3294 Results
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books
books
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Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians(...)
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Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians(...)
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Untimely moderns: How twentieth-centry architecture reimagined the past
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Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians Henri Focillon, George Kubler, Sibyl Moholy-Nagy, and Vincent Scully. These figures were unified by their resistance to the idea that, to be considered modern, art and architecture had to be of its time, as well as by the pivotal role that Yale University held as a backdrop to their thinking. These thinkers sponsored a new kind of approach, one that Eeva-Liisa Pelkonen terms ''untimely,'' emphasizing a departure from a sequential course of events. Ideas about temporal duration, new tradition, the presence of the past, and the shape of time were among the concepts they explored. With an interdisciplinary focus, Pelkonen reveals previously unexplored connections among key figures of American intellectual and artistic culture at midcentury whose works and words would shape modern architecture.
Untimely moderns: How twentieth-centry architecture reimagined the past
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$97.50
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Summary:
Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians Henri Focillon, George Kubler, Sibyl Moholy-Nagy, and Vincent Scully. These figures were unified by their resistance to the idea that, to be considered modern, art and architecture had to be of its time, as well as by the pivotal role that Yale University held as a backdrop to their thinking. These thinkers sponsored a new kind of approach, one that Eeva-Liisa Pelkonen terms ''untimely,'' emphasizing a departure from a sequential course of events. Ideas about temporal duration, new tradition, the presence of the past, and the shape of time were among the concepts they explored. With an interdisciplinary focus, Pelkonen reveals previously unexplored connections among key figures of American intellectual and artistic culture at midcentury whose works and words would shape modern architecture.
Form:
books
books
Publication:
July 2023
July 2023
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
books
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$105.00
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''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A.(...)
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''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A.(...)
Subject:
Photography Collections
Photography Collections
Publication:
March 2024
March 2024
Title:
I'm so happy you are here: Japanese women photographers from the 1950s to now
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$105.00
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''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography—and an indispensable resource for anyone interested in a more robust history of Japanese photography.
I'm so happy you are here: Japanese women photographers from the 1950s to now
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$105.00
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Summary:
''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography—and an indispensable resource for anyone interested in a more robust history of Japanese photography.
Form:
books
books
Publication:
March 2024
March 2024
Subject:
Photography Collections
Photography Collections
Form:
books
books
Title:
Lang/Baumam. Models
Lang/Baumam. Models
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$59.95
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Swiss artists Sabina Lang and Daniel Baumann have been collaborating since 1990, gaining international recognition as Lang/Baumann (or L/B). Their collaborative work comprises installations, sculptures, murals, and floor paintings, as well as architectural interventions. Models play a key role in their creative process. A model can serve three purposes: a quick(...)
$59.95
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Swiss artists Sabina Lang and Daniel Baumann have been collaborating since 1990, gaining international recognition as Lang/Baumann (or L/B). Their collaborative work comprises installations, sculptures, murals, and floor paintings, as well as architectural interventions. Models play a key role in their creative process. A model can serve three purposes: a quick(...)
Title:
Lang/Baumam. Models
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$59.95
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Swiss artists Sabina Lang and Daniel Baumann have been collaborating since 1990, gaining international recognition as Lang/Baumann (or L/B). Their collaborative work comprises installations, sculptures, murals, and floor paintings, as well as architectural interventions. Models play a key role in their creative process. A model can serve three purposes: a quick three-dimensional sketch, a working model to test a concept, or a presentation to show the result once the design process is complete. L/B use all three types. This book brings together for the first time all the models that L/B have made for the projects they have pursued over thirty-three years. It forms a complete catalog of their oeuvre to date in miniature format, also featuring projects that were never developed beyond the model stage. Nearly one hundred and twenty color illustrations are supplemented by two essays on iconography in Lang/Baumann’s work and on the playful aspect of model making. A conversation with Sabina Lang and Daniel Baumann rounds off the book.
Lang/Baumam. Models
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$59.95
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Summary:
Swiss artists Sabina Lang and Daniel Baumann have been collaborating since 1990, gaining international recognition as Lang/Baumann (or L/B). Their collaborative work comprises installations, sculptures, murals, and floor paintings, as well as architectural interventions. Models play a key role in their creative process. A model can serve three purposes: a quick three-dimensional sketch, a working model to test a concept, or a presentation to show the result once the design process is complete. L/B use all three types. This book brings together for the first time all the models that L/B have made for the projects they have pursued over thirty-three years. It forms a complete catalog of their oeuvre to date in miniature format, also featuring projects that were never developed beyond the model stage. Nearly one hundred and twenty color illustrations are supplemented by two essays on iconography in Lang/Baumann’s work and on the playful aspect of model making. A conversation with Sabina Lang and Daniel Baumann rounds off the book.
