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books
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Title:
Brutal bloc postcards
Brutal bloc postcards
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Brutal concrete hotels, futurist TV towers, heroic statues of workers—this collection of Soviet-era postcards documents the uncompromising landscape of the Eastern Bloc through its buildings and monuments. These are interspersed with quotes from prominent figures of the time, which both support and confound the ideologies presented in the images. In contrast to the(...)
$42.50
(available to order)
Summary:
Brutal concrete hotels, futurist TV towers, heroic statues of workers—this collection of Soviet-era postcards documents the uncompromising landscape of the Eastern Bloc through its buildings and monuments. These are interspersed with quotes from prominent figures of the time, which both support and confound the ideologies presented in the images. In contrast to the(...)
Publication:
August 2018
August 2018
Title:
Brutal bloc postcards
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$42.50
(available to order)
Summary:
Brutal concrete hotels, futurist TV towers, heroic statues of workers—this collection of Soviet-era postcards documents the uncompromising landscape of the Eastern Bloc through its buildings and monuments. These are interspersed with quotes from prominent figures of the time, which both support and confound the ideologies presented in the images. In contrast to the photographs of a ruined and abandoned Soviet empire we are accustomed to seeing today, the scenes depicted here publicize the bright future of communism: social housing blocks, palaces of culture and monuments to comradeship. Dating from the 1960s to the 1980s, they offer a nostalgic yet revealing insight into social and architectural values of the time, acting as a window through which we can examine cars, people and, of course, buildings. These postcards, sanctioned by the authorities, were intended to show the world what living in communism looked like.
Brutal bloc postcards
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Price:
$42.50
(available to order)
Summary:
Brutal concrete hotels, futurist TV towers, heroic statues of workers—this collection of Soviet-era postcards documents the uncompromising landscape of the Eastern Bloc through its buildings and monuments. These are interspersed with quotes from prominent figures of the time, which both support and confound the ideologies presented in the images. In contrast to the photographs of a ruined and abandoned Soviet empire we are accustomed to seeing today, the scenes depicted here publicize the bright future of communism: social housing blocks, palaces of culture and monuments to comradeship. Dating from the 1960s to the 1980s, they offer a nostalgic yet revealing insight into social and architectural values of the time, acting as a window through which we can examine cars, people and, of course, buildings. These postcards, sanctioned by the authorities, were intended to show the world what living in communism looked like.
Form:
books
books
Publication:
August 2018
August 2018
Form:
books
books
Title:
The last pictures
The last pictures
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$52.00
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Summary:
Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert(...)
$52.00
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Summary:
Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert(...)
Title:
The last pictures
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$52.00
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Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert hulls will continue to drift around Earth until the Sun expands into a red giant and engulfs them about 4.5 billion years from now. he Last Pictures, co-published by Creative Time Books, is rooted in the premise that these communications satellites will ultimately become the cultural and material ruins of the late 20th and early 21st centuries, far outlasting anything else humans have created. Inspired in part by ancient cave paintings, nuclear waste warning signs, and Carl Sagan's Golden Records of the 1970s, artist/geographer and MacArthur "Genius" Fellow Trevor Paglen has developed a collection of one hundred images that will be etched onto an ultra-archival, golden silicon disc.
The last pictures
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$52.00
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Summary:
Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert hulls will continue to drift around Earth until the Sun expands into a red giant and engulfs them about 4.5 billion years from now. he Last Pictures, co-published by Creative Time Books, is rooted in the premise that these communications satellites will ultimately become the cultural and material ruins of the late 20th and early 21st centuries, far outlasting anything else humans have created. Inspired in part by ancient cave paintings, nuclear waste warning signs, and Carl Sagan's Golden Records of the 1970s, artist/geographer and MacArthur "Genius" Fellow Trevor Paglen has developed a collection of one hundred images that will be etched onto an ultra-archival, golden silicon disc.
Form:
books
books
Publication:
September 2012
September 2012
Subject:
Art Theory
Art Theory
Form:
books
books
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$99.95
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Summary:
Think plastic. Think inflatable PVC chairs and TV tables. It must be the 1960s, when radical furniture designs "popped" next to new art, traditional designs were recast with new materials, and the results were often mixed in one room. One of the boldest decades of design in the twentieth century, this a decade of contradictions in styles that Anne Bony has captured in(...)
