996
Location:
Octagonal gallery
Octagonal gallery
Form:
photographs
photographs
Actions:
Reference number:
DR2012:0012:112:002
Description:
Ring binder containing transparencies, related to the following projects from 1970 to 1989: - Une histoire, 1974-1977 (4 transparencies); - Fragments, 1975-1978 (1 transparency); - Streetwork, 1978 (3 transparencies); - Edifice, 1979 (2 transparencies, including 1 duplicate); - A Chicago construction, 1981-1983 (4 transparencies, including 1 duplicate); - A Toronto construction, 1982 (1 transparency); - A construction in Venice, 1985-1986 (2 transparencies); - Pliny on my mind, 1983 (1 transparency); - German series 1, 1980-1983 (6 transparencies, including 3 duplicates); - German series 2, 1981-1985 (2 transparencies, including 1 duplicate); - German series 3, 1980-1990 (3 transparencies, including 2 duplicates); - German series 4, 1983-1987 (3 transparencies); - From Laugier to Popova, 1985 (3 transparencies, including 1 duplicate); - A Lethbridge construction, 1985 (5 transparencies, including 2 duplicates); - CCA garden, 1987-1990 (40 transparencies, 1 negative, including 11 duplicates).
DR2012:0012:112:002
Description:
Ring binder containing transparencies, related to the following projects from 1970 to 1989: - Une histoire, 1974-1977 (4 transparencies); - Fragments, 1975-1978 (1 transparency); - Streetwork, 1978 (3 transparencies); - Edifice, 1979 (2 transparencies, including 1 duplicate); - A Chicago construction, 1981-1983 (4 transparencies, including 1 duplicate); - A Toronto construction, 1982 (1 transparency); - A construction in Venice, 1985-1986 (2 transparencies); - Pliny on my mind, 1983 (1 transparency); - German series 1, 1980-1983 (6 transparencies, including 3 duplicates); - German series 2, 1981-1985 (2 transparencies, including 1 duplicate); - German series 3, 1980-1990 (3 transparencies, including 2 duplicates); - German series 4, 1983-1987 (3 transparencies); - From Laugier to Popova, 1985 (3 transparencies, including 1 duplicate); - A Lethbridge construction, 1985 (5 transparencies, including 2 duplicates); - CCA garden, 1987-1990 (40 transparencies, 1 negative, including 11 duplicates).
People:
Date:
1975-1990
1975-1990
Title:
Photographs of various artworks from Melvin Charney's projects
Actions:
DR2012:0012:112:002
Description:
Ring binder containing transparencies, related to the following projects from 1970 to 1989: - Une histoire, 1974-1977 (4 transparencies); - Fragments, 1975-1978 (1 transparency); - Streetwork, 1978 (3 transparencies); - Edifice, 1979 (2 transparencies, including 1 duplicate); - A Chicago construction, 1981-1983 (4 transparencies, including 1 duplicate); - A Toronto construction, 1982 (1 transparency); - A construction in Venice, 1985-1986 (2 transparencies); - Pliny on my mind, 1983 (1 transparency); - German series 1, 1980-1983 (6 transparencies, including 3 duplicates); - German series 2, 1981-1985 (2 transparencies, including 1 duplicate); - German series 3, 1980-1990 (3 transparencies, including 2 duplicates); - German series 4, 1983-1987 (3 transparencies); - From Laugier to Popova, 1985 (3 transparencies, including 1 duplicate); - A Lethbridge construction, 1985 (5 transparencies, including 2 duplicates); - CCA garden, 1987-1990 (40 transparencies, 1 negative, including 11 duplicates).
Photographs of various artworks from Melvin Charney's projects
Actions:
DR2012:0012:112:002
Description:
Ring binder containing transparencies, related to the following projects from 1970 to 1989: - Une histoire, 1974-1977 (4 transparencies); - Fragments, 1975-1978 (1 transparency); - Streetwork, 1978 (3 transparencies); - Edifice, 1979 (2 transparencies, including 1 duplicate); - A Chicago construction, 1981-1983 (4 transparencies, including 1 duplicate); - A Toronto construction, 1982 (1 transparency); - A construction in Venice, 1985-1986 (2 transparencies); - Pliny on my mind, 1983 (1 transparency); - German series 1, 1980-1983 (6 transparencies, including 3 duplicates); - German series 2, 1981-1985 (2 transparencies, including 1 duplicate); - German series 3, 1980-1990 (3 transparencies, including 2 duplicates); - German series 4, 1983-1987 (3 transparencies); - From Laugier to Popova, 1985 (3 transparencies, including 1 duplicate); - A Lethbridge construction, 1985 (5 transparencies, including 2 duplicates); - CCA garden, 1987-1990 (40 transparencies, 1 negative, including 11 duplicates).
Form:
photographs
photographs
Date:
1975-1990
1975-1990
People:
Form:
events
events
Title:
Making Seed Bombs
Making Seed Bombs
Actions:
Description:
Montréal-based artist Gina Badger shows workshop participants how to make seed-bombs – balls of dirt, clay, water, and seeds that can be used to start gardens in the city. The workshop is presented in collaboration with DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). In conjunction with the exhibition Actions: What You Can Do With the City (2008),(...)
Montréal-based artist Gina Badger shows workshop participants how to make seed-bombs – balls of dirt, clay, water, and seeds that can be used to start gardens in the city. The workshop is presented in collaboration with DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). In conjunction with the exhibition Actions: What You Can Do With the City (2008),(...)