Form:
books
books
Publication:
January 2024
January 2024
Subject:
Models
Models
Form:
books
books
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$59.95
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The goal of this book is to introduce designers to the many research tools that can be used to inform design as well as to ideas about how and when to deploy them effectively. The chapter authors come from diverse institutions and enterprises, including Stanford University, MIT, Intel, Maxis, Studio Anybody, Sweden?s HUMlab, and Big Blue Dot. Each has something to say(...)
$59.95
(available to order)
Summary:
The goal of this book is to introduce designers to the many research tools that can be used to inform design as well as to ideas about how and when to deploy them effectively. The chapter authors come from diverse institutions and enterprises, including Stanford University, MIT, Intel, Maxis, Studio Anybody, Sweden?s HUMlab, and Big Blue Dot. Each has something to say(...)
Title:
Design research : methods and perspectives
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$59.95
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The goal of this book is to introduce designers to the many research tools that can be used to inform design as well as to ideas about how and when to deploy them effectively. The chapter authors come from diverse institutions and enterprises, including Stanford University, MIT, Intel, Maxis, Studio Anybody, Sweden?s HUMlab, and Big Blue Dot. Each has something to say about how designers make themselves better at what they do through research, and illustrates it with real world examples--case studies, anecdotes, and images. Topics of this multi-voice conversation include qualitative and quantitative methods, performance ethnography and design improvisation, trend research, cultural diversity, formal and structural research practice, tactical discussions of design research process, and case studies drawn from areas as unique as computer games, museum information systems, and movies. Interspersed throughout the book are one-page "demos," snapshots of the design research experience. Design Research charts the paths from research methods to research findings to design principles to design results and demonstrates the transformation of theory into a richly satisfying and more reliably successful practice.
Design research : methods and perspectives
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$59.95
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Summary:
The goal of this book is to introduce designers to the many research tools that can be used to inform design as well as to ideas about how and when to deploy them effectively. The chapter authors come from diverse institutions and enterprises, including Stanford University, MIT, Intel, Maxis, Studio Anybody, Sweden?s HUMlab, and Big Blue Dot. Each has something to say about how designers make themselves better at what they do through research, and illustrates it with real world examples--case studies, anecdotes, and images. Topics of this multi-voice conversation include qualitative and quantitative methods, performance ethnography and design improvisation, trend research, cultural diversity, formal and structural research practice, tactical discussions of design research process, and case studies drawn from areas as unique as computer games, museum information systems, and movies. Interspersed throughout the book are one-page "demos," snapshots of the design research experience. Design Research charts the paths from research methods to research findings to design principles to design results and demonstrates the transformation of theory into a richly satisfying and more reliably successful practice.
Form:
books
books
Publication:
February 2004, Cambridge, Mass.
February 2004, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$25.00
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Summary:
Two materials co-exist at the heart of Dani Jakobs work: salt and silk. The artist paints and devises installations. The vibrantly coloured, abstractly geometric silk paintings that look like an "abstract model of the cranium" contrast with the amorphous salt pictures created using the chemical process of salt crystalisation and that are reminiscent of aerial(...)
$25.00
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Summary:
Two materials co-exist at the heart of Dani Jakobs work: salt and silk. The artist paints and devises installations. The vibrantly coloured, abstractly geometric silk paintings that look like an "abstract model of the cranium" contrast with the amorphous salt pictures created using the chemical process of salt crystalisation and that are reminiscent of aerial(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
December 2007, Berlin
December 2007, Berlin
Title:
Dani Jakob : von einem land / of a land
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$25.00
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Two materials co-exist at the heart of Dani Jakobs work: salt and silk. The artist paints and devises installations. The vibrantly coloured, abstractly geometric silk paintings that look like an "abstract model of the cranium" contrast with the amorphous salt pictures created using the chemical process of salt crystalisation and that are reminiscent of aerial photographs of distand lands and coastlines. She interlinks both of these opposites in spatially expansive floor paintings. Her "geometrical eye" places a landscape into a space, is derived from a lake of salt without perspective, an anti-space, a non-place, interlinks then, "draws lines, noting trajectories of movement", rhythmatises them arriving at a symmetry and creates a utopian space. "A land" that defies unequivocal decipherment. The artist book documents Dani Jakobs most recent works from 2005 to 2007 in 30 images with large illustrations and detailed views. These compositions enter into a conversation with a lyrical text by Klaus Theweleit, which was especially written for this book and runs all the way through it.
