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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in(...)
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in(...)
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The unfinished palazzo: stories of Luisa Casati, Doris Castlerosse and Peggy Guggenheim
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in their lives: Luisa Casati, Doris Castlerosse, and Peggy Guggenheim. Luisa Casati turned her home into an aesthete’s fantasy where she hosted parties as extravagant and decadent as Renaissance court operas, spending small fortunes on her own costumes in her quest to become a “living work of art” and muse. Doris Castlerosse strove to make her mark in London and Venice during the glamorous, hedonistic interwar years, hosting film stars and royalty at glittering parties. In the postwar years, Peggy Gugenheim turned the Palazzo into a model of modernist simplicity that served as a home for her exquisite collection of modern art that today draws tourists and art lovers from around the world. Each vivid life story is accompanied by previously unseen materials from family archives, weaving an intricate history of these legendary art world eccentrics.
The unfinished palazzo: stories of Luisa Casati, Doris Castlerosse and Peggy Guggenheim
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in their lives: Luisa Casati, Doris Castlerosse, and Peggy Guggenheim. Luisa Casati turned her home into an aesthete’s fantasy where she hosted parties as extravagant and decadent as Renaissance court operas, spending small fortunes on her own costumes in her quest to become a “living work of art” and muse. Doris Castlerosse strove to make her mark in London and Venice during the glamorous, hedonistic interwar years, hosting film stars and royalty at glittering parties. In the postwar years, Peggy Gugenheim turned the Palazzo into a model of modernist simplicity that served as a home for her exquisite collection of modern art that today draws tourists and art lovers from around the world. Each vivid life story is accompanied by previously unseen materials from family archives, weaving an intricate history of these legendary art world eccentrics.
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books
books
Publication:
September 2017
September 2017
Subject:
History until 1900
History until 1900
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books
books
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$33.50
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Warhol’s Factory of the 1960s, Minimalism’s assembly-line aesthetics, conceptual and feminist concern with workers’ conditions in the 1970s—these are among the antecedents of a renewed focus on the work of art: labor as artistic activity, as artistic method and as object of artistic engagement. In 2002, the “Work Ethic” exhibition curated by Helen Molesworth at the(...)
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Warhol’s Factory of the 1960s, Minimalism’s assembly-line aesthetics, conceptual and feminist concern with workers’ conditions in the 1970s—these are among the antecedents of a renewed focus on the work of art: labor as artistic activity, as artistic method and as object of artistic engagement. In 2002, the “Work Ethic” exhibition curated by Helen Molesworth at the(...)
Title:
Work
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Warhol’s Factory of the 1960s, Minimalism’s assembly-line aesthetics, conceptual and feminist concern with workers’ conditions in the 1970s—these are among the antecedents of a renewed focus on the work of art: labor as artistic activity, as artistic method and as object of artistic engagement. In 2002, the “Work Ethic” exhibition curated by Helen Molesworth at the Baltimore Museum of Art took its cue from recent art to spotlight this earlier era of artistic practice in which activity became as valid as, and often dispensed with, object-production. Revealed through this prism was “dematerialized” art’s close and critical relation to the emergent information age’s criteria of management, production and skill. By 2015, the Venice Biennale reflected artists’ wider concern with global economic and social crises, centered on exploitative and precarious worlds of employment. Yet while art increasingly engages with human travail, work’s significance in itself is seldom addressed by critics. This anthology explicitly investigates work in relation to contemporary art, surveying artistic strategies that grapple with the complexities of being an art worker in the new economy, a postproducer, a collaborator, a fabricator, a striker, an ethical campaigner, or would-be transformer of labor from oppression to liberation.