$99.95
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Summary:
Think plastic. Think inflatable PVC chairs and TV tables. It must be the 1960s, when radical furniture designs "popped" next to new art, traditional designs were recast with new materials, and the results were often mixed in one room. One of the boldest decades of design in the twentieth century, this a decade of contradictions in styles that Anne Bony has captured in(...)
Title:
Furniture & interiors of the 1960s
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Think plastic. Think inflatable PVC chairs and TV tables. It must be the 1960s, when radical furniture designs "popped" next to new art, traditional designs were recast with new materials, and the results were often mixed in one room. One of the boldest decades of design in the twentieth century, this a decade of contradictions in styles that Anne Bony has captured in this book. "Furniture and interiors of the 1960s" pays homage to the vibrancy and buoyant energy of the decade's design trends and influences in 300 key designs that attract enormous interest and command unprecedented prices today. For the first time, America was leading a design revolution with Wendell Castle's Molar and Castle chairs, Estelle Lavergne's lucite furniture and the experiments of Ray and Charles Eames. Warren Planter, Hans Knoll, Harry Bertoia, Alexander Girard, and Robert Propst were world-ranked designers who pioneered new directions in furnishings and accessories that appeared in trendy homes and offices in Europe and Asia.
Furniture & interiors of the 1960s
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$99.95
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Summary:
Think plastic. Think inflatable PVC chairs and TV tables. It must be the 1960s, when radical furniture designs "popped" next to new art, traditional designs were recast with new materials, and the results were often mixed in one room. One of the boldest decades of design in the twentieth century, this a decade of contradictions in styles that Anne Bony has captured in this book. "Furniture and interiors of the 1960s" pays homage to the vibrancy and buoyant energy of the decade's design trends and influences in 300 key designs that attract enormous interest and command unprecedented prices today. For the first time, America was leading a design revolution with Wendell Castle's Molar and Castle chairs, Estelle Lavergne's lucite furniture and the experiments of Ray and Charles Eames. Warren Planter, Hans Knoll, Harry Bertoia, Alexander Girard, and Robert Propst were world-ranked designers who pioneered new directions in furnishings and accessories that appeared in trendy homes and offices in Europe and Asia.
Form:
books
books
Publication:
May 2004, Paris
May 2004, Paris
Subject:
Interior Design
Interior Design
Form:
books
books
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$56.00
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Summary:
The architecture and design of trade fairs and exhibitions is undergoing a radical transformation: just as in TV advertising, the functional or aesthetic qualities of the products are being pushed into the background and instead emphasis is placed on creating an ideal but illusive world where man and his wishes are at the forefront. This new integrated approach to(...)
$56.00
(available to order)
Summary:
The architecture and design of trade fairs and exhibitions is undergoing a radical transformation: just as in TV advertising, the functional or aesthetic qualities of the products are being pushed into the background and instead emphasis is placed on creating an ideal but illusive world where man and his wishes are at the forefront. This new integrated approach to(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 1900, Basel
January 1900, Basel
Title:
Ingenhoven Overdiek und Partner / KMS Team - architecture and design : new synergies
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The architecture and design of trade fairs and exhibitions is undergoing a radical transformation: just as in TV advertising, the functional or aesthetic qualities of the products are being pushed into the background and instead emphasis is placed on creating an ideal but illusive world where man and his wishes are at the forefront. This new integrated approach to company presentation was realised by the firm Audi at the motor car fairs 1999/2000. Architect Christoph Ingenhoven and communications designer Michael Keller joined forces to help create a specific world which would promote the company and its products through the interaction of visual, acoustic, symbolic and material elements. In the form of dual reports from the perspectives of the architect and the communications designer, this book provides insight into this new concept of company presentation at trade shows. It offers a thought-provoking contribution to the debate about integrated, interdisciplinary approaches apparent in all areas of the world about us.
