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Nine days before October 7, 2023, award-winning author Isabella Hammad delivered the Edward W. Said Memorial Lecture at Columbia University. The text of Hammad’s seminal speech and her afterword, written in the early weeks of 2024, together make up a searing appraisal of the war on Palestine during what seems a turning point in the narrative of human history. Profound and(...)
Recognizing the stranger: On Palestine and narrative
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Nine days before October 7, 2023, award-winning author Isabella Hammad delivered the Edward W. Said Memorial Lecture at Columbia University. The text of Hammad’s seminal speech and her afterword, written in the early weeks of 2024, together make up a searing appraisal of the war on Palestine during what seems a turning point in the narrative of human history. Profound and moving, Hammad writes from within the moment, shedding light on the Palestinian struggle for freedom. "Recognizing the stranger" is a brilliant melding of literary and cultural analysis by one of Granta’s Best of Young British Novelists and a foremost writer of fiction in the world today.
Critical Theory
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A virtual tour of recent Native building projects in Canada and the western and midwestern United States, New Architecture on Indigenous Lands conducts readers through cultural centers and schools, clinics and housing, and even a sugar camp, all while showing how tribal identity is manifested in various distinctive ways. Focusing on such sites as the Tribal Council(...)
New architecture on indigenous lands
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A virtual tour of recent Native building projects in Canada and the western and midwestern United States, New Architecture on Indigenous Lands conducts readers through cultural centers and schools, clinics and housing, and even a sugar camp, all while showing how tribal identity is manifested in various distinctive ways. Focusing on such sites as the Tribal Council Chambers of the Pojoaque Pueblo; the Zuni Eagle Sanctuary in New Mexico; the Nk’Mip Desert Cultural Centre in Osoyoos, British Columbia; and the T’lisalagi’lakw Elementary School, Joy Monice Malnar and Frank Vodvarka offer wide-ranging insights into the sensory, symbolic, cultural, and environmental contexts of this new architecture.
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July 2013
Indigenous architecture
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New software and digital fabrication is changing how we use wood. This book brings together international designers, manufacturers and researchers examining natural and synthetic wood technologies. Composite materials, parametric design and automated fabrication technologies are explored, illustrating new design tools, custom manufacturing and advanced assembly methods.(...)
Timber Construction
January 1900, Waterloo
Future wood: innovation in building design + manufacturing
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New software and digital fabrication is changing how we use wood. This book brings together international designers, manufacturers and researchers examining natural and synthetic wood technologies. Composite materials, parametric design and automated fabrication technologies are explored, illustrating new design tools, custom manufacturing and advanced assembly methods. The papers of this book were published on the occasion of the Canadian Design Research Network Parametric Modeling and Digital Wood Fabrication Workshop and Symposium held at the Forest Sciences Centre at the University of British Columbia, Vancouver on February 15-24, 2007. The essays and projects in this volume demonstrate flexible, adaptable design qualities reflecting a rapidly changing society. CD with complete electronic version of the book included.
Timber Construction
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In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist’s first use of color and a turning point in his career. This(...)
Gerhard Richter: color charts
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In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist’s first use of color and a turning point in his career. This comprehensive catalogue is the first publication dedicated to the original Colour Charts, both those created in 1966 and those made in the ‘70s after a five-year hiatus. Featuring new essays by Dietmar Elger, head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, professor at the University of British Columbia.
Contemporary Art Monographs
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"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with(...)
Do glaciers listen? Local knowledge, colonial encounters, and social imagination
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"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples. Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site.
Current Exhibitions
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Winnipeg-based architecture firm Green Blankstein Russell and Associates (GBR) opened in the slow years of the Great Depression. From this inauspicious starting point the firm would grow to become, by the 1950s and 60s, a major player on the Canadian architectural scene: the largest architectural office between Ontario and British Columbia, with seven offices in four(...)
Architecture in Canada
December 2017
Green Blankstein Russell and Associates: an architectural legacy
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Winnipeg-based architecture firm Green Blankstein Russell and Associates (GBR) opened in the slow years of the Great Depression. From this inauspicious starting point the firm would grow to become, by the 1950s and 60s, a major player on the Canadian architectural scene: the largest architectural office between Ontario and British Columbia, with seven offices in four provinces. GBR was a hub for partnership and training, and was a pioneering force in its inclusion of women and members of Canada's diverse cultural communities within the field of design. Covering a wide range of individual buildings and practitioners, this book explores the significant mark GBR made on its hometown and across the country, as well as the firm’s role as a leader in the growth of Modernist architecture in Canada.
