Actors, agents and attendants. Social housing/ housing the social: art, property and spatial justice
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Social Housing—Housing the Social: Art, Property and Spatial Justice examines ongoing transformations in social housing and asks how these transformations are reflected in the aspirations and practices of artists. Housing provides essential shelter, but also gives form to the social. It represents and embodies the materiality of civic politics and thus demonstrates the(...)
Actors, agents and attendants. Social housing/ housing the social: art, property and spatial justice
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Social Housing—Housing the Social: Art, Property and Spatial Justice examines ongoing transformations in social housing and asks how these transformations are reflected in the aspirations and practices of artists. Housing provides essential shelter, but also gives form to the social. It represents and embodies the materiality of civic politics and thus demonstrates the uneven nature of spatial justice at local and global scale. For many years artists have contributed to the design and organization of structures of living together, often with ambivalent effect. Whilst many have imagined—and attempted to implement—radical new forms of social housing, as alternatives to both privatization and state provision, they have also ushered in waves of gentrification, thus contributing significantly to a story of capitalization now dominant within urban infrastructures.
Collective Housing
Jeff Liao: Coney Island
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In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist. A new incarnation of Luna Park opened to the public, the municipal government actively engaged in redevelopment, and the area visibly transformed. At the same time, Liao’s approach to picture making changed as he experimented with new strategies and techniques.(...)
Jeff Liao: Coney Island
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In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist. A new incarnation of Luna Park opened to the public, the municipal government actively engaged in redevelopment, and the area visibly transformed. At the same time, Liao’s approach to picture making changed as he experimented with new strategies and techniques. He started the project working with traditional transparency film. Although he had always used digital technology to transform the film images into a finished image, he slowly introduced digital picture-making technology to the process of recording the scenes. The resulting large-scale prints have a visual sweep often associated with cinema, encompassing the viewer and providing a strong sense of place. Edition of 500 copies
Photography monographs
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The interior is that space that architecture makes, which is at once set apart from the world and in its midst. Regardless of its scale, whether that of a dwelling, a temple, a settlement, a city or a continental territory, the interior is informed and shaped by ideas. These ideas appear in architecture and in the great variety of its interiors that we take to be public:(...)
The public interior as idea and project
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The interior is that space that architecture makes, which is at once set apart from the world and in its midst. Regardless of its scale, whether that of a dwelling, a temple, a settlement, a city or a continental territory, the interior is informed and shaped by ideas. These ideas appear in architecture and in the great variety of its interiors that we take to be public: those within which we consider ourselves to be free individuals, and where we see ourselves among others; those within which we are conscious of our place in society and in the world. Public interiors have been designed to affect and condition our consciousness and our behaviour, our relations to others and to authority.
Architectural Theory
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Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical(...)
The accidental possibilities of the city: Claes Oldenburg's urbanism in postwar America
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Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory. Smith argues that Oldenburg adapted lessons of context, gleaned from New York’s changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg’s innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.
Contemporary Art Monographs
Te Tuhirangi Contour
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Located on the Kaipara harbor in New Zealand, 30 miles north of Auckland, Te Tuhirangi Contour is one of Richard Serra's latest site-specific works. The site is a vast open grass pasture with rolling elevations and curvilinear contours. The sculpture, made of hundreds of tons of steel, is located on one continuous contour, at a length of 843 feet. The particular contour(...)
Contemporary Art Monographs
January 1900, Göttingen
Te Tuhirangi Contour
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Located on the Kaipara harbor in New Zealand, 30 miles north of Auckland, Te Tuhirangi Contour is one of Richard Serra's latest site-specific works. The site is a vast open grass pasture with rolling elevations and curvilinear contours. The sculpture, made of hundreds of tons of steel, is located on one continuous contour, at a length of 843 feet. The particular contour was chosen for its location, differentiation, contraction and expansion in relation to the total volume of the landscape, and the elevation of the sculpture is perpendicular to the fall of the land, which generates its lean of 11 degrees. The work was first mocked-up full scale in wood to determine height and length. Serra's monumental sculpture is documented here in Dirk Reinartz's elegant black-and-white photography.
Contemporary Art Monographs
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Grounded in empirical research, 'Alternative pedagogical spaces: From utopia to institutionalization' is a critical inquiry into the establishment, development, and transformation of alternative pedagogical and social spaces. Written by Anna Colin, a former director and co-founder of Open School East, an independent art school and community space founded in London in(...)
Alternative pedagogical spaces: From utopia to institutionalization
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Grounded in empirical research, 'Alternative pedagogical spaces: From utopia to institutionalization' is a critical inquiry into the establishment, development, and transformation of alternative pedagogical and social spaces. Written by Anna Colin, a former director and co-founder of Open School East, an independent art school and community space founded in London in 2013, this essay-length book explores the instituting factors, organizational life cycles, and alignments and misalignments between values and practices that permeate such a project. The essay delves into the qualities and prerequisites for what Colin calls "multi-public educational organizations." It also scrutinizes the hurdles associated with the effort to remain alternative, including processes of habituation, temptation or pressure to scale up, ethos-bending fundraising exercises, and long tenure, as well as the plain desire for stability and sustainability.