Work
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Warhol’s Factory of the 1960s, Minimalism’s assembly-line aesthetics, conceptual and feminist concern with workers’ conditions in the 1970s—these are among the antecedents of a renewed focus on the work of art: labor as artistic activity, as artistic method and as object of artistic engagement. In 2002, the “Work Ethic” exhibition curated by Helen Molesworth at the Baltimore Museum of Art took its cue from recent art to spotlight this earlier era of artistic practice in which activity became as valid as, and often dispensed with, object-production. Revealed through this prism was “dematerialized” art’s close and critical relation to the emergent information age’s criteria of management, production and skill. By 2015, the Venice Biennale reflected artists’ wider concern with global economic and social crises, centered on exploitative and precarious worlds of employment. Yet while art increasingly engages with human travail, work’s significance in itself is seldom addressed by critics. This anthology explicitly investigates work in relation to contemporary art, surveying artistic strategies that grapple with the complexities of being an art worker in the new economy, a postproducer, a collaborator, a fabricator, a striker, an ethical campaigner, or would-be transformer of labor from oppression to liberation.
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books
books
Publication:
August 2017
August 2017
Subject:
Art Theory
Art Theory
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books
books
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One of twentieth-century America’s most influential patrons of the arts, Peggy Guggenheim (1898–1979) brought to wide public attention the work of such modern masters as Jackson Pollock and Man Ray. In her time, there was no stronger advocate for the groundbreaking and the avant-garde. Her midtown gallery was the acknowledged center of the postwar New York art scene, and(...)
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One of twentieth-century America’s most influential patrons of the arts, Peggy Guggenheim (1898–1979) brought to wide public attention the work of such modern masters as Jackson Pollock and Man Ray. In her time, there was no stronger advocate for the groundbreaking and the avant-garde. Her midtown gallery was the acknowledged center of the postwar New York art scene, and(...)
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Peggy Guggenheim: the shock of the modern
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One of twentieth-century America’s most influential patrons of the arts, Peggy Guggenheim (1898–1979) brought to wide public attention the work of such modern masters as Jackson Pollock and Man Ray. In her time, there was no stronger advocate for the groundbreaking and the avant-garde. Her midtown gallery was the acknowledged center of the postwar New York art scene, and her museum on the Grand Canal in Venice remains one of the world’s great collections of modern art. Yet as renowned as she was for the art and artists she so tirelessly championed, Guggenheim was equally famous for her unconventional personal life, and for her ironic, playful desire to shock. Francine Prose offers a singular reading of Guggenheim’s life. The lively and insightful narrative follows Guggenheim through virtually every aspect of her extraordinary life, from her unique collecting habits and paradigm-changing discoveries, to her celebrity friendships, failed marriages, and scandalous affairs, and Prose delivers a colorful portrait of a defiantly uncompromising woman who maintained a powerful upper hand in a male-dominated world. Prose also explores the ways in which Guggenheim’s image was filtered through the lens of insidious antisemitism.
Peggy Guggenheim: the shock of the modern
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One of twentieth-century America’s most influential patrons of the arts, Peggy Guggenheim (1898–1979) brought to wide public attention the work of such modern masters as Jackson Pollock and Man Ray. In her time, there was no stronger advocate for the groundbreaking and the avant-garde. Her midtown gallery was the acknowledged center of the postwar New York art scene, and her museum on the Grand Canal in Venice remains one of the world’s great collections of modern art. Yet as renowned as she was for the art and artists she so tirelessly championed, Guggenheim was equally famous for her unconventional personal life, and for her ironic, playful desire to shock. Francine Prose offers a singular reading of Guggenheim’s life. The lively and insightful narrative follows Guggenheim through virtually every aspect of her extraordinary life, from her unique collecting habits and paradigm-changing discoveries, to her celebrity friendships, failed marriages, and scandalous affairs, and Prose delivers a colorful portrait of a defiantly uncompromising woman who maintained a powerful upper hand in a male-dominated world. Prose also explores the ways in which Guggenheim’s image was filtered through the lens of insidious antisemitism.
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books
books
Publication:
November 2016
November 2016
Subject:
Art Theory
Art Theory
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books
books
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$57.50
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This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series(...)
$57.50
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Summary:
This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series(...)