Architecture in Canada
Storming the old boys' citadel: two pioneer women architects of nineteeth century north america
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This book focuses on the lives and works of two of the very first women of European American ancestry to practice architecture in North America during the 19th century. Mother Joseph du Sacré-Coeur, a Sister of Providence—born Esther Pariseau, in St. Elzéar, Quebec—is credited with works built in the present states of Washington, Idaho, Montana, northern Oregon, and in(...)
Storming the old boys' citadel: two pioneer women architects of nineteeth century north america
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This book focuses on the lives and works of two of the very first women of European American ancestry to practice architecture in North America during the 19th century. Mother Joseph du Sacré-Coeur, a Sister of Providence—born Esther Pariseau, in St. Elzéar, Quebec—is credited with works built in the present states of Washington, Idaho, Montana, northern Oregon, and in the province of British Columbia. For her contributions, Mother Joseph was honored by the State of Washington as one of two people to represent it in the National Statuary Hall Collection in Washington, DC. Louise Blanchard Bethune designed and built works in the Buffalo, New York area. Storming the Old Boys’ Citadel follows the evolving histories of two Revival-styled multiuse public buildings considered to be these women’s major works.
Canadian Architects
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Geoffrey James directs his gaze to the in-between spaces and forgotten places that resist the idea of a cohesive national identity. With an equable eye, James documents the ephemeral and the monumental: a demolition derby in Quebec, how an inmate at Kingston Penitentiary has decorated his cell, the Dickensian side door of Massey Hall in Toronto. The photographs in this(...)
Geoffrey James: Canadian photographs
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Geoffrey James directs his gaze to the in-between spaces and forgotten places that resist the idea of a cohesive national identity. With an equable eye, James documents the ephemeral and the monumental: a demolition derby in Quebec, how an inmate at Kingston Penitentiary has decorated his cell, the Dickensian side door of Massey Hall in Toronto. The photographs in this collection celebrate the everyday while meditating on the issues James’s adopted home faces: the bifurcation of rural and urban, rapid growth and increasing inequality, and its journey toward truth and reconciliation. Linked by views taken from train windows from British Columbia to Nova Scotia, James’s unofficial portrait of Canada brings into sharp relief the unfinished business of the nation as it lurches into the next century. Canadian Photographs includes a conversation between the photographer and Peter Galassi, former Chief Curator of Photography at the Museum of Modern Art.
Photography monographs
Patkau architects
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The firm of Patkau architects, founded in 1978 and based in Vancouver, British Columbia, has achieved international renown for work that draws on the principles of modern architecture and is simultaneously inspired by the traditions and often spectacular landscape of the Pacific Northwest. The office is known for a straightforward, multifaceted expression of material and(...)
Patkau architects
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The firm of Patkau architects, founded in 1978 and based in Vancouver, British Columbia, has achieved international renown for work that draws on the principles of modern architecture and is simultaneously inspired by the traditions and often spectacular landscape of the Pacific Northwest. The office is known for a straightforward, multifaceted expression of material and detail as well as a focus on the sculpture that is inherent in architecture. This monograph includes cultural and institutional projects, such as the Canadian Clay and Glass Gallery, the National Library of Quebec in Montreal, and a major addition to the Winnipeg Centennial Library; schools, notably the Seabird Island School and the Strawberry Vale School; and a series of residences, including the Shaw house, with a dramatic elevated lap pool, and the inventive Petite Maison du Weekend (Small Weekend House), a prototype for a self-sufficient holiday house for two.
Canadian Architects
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ASIR Architekten in Stuttgart (2002) and ASIR Studio in Vancouver (2005) were founded by Inge Roecker, who has taught since January 2003 as an assistant professor at the University of British Columbia (UBC) in Vancouver. At UBC she is currently conducting research and teaching a design studio in Vancouver’s Chinatown, which investigates potentials for preserving the(...)
Urbane akupuntur : Inge Roecker / ASIR Architekten, Stuttgart - ASIR Studio, Vancouver
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ASIR Architekten in Stuttgart (2002) and ASIR Studio in Vancouver (2005) were founded by Inge Roecker, who has taught since January 2003 as an assistant professor at the University of British Columbia (UBC) in Vancouver. At UBC she is currently conducting research and teaching a design studio in Vancouver’s Chinatown, which investigates potentials for preserving the historic Chinatown neighborhood while proposing concrete possibilities for transformations into contemporary uses. Through models, drawings and video projections, the catalogue's exhibition presents four buildings and ensembles in Germany as well as a selected research project in Vancouver’s Chinatown. All work is connected to the theme of urban dwelling. The projects are intended to conceptually and programmatically improve and sustain their surroundings as well as to present innovative solutions for urban living. The chosen projects place an emphasis on the mending of broken urban fabric, thus performing an ‘acupuncture’ on the city.
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