Ingenhoven Overdiek und Partner / KMS Team - architecture and design : new synergies
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Price:
$56.00
(available to order)
Summary:
The architecture and design of trade fairs and exhibitions is undergoing a radical transformation: just as in TV advertising, the functional or aesthetic qualities of the products are being pushed into the background and instead emphasis is placed on creating an ideal but illusive world where man and his wishes are at the forefront. This new integrated approach to company presentation was realised by the firm Audi at the motor car fairs 1999/2000. Architect Christoph Ingenhoven and communications designer Michael Keller joined forces to help create a specific world which would promote the company and its products through the interaction of visual, acoustic, symbolic and material elements. In the form of dual reports from the perspectives of the architect and the communications designer, this book provides insight into this new concept of company presentation at trade shows. It offers a thought-provoking contribution to the debate about integrated, interdisciplinary approaches apparent in all areas of the world about us.
Form:
books
books
Publication:
January 1900, Basel
January 1900, Basel
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$16.95
(available to order)
Summary:
In Richard Prince's 1977 work Untitled (couple), difference mixes uncannily with sameness. We can't quite tell whether the shiny couple we see is human or android; their clothing seems curiously out of date. Why do they fascinate us? What is it about their typicality that produces an impression of strangeness? Michael Newman explores Prince's work and his revival of the(...)
$16.95
(available to order)
Summary:
In Richard Prince's 1977 work Untitled (couple), difference mixes uncannily with sameness. We can't quite tell whether the shiny couple we see is human or android; their clothing seems curiously out of date. Why do they fascinate us? What is it about their typicality that produces an impression of strangeness? Michael Newman explores Prince's work and his revival of the(...)
Title:
Richard Prince: untitled (couple)
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$16.95
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Summary:
In Richard Prince's 1977 work Untitled (couple), difference mixes uncannily with sameness. We can't quite tell whether the shiny couple we see is human or android; their clothing seems curiously out of date. Why do they fascinate us? What is it about their typicality that produces an impression of strangeness? Michael Newman explores Prince's work and his revival of the image through photography—rephotographed reproduced photographs—after the impasses of conceptualism. Newman examines the relation of Prince's work to images appearing in illustrated magazines, advertising, and television during the artist's formative years and argues that the vintage TV series The Twilight Zone is crucial to understanding Prince's use of images in his work. Michael Newman is Associate Professor of Art History, Theory, and Criticism in the School of the Art Institute of Chicago. He has published in ArtForum, Art in America, Parachute, and other journals and is coeditor of the book Rewriting Conceptual Art.
Richard Prince: untitled (couple)
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$16.95
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Summary:
In Richard Prince's 1977 work Untitled (couple), difference mixes uncannily with sameness. We can't quite tell whether the shiny couple we see is human or android; their clothing seems curiously out of date. Why do they fascinate us? What is it about their typicality that produces an impression of strangeness? Michael Newman explores Prince's work and his revival of the image through photography—rephotographed reproduced photographs—after the impasses of conceptualism. Newman examines the relation of Prince's work to images appearing in illustrated magazines, advertising, and television during the artist's formative years and argues that the vintage TV series The Twilight Zone is crucial to understanding Prince's use of images in his work. Michael Newman is Associate Professor of Art History, Theory, and Criticism in the School of the Art Institute of Chicago. He has published in ArtForum, Art in America, Parachute, and other journals and is coeditor of the book Rewriting Conceptual Art.
Form:
books
books
Publication:
January 1900, London
January 1900, London
Subject:
Art Theory
Art Theory
Form:
books
books
Actions:
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$45.95
(available to order)
Summary:
Cookery has never been so high on the agenda of Western popular culture. And yet the endlessly-multiplying TV shows, the obsessive interest in the provenance of ingredients, and the celebration of ‘radical’ experiments in gastronomy, tell us little about the nature of the culinary. Is it possible to maintain that cookery has a philosophical pertinence without merely(...)
$45.95
(available to order)
Summary:
Cookery has never been so high on the agenda of Western popular culture. And yet the endlessly-multiplying TV shows, the obsessive interest in the provenance of ingredients, and the celebration of ‘radical’ experiments in gastronomy, tell us little about the nature of the culinary. Is it possible to maintain that cookery has a philosophical pertinence without merely(...)