Dani Jakob : von einem land / of a land
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$25.00
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Summary:
Two materials co-exist at the heart of Dani Jakobs work: salt and silk. The artist paints and devises installations. The vibrantly coloured, abstractly geometric silk paintings that look like an "abstract model of the cranium" contrast with the amorphous salt pictures created using the chemical process of salt crystalisation and that are reminiscent of aerial photographs of distand lands and coastlines. She interlinks both of these opposites in spatially expansive floor paintings. Her "geometrical eye" places a landscape into a space, is derived from a lake of salt without perspective, an anti-space, a non-place, interlinks then, "draws lines, noting trajectories of movement", rhythmatises them arriving at a symmetry and creates a utopian space. "A land" that defies unequivocal decipherment. The artist book documents Dani Jakobs most recent works from 2005 to 2007 in 30 images with large illustrations and detailed views. These compositions enter into a conversation with a lyrical text by Klaus Theweleit, which was especially written for this book and runs all the way through it.
Form:
books
books
Publication:
December 2007, Berlin
December 2007, Berlin
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$85.00
(available in store)
Summary:
Comprising 100 works on paper, "Drawings: 2003–2023" is the most expansive collection of Jonas Wood's artistic practice to date. This body of work traces the artist's trajectory back to his early days in Los Angeles, where he worked alongside painter Laura Owens and sculptor Matt Johnson. It was during this formative period that Wood's distinct visual language began to(...)
$85.00
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Summary:
Comprising 100 works on paper, "Drawings: 2003–2023" is the most expansive collection of Jonas Wood's artistic practice to date. This body of work traces the artist's trajectory back to his early days in Los Angeles, where he worked alongside painter Laura Owens and sculptor Matt Johnson. It was during this formative period that Wood's distinct visual language began to(...)
Title:
Jonas Wood- Drawings, 2003-2023
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$85.00
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Comprising 100 works on paper, "Drawings: 2003–2023" is the most expansive collection of Jonas Wood's artistic practice to date. This body of work traces the artist's trajectory back to his early days in Los Angeles, where he worked alongside painter Laura Owens and sculptor Matt Johnson. It was during this formative period that Wood's distinct visual language began to take shape: a language that would come to define his mature practice. Drawing played a central role in Wood's process, serving as both preparatory sketches for his collages and paintings, as well as independent works of art in their own right. At the core of Wood's prolific output lies a deep appreciation for the handmade—a reverence reflected in his engagement with found photographs, manual projectors and half-erased pencil sketches. Although rendered in a flattened perspective, the resulting tableaux are deeply layered, revealing traces of the artist's hand, miscellaneous references and the transformative nature of various artistic media. The comprehensive catalog features an essay by Douglas Fogle and a conversation between Laura Owens and the artist.
Jonas Wood- Drawings, 2003-2023
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Summary:
Comprising 100 works on paper, "Drawings: 2003–2023" is the most expansive collection of Jonas Wood's artistic practice to date. This body of work traces the artist's trajectory back to his early days in Los Angeles, where he worked alongside painter Laura Owens and sculptor Matt Johnson. It was during this formative period that Wood's distinct visual language began to take shape: a language that would come to define his mature practice. Drawing played a central role in Wood's process, serving as both preparatory sketches for his collages and paintings, as well as independent works of art in their own right. At the core of Wood's prolific output lies a deep appreciation for the handmade—a reverence reflected in his engagement with found photographs, manual projectors and half-erased pencil sketches. Although rendered in a flattened perspective, the resulting tableaux are deeply layered, revealing traces of the artist's hand, miscellaneous references and the transformative nature of various artistic media. The comprehensive catalog features an essay by Douglas Fogle and a conversation between Laura Owens and the artist.
Form:
books
books
Publication:
January 2024
January 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$28.00
(available in store)
Summary:
Catastrophes, bombed-out cities, large-scale political transformations: “Image complexes” of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the(...)
