CLOG 5: National Mall
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In 2009, nearly two million people gathered on the National Mall to witness the inauguration of the forty-fourth President of the United States, Barack Obama. Almost fifty years ago on the same grounds, Martin Luther King, Jr. delivered his "I Have a Dream" speech. "America's Front Lawn," the National Mall was not only designed for large political and social gatherings(...)
CLOG 5: National Mall
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Summary:
In 2009, nearly two million people gathered on the National Mall to witness the inauguration of the forty-fourth President of the United States, Barack Obama. Almost fifty years ago on the same grounds, Martin Luther King, Jr. delivered his "I Have a Dream" speech. "America's Front Lawn," the National Mall was not only designed for large political and social gatherings but also to collect and showcase America's culture. Located in the heart of Washington D.C., the Mall is an historic yet evolving example of urban design. Visited annually by approximately thirty million people, the Mall is also a victim of its own success as its grounds and monuments have been steadily eroded by overcrowding in addition to budgetary and administrative pressures. In response to this decline, the newly-formed Trust for the National Mall recently sponsored a competition to redesign key areas of the National Mall. It's time to critically discuss the space that perhaps more than any other reflects what the nation was, is, and wants to be - the National Mall.
Magazines
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Despite a modest revival in city living, Americans are spreading out more than ever—into "exurbs" and "boomburbs" miles from anywhere, in big houses in big subdivisions. We cling to the notion of safer neighborhoods and better schools, but what we get, argues Anthony Flint, is long commutes, crushing gas prices and higher taxes—and a landscape of strip malls and office(...)
This land : the battle over sprawl and the future of America
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Despite a modest revival in city living, Americans are spreading out more than ever—into "exurbs" and "boomburbs" miles from anywhere, in big houses in big subdivisions. We cling to the notion of safer neighborhoods and better schools, but what we get, argues Anthony Flint, is long commutes, crushing gas prices and higher taxes—and a landscape of strip malls and office parks badly in need of a makeover. "This land" tells the untold story of development in America—how the landscape is shaped by a furious clash of political, economic and cultural forces. It is the story of burgeoning anti-sprawl movement, a 1960s-style revolution of New Urbanism, smart growth, and green building. And it is the story of landowners fighting back on the basis of property rights, with free-market libertarians, homebuilders, road pavers, financial institutions, and even the lawn-care industry right alongside them. The subdivisions and extra-wide roadways are encroaching into the wetlands of Florida, ranchlands in Texas, and the desert outside Phoenix and Las Vegas. But with up to 120 million more people in the country by 2050, will the spread-out pattern cave in on itself? Could Americans embrace a new approach to development if it made sense for them?
Urban Theory
What is landscape?
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Landscape, John Stilgoe tells us, is a noun. From the old Frisian language (once spoken in coastal parts of the Netherlands and Germany), it meant shoveled land: landschop. Sixteenth-century Englishmen misheard or mispronounced this as landskep, which became landskip, then landscape, designating the surface of the earth shaped for human habitation. In What Is Landscape?(...)
What is landscape?
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Landscape, John Stilgoe tells us, is a noun. From the old Frisian language (once spoken in coastal parts of the Netherlands and Germany), it meant shoveled land: landschop. Sixteenth-century Englishmen misheard or mispronounced this as landskep, which became landskip, then landscape, designating the surface of the earth shaped for human habitation. In What Is Landscape? Stilgoe maps the discovery of landscape by putting words to things, zeroing in on landscape’s essence but also leading sideways expeditions through such sources as children’s picture books, folklore, deeds, antique terminology, out-of-print dictionaries, and conversations with locals. (“What is that?” “Well, it’s not really a slough, not really, it’s a bayou . . .”) He offers a written narrative lexicon of landscape as word, concept, and path to discoveries. What Is Landscape? is an invitation to walk, to notice, to ask: to see a sandcastle with a pinwheel at the beach and think of Dutch windmills—icons of triumph, markers of territory won from the sea; to walk in the woods and be amused by the Elizabethans’ misuse of the Latin silvaticus (people of the woods) to coin the word savages; to see in a suburban front lawn a representation of the meadow of a medieval freehold.
Landscape Theory
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Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's(...)
A critic writes : essays by Reyner Banham
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Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.
Architectural Theory