drawings, graphic materials
Posters and prints
AP197.S4.010
Description:
This box contains various drawings and collages, some of which are dedicated to Frampton. The box also comprises of posters for lectures/conferences/events that Frampton may have either participated in or attended. Posters include: the lecture on the Imaginary space of El Lissitzky, Harvard University; Place, form, and cultural identity, École polytechnique fédérale de Lausanne; the Alcan Lectures, McGill University; and Modern Architecture and Critique of Ulm, the University of Southern California. Also included in the box is a poster of the Museum of Contemporary Art Los Angeles, which is signed by Arata Isozaki.
circa 1978-2015
Posters and prints
Actions:
AP197.S4.010
Description:
This box contains various drawings and collages, some of which are dedicated to Frampton. The box also comprises of posters for lectures/conferences/events that Frampton may have either participated in or attended. Posters include: the lecture on the Imaginary space of El Lissitzky, Harvard University; Place, form, and cultural identity, École polytechnique fédérale de Lausanne; the Alcan Lectures, McGill University; and Modern Architecture and Critique of Ulm, the University of Southern California. Also included in the box is a poster of the Museum of Contemporary Art Los Angeles, which is signed by Arata Isozaki.
drawings, graphic materials
circa 1978-2015
Series
Professional papers
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
circa 1950-2008
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Series
circa 1950-2008
textual records
AP197.S1.SS9.001
Description:
This box contains notes, drafts, articles, book reviews and lectures by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-Z. The contents are mostly older texts by Frampton, circa 1960-1990. Subjects and architects explored in these texts include: Raimund Abraham; Tadao Ando; contemporary architecture; the modern urban form; Gustave Eiffel; English neoclassicism; Louis Kahn; John Hejduk; Herman Hertzberger; postmodern theory; Steven Holl; industrialization; Le Corbusier; El Lissitzky; modernism; Palais Royale; Carlo Scarpa; James Stirling; Team 10; technology; and Otto Wagner.
circa 1964-1990
Kenneth Frampton texts, articles and notes (A-Z)
Actions:
AP197.S1.SS9.001
Description:
This box contains notes, drafts, articles, book reviews and lectures by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-Z. The contents are mostly older texts by Frampton, circa 1960-1990. Subjects and architects explored in these texts include: Raimund Abraham; Tadao Ando; contemporary architecture; the modern urban form; Gustave Eiffel; English neoclassicism; Louis Kahn; John Hejduk; Herman Hertzberger; postmodern theory; Steven Holl; industrialization; Le Corbusier; El Lissitzky; modernism; Palais Royale; Carlo Scarpa; James Stirling; Team 10; technology; and Otto Wagner.
textual records
circa 1964-1990
Philip Ursprung, guest curator of the 2002 CCA exhibition Herzog de Meuron: Archaeology of the Mind, discusses the Swiss architects’ collaborative relationship with artists. The lecture is part a series exploring the boundary between art and architecture, presented in conjunction with the exhibition. Philip Ursprung is Professor of the History of Modern and Contemporary(...)
17 October 2002
Philip Ursprung: Close Encounters: Herzog & de Meuron en collaboration avec des artistes
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Description:
Philip Ursprung, guest curator of the 2002 CCA exhibition Herzog de Meuron: Archaeology of the Mind, discusses the Swiss architects’ collaborative relationship with artists. The lecture is part a series exploring the boundary between art and architecture, presented in conjunction with the exhibition. Philip Ursprung is Professor of the History of Modern and Contemporary(...)
research
Visiting Scholars 2000–2001
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Oliver Botar, School of Art, University of Manitoba, Winnipeg, Canada Topic: On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italy Topic: Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’ City Alessandra(...)
September 2000 to August 2001
Visiting Scholars 2000–2001
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Oliver Botar, School of Art, University of Manitoba, Winnipeg, Canada Topic: On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italy Topic: Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’ City Alessandra(...)
research
September 2000 to
August 2001
research
Visiting Scholars 1999–2000
Theme: The Baroque Phenomenon beyond Rome: Mark Dorrian, Department of Architecture, University of Edinburgh, Edinburgh, United Kingdom Topic: Baroque Deformation Martina Frank, Department of History, Università degli studi di Udine, Italy Topic: Luca Danesi et le baroque vénitien Indra McEwen, National Theatre School of Canada, Montreal, Canada Subject: The State of(...)