$28.00
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Summary:
Catastrophes, bombed-out cities, large-scale political transformations: “Image complexes” of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the(...)
Title:
Before & After: The architecture of disaster
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$28.00
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Catastrophes, bombed-out cities, large-scale political transformations: “Image complexes” of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people’s fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.
Before & After: The architecture of disaster
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$28.00
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Summary:
Catastrophes, bombed-out cities, large-scale political transformations: “Image complexes” of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people’s fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.
Form:
books
books
Publication:
August 2025
August 2025
Subject:
Architectural Theory
Architectural Theory
Form:
journals and magazines
journals and magazines
Title:
Al Hayya issue 4
Al Hayya issue 4
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$32.00
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Summary:
The free people of the world are organizing, moving toward what many refer to today as the global revolution. In Gaza, the genocide pins the infinity of time, trapping it within the loneliness of each minute. This fight, and how we wage it, will determine whether we are worthy of the land’s forgiveness, and whether she will grant us passage into the future or consume us(...)
$32.00
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Summary:
The free people of the world are organizing, moving toward what many refer to today as the global revolution. In Gaza, the genocide pins the infinity of time, trapping it within the loneliness of each minute. This fight, and how we wage it, will determine whether we are worthy of the land’s forgiveness, and whether she will grant us passage into the future or consume us(...)
Title:
Al Hayya issue 4
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$32.00
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The free people of the world are organizing, moving toward what many refer to today as the global revolution. In Gaza, the genocide pins the infinity of time, trapping it within the loneliness of each minute. This fight, and how we wage it, will determine whether we are worthy of the land’s forgiveness, and whether she will grant us passage into the future or consume us all, once and forever. The fourth issue of Al Hayya focuses on Dreams of Liberation. It traces resistance as it takes shape inside the home, in the streets, across borders, and within the self. It examines how art, memory, and the rituals of everyday life carry defiance. It documents the weight and texture of struggle as both personal and collective. This issue features a rare interview with Palestinian revolutionary and PFLP member Leila Khaled. It also includes an in-depth conversation with Françoise Vergès on decolonial feminism and cultural resistance. Photo essays by Maen Hammad, Amal Al-Nakhala, Nader Bahsoun, Sarah Kontar, and Hannah La Follette Ryan document life under pressure, grief, exile, and survival.
Al Hayya issue 4
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$32.00
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Summary:
The free people of the world are organizing, moving toward what many refer to today as the global revolution. In Gaza, the genocide pins the infinity of time, trapping it within the loneliness of each minute. This fight, and how we wage it, will determine whether we are worthy of the land’s forgiveness, and whether she will grant us passage into the future or consume us all, once and forever. The fourth issue of Al Hayya focuses on Dreams of Liberation. It traces resistance as it takes shape inside the home, in the streets, across borders, and within the self. It examines how art, memory, and the rituals of everyday life carry defiance. It documents the weight and texture of struggle as both personal and collective. This issue features a rare interview with Palestinian revolutionary and PFLP member Leila Khaled. It also includes an in-depth conversation with Françoise Vergès on decolonial feminism and cultural resistance. Photo essays by Maen Hammad, Amal Al-Nakhala, Nader Bahsoun, Sarah Kontar, and Hannah La Follette Ryan document life under pressure, grief, exile, and survival.
Form:
journals and magazines
journals and magazines
Publication:
November 2025
November 2025
Subject:
Magazines
Magazines
Form:
books
books
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$90.00
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Summary:
Central to the work of Robert A. M. Stern is a commitment to an architecture that reinterprets the past to serve contemporary life. This monograph, the fifth volume since Stern opened his practice in 1969, explores the application of this principle to a wide range of building types, including libraries, university buildings, cultural centers, offices, towers, and private(...)
$90.00
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Summary:
Central to the work of Robert A. M. Stern is a commitment to an architecture that reinterprets the past to serve contemporary life. This monograph, the fifth volume since Stern opened his practice in 1969, explores the application of this principle to a wide range of building types, including libraries, university buildings, cultural centers, offices, towers, and private(...)
