7330 Results
Level of archival description:
Series
Series
Title:
Projects
Projects
Reference number:
AP182.S1
Description:
Series documents projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2014. Series contains drawings, models, digital photographs, videos, material samples, and original and reproduced notebooks and sketchbooks related to six built works (Copper House II, Ahmedabad House, Saat Rasta, Carrimjee House, Chennai House, Weavers' Studio) and two conceptual projects (Demolition, Migrant housing).
AP182.S1
Description:
Series documents projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2014. Series contains drawings, models, digital photographs, videos, material samples, and original and reproduced notebooks and sketchbooks related to six built works (Copper House II, Ahmedabad House, Saat Rasta, Carrimjee House, Chennai House, Weavers' Studio) and two conceptual projects (Demolition, Migrant housing).
People:
Date:
2009-2014
2009-2014
Title:
Projects
Actions:
AP182.S1
Description:
Series documents projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2014. Series contains drawings, models, digital photographs, videos, material samples, and original and reproduced notebooks and sketchbooks related to six built works (Copper House II, Ahmedabad House, Saat Rasta, Carrimjee House, Chennai House, Weavers' Studio) and two conceptual projects (Demolition, Migrant housing).
Projects
Actions:
AP182.S1
Description:
Series documents projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2014. Series contains drawings, models, digital photographs, videos, material samples, and original and reproduced notebooks and sketchbooks related to six built works (Copper House II, Ahmedabad House, Saat Rasta, Carrimjee House, Chennai House, Weavers' Studio) and two conceptual projects (Demolition, Migrant housing).
Level of archival description:
Series 1
Series 1
Date:
2009-2014
2009-2014
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
People:
Date:
1997-1998
1997-1998
Title:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Level of archival description:
Project
Project
Date:
1997-1998
1997-1998
People:
Level of archival description:
Project
Project
Title:
Baroque Army (1992)
Baroque Army (1992)
Actions:
Reference number:
AP173.S1.1992.D3
Description:
Series documents Lars Spuybroek's project for Baroque Army, a furniture design study. Material in this series was produced around 1992. The series contains photographs, predominantly slides, of the models and some of the drawings, along with study sketches and design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.1992.D3
Description:
Series documents Lars Spuybroek's project for Baroque Army, a furniture design study. Material in this series was produced around 1992. The series contains photographs, predominantly slides, of the models and some of the drawings, along with study sketches and design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
People:
Date:
ca. 1992
ca. 1992
Title:
Baroque Army (1992)
Actions:
AP173.S1.1992.D3
Description:
Series documents Lars Spuybroek's project for Baroque Army, a furniture design study. Material in this series was produced around 1992. The series contains photographs, predominantly slides, of the models and some of the drawings, along with study sketches and design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Baroque Army (1992)
Actions:
AP173.S1.1992.D3
Description:
Series documents Lars Spuybroek's project for Baroque Army, a furniture design study. Material in this series was produced around 1992. The series contains photographs, predominantly slides, of the models and some of the drawings, along with study sketches and design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Level of archival description:
Project
Project
Date:
ca. 1992
ca. 1992
People:
Level of archival description:
Project
Project
Reference number:
AP173.S1.2001.D4
Description:
Series documents Lars Spuybroek's project ObliqueWTC in New York, United States, a proposal for the new World Trade Center for the Max Protetch Gallery in New York. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.2001.D4
Description:
Series documents Lars Spuybroek's project ObliqueWTC in New York, United States, a proposal for the new World Trade Center for the Max Protetch Gallery in New York. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
People:
Date:
ca. 2001
ca. 2001
Title:
ObliqueWTC, New York City, United States (2001)
Actions:
AP173.S1.2001.D4
Description:
Series documents Lars Spuybroek's project ObliqueWTC in New York, United States, a proposal for the new World Trade Center for the Max Protetch Gallery in New York. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
ObliqueWTC, New York City, United States (2001)
Actions:
AP173.S1.2001.D4
Description:
Series documents Lars Spuybroek's project ObliqueWTC in New York, United States, a proposal for the new World Trade Center for the Max Protetch Gallery in New York. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Level of archival description:
Project
Project
Date:
ca. 2001
ca. 2001
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP173.S1.2009.D2
Description:
Series documents Lars Spuybroek's project the Ladies of the Lake in Milan, United States, a design development for three residences for De Oude Waegh and Marlof Marks. Material in this series was produced around 2009. The series contains presentation booklets of the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.2009.D2
Description:
Series documents Lars Spuybroek's project the Ladies of the Lake in Milan, United States, a design development for three residences for De Oude Waegh and Marlof Marks. Material in this series was produced around 2009. The series contains presentation booklets of the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
People:
Date:
ca. 2009
ca. 2009
Title:
The Ladies of the Lake, Milan, United States (2009)
Actions:
AP173.S1.2009.D2
Description:
Series documents Lars Spuybroek's project the Ladies of the Lake in Milan, United States, a design development for three residences for De Oude Waegh and Marlof Marks. Material in this series was produced around 2009. The series contains presentation booklets of the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
The Ladies of the Lake, Milan, United States (2009)
Actions:
AP173.S1.2009.D2
Description:
Series documents Lars Spuybroek's project the Ladies of the