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Over 20 years ago, architect Renzo Piano established his firm and dubbed it the Renzo Piano Building Workshop (RPBW)--a name that recalls the art studios of the Renaissance, where the master artist worked closely and actively with his apprentices. Students have always been an active component of the Building Workshop, functioning in a team with experienced architects and(...)
Architecture Monographs
March 2004, Humlebaek
Renzo Piano Building Workshop
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Over 20 years ago, architect Renzo Piano established his firm and dubbed it the Renzo Piano Building Workshop (RPBW)--a name that recalls the art studios of the Renaissance, where the master artist worked closely and actively with his apprentices. Students have always been an active component of the Building Workshop, functioning in a team with experienced architects and other experts, contributing to an international array of projects from two studio bases: one in Paris and one in Genoa, Italy. This small, intimate publication presents essays on both the Building Workshop and Piano himself, together with photographs of the two studios and of completed RPBW structures.
Architecture Monographs
Kengo Kuma 2013-2020
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This special publication showcases work by Japanese architect Kengo Kuma, remarkably covering all of the projects he completed between 2013 and 2020. Beginning with FRAC Marseille, more than 40 buildings are featured, many of them in Japan. Notable recent works include the Odunpazari Modern Museum in Turkey, the Dallas Rolex Tower in Texas, KENZO House in Paris, the V(...)
Kengo Kuma 2013-2020
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This special publication showcases work by Japanese architect Kengo Kuma, remarkably covering all of the projects he completed between 2013 and 2020. Beginning with FRAC Marseille, more than 40 buildings are featured, many of them in Japan. Notable recent works include the Odunpazari Modern Museum in Turkey, the Dallas Rolex Tower in Texas, KENZO House in Paris, the V Dundee in Scotland, the cocoon-like Suspended Forest house in Switzerland, and the Takanawa Gateway Station in Tokyo. With a sharp eye for innovative and outstanding design and a staggering diversity of typologies and scales under his belt, Kuma is clearly an architectural force like none other.
Architecture Monographs
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Architecture is a strange mixture of persistence and flux, an amalgamation of elements - some that have been around for over 5,000 years and others that were (re)invented yesterday. The fact that these elements change independently of each other, according to different cycles and economies, and for different reasons, turns each building into a complex collage of the(...)
Elements
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Architecture is a strange mixture of persistence and flux, an amalgamation of elements - some that have been around for over 5,000 years and others that were (re)invented yesterday. The fact that these elements change independently of each other, according to different cycles and economies, and for different reasons, turns each building into a complex collage of the archaic and the current, the site-specific and the standard, mechanical smoothness and the spontaneous. Only by looking at the elements under a wide lens can we recognize the cultural preferences, forgotten symbolism, technological advances, mutations triggered by intensifying global exchange, climatic adaptions, political calculations, regulatory requirements, new digital regimes, and, somewhere in the mix - the ideas of the architect that constitute the practice of architecture today. A collection of these essential elements into 15 books in a package launched at the 2014 Venice Biennale that allows us to look through a microscope at the real fundamentals of our buildings and see again the essential design techniques used by any architect, anywhere, anytime.
Architecture Monographs
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This book explains, in simple steps and non-mathematical terminology, how to create repeat patterns in a line, on the plane, as tiles, and as Escher-like repeats. The book also shows how to make 'wallpaper repeats', where the elements of the pattern merge into each other, apparently seamlessly. Using letters as the basic elements, the book demonstrates how all repeat(...)
How to make repeat pattersn: a guide for designers, architects and artists
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This book explains, in simple steps and non-mathematical terminology, how to create repeat patterns in a line, on the plane, as tiles, and as Escher-like repeats. The book also shows how to make 'wallpaper repeats', where the elements of the pattern merge into each other, apparently seamlessly. Using letters as the basic elements, the book demonstrates how all repeat pattern-making comes out of four simple operations: translation, rotation, reflection, and glide reflection. It will provide the definitive one-stop pattern-making resource for professional designers and students across disciplines, from textiles and fashion to graphic design and architecture.
Graphic Design and Typography
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AV Proyectos 127 explores earthen construction, a technique recovered in projects like those of Boltshauser Architekten, Studio Mumbai, Assemble or Peris+Toral, among other studios included in this dossier that shows how tradition and innovation can intertwine to explore different types, scales, and ways of dwelling. This approach is broadened with the perspectives of(...)
AV Proyectos 127: Tierra Cruda
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AV Proyectos 127 explores earthen construction, a technique recovered in projects like those of Boltshauser Architekten, Studio Mumbai, Assemble or Peris+Toral, among other studios included in this dossier that shows how tradition and innovation can intertwine to explore different types, scales, and ways of dwelling. This approach is broadened with the perspectives of architect Anna Heringer and rammed earth expert Martin Rauch, discussed during a conversation on the capacity of this material to generate spaces with a huge social impact and respect for the environment. Furthermore, the Barcelona-based studio TAKK works on new forms of domesticity to address the different natural and seasonal rhythms from an economy of means.
Magazines
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This instalment takes a closer look at the “Concrete Renaissance” trending in architecture today, where the increasing popularity of exposed concrete and its versatility as a structural medium are producing some eye-opening compositions. The section features houses by Manolo Ufer, Kubota Architect Atelier, and Office KGDVS, in addition to the Bosjes Chapel in South Africa(...)
