2982 Results
Level of archival description:
Sub-series
Sub-series
Title:
Opera Houses
Opera Houses
Reference number:
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
People:
Date:
1717-1868
1717-1868
Title:
Opera Houses
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
Opera Houses
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
Level of archival description:
File 3
File 3
Date:
1717-1868
1717-1868
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP177
Synopsis:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
AP177
Synopsis:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
People:
Date:
1996-2015
1996-2015
Title:
RUR Architecture Kansai-kan of the National Diet Library project records
Actions:
AP177
Synopsis:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
RUR Architecture Kansai-kan of the National Diet Library project records
Actions:
AP177
Synopsis:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1996-2015
1996-2015
People:
Form:
photographs
Quantity:
10 photograph(s)
photographs
Quantity:
10 photograph(s)
Title:
Photographs of Chandigarh
Photographs of Chandigarh
Actions:
Reference number:
ARCH269675
Description:
Group consists of photographs of Chandigarh, India, including: - Circuit House in sector 6 - Post Graduate Institute for Medical Research in sector 12 - Water storage in sector 19 - Exterior stair of an House Type-4J in sector 5 - House Type-4J in sector 5 - Unidentified Higher Secondary school in sector 20 (2 photographs) - A woman and a child sitting in front of an unidentified house - People bathing in a pool in front a an unidentified building in construction - Young girls playing in front of the Carmel Convent School in sector 5
ARCH269675
Description:
Group consists of photographs of Chandigarh, India, including: - Circuit House in sector 6 - Post Graduate Institute for Medical Research in sector 12 - Water storage in sector 19 - Exterior stair of an House Type-4J in sector 5 - House Type-4J in sector 5 - Unidentified Higher Secondary school in sector 20 (2 photographs) - A woman and a child sitting in front of an unidentified house - People bathing in a pool in front a an unidentified building in construction - Young girls playing in front of the Carmel Convent School in sector 5
People:
Date:
between 1951 and 1965
between 1951 and 1965
Title:
Photographs of Chandigarh
Actions:
ARCH269675
Description:
Group consists of photographs of Chandigarh, India, including: - Circuit House in sector 6 - Post Graduate Institute for Medical Research in sector 12 - Water storage in sector 19 - Exterior stair of an House Type-4J in sector 5 - House Type-4J in sector 5 - Unidentified Higher Secondary school in sector 20 (2 photographs) - A woman and a child sitting in front of an unidentified house - People bathing in a pool in front a an unidentified building in construction - Young girls playing in front of the Carmel Convent School in sector 5
Photographs of Chandigarh
Actions:
ARCH269675
Description:
Group consists of photographs of Chandigarh, India, including: - Circuit House in sector 6 - Post Graduate Institute for Medical Research in sector 12 - Water storage in sector 19 - Exterior stair of an House Type-4J in sector 5 - House Type-4J in sector 5 - Unidentified Higher Secondary school in sector 20 (2 photographs) - A woman and a child sitting in front of an unidentified house - People bathing in a pool in front a an unidentified building in construction - Young girls playing in front of the Carmel Convent School in sector 5
Form:
photographs
Quantity:
10 photograph(s)
photographs
Quantity:
10 photograph(s)
Date:
between 1951 and 1965
between 1951 and 1965
People:
Form:
photographs
Quantity:
9 photograph(s)
photographs
Quantity:
9 photograph(s)
Actions:
Reference number:
ARCH269656
Description:
Group consists of various photographs of Chandigarh, India, including: - The Gandhi Bhawan and the reflecting pool in Panjab University in sector 14 - The Gandhi Bhawan auditorium in Panjab University in sector 14 - An unidentified bas-relief in concrete - Young girls playing in front of the Carmel Convent School in sector 5 - The open-air theatre in Panjab University in sector 14 - Jeet Malhotra, Jawaharlal Nehru and Pierre Jeanneret taking tea at the Gandhi Bhawan inauguration - A man in front of a model of Chandigarh's master plan at the Architect's office in sector 19 - Pierre Jeanneret and Le Corbusier - The "Modulor Man" wrought iron scultpture