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Giorgio Morandi: late paintings
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This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. In addition to an essay by art historian Laura Mattioli, founder of the Center for Italian Modern Art (CIMA), the book includes a fantastic array of contributions by contemporary artists, including John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Alexi Worth and Zeng Fanzhi. Each of the artists offers a personal response to Morandi’s work, and to the 2015 David Zwirner exhibition this book accompanies. Working in different mediums across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
Giorgio Morandi: late paintings
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$57.50
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This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. In addition to an essay by art historian Laura Mattioli, founder of the Center for Italian Modern Art (CIMA), the book includes a fantastic array of contributions by contemporary artists, including John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Alexi Worth and Zeng Fanzhi. Each of the artists offers a personal response to Morandi’s work, and to the 2015 David Zwirner exhibition this book accompanies. Working in different mediums across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
Form:
books
books
Publication:
May 2017
May 2017
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$110.00
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Since the beginning of the 20th century, artists and architects have often been in collaboration. This relationship was not necessarily without conflict – on the contrary, a productive tension and friction can often be found at the basis of their common endeavors. However, wherever art and architecture establish a common territory in the public arena, highly integrated(...)
$110.00
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Summary:
Since the beginning of the 20th century, artists and architects have often been in collaboration. This relationship was not necessarily without conflict – on the contrary, a productive tension and friction can often be found at the basis of their common endeavors. However, wherever art and architecture establish a common territory in the public arena, highly integrated(...)
Title:
Art and architecture: strategies in collaboration
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$110.00
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Since the beginning of the 20th century, artists and architects have often been in collaboration. This relationship was not necessarily without conflict – on the contrary, a productive tension and friction can often be found at the basis of their common endeavors. However, wherever art and architecture establish a common territory in the public arena, highly integrated schemes may result that are of particular appeal and quality. In recent years, the barriers between art and architecture have come down even further; while many artists are attracted to the spatial presence of architecture and its language and scale, contemporary architects also seek the inspiration of art and include artistic concepts into their designs. Great works of art/architecture have resulted from these cooperations and this book explores them in nine chapters from 1914 up to the present, highlighting the most striking examples of these interdisciplinary activities such as the LACMA scheme by Renzo Piano/Jeff Koons in Los Angeles, the Chichu Art Museum by Tadao Ando with its installation by Walter de Maria, the British Pavilion at the Venice Biennale by David Adjaye with artist Chris Ofili or the work by Keith Sonnier in the Munich Re Building by Baumschlager Eberle.
Art and architecture: strategies in collaboration
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$110.00
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Summary:
Since the beginning of the 20th century, artists and architects have often been in collaboration. This relationship was not necessarily without conflict – on the contrary, a productive tension and friction can often be found at the basis of their common endeavors. However, wherever art and architecture establish a common territory in the public arena, highly integrated schemes may result that are of particular appeal and quality. In recent years, the barriers between art and architecture have come down even further; while many artists are attracted to the spatial presence of architecture and its language and scale, contemporary architects also seek the inspiration of art and include artistic concepts into their designs. Great works of art/architecture have resulted from these cooperations and this book explores them in nine chapters from 1914 up to the present, highlighting the most striking examples of these interdisciplinary activities such as the LACMA scheme by Renzo Piano/Jeff Koons in Los Angeles, the Chichu Art Museum by Tadao Ando with its installation by Walter de Maria, the British Pavilion at the Venice Biennale by David Adjaye with artist Chris Ofili or the work by Keith Sonnier in the Munich Re Building by Baumschlager Eberle.
Form:
books
books
Publication:
May 2009
May 2009
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Antony Gormley Blind light
Antony Gormley Blind light
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Over the past 25 years, Antony Gormley, perhaps Britain's best-known living sculptor, has revitalized the human image in sculpture. He won the 1994 Turner Prize and has had solo exhibitions at the Whitechapel, Tate, and Hayward galleries, White Cube and The British Museum, and internationally at the Corcoran Gallery, Documenta and the Venice Biennale. His radical(...)