Museology
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Published to complement the 14th Shanghai Biennale, entitled Cosmos Cinema and curated by Anton Vidokle, this illustrated catalogue extends the exhibition's proposal that the methodologies of filmmaking might offer one way of representing and reimagining our entanglement in time and space. The book presents the work of artists from the early twentieth century to the(...)
14th Shanghai Biennale: Cosmos cinema
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Published to complement the 14th Shanghai Biennale, entitled Cosmos Cinema and curated by Anton Vidokle, this illustrated catalogue extends the exhibition's proposal that the methodologies of filmmaking might offer one way of representing and reimagining our entanglement in time and space. The book presents the work of artists from the early twentieth century to the present alongside a series of specially commissioned essays on subjects ranging from the history of Shanghai cinema to the possibility of communicating with nonhuman intelligence. Arranged according to the Nine Palaces of traditional Chinese cosmology, and reproduced here in a design that recreates the consciously cinematic experience of the exhibition, these works of art and their accompanying texts encourage us to reflect on our place within the systems that shape our lives at every scale.
Architecture and Film, Set Design
Socrates sculpture park
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Socrates Sculpture Park is a public art spaces. The Park opened in 1986 and has been an outdoor studio to over 500 artists, a venue presenting more than 40 exhibitions of large-scale sculpture, and a vital park attracting a diverse audience to Long Island City’s East River waterfront. This book is published to celebrate the 20th anniversary of Socrates Sculpture Park, and(...)
Urban Landscapes
October 2006, New Haven, London
Socrates sculpture park
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Socrates Sculpture Park is a public art spaces. The Park opened in 1986 and has been an outdoor studio to over 500 artists, a venue presenting more than 40 exhibitions of large-scale sculpture, and a vital park attracting a diverse audience to Long Island City’s East River waterfront. This book is published to celebrate the 20th anniversary of Socrates Sculpture Park, and it is the first major publication on this unique outdoor museum. Sculptor Mark di Suvero founded the Park with the assistance of fellow artists, community members, and city officials who transformed an abandoned lot into an award-winning urban renewal project. The history, spirit, and nature of this collaborative enterprise is presented through photographs and essays that reveal the beauty, energy, and import of this successful public art space.
Urban Landscapes
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Since the opening in 1997 of the Guggenheim Bilbao, designed by Frank Gehry, museum architecture has enjoyed worldwide attention on an unprecedented scale. That single watershed project demonstrated to municipalities that architecture has the power to transform the image of an entire city, thus making the turn of the twenty-first century the unofficial age of the museum(...)
Commercial interiors, Building types
August 2005, New York
New museums : contemporary museum architecture around the world
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Since the opening in 1997 of the Guggenheim Bilbao, designed by Frank Gehry, museum architecture has enjoyed worldwide attention on an unprecedented scale. That single watershed project demonstrated to municipalities that architecture has the power to transform the image of an entire city, thus making the turn of the twenty-first century the unofficial age of the museum building. New Museums examines the boom in high-design museum projects in detail, beginning with the Guggenheim Bilbao’s groundbreaking role in the development of contemporary museum architecture. It continues with a beautifully illustrated tour of 30 examples of the most innovative and exciting museum architecture around the world, including Tadao Ando’s Museum of Modern Art in Fort Worth, Zaha Hadid’s Contemporary Arts Center in Cincinnati, Renzo Piano’s Nasher Sculpture Center in Dallas, and many others.
Commercial interiors, Building types
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"Emilio Ambasz" is a monograph devoted to the internationally celebrated architect and designer who is known for designs that skilfully unite architecture and city landscapes and showcase spatial and urbanistic proposals of an absolute originality. Ambasz creates urban complexes that rise like volcanoes of glass-works of architecture that are natural landscapes and(...)
Emilio Ambasz : a technological Arcadia
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"Emilio Ambasz" is a monograph devoted to the internationally celebrated architect and designer who is known for designs that skilfully unite architecture and city landscapes and showcase spatial and urbanistic proposals of an absolute originality. Ambasz creates urban complexes that rise like volcanoes of glass-works of architecture that are natural landscapes and gardens that turn into artificial mechanisms. This monograph documents the creative world of this New York-based architect-designer in both large- and small-scale designs: from the crystalline complex of the San Antonio Botanical Center in Texas (1982) to the Aqua Dove Mineral Water Bottle and an opaque and granite office tower in Phoenix (1998). Ambasz is a master designer at the height of his genius and this book focuses on his more recent works throughout North America.
Architecture Monographs