Title:
Collapse: philosophical research and development 2012: culinary materialism, volume VII
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$45.95
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Cookery has never been so high on the agenda of Western popular culture. And yet the endlessly-multiplying TV shows, the obsessive interest in the provenance of ingredients, and the celebration of ‘radical’ experiments in gastronomy, tell us little about the nature of the culinary. Is it possible to maintain that cookery has a philosophical pertinence without merely appending philosophy to our burgeoning gastroculture? How might the everyday sense of the culinary be expanded into a philosophy of ‘culinary materialism’ wherein synthesis, experimentation, and operations of mixing and blending take precedence over analysis, subtraction and axiomatisation? Drawing on resources ranging from anthropology to chemistry, from hermetic alchemy to contemporary mathematics, "Collapse VII: culinary materialism" undertakes a trans-modal experiment in culinary thinking. A wide range of contributors including philosophers, chefs, artists, historians, and synaesthetes examine the cultural, industrial, physiological, alchemical and even cosmic dimensions of cookery, and propose new models of culinary thought for the future.
Collapse: philosophical research and development 2012: culinary materialism, volume VII
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$45.95
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Summary:
Cookery has never been so high on the agenda of Western popular culture. And yet the endlessly-multiplying TV shows, the obsessive interest in the provenance of ingredients, and the celebration of ‘radical’ experiments in gastronomy, tell us little about the nature of the culinary. Is it possible to maintain that cookery has a philosophical pertinence without merely appending philosophy to our burgeoning gastroculture? How might the everyday sense of the culinary be expanded into a philosophy of ‘culinary materialism’ wherein synthesis, experimentation, and operations of mixing and blending take precedence over analysis, subtraction and axiomatisation? Drawing on resources ranging from anthropology to chemistry, from hermetic alchemy to contemporary mathematics, "Collapse VII: culinary materialism" undertakes a trans-modal experiment in culinary thinking. A wide range of contributors including philosophers, chefs, artists, historians, and synaesthetes examine the cultural, industrial, physiological, alchemical and even cosmic dimensions of cookery, and propose new models of culinary thought for the future.
Form:
books
books
Publication:
December 2012
December 2012
Subject:
Food
Food
Form:
books
books
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$30.70
(available to order)
Summary:
'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of(...)
$30.70
(available to order)
Summary:
'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of(...)
Title:
Television: technology and cultural form
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$30.70
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Summary:
'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'. If the medium really is the message, Williams asks, what is left for us to do or say? Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.
Television: technology and cultural form
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Price:
$30.70
(available to order)
Summary:
'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'. If the medium really is the message, Williams asks, what is left for us to do or say? Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.
Form:
books
books
Publication:
June 2003
June 2003
Subject:
Critical Theory
Critical Theory
Form:
books
books
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$27.95
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Summary:
With the invention of telecommunications technologies in the late nineteenth century, the radio-electric spectrum became a tool for rethinking the world in which we live. The emission of radio waves did away with physical distances, crossing borders and cultures and acting as a powerful catalyst for trade. Moreover, the radio spectrum is the invisible infrastructure on(...)
$27.95
(available to order)
Summary:
With the invention of telecommunications technologies in the late nineteenth century, the radio-electric spectrum became a tool for rethinking the world in which we live. The emission of radio waves did away with physical distances, crossing borders and cultures and acting as a powerful catalyst for trade. Moreover, the radio spectrum is the invisible infrastructure on(...)
Title:
Invisible fields: geographies of radio waves
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$27.95
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Summary:
With the invention of telecommunications technologies in the late nineteenth century, the radio-electric spectrum became a tool for rethinking the world in which we live. The emission of radio waves did away with physical distances, crossing borders and cultures and acting as a powerful catalyst for trade. Moreover, the radio spectrum is the invisible infrastructure on which our information and communication technologies have been built. The history of its scientific discovery and how it was gradually colonized by the media, the military complex, and activists and hackers is one of the most fascinating stories of the twentieth century. The future uses of the radio-electric spectrum in the twenty-first century and its new potential are being decided now, with the end of analogue TV broadcasting worldwide marking the most important transformation of uses in the radio-electric space in decades. This catalog sets out to examine these issues and shed a little light on intriguing stories about radio-electric spectrum.