Date:
14 March 2009
14 March 2009
Title:
Making Seed Bombs
Actions:
Description:
Montréal-based artist Gina Badger shows workshop participants how to make seed-bombs – balls of dirt, clay, water, and seeds that can be used to start gardens in the city. The workshop is presented in collaboration with DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). In conjunction with the exhibition Actions: What You Can Do With the City (2008),(...)
Making Seed Bombs
Actions:
Description:
Montréal-based artist Gina Badger shows workshop participants how to make seed-bombs – balls of dirt, clay, water, and seeds that can be used to start gardens in the city. The workshop is presented in collaboration with DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). In conjunction with the exhibition Actions: What You Can Do With the City (2008),(...)
Form:
events
events
Date:
14 March 2009
14 March 2009
Form:
exhibitions
exhibitions
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
24 May 2015 to 12 July 2015
24 May 2015 to 12 July 2015
Title:
Jai Tech: Ábalos&Herreros selected by Juan José Castellón
Actions:
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Jai Tech: Ábalos&Herreros selected by Juan José Castellón
Actions:
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Form:
exhibitions
exhibitions
Date:
24 May 2015 to
12 July 2015
24 May 2015 to
12 July 2015
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
17 June 1997 to 28 September 1997
17 June 1997 to 28 September 1997
Title:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks
Actions:
Description:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks
Actions:
Description:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Form:
exhibitions
exhibitions
Date:
17 June 1997 to
28 September 1997
17 June 1997 to
28 September 1997
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Title:
Cause and Effect
Cause and Effect
Actions:
Description:
In this talk, Michel Boulet, CCA photographer, and Louise Désy, Curator, Photographs, will discuss the photographic coverage of environmental catastrophes. A native of Lac-Mégantic, Michel Boulet was on location during the railway disaster on 6 July 2013, capturing images during the first hours following the accident. This conversation situates the work within larger(...)
In this talk, Michel Boulet, CCA photographer, and Louise Désy, Curator, Photographs, will discuss the photographic coverage of environmental catastrophes. A native of Lac-Mégantic, Michel Boulet was on location during the railway disaster on 6 July 2013, capturing images during the first hours following the accident. This conversation situates the work within larger(...)
Location:
Main galleries
Main galleries
Date:
10 December 2016, 3pm
10 December 2016, 3pm
Title:
Cause and Effect
Actions:
Description:
In this talk, Michel Boulet, CCA photographer, and Louise Désy, Curator, Photographs, will discuss the photographic coverage of environmental catastrophes. A native of Lac-Mégantic, Michel Boulet was on location during the railway disaster on 6 July 2013, capturing images during the first hours following the accident. This conversation situates the work within larger(...)
Cause and Effect
Actions:
Description:
In this talk, Michel Boulet, CCA photographer, and Louise Désy, Curator, Photographs, will discuss the photographic coverage of environmental catastrophes. A native of Lac-Mégantic, Michel Boulet was on location during the railway disaster on 6 July 2013, capturing images during the first hours following the accident. This conversation situates the work within larger(...)
Form:
events
events
Date:
10 December 2016
3pm
10 December 2016
3pm
Location:
Main galleries
Main galleries
Form:
events
events
Actions:
Description:
Bill Brown leads participants on a guided tour through Montréal’s underground city, pointing out the locations of surveillance cameras and discussing the role of surveillance in public space. Brown is a member of Surveillance Camera Players, a New York City-based group that maps surveillance cameras in urban spaces. In conjunction with the exhibition Actions: What You Can(...)
Bill Brown leads participants on a guided tour through Montréal’s underground city, pointing out the locations of surveillance cameras and discussing the role of surveillance in public space. Brown is a member of Surveillance Camera Players, a New York City-based group that maps surveillance cameras in urban spaces. In conjunction with the exhibition Actions: What You Can(...)
Location:
Complexe Desjardins
Complexe Desjardins
Date:
21 February 2009
21 February 2009
Title:
Discovering the Unmonitored Underground City
Actions:
Description:
Bill Brown leads participants on a guided tour through Montréal’s underground city, pointing out the locations of surveillance cameras and discussing the role of surveillance in public space. Brown is a member of Surveillance Camera Players, a New York City-based group that maps surveillance cameras in urban spaces. In conjunction with the exhibition Actions: What You Can(...)
Discovering the Unmonitored Underground City
Actions:
Description:
Bill Brown leads participants on a guided tour through Montréal’s underground city, pointing out the locations of surveillance cameras and discussing the role of surveillance in public space. Brown is a member of Surveillance Camera Players, a New York City-based group that maps surveillance cameras in urban spaces. In conjunction with the exhibition Actions: What You Can(...)
Form:
events
events
Date:
21 February 2009
21 February 2009
Location:
Complexe Desjardins
Complexe Desjardins
Form:
exhibitions
exhibitions
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Location:
Main galleries
Main galleries
Date:
15 May 2003 to 14 September 2003
15 May 2003 to 14 September 2003
Title:
Traces of India: Photography, Architecture, and the Politics of Representation
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Traces of India: Photography, Architecture, and the Politics of Representation
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Form:
exhibitions
exhibitions
Date:
15 May 2003 to
14 September 2003
15 May 2003 to
14 September 2003
Location:
Main galleries
Main galleries