ARCH269656
Description:
Group consists of various photographs of Chandigarh, India, including: - The Gandhi Bhawan and the reflecting pool in Panjab University in sector 14 - The Gandhi Bhawan auditorium in Panjab University in sector 14 - An unidentified bas-relief in concrete - Young girls playing in front of the Carmel Convent School in sector 5 - The open-air theatre in Panjab University in sector 14 - Jeet Malhotra, Jawaharlal Nehru and Pierre Jeanneret taking tea at the Gandhi Bhawan inauguration - A man in front of a model of Chandigarh's master plan at the Architect's office in sector 19 - Pierre Jeanneret and Le Corbusier - The "Modulor Man" wrought iron scultpture
People:
Date:
between 1951 and 1965
between 1951 and 1965
Title:
Various photographs of Chandigarh
Actions:
ARCH269656
Description:
Group consists of various photographs of Chandigarh, India, including: - The Gandhi Bhawan and the reflecting pool in Panjab University in sector 14 - The Gandhi Bhawan auditorium in Panjab University in sector 14 - An unidentified bas-relief in concrete - Young girls playing in front of the Carmel Convent School in sector 5 - The open-air theatre in Panjab University in sector 14 - Jeet Malhotra, Jawaharlal Nehru and Pierre Jeanneret taking tea at the Gandhi Bhawan inauguration - A man in front of a model of Chandigarh's master plan at the Architect's office in sector 19 - Pierre Jeanneret and Le Corbusier - The "Modulor Man" wrought iron scultpture
Various photographs of Chandigarh
Actions:
ARCH269656
Description:
Group consists of various photographs of Chandigarh, India, including: - The Gandhi Bhawan and the reflecting pool in Panjab University in sector 14 - The Gandhi Bhawan auditorium in Panjab University in sector 14 - An unidentified bas-relief in concrete - Young girls playing in front of the Carmel Convent School in sector 5 - The open-air theatre in Panjab University in sector 14 - Jeet Malhotra, Jawaharlal Nehru and Pierre Jeanneret taking tea at the Gandhi Bhawan inauguration - A man in front of a model of Chandigarh's master plan at the Architect's office in sector 19 - Pierre Jeanneret and Le Corbusier - The "Modulor Man" wrought iron scultpture
Form:
photographs
Quantity:
9 photograph(s)
photographs
Quantity:
9 photograph(s)
Date:
between 1951 and 1965
between 1951 and 1965
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Anyone Corporation fonds
Anyone Corporation fonds
Reference number:
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
People:
Date:
1990-2001
1990-2001
Title:
Anyone Corporation fonds
Actions:
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Anyone Corporation fonds
Actions:
AP116
Synopsis:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1990-2001
1990-2001
People:
Form:
born digital
born digital
Actions:
Reference number:
AP167.S1.SS3.002
Description:
This directory chiefly contains the out-of-the-box Virtools software, located in the subdirectory titled "Virtools." This includes a variety of applications, most notably Virtools Dev, the Virtools CAD software. Applications also include the Virtools render engine, configuration specifications, the CKGUID generator, and the Decision Industrial Interface (DII) setup wizard. There are also a small number of NSA Muscle composition and player files in the "besturing" subdirectory, and a number of DII files in the "drivers" subdirectory. Original directory name: "!!!muscle cd". Most common file formats: Plain Text File, Unidentified, JPEG File Interchange Format, Windows Portable Executable, Waveform Audio (PCMWAVEFORMAT).
AP167.S1.SS3.002
Description:
This directory chiefly contains the out-of-the-box Virtools software, located in the subdirectory titled "Virtools." This includes a variety of applications, most notably Virtools Dev, the Virtools CAD software. Applications also include the Virtools render engine, configuration specifications, the CKGUID generator, and the Decision Industrial Interface (DII) setup wizard. There are also a small number of NSA Muscle composition and player files in the "besturing" subdirectory, and a number of DII files in the "drivers" subdirectory. Original directory name: "!!!muscle cd". Most common file formats: Plain Text File, Unidentified, JPEG File Interchange Format, Windows Portable Executable, Waveform Audio (PCMWAVEFORMAT).