C3 390: a concrete renaissance
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This instalment takes a closer look at the “Concrete Renaissance” trending in architecture today, where the increasing popularity of exposed concrete and its versatility as a structural medium are producing some eye-opening compositions. The section features houses by Manolo Ufer, Kubota Architect Atelier, and Office KGDVS, in addition to the Bosjes Chapel in South Africa by Steyn Studio and the U Retreat in Korea by IDMM Architects, among other projects. New residential models for New York City by BIG and Herzog & de Meuron are also presented in this issue, along with a feature on “Recycle and Reuse” that presents four exemplary projects in sustainable development.
Magazines
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Following her study at the Delft University of Technology, Japanese architect Moriko Kira set up her own practice in Amsterdam in 1996, and has since both worked for the Dutch government and lectured in the Netherlands. Typical of her work is a variation in scale, programme and location, and she has completed projects in different Dutch cities, Belgium, the United Kingdom(...)
Moriko Kira: finding architecture
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Following her study at the Delft University of Technology, Japanese architect Moriko Kira set up her own practice in Amsterdam in 1996, and has since both worked for the Dutch government and lectured in the Netherlands. Typical of her work is a variation in scale, programme and location, and she has completed projects in different Dutch cities, Belgium, the United Kingdom and Japan. Featured here are a church conversion in Groningen, a cemetery pavilion in Apeldoorn, housing in IJburg, a weekend house in Hakone, and several other projects. Besides the detailed essays by Kira that accompany each of these, Jo Toda also analyses her work and approach in a short text.
Architecture Monographs
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The model room of Olafur Eliasson is a cabinet of studies, which exists both as a spatial structure and a viewing platform for dozens of intricately constructed models of various scales, developed together with Einar Thorsteinn, a architect and artist. The preparatory level – or ground work – is in general crucial to Eliasson's practice; he conceives his works basically(...)
small format
June 2006, Wien
Olafur Eliasson : a laboratory of mediating space
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The model room of Olafur Eliasson is a cabinet of studies, which exists both as a spatial structure and a viewing platform for dozens of intricately constructed models of various scales, developed together with Einar Thorsteinn, a architect and artist. The preparatory level – or ground work – is in general crucial to Eliasson's practice; he conceives his works basically as machines that produce phenomena through their interaction with the visitors. The machines are composed of multiple elements and often involve material and knowledge gained from fields other than art. Olafur Eliasson therefore collaborates with scientists occupied with cognitive and visual matters, with architects, and others.
small format
books
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Architect Jong Soung Kimm has his roots in Korea, but he spent his formative years as an architect in Chicago. He was educated at the Illinois Institute of Technology and after graduation he worked in the studio of Ludwig Mies van der Rohe for over ten years until 1972. While working for the master, Kimm participated in, among others, the Toronto-Dominion Centre(...)
Tectonic logic and spatial imagination
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Architect Jong Soung Kimm has his roots in Korea, but he spent his formative years as an architect in Chicago. He was educated at the Illinois Institute of Technology and after graduation he worked in the studio of Ludwig Mies van der Rohe for over ten years until 1972. While working for the master, Kimm participated in, among others, the Toronto-Dominion Centre Banking Hal, the Reception Hall on the 54th floor of the T-D Centre, or the 1968 Mies van der Rohe Retrospective at the Akademie der Künste in Berlin; exhibition design proposal for the new Brown Wing of the Museum of Fine Arts in Houston. All these projects deal with a unique Miesian mode of creating space which Mies van der Rohe had pioneered since Barcelona Pavilion (1928/29) and Tugendhat House (1928-30). Over the last twenty some years after his return to Seoul in 1978, Jong Soung Kimm has produced a significant body of built work as the lead architect of SAC International, which grew and developed under his participation. Some of the more significant work of architecture will be presented in this exhibition. Kimm’s work is characterized not only by his obvious debt to the principles of Mies van der Rohe, but also by Kimm’s sensibility derived from the cultural milieu he hails from. Eight projects will be shown that encompass museums, university buildings, a long span gymnasium building, two high-rise structures, one a hotel, the other a headquarters office for a major global enterprise. It is timely to present the work of an architect with multi-cultural background such as Jong Soung Kimm in our increasingly global architectural scene today.
books
October 2006, Berlin
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Gordon Matta-Clark has never been an easy artist to categorize or to explain. Although trained as an architect, he has been described as a sculptor, a photographer, an organizer of performances, and a writer of manifestos, but he is best known for "un-building" abandoned structures. In the brief span of his career, from 1968 to his early death in 1978, he created an(...)
Contemporary Art Monographs
October 2022
Gordon Matta-Clark: An archival sourcebook
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Gordon Matta-Clark has never been an easy artist to categorize or to explain. Although trained as an architect, he has been described as a sculptor, a photographer, an organizer of performances, and a writer of manifestos, but he is best known for "un-building" abandoned structures. In the brief span of his career, from 1968 to his early death in 1978, he created an oeuvre that has made him an enduring cult figure. In 2002, when Matta-Clark’s widow, Jane Crawford, put his archive on deposit at the Canadian Centre for Architecture in Montreal, it revealed a new voice in the ongoing discussion of artist/architect Matta-Clark’s work: his own. Gwendolyn Owens and Philip Ursprung’s careful selection and ordering of letters, interviews, statements, and the now-famous art cards from the CCA as well as other sources deepens our understanding of one of the most original thinkers of his generation. This publication creates a multidimensional portrait that provides an opportunity for readers to explore and enjoy the complexity and contradiction that was Gordon Matta-Clark.
Contemporary Art Monographs