books
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117 pages : illustrations, plans ; 18 cm.
Paris : Archibooks, [2021].
Petit manuel de la conception sonore des espaces habités / par Olivier Balaÿ.
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Description:
117 pages : illustrations, plans ; 18 cm.
books
Paris : Archibooks, [2021].
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A pioneer of Italian radical design, Gaetano Pesce remains one of the world’s greatest living creators—the critic Joseph Giovannini once called him the “perennial enfant terrible of iconoclastic design”. Now in his 80s, Pesce works daily from his New York studio, inventing ambitious, remote-controlled cabinets, gargantuan resin vases, and gold-leaf covered cupboards, each(...)
Out in the world with Gaetano Pesce
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A pioneer of Italian radical design, Gaetano Pesce remains one of the world’s greatest living creators—the critic Joseph Giovannini once called him the “perennial enfant terrible of iconoclastic design”. Now in his 80s, Pesce works daily from his New York studio, inventing ambitious, remote-controlled cabinets, gargantuan resin vases, and gold-leaf covered cupboards, each wearing the impressions of imperfect, unique gestures. This 116-page book is an intimate, left-of-center ode to Pesce’s work, with a focus on his furniture. It includes an extended conversation between Pesce and art critic Sophie Haigney, unusually playful portraits by Duane Michals, and newly-commissioned photographs from around the world, featuring his chairs from collectors and museums. With a limited-edition print run, this book functions as a portable exhibition: a new lens through which to understand the forever surprising, funny, and provocative design icon.
Design Monographs
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Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film and its script, as reproduced in this volume, serve as an impassioned response to the lack of political engagement with the AIDS crisis. Jarman’s Blue moves through myriad(...)
Blue
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Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film and its script, as reproduced in this volume, serve as an impassioned response to the lack of political engagement with the AIDS crisis. Jarman’s Blue moves through myriad scenes, some banal, others fantastical. Stories of quotidian life––getting coffee, reading the newspaper, and walking down the sidewalk––escalate to visions of Marco Polo, the Taj Mahal, or blue fighting yellow. Facing death and a cascade of pills, Jarman presents his illness in delirium and metaphors. He contemplates the physicality of emotions in lyrical prose as he grounds this story in the constant return to Blue—a color, a feeling, a funk. Michael Charlesworth’s compelling introduction brings Blue into conversation with Jarman’s visual paintings.
Art Theory
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Geoffrey James directs his gaze to the in-between spaces and forgotten places that resist the idea of a cohesive national identity. With an equable eye, James documents the ephemeral and the monumental: a demolition derby in Quebec, how an inmate at Kingston Penitentiary has decorated his cell, the Dickensian side door of Massey Hall in Toronto. The photographs in this(...)
Geoffrey James: Canadian photographs
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Geoffrey James directs his gaze to the in-between spaces and forgotten places that resist the idea of a cohesive national identity. With an equable eye, James documents the ephemeral and the monumental: a demolition derby in Quebec, how an inmate at Kingston Penitentiary has decorated his cell, the Dickensian side door of Massey Hall in Toronto. The photographs in this collection celebrate the everyday while meditating on the issues James’s adopted home faces: the bifurcation of rural and urban, rapid growth and increasing inequality, and its journey toward truth and reconciliation. Linked by views taken from train windows from British Columbia to Nova Scotia, James’s unofficial portrait of Canada brings into sharp relief the unfinished business of the nation as it lurches into the next century. Canadian Photographs includes a conversation between the photographer and Peter Galassi, former Chief Curator of Photography at the Museum of Modern Art.
Photography monographs
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This intimate portrait of eight houses by the Maine architect Carol A. Wilson illustrates how "local" is an idea as close to architecture as it is to food. Focusing on climate, seasons, views, local materials, the ecological history of building sites, and collaborations with local artisans, Wilson crafts exquisitely designed and built houses that celebrate the beauty of(...)
Northern exposure: works of Carol A. Wilson Architect
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This intimate portrait of eight houses by the Maine architect Carol A. Wilson illustrates how "local" is an idea as close to architecture as it is to food. Focusing on climate, seasons, views, local materials, the ecological history of building sites, and collaborations with local artisans, Wilson crafts exquisitely designed and built houses that celebrate the beauty of New England and the power of architecture to combine modern forms with a traditional built landscape. Following introductory texts by Enrico Pinna and Juhani Pallasmaa, and a conversation between Wilson and John Leroux, each project opens with a foldout of plans---transitioning from hand-drawn to computer-aided---and information about the house, before culminating in a selection of exterior, interior, and detail photographs. The book closes with an interview in twenty questions that elaborates on Wilson's working principles and the history of her studio for the past thirty years.
Architecture Monographs
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Internationally known for his labors as head of the famous magazine Quaderns between 1981 and 1990, Josep Lluís Mateo has never abandoned his professional practice as an architect, building not only in Spain, but in various European countries, an activity he currently combines with teaching at the ETH in Zurich. This monographic issue presents his most recent projects(...)