Invisible fields: geographies of radio waves
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$27.95
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Summary:
With the invention of telecommunications technologies in the late nineteenth century, the radio-electric spectrum became a tool for rethinking the world in which we live. The emission of radio waves did away with physical distances, crossing borders and cultures and acting as a powerful catalyst for trade. Moreover, the radio spectrum is the invisible infrastructure on which our information and communication technologies have been built. The history of its scientific discovery and how it was gradually colonized by the media, the military complex, and activists and hackers is one of the most fascinating stories of the twentieth century. The future uses of the radio-electric spectrum in the twenty-first century and its new potential are being decided now, with the end of analogue TV broadcasting worldwide marking the most important transformation of uses in the radio-electric space in decades. This catalog sets out to examine these issues and shed a little light on intriguing stories about radio-electric spectrum.
Form:
books
books
Publication:
May 2012
May 2012
Subject:
Epistemology
Epistemology
Form:
books
books
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$27.95
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Summary:
Rethinking the significance of films including "Pillow Talk," "Rear Window," and "The Seven Year Itch," Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV(...)
$27.95
(available to order)
Summary:
Rethinking the significance of films including "Pillow Talk," "Rear Window," and "The Seven Year Itch," Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV(...)
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Publication:
November 2010
November 2010
Title:
The apartment plot : urban living in American film and popular culture, 1945 to 1975
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$27.95
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Summary:
Rethinking the significance of films including "Pillow Talk," "Rear Window," and "The Seven Year Itch," Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from "The Honeymooners" and" The Mary Tyler Moore Show "to" Subways are for Sleeping "and" Apartment 3-G." By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based.
The apartment plot : urban living in American film and popular culture, 1945 to 1975
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Price:
$27.95
(available to order)
Summary:
Rethinking the significance of films including "Pillow Talk," "Rear Window," and "The Seven Year Itch," Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from "The Honeymooners" and" The Mary Tyler Moore Show "to" Subways are for Sleeping "and" Apartment 3-G." By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based.
Form:
books
books
Publication:
November 2010
November 2010
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Form:
books
books
Price:
$60.95
(available to order)
Summary:
In the late 1960s and early 1970s, the John Lindsay administration in New York City created innovative policies to try to draw on-location media production to the city. At the same time, the New York City Planning Commission was producing a wealth of documents that clearly reflect the influence of various media depictions of New York. Imaginary Apparatus reveals the links(...)
$60.95
(available to order)
Summary:
In the late 1960s and early 1970s, the John Lindsay administration in New York City created innovative policies to try to draw on-location media production to the city. At the same time, the New York City Planning Commission was producing a wealth of documents that clearly reflect the influence of various media depictions of New York. Imaginary Apparatus reveals the links(...)
Title:
Imaginary apparatus: New York city and its mediated representation
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$60.95
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Summary:
In the late 1960s and early 1970s, the John Lindsay administration in New York City created innovative policies to try to draw on-location media production to the city. At the same time, the New York City Planning Commission was producing a wealth of documents that clearly reflect the influence of various media depictions of New York. Imaginary Apparatus reveals the links between those two efforts, showing how they fed each other. As more and more films and TV shows were shot on location in New York, mediated images of the city and its buildings proliferated—and those same images exerted a powerful influence on the imaginations of the planners who were generating ideas for New York’s future development. Included with thisbook is a DVD featuring the movie What Is the City but the People?, the film version of the 1969 "Plan for New York City" and a unique document that has never before been publicly available.
Imaginary apparatus: New York city and its mediated representation
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Price:
$60.95
(available to order)
Summary:
In the late 1960s and early 1970s, the John Lindsay administration in New York City created innovative policies to try to draw on-location media production to the city. At the same time, the New York City Planning Commission was producing a wealth of documents that clearly reflect the influence of various media depictions of New York. Imaginary Apparatus reveals the links between those two efforts, showing how they fed each other. As more and more films and TV shows were shot on location in New York, mediated images of the city and its buildings proliferated—and those same images exerted a powerful influence on the imaginations of the planners who were generating ideas for New York’s future development. Included with thisbook is a DVD featuring the movie What Is the City but the People?, the film version of the 1969 "Plan for New York City" and a unique document that has never before been publicly available.
Form:
books
books
Publication:
August 2015
August 2015
Subject:
Urban Theory
Urban Theory
