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Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian(...)
Unsettling Canadian Art History
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Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future. ''Unsettling Canadian art history'' affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.
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Les revendications féministes actuelles dans le domaine de l’architecture s’enracinent dans des décennies de réflexion critique, de militantisme politique, théorique et professionnel. Documentant l’engagement de plusieurs générations de penseurs-euses féministes, cette anthologie fait entendre quelques-unes des voix pionnières qui se sont élevées pour interroger le champ(...)
Des voix s'élèvent : Féminismes et architecture
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Les revendications féministes actuelles dans le domaine de l’architecture s’enracinent dans des décennies de réflexion critique, de militantisme politique, théorique et professionnel. Documentant l’engagement de plusieurs générations de penseurs-euses féministes, cette anthologie fait entendre quelques-unes des voix pionnières qui se sont élevées pour interroger le champ de l’architecture dans toutes ses dimensions, ses mécanismes sociaux, ses modes de production intellectuelle et professionnelle. Publiés entre 1977 et 1999, les douze textes fondateurs sélectionnés et présentés par la chercheuse Stéphanie Dadour éclairent un moment oublié de l’histoire de l’architecture nord-américaine. À une période où des notions fondamentales comme genre, intersectionnalité et queer sont forgées et progressivement introduites en architecture, les discours croisés de ces praticien-nes, théoricien-nes, historien-nes ou commissaires d’expositions dessinent un mouvement collectif qui n’existait pas auparavant et qui marquera indéfectiblement la littérature architecturale ultérieure.
Gender Theory in Architecture
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220 pages ; 27 x 26 cm
Toronto : Riverside Architectural Press, 2015.
CITA works / Mette Ramsgaard Thomsen, Phil Ayres, Martin Tamke, Paul Nicholas.
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220 pages ; 27 x 26 cm
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Toronto : Riverside Architectural Press, 2015.
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380 pages : illustrations (some color), plans ; 28 cm.
München ; Hamburg : Dölling und Galitz Verlag, 2012.
Konstanty Gutschow,1902-1978 : modernes Denken und volksgemeinschaftliche Utopie eines Architekten / Sylvia Necker.
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380 pages : illustrations (some color), plans ; 28 cm.
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München ; Hamburg : Dölling und Galitz Verlag, 2012.
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A literary and cultural history of the intimate space of the eighteenth-century closet?and how it fired the imaginations of Pepys, Sterne, Swift, and so many other writers Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for(...)
The closet: the eighteenth-century architecture of intimacy
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A literary and cultural history of the intimate space of the eighteenth-century closet?and how it fired the imaginations of Pepys, Sterne, Swift, and so many other writers Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for reading, writing, praying, dressing, and collecting?and for talking in select company. In their closets, kings and duchesses shared secrets with favorites, midwives and apothecaries dispensed remedies, and newly wealthy men and women expanded their social networks. In 'The Closet', Danielle Bobker presents a literary and cultural history of these sites of extrafamilial intimacy, revealing how, as they proliferated both in buildings and in books, closets also became powerful symbols of the unstable virtual intimacy of the first mass-medium of print.
Architectural Theory
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In the last decade, public discussions of transgender issues have increased exponentially. However, with this increased visibility has come not just power, but regulation, both in favor of and against trans people. What was once regarded as an unusual or even unfortunate disorder has become an accepted articulation of gendered embodiment as well as a new site for(...)
Trans*: A quick and quirky account of gender variability
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In the last decade, public discussions of transgender issues have increased exponentially. However, with this increased visibility has come not just power, but regulation, both in favor of and against trans people. What was once regarded as an unusual or even unfortunate disorder has become an accepted articulation of gendered embodiment as well as a new site for political activism and political recognition. What happened in the last few decades to prompt such an extensive rethinking of our understanding of gendered embodiment? How did a stigmatized identity become so central to U.S. and European articulations of self? And how have people responded to the new definitions and understanding of sex and the gendered body? In ''Trans*,'' Jack Halberstam explores these recent shifts in the meaning of the gendered body and representation, and explores the possibilities of a nongendered, gender-optional, or gender-queer future.
Social
Breathing aesthetics
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In this book, Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and(...)
Breathing aesthetics
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In this book, Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.
Critical Theory
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For centuries, monuments have telegraphed the values and origin myths of dominant culture in public space and on massive scale. They have signaled both who is part of a culture and who is not, often overlooking histories that complicate the stories they tell. Yet in the last 50 years in the United States, the role of monuments has changed significantly. Numerous(...)
Monumental: How a new generation of artists is shaping the memorial landscape
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For centuries, monuments have telegraphed the values and origin myths of dominant culture in public space and on massive scale. They have signaled both who is part of a culture and who is not, often overlooking histories that complicate the stories they tell. Yet in the last 50 years in the United States, the role of monuments has changed significantly. Numerous historical monuments have been removed or toppled, bringing to the fore a long-repressed conversation about the relationship between the monumental landscape and national identity. In Monumental, Cat Dawson takes up the social, political, and art historical causes and ramifications of this important shift. Examining the conditions that have led to and define this new era, Dawson reveals that these interventions are as indebted to the monumental tradition as they are to representational strategies that grew out of twentieth-century social justice efforts, from the Civil Rights movement to queer organizing during the AIDS crisis.
Art Theory
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The eighth issue of Errant Journal questions the ways in which hegemonic culture and discourse tends to prioritize the ideal of openness, access, transparency, and visibility. Delving into topics such as face coverings, ‘'coming out'’ in queer discourses, the use of opacity in transformative justice, and different strategies of (visual) resistance, ‘'Against Visibility'’(...)
Errant Journal #8 : Against visibility (or, the right to opacity)
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The eighth issue of Errant Journal questions the ways in which hegemonic culture and discourse tends to prioritize the ideal of openness, access, transparency, and visibility. Delving into topics such as face coverings, ‘'coming out'’ in queer discourses, the use of opacity in transformative justice, and different strategies of (visual) resistance, ‘'Against Visibility'’ can be read as a proposition of refusal of the paradigm of visibility and access that permeates all areas of western thinking. At a moment in which representation and uncovering ‘'lost'’ histories are trending, Errant asks what is being erased in a world where everything must always be visible. When Édouard Glissant proclaimed the right to opacity, he sought not to be reduced or to be measured against an ideal scale in order to be understood and accepted. Expanding from this, ''Against Visibility'' looks into the ways in which unlearning imperialism also includes unlearning the ideal of visibility itself.
Magazines
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For some of us, the family is a source of love and support. But for many others, the family is a place of private horror, coercion, and personal domination. In a capitalist society, the private family carries the impossible demands of interpersonal care and social reproductive labor. Can we imagine a different future? In ''Family abolition'', author M.E. O'Brien uncovers(...)
Family abolition: Capitalism and the communizing of care
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For some of us, the family is a source of love and support. But for many others, the family is a place of private horror, coercion, and personal domination. In a capitalist society, the private family carries the impossible demands of interpersonal care and social reproductive labor. Can we imagine a different future? In ''Family abolition'', author M.E. O'Brien uncovers the history of struggles to create radical alternatives to the private family. O'Brien traces the changing family politics of racial capitalism in the industrial cities of Europe and the slave plantations and settler frontier of North America, explaining the rise and fall of the housewife-based family form. From early Marxists to Black and queer insurrectionists to today's mass protest movements, O'Brien finds revolutionaries seeking better ways of loving, caring, and living. ''Family abolition'' takes us through the past and present of family politics into a speculative future of the commune, imagining how care could be organized in a free society.
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