January 2000 to August 2000
Visiting Scholars 1999–2000
Actions:
Description:
Theme: The Baroque Phenomenon beyond Rome: Mark Dorrian, Department of Architecture, University of Edinburgh, Edinburgh, United Kingdom Topic: Baroque Deformation Martina Frank, Department of History, Università degli studi di Udine, Italy Topic: Luca Danesi et le baroque vénitien Indra McEwen, National Theatre School of Canada, Montreal, Canada Subject: The State of(...)
research
January 2000 to
August 2000
Speed Limits
Speed Limits addresses the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. It marks the centenary of the foundation of the Italian Futurist movement, whose inaugural manifesto famously proclaimed “that the world’s magnificence has been(...)
Main galleries
20 May 2009 to 8 November 2009
Speed Limits
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Description:
Speed Limits addresses the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. It marks the centenary of the foundation of the Italian Futurist movement, whose inaugural manifesto famously proclaimed “that the world’s magnificence has been(...)
Main galleries
drawings, textual records, graphic materials, photographs
AP197.S4.009
Description:
This box contains Kenneth Frampton's various certificates and diplomas as well as some prints, drawings, posters, and photographs. This box includes: posters of lectures and exhibitions presented at the Graduate School of Architecture, Planning and Preservation, Columbia University; a print by Frampton entitled "unfinished modern project in homage to it and to Habermas;" his diploma from the Architectural Association (1956); a certifacte from the Royal Insititute of British Architects (1961); a certificate from the L'Academie d`architecture; a Honory Fellowship from the Royal Institiute of Architects of Ireland; a professional headshot and a group photograph of Frampton at the ceremony of the American Academy of Arts and Letters (2012). This box also includes gifts that Frampton received over the years such as an old photograph of Frampton that was given to him for 56th birthday and drawings from SHIM SUTCLIFFE for his 80th birthday.
1956-2016
Kenneth Frampton certificates, diplomas, and posters
Actions:
AP197.S4.009
Description:
This box contains Kenneth Frampton's various certificates and diplomas as well as some prints, drawings, posters, and photographs. This box includes: posters of lectures and exhibitions presented at the Graduate School of Architecture, Planning and Preservation, Columbia University; a print by Frampton entitled "unfinished modern project in homage to it and to Habermas;" his diploma from the Architectural Association (1956); a certifacte from the Royal Insititute of British Architects (1961); a certificate from the L'Academie d`architecture; a Honory Fellowship from the Royal Institiute of Architects of Ireland; a professional headshot and a group photograph of Frampton at the ceremony of the American Academy of Arts and Letters (2012). This box also includes gifts that Frampton received over the years such as an old photograph of Frampton that was given to him for 56th birthday and drawings from SHIM SUTCLIFFE for his 80th birthday.
drawings, textual records, graphic materials, photographs
1956-2016
archives
Level of archival description:
Collection
J.J.P. Oud Collection
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
1908-1966 (1911-1963 predominant)
J.J.P. Oud Collection
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
archives
Level of archival description:
Collection institutionnelle
1908-1966 (1911-1963 predominant)
Project
AP075.S1.1961.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Skeena Terrace Low Rent Housing Project, a housing development located on the eastern edge of Vancouver. Oberlander worked on this project between 1961 and 1965. The architectural firm in charge of the project was Underwood, McKinley, Cameron, Wilson & Smith Architects. The project was comprised of an eight-storey apartment tower and twenty-seven three-storey maisonettes. Oberlander was in charge of the landscape design for the twelve-acre site. The project initially included the construction of a roadway cutting the site in two, but was never built due to protests from the community. Oberlander's landscape plan included a design for an outdoor terrace and garden areas for the maisonnettes, a community garden and numerous recreational and social spaces. She also designed play scultpures for small children. The project series contains design development drawings, including landscape plans and planting plans, working drawings, including a site plan and planting plans, a specifications addendum, an invitation to the official inauguration of the project, and photographs, which are mostly of the construction site. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
1961-1965
Skeena Terrace Low Rent Housing, Vancouver, British Columbia (1961-1965)
Actions:
AP075.S1.1961.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Skeena Terrace Low Rent Housing Project, a housing development located on the eastern edge of Vancouver. Oberlander worked on this project between 1961 and 1965. The architectural firm in charge of the project was Underwood, McKinley, Cameron, Wilson & Smith Architects. The project was comprised of an eight-storey apartment tower and twenty-seven three-storey maisonettes. Oberlander was in charge of the landscape design for the twelve-acre site. The project initially included the construction of a roadway cutting the site in two, but was never built due to protests from the community. Oberlander's landscape plan included a design for an outdoor terrace and garden areas for the maisonnettes, a community garden and numerous recreational and social spaces. She also designed play scultpures for small children. The project series contains design development drawings, including landscape plans and planting plans, working drawings, including a site plan and planting plans, a specifications addendum, an invitation to the official inauguration of the project, and photographs, which are mostly of the construction site. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Project
1961-1965