People:
Date:
31 January 1998 - 5 November 2003
31 January 1998 - 5 November 2003
Title:
Virtools software and NSA Muscle composition and player files
Actions:
AP167.S1.SS3.002
Description:
This directory chiefly contains the out-of-the-box Virtools software, located in the subdirectory titled "Virtools." This includes a variety of applications, most notably Virtools Dev, the Virtools CAD software. Applications also include the Virtools render engine, configuration specifications, the CKGUID generator, and the Decision Industrial Interface (DII) setup wizard. There are also a small number of NSA Muscle composition and player files in the "besturing" subdirectory, and a number of DII files in the "drivers" subdirectory. Original directory name: "!!!muscle cd". Most common file formats: Plain Text File, Unidentified, JPEG File Interchange Format, Windows Portable Executable, Waveform Audio (PCMWAVEFORMAT).
Virtools software and NSA Muscle composition and player files
Actions:
AP167.S1.SS3.002
Description:
This directory chiefly contains the out-of-the-box Virtools software, located in the subdirectory titled "Virtools." This includes a variety of applications, most notably Virtools Dev, the Virtools CAD software. Applications also include the Virtools render engine, configuration specifications, the CKGUID generator, and the Decision Industrial Interface (DII) setup wizard. There are also a small number of NSA Muscle composition and player files in the "besturing" subdirectory, and a number of DII files in the "drivers" subdirectory. Original directory name: "!!!muscle cd". Most common file formats: Plain Text File, Unidentified, JPEG File Interchange Format, Windows Portable Executable, Waveform Audio (PCMWAVEFORMAT).
Form:
born digital
born digital
Date:
31 January 1998 - 5 November 2003
31 January 1998 - 5 November 2003
People:
Level of archival description:
Project
Project
Reference number:
AP144.S2.D63
Description:
File documents research on air structures for a survey and final report commissioned by the Ministry of Public Buildings and Works, United Kingdom. The report was completed in 1969 by Cedric Price in collaboration with Frank Newby and Robert H. Suan of Felix J. Samuely and Partners, Consulting Engineers, and published in 1971 by HMSO (Her Majesty's Stationery Office). In addition to the report titled 'Air Structures: A Survey', the file contains material on Cedric Price's presentation at the 1967 International Colloquium on Pneumatic Structures at the University of Stuttgart. The creation of the Lightweight Enclosure Unit (see AP144.S2.D79) by Cedric Price and Frank Newby and their involvement with the drafting of British Standards Institution's 1976 'Draft for Development: Air Structures' (see AP144.S2.D79 and AP144.S2.D91) were also results of this initial commission. The file contains publication layouts, including drawings for Aerofoam Furniture (see AP144.S2.D43) and possibly the Tunisia Report on Tourism; design development drawings and charts, including a two-year projection for air structure research, a project integration chart of important "players" in the research, including government, academic, and industrial contacts, a chart showing cost per surface area; and five presentation panels that include a title page, diagrammatic sketches of projects dating from 1963-1965, a summary of Aerofoam furniture, drawings for Surface Oil Containment (1967) clippings, and a manuscript. Some materials in this file were published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 508-510, and Price, Cedric, 'Cedric Price-Works II', 18, 31. Material in this file was produced between 1966 and 1995, but predominantly between 1966 and 1971. File contains design development drawings, presentation drawings, presentation panels, and textual records.
AP144.S2.D63
Description:
File documents research on air structures for a survey and final report commissioned by the Ministry of Public Buildings and Works, United Kingdom. The report was completed in 1969 by Cedric Price in collaboration with Frank Newby and Robert H. Suan of Felix J. Samuely and Partners, Consulting Engineers, and published in 1971 by HMSO (Her Majesty's Stationery Office). In addition to the report titled 'Air Structures: A Survey', the file contains material on Cedric Price's presentation at the 1967 International Colloquium on Pneumatic Structures at the University of Stuttgart. The creation of the Lightweight Enclosure Unit (see AP144.S2.D79) by Cedric Price and Frank Newby and their involvement with the drafting of British Standards Institution's 1976 'Draft for Development: Air Structures' (see AP144.S2.D79 and AP144.S2.D91) were also results of this initial commission. The file contains publication layouts, including drawings for Aerofoam Furniture (see AP144.S2.D43) and possibly the Tunisia Report on Tourism; design development drawings and charts, including a two-year projection for air structure research, a project integration chart of important "players" in the research, including government, academic, and industrial contacts, a chart showing cost per surface area; and five presentation panels that include a title page, diagrammatic sketches of projects dating from 1963-1965, a summary of Aerofoam furniture, drawings for Surface Oil Containment (1967) clippings, and a manuscript. Some materials in this file were published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 508-510, and Price, Cedric, 'Cedric Price-Works II', 18, 31. Material in this file was produced between 1966 and 1995, but predominantly between 1966 and 1971. File contains design development drawings, presentation drawings, presentation panels, and textual records.