Title:
Robert A.M. Stern: buildings and projects 2004-2009
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$90.00
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Central to the work of Robert A. M. Stern is a commitment to an architecture that reinterprets the past to serve contemporary life. This monograph, the fifth volume since Stern opened his practice in 1969, explores the application of this principle to a wide range of building types, including libraries, university buildings, cultural centers, offices, towers, and private residences. Focused on the years 2004 through 2009, an exceptionally productive period for Stern’s firm, this volume includes designs for the Miami Beach, Jacksonville, and Clearwater Public Libraries in Florida, the vast Zubiarte retail complex in Bilbao, Spain, two new residential colleges at Yale University, the 15 Central Park West condominium in New York, and the George W. Bush Presidential Center in Dallas, Texas. In a conversation with renowned architecture critic Paul Goldberger, Stern discusses the principles that have guided the firm since its inception, focusing on the collaborative nature of the work and the importance of precedent and context. He also describes his own role as an educator, as dean of the architecture school at Yale University.
Robert A.M. Stern: buildings and projects 2004-2009
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$90.00
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Summary:
Central to the work of Robert A. M. Stern is a commitment to an architecture that reinterprets the past to serve contemporary life. This monograph, the fifth volume since Stern opened his practice in 1969, explores the application of this principle to a wide range of building types, including libraries, university buildings, cultural centers, offices, towers, and private residences. Focused on the years 2004 through 2009, an exceptionally productive period for Stern’s firm, this volume includes designs for the Miami Beach, Jacksonville, and Clearwater Public Libraries in Florida, the vast Zubiarte retail complex in Bilbao, Spain, two new residential colleges at Yale University, the 15 Central Park West condominium in New York, and the George W. Bush Presidential Center in Dallas, Texas. In a conversation with renowned architecture critic Paul Goldberger, Stern discusses the principles that have guided the firm since its inception, focusing on the collaborative nature of the work and the importance of precedent and context. He also describes his own role as an educator, as dean of the architecture school at Yale University.
Form:
books
books
Publication:
December 2009
December 2009
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Space program
Space program
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$75.00
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Summary:
For over a decade, Sachs has pondered the technical ingenuity and romance with the unknown that brought America the Apollo program. This publication documents the culmination of his research: the realization of his own life-size Space Program, comprised of three main sculptural elements (Lunar Module, Mission Control, and Space Suit) and a Flight Plan, all put to use(...)
$75.00
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Summary:
For over a decade, Sachs has pondered the technical ingenuity and romance with the unknown that brought America the Apollo program. This publication documents the culmination of his research: the realization of his own life-size Space Program, comprised of three main sculptural elements (Lunar Module, Mission Control, and Space Suit) and a Flight Plan, all put to use(...)
Title:
Space program
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$75.00
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Summary:
For over a decade, Sachs has pondered the technical ingenuity and romance with the unknown that brought America the Apollo program. This publication documents the culmination of his research: the realization of his own life-size Space Program, comprised of three main sculptural elements (Lunar Module, Mission Control, and Space Suit) and a Flight Plan, all put to use during a live demonstration of a lunar landing. In his exuberant manufacture of objects and scenarios, Sachs asks barbed questions of modern creativity that relate to conception, production, consumption, and circulation. Space Program features 797 full-color and 30 black-and-white images; a conversation among Buzz Aldrin, Tom Sachs, and Louise Neri; a critical essay by Arthur C. Danto, contextualizing this work among the artist’s contemporaries; and a comprehensive discussion of the work by Mark Van de Walle. These are accompanied by appendices that provide a full visual and descriptive account of the innumerable components that make up Sachs’s work and illustrate the artist’s related drawings and source materials.
Space program
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$75.00
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Summary:
For over a decade, Sachs has pondered the technical ingenuity and romance with the unknown that brought America the Apollo program. This publication documents the culmination of his research: the realization of his own life-size Space Program, comprised of three main sculptural elements (Lunar Module, Mission Control, and Space Suit) and a Flight Plan, all put to use during a live demonstration of a lunar landing. In his exuberant manufacture of objects and scenarios, Sachs asks barbed questions of modern creativity that relate to conception, production, consumption, and circulation. Space Program features 797 full-color and 30 black-and-white images; a conversation among Buzz Aldrin, Tom Sachs, and Louise Neri; a critical essay by Arthur C. Danto, contextualizing this work among the artist’s contemporaries; and a comprehensive discussion of the work by Mark Van de Walle. These are accompanied by appendices that provide a full visual and descriptive account of the innumerable components that make up Sachs’s work and illustrate the artist’s related drawings and source materials.
Form:
books
books
Publication:
April 2009
April 2009
Subject:
Transportation, Tourism, Migration
Transportation, Tourism, Migration