$80.00
(available to order)
Summary:
Over the past 25 years, Antony Gormley, perhaps Britain's best-known living sculptor, has revitalized the human image in sculpture. He won the 1994 Turner Prize and has had solo exhibitions at the Whitechapel, Tate, and Hayward galleries, White Cube and The British Museum, and internationally at the Corcoran Gallery, Documenta and the Venice Biennale. His radical(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
June 2007, London
June 2007, London
Title:
Antony Gormley Blind light
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$80.00
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Summary:
Over the past 25 years, Antony Gormley, perhaps Britain's best-known living sculptor, has revitalized the human image in sculpture. He won the 1994 Turner Prize and has had solo exhibitions at the Whitechapel, Tate, and Hayward galleries, White Cube and The British Museum, and internationally at the Corcoran Gallery, Documenta and the Venice Biennale. His radical investigations of the body as a place of memory and transformation use his own corpus as subject, tool and material. Conflating figure and ground, inside and outside, the physical and the psychological, Gormley explores complex relationships between the city, its architecture and its people. This richly illustrated catalogue is filled with new, never-before-seen sculptural works--a series of figures in light-infused webs of steel, and the monumental steel-block "Space Station," 20 feet high. Photographer Gautier Deblonde also chronicles a major new public project, "Event Horizon," which sites some 30 sculptures on buildings across central London, dramatically altering the city skyline. An in-depth interview with Gormley explores the development of his new work, as well as his relationship to the artists who have inspired him and to his contemporaries in the field of figurative sculpture.
Antony Gormley Blind light
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$80.00
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Summary:
Over the past 25 years, Antony Gormley, perhaps Britain's best-known living sculptor, has revitalized the human image in sculpture. He won the 1994 Turner Prize and has had solo exhibitions at the Whitechapel, Tate, and Hayward galleries, White Cube and The British Museum, and internationally at the Corcoran Gallery, Documenta and the Venice Biennale. His radical investigations of the body as a place of memory and transformation use his own corpus as subject, tool and material. Conflating figure and ground, inside and outside, the physical and the psychological, Gormley explores complex relationships between the city, its architecture and its people. This richly illustrated catalogue is filled with new, never-before-seen sculptural works--a series of figures in light-infused webs of steel, and the monumental steel-block "Space Station," 20 feet high. Photographer Gautier Deblonde also chronicles a major new public project, "Event Horizon," which sites some 30 sculptures on buildings across central London, dramatically altering the city skyline. An in-depth interview with Gormley explores the development of his new work, as well as his relationship to the artists who have inspired him and to his contemporaries in the field of figurative sculpture.
Form:
books
books
Publication:
June 2007, London
June 2007, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$45.00
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Summary:
This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long(...)
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Summary:
This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long(...)
Publication:
February 1994
February 1994
Title:
Cities of artificial excavation: the work of Peter Eisenman, 1978-1988
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Summary:
This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long Beach (1986); and Chora L Works (1985-1986), a garden for the Parc de La Villette in Paris designed in collaboration with Jacques Derrida. Each project is presented through the architect's drawings and models, over 200 images in all, more than 150 of them in colour, most from the collections of the Canadian Centre for Architecture. Each project sequence begins with a theoretical text by Eisenman, then goes on to a project history describing the site and explaining Eisenman's design strategy. The unprecedented publication of complete series of conceptual drawings not only illustrates Eisenman's design process in detail, but also traces the transformation, through drawing and model making, of his architectural discourse. With essays by Alan Balfour, Yve-Alain Bois, Jean-François Bédard, Jean-Louis Cohen, Kurt W. Forster, K. Michael Hays, Arata Isozaki, and Fredric Jameson.
Cities of artificial excavation: the work of Peter Eisenman, 1978-1988
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$45.00
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Summary:
This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long Beach (1986); and Chora L Works (1985-1986), a garden for the Parc de La Villette in Paris designed in collaboration with Jacques Derrida. Each project is presented through the architect's drawings and models, over 200 images in all, more than 150 of them in colour, most from the collections of the Canadian Centre for Architecture. Each project sequence begins with a theoretical text by Eisenman, then goes on to a project history describing the site and explaining Eisenman's design strategy. The unprecedented publication of complete series of conceptual drawings not only illustrates Eisenman's design process in detail, but also traces the transformation, through drawing and model making, of his architectural discourse. With essays by Alan Balfour, Yve-Alain Bois, Jean-François Bédard, Jean-Louis Cohen, Kurt W. Forster, K. Michael Hays, Arata Isozaki, and Fredric Jameson.
Form:
books
books
Publication:
February 1994
February 1994
Form:
books
books
Price:
$80.00
(available to order)
Summary:
This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long(...)
$80.00
(available to order)
Summary:
This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long(...)
Subject:
CCA Publications
CCA Publications
Publication:
February 1994, Montréal / New York
February 1994, Montréal / New York
Title:
Cities of artificial excavation: the work of Peter Eisenman, 1978-1988
Actions:
Price:
$80.00
(available to order)
Summary:
This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long Beach (1986); and Chora L Works (1985-1986), a garden for the Parc de La Villette in Paris designed in collaboration with Jacques Derrida. Each project is presented through the architect's drawings and models, over 200 images in all, more than 150 of them in colour, most from the collections of the Canadian Centre for Architecture. Each project sequence begins with a theoretical text by Eisenman, then goes on to a project history describing the site and explaining Eisenman's design strategy. The unprecedented publication of complete series of conceptual drawings not only illustrates Eisenman's design process in detail, but also traces the transformation, through drawing and model making, of his architectural discourse. With essays by Alan Balfour, Yve-Alain Bois, Jean-François Bédard, Jean-Louis Cohen, Kurt W. Forster, K. Michael Hays, Arata Isozaki, and Fredric Jameson.
Cities of artificial excavation: the work of Peter Eisenman, 1978-1988
Actions:
Price:
$80.00
(available to order)
Summary:
This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long Beach (1986); and Chora L Works (1985-1986), a garden for the Parc de La Villette in Paris designed in collaboration with Jacques Derrida. Each project is presented through the architect's drawings and models, over 200 images in all, more than 150 of them in colour, most from the collections of the Canadian Centre for Architecture. Each project sequence begins with a theoretical text by Eisenman, then goes on to a project history describing the site and explaining Eisenman's design strategy. The unprecedented publication of complete series of conceptual drawings not only illustrates Eisenman's design process in detail, but also traces the transformation, through drawing and model making, of his architectural discourse. With essays by Alan Balfour, Yve-Alain Bois, Jean-François Bédard, Jean-Louis Cohen, Kurt W. Forster, K. Michael Hays, Arata Isozaki, and Fredric Jameson.
Form:
books
books
Publication:
February 1994, Montréal / New York
February 1994, Montréal / New York
Subject:
CCA Publications
CCA Publications
Form:
books
books
Price:
$57.00
(available to order)
Summary:
With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code(...)
$57.00
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Summary:
With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code(...)
Title:
Local code: 3659 proposals about data, design, and the nature of cities
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$57.00
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Summary:
With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code is a collection of data-driven tools and design prototypes for understanding and transforming the physical, social, and ecological resilience of cities.'the book's data-driven layout arranges drawings of 3,659 digitally-tailored interventions for vacant public land in San Francisco, Los Angeles, New York City, and Venice, Italy. Between these illustrated case studies, critical essays present surprising and essential links between such designs and the seminal work of urbanist Jane Jacobs, artist Gordon Matta-Clark, and digital mapping pioneer Howard Fisher, along with the developing science of urban nature and complexity. In text and image, Local Code presents'a digitally prolific, open-ended approach to urban resilience and social and environmental justice; At once analytic and visionary, it pioneers a new field of enquiry and action at the meeting of big data and the expanding city.
Local code: 3659 proposals about data, design, and the nature of cities
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$57.00
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Summary:
With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code is a collection of data-driven tools and design prototypes for understanding and transforming the physical, social, and ecological resilience of cities.'the book's data-driven layout arranges drawings of 3,659 digitally-tailored interventions for vacant public land in San Francisco, Los Angeles, New York City, and Venice, Italy. Between these illustrated case studies, critical essays present surprising and essential links between such designs and the seminal work of urbanist Jane Jacobs, artist Gordon Matta-Clark, and digital mapping pioneer Howard Fisher, along with the developing science of urban nature and complexity. In text and image, Local Code presents'a digitally prolific, open-ended approach to urban resilience and social and environmental justice; At once analytic and visionary, it pioneers a new field of enquiry and action at the meeting of big data and the expanding city.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Urban Theory
Urban Theory
Form:
books
books
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$86.00
(available to order)
Summary:
From December 9, 2023 to April 21, 2024, the Fondation Cartier pour l’art contemporain presents an exhibition created by the Indian architecture studio, Studio Mumbai, directed by Bijoy Jain. Inspired by the rhythm of breathing, this exhibition offers a space for reverie and contemplation in dialogue with Jean Nouvel’s building. Born in 1965 in Mumbai, Bijoy Jain created(...)
$86.00
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Summary:
From December 9, 2023 to April 21, 2024, the Fondation Cartier pour l’art contemporain presents an exhibition created by the Indian architecture studio, Studio Mumbai, directed by Bijoy Jain. Inspired by the rhythm of breathing, this exhibition offers a space for reverie and contemplation in dialogue with Jean Nouvel’s building. Born in 1965 in Mumbai, Bijoy Jain created(...)
Title:
Bijoy Jain / Studio Mumbai: Breath of an architect
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$86.00
(available to order)
Summary:
From December 9, 2023 to April 21, 2024, the Fondation Cartier pour l’art contemporain presents an exhibition created by the Indian architecture studio, Studio Mumbai, directed by Bijoy Jain. Inspired by the rhythm of breathing, this exhibition offers a space for reverie and contemplation in dialogue with Jean Nouvel’s building. Born in 1965 in Mumbai, Bijoy Jain created Studio Mumbai in 2005. Exploring the links between art, architecture and materials, this human-scale organization is composed of craftsmen and architects who design and build each project themselves, using local resources. Bijoy Jain / Studio Mumbai participated in many exhibitions around the world, including the Venice (2010, 2016) and Chicago (2017) architecture biennals. For the Fondation Cartier, Bijoy Jain unites man and nature, light and shadow, bamboo, brick and stone to form a meditative landscape taking us into the heart of creation. Sculptures, objects and furniture interact with artworks by Chinese painter Hu Liu and Turkish ceramist Alev Ebüzziya Siesbye, invited by the architect, revealing a shared sensibility and ethos between these artists. The catalog published in conjunction with the exhibition invites readers to discover Bijoy Jain’s aesthetics and philosophy. Conceived as a work-in-progress of the exhibition, this book focuses on the artist’s drawings, photographs of his studio and works in the making.
Bijoy Jain / Studio Mumbai: Breath of an architect
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Price:
$86.00
(available to order)
Summary:
From December 9, 2023 to April 21, 2024, the Fondation Cartier pour l’art contemporain presents an exhibition created by the Indian architecture studio, Studio Mumbai, directed by Bijoy Jain. Inspired by the rhythm of breathing, this exhibition offers a space for reverie and contemplation in dialogue with Jean Nouvel’s building. Born in 1965 in Mumbai, Bijoy Jain created Studio Mumbai in 2005. Exploring the links between art, architecture and materials, this human-scale organization is composed of craftsmen and architects who design and build each project themselves, using local resources. Bijoy Jain / Studio Mumbai participated in many exhibitions around the world, including the Venice (2010, 2016) and Chicago (2017) architecture biennals. For the Fondation Cartier, Bijoy Jain unites man and nature, light and shadow, bamboo, brick and stone to form a meditative landscape taking us into the heart of creation. Sculptures, objects and furniture interact with artworks by Chinese painter Hu Liu and Turkish ceramist Alev Ebüzziya Siesbye, invited by the architect, revealing a shared sensibility and ethos between these artists. The catalog published in conjunction with the exhibition invites readers to discover Bijoy Jain’s aesthetics and philosophy. Conceived as a work-in-progress of the exhibition, this book focuses on the artist’s drawings, photographs of his studio and works in the making.
Form:
books
books
Publication:
January 2024
January 2024
Subject:
Architecture Monographs
Architecture Monographs