People:
Date:
1966-1995, predominant 1966-1971
1966-1995, predominant 1966-1971
Title:
Air Structures Research
Actions:
AP144.S2.D63
Description:
File documents research on air structures for a survey and final report commissioned by the Ministry of Public Buildings and Works, United Kingdom. The report was completed in 1969 by Cedric Price in collaboration with Frank Newby and Robert H. Suan of Felix J. Samuely and Partners, Consulting Engineers, and published in 1971 by HMSO (Her Majesty's Stationery Office). In addition to the report titled 'Air Structures: A Survey', the file contains material on Cedric Price's presentation at the 1967 International Colloquium on Pneumatic Structures at the University of Stuttgart. The creation of the Lightweight Enclosure Unit (see AP144.S2.D79) by Cedric Price and Frank Newby and their involvement with the drafting of British Standards Institution's 1976 'Draft for Development: Air Structures' (see AP144.S2.D79 and AP144.S2.D91) were also results of this initial commission. The file contains publication layouts, including drawings for Aerofoam Furniture (see AP144.S2.D43) and possibly the Tunisia Report on Tourism; design development drawings and charts, including a two-year projection for air structure research, a project integration chart of important "players" in the research, including government, academic, and industrial contacts, a chart showing cost per surface area; and five presentation panels that include a title page, diagrammatic sketches of projects dating from 1963-1965, a summary of Aerofoam furniture, drawings for Surface Oil Containment (1967) clippings, and a manuscript. Some materials in this file were published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 508-510, and Price, Cedric, 'Cedric Price-Works II', 18, 31. Material in this file was produced between 1966 and 1995, but predominantly between 1966 and 1971. File contains design development drawings, presentation drawings, presentation panels, and textual records.
Air Structures Research
Actions:
AP144.S2.D63
Description:
File documents research on air structures for a survey and final report commissioned by the Ministry of Public Buildings and Works, United Kingdom. The report was completed in 1969 by Cedric Price in collaboration with Frank Newby and Robert H. Suan of Felix J. Samuely and Partners, Consulting Engineers, and published in 1971 by HMSO (Her Majesty's Stationery Office). In addition to the report titled 'Air Structures: A Survey', the file contains material on Cedric Price's presentation at the 1967 International Colloquium on Pneumatic Structures at the University of Stuttgart. The creation of the Lightweight Enclosure Unit (see AP144.S2.D79) by Cedric Price and Frank Newby and their involvement with the drafting of British Standards Institution's 1976 'Draft for Development: Air Structures' (see AP144.S2.D79 and AP144.S2.D91) were also results of this initial commission. The file contains publication layouts, including drawings for Aerofoam Furniture (see AP144.S2.D43) and possibly the Tunisia Report on Tourism; design development drawings and charts, including a two-year projection for air structure research, a project integration chart of important "players" in the research, including government, academic, and industrial contacts, a chart showing cost per surface area; and five presentation panels that include a title page, diagrammatic sketches of projects dating from 1963-1965, a summary of Aerofoam furniture, drawings for Surface Oil Containment (1967) clippings, and a manuscript. Some materials in this file were published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 508-510, and Price, Cedric, 'Cedric Price-Works II', 18, 31. Material in this file was produced between 1966 and 1995, but predominantly between 1966 and 1971. File contains design development drawings, presentation drawings, presentation panels, and textual records.