Magazines
February 2002, Barcelona
2G 25 : Josep Lluis Mateo, recent work
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Internationally known for his labors as head of the famous magazine Quaderns between 1981 and 1990, Josep Lluís Mateo has never abandoned his professional practice as an architect, building not only in Spain, but in various European countries, an activity he currently combines with teaching at the ETH in Zurich. This monographic issue presents his most recent projects and buildings. Among his built works are the housing block on Borneo Island (Amsterdam), two groups of apartments in Barcelona, a covered swimming pool in Girona, and the Barcelona International Convention Center, due to be inaugurated in 2004. This number features essays by such prestigious international critics as Wilfried Wang, Ákos Moravánszky, Manuel Delgado, Aaron Betsky and Ignasi de Solà-Morales, and is complemented by a conversation with Iñaki Ábalos, a text by Mateo himself, "In Globalization", and photos taken especially for this issue by Xavier Ribas.
Magazines
On community
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We are all hinged to some definition of a community, be it as simple as where we live, complex as the beliefs we share, or as intentional as those we call family. In an episodic personal essay, Casey Plett draws on a range of firsthand experiences to start a conversation about the larger implications of community as a word, an idea, and a symbol. With each thread a(...)
On community
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We are all hinged to some definition of a community, be it as simple as where we live, complex as the beliefs we share, or as intentional as those we call family. In an episodic personal essay, Casey Plett draws on a range of firsthand experiences to start a conversation about the larger implications of community as a word, an idea, and a symbol. With each thread a cumulative definition of community, and what it has come to mean to Plett, emerges. Looking at phenomena from transgender literature, to Mennonite history, to hacker houses of Silicon Valley, and the rise of nationalism in North America, Plett delves into the thorny intractability of community’s boons and faults. Deeply personal, authoritative in its illuminations, On Community is an essential contribution to the larger cultural discourse that asks how, and to what socio-political ends, we form bonds with one another.
Social
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The anatomy of our bodies invites sitting; but do we design seats in the same way? Has our means of sitting been colonized by modern design? And how is the culturally various act of sitting itself reflected in this functional commodity? Italian artist Matteo Guarnaccia’s (born 1993) ''Cross cultural chairs'' is a research-based design project ''about the cultural context(...)
Cross cultural chairs: 8 chairs from 8 countries. Diversifying modern seating
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The anatomy of our bodies invites sitting; but do we design seats in the same way? Has our means of sitting been colonized by modern design? And how is the culturally various act of sitting itself reflected in this functional commodity? Italian artist Matteo Guarnaccia’s (born 1993) ''Cross cultural chairs'' is a research-based design project ''about the cultural context of furniture, understanding how globalization is shaping design around the world.'' He writes, ''it’s an exploration that lies between social and technical aspects of chairs.'' To execute this project, Guarnaccia visited eight different countries to conduct research and talk to local design studios, ultimately collaborating with them to portray each culture in the form of a chair. Cross Cultural Chairs plumbs the hidden depths of furniture design and the ways in which cultural norms assert themselves through functional commodities, opening up a conversation about identity, community and expression through chairs.
Industrial Design
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Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and(...)
Decentring the museum: Contemporary art institutions and colonial legacies
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Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and infrastructures a deeply embedded Euro-centric cultural focus with roots in the history of colonialism. In this, she argues, they can learn from the example both of anthropological museums (such as the Humboldt Forum in Berlin and the British Museum), which are engaged in debates about the colonial histories of their collections, and of small-scale art spaces (such as La Colonie in Paris or Savvy Contemporary in Berlin), which have the flexibility to initiate different kinds of conversation – for example, by programming exhibitions and events in collaboration with local diasporic communities from the global south.
Museology
The cosmic oval
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"The cosmic oval" is a nocturnal entrance into an exploration of feminist cosmologies, storytelling and the many ways of knowing and imagining the hot blue beginnings of time. By turn dreaming and waking, Ella Finer enters history and imagination from the sleep side, taking her cue from Anne Carson. Finer attends to cultural memory as composition, gathering cosmic guides(...)
The cosmic oval
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"The cosmic oval" is a nocturnal entrance into an exploration of feminist cosmologies, storytelling and the many ways of knowing and imagining the hot blue beginnings of time. By turn dreaming and waking, Ella Finer enters history and imagination from the sleep side, taking her cue from Anne Carson. Finer attends to cultural memory as composition, gathering cosmic guides with whom to listen beyond what is given to hear. In west London, the entrance to architect and theorist Charles Jencks’ "Cosmic house" is overlooked by "The cosmic oval," a representation of the origin of the universe referencing both contemporary scientific discoveries about its elliptical shape and ancient cosmogonic myths. Finer’s imagined conversation between the figures who inhabit the frieze surrounding the Oval, such as Hannah Arendt, Imhotep and John Donne, re-orchestrates cultural history to explore social scenes of study and the way knowledge moves through bodies and time.
Literature and poetry