Level of archival description:
File 63
File 63
Date:
1966-1995, predominant 1966-1971
1966-1995, predominant 1966-1971
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
People:
Date:
1997
1997
Title:
Open Arena – Töölö Football Stadium, international competition entry
Actions:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
Open Arena – Töölö Football Stadium, international competition entry
Actions:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
Level of archival description:
Project
Project
Date:
1997
1997
People:
Form:
born digital
born digital
Actions:
Reference number:
AP167.S1.SS3.001
Description:
This directory contains files documenting ONL's early experimentation with Virtools. It includes three interactive, game-like composition and player files. The first, titled Trans-ports, allows the user to manipulate a structure's shape and lighting. The skin of the structure can also be manipulated into streaming news headlines. The second, titled Variomatic, allows the user to customize a structure by manipulating its size, shape, color, and construction materials. The third, titled Web of North Holland, allows the user to investigate the geometries of a structure, and later allows the user to move an avatar resembling Kas Oosterhuis around inside the structure. There are also a small number of additional composition files which include drafts of a 3D structure, as well as stock Virtools composition files. Original directory name: "80 nemo to virtools conversion". Most common file formats: Waveform Audio (PCMWAVEFORMAT), JPEG File Interchange Format, Waveform Audio (WAVEFORMATEX), Unidentified, Hypertext Markup Language.
AP167.S1.SS3.001
Description:
This directory contains files documenting ONL's early experimentation with Virtools. It includes three interactive, game-like composition and player files. The first, titled Trans-ports, allows the user to manipulate a structure's shape and lighting. The skin of the structure can also be manipulated into streaming news headlines. The second, titled Variomatic, allows the user to customize a structure by manipulating its size, shape, color, and construction materials. The third, titled Web of North Holland, allows the user to investigate the geometries of a structure, and later allows the user to move an avatar resembling Kas Oosterhuis around inside the structure. There are also a small number of additional composition files which include drafts of a 3D structure, as well as stock Virtools composition files. Original directory name: "80 nemo to virtools conversion". Most common file formats: Waveform Audio (PCMWAVEFORMAT), JPEG File Interchange Format, Waveform Audio (WAVEFORMATEX), Unidentified, Hypertext Markup Language.
People:
Date:
22 September 1995 - 21 May 2003
22 September 1995 - 21 May 2003
Title:
Early Virtools experimentation and architecture games
Actions:
AP167.S1.SS3.001
Description:
This directory contains files documenting ONL's early experimentation with Virtools. It includes three interactive, game-like composition and player files. The first, titled Trans-ports, allows the user to manipulate a structure's shape and lighting. The skin of the structure can also be manipulated into streaming news headlines. The second, titled Variomatic, allows the user to customize a structure by manipulating its size, shape, color, and construction materials. The third, titled Web of North Holland, allows the user to investigate the geometries of a structure, and later allows the user to move an avatar resembling Kas Oosterhuis around inside the structure. There are also a small number of additional composition files which include drafts of a 3D structure, as well as stock Virtools composition files. Original directory name: "80 nemo to virtools conversion". Most common file formats: Waveform Audio (PCMWAVEFORMAT), JPEG File Interchange Format, Waveform Audio (WAVEFORMATEX), Unidentified, Hypertext Markup Language.
Early Virtools experimentation and architecture games
Actions:
AP167.S1.SS3.001
Description:
This directory contains files documenting ONL's early experimentation with Virtools. It includes three interactive, game-like composition and player files. The first, titled Trans-ports, allows the user to manipulate a structure's shape and lighting. The skin of the structure can also be manipulated into streaming news headlines. The second, titled Variomatic, allows the user to customize a structure by manipulating its size, shape, color, and construction materials. The third, titled Web of North Holland, allows the user to investigate the geometries of a structure, and later allows the user to move an avatar resembling Kas Oosterhuis around inside the structure. There are also a small number of additional composition files which include drafts of a 3D structure, as well as stock Virtools composition files. Original directory name: "80 nemo to virtools conversion". Most common file formats: Waveform Audio (PCMWAVEFORMAT), JPEG File Interchange Format, Waveform Audio (WAVEFORMATEX), Unidentified, Hypertext Markup Language.
Form:
born digital
born digital
Date:
22 September 1995 - 21 May 2003
22 September 1995 - 21 May 2003
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP167
Synopsis:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
AP167
Synopsis:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
People:
Date:
1995-2013
1995-2013
Title:
ONL [Oosterhuis_Lénárd] NSA Muscle project records
Actions:
AP167
Synopsis:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
ONL [Oosterhuis_Lénárd] NSA Muscle project records
Actions:
AP167
Synopsis:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1995-2013
1995-2013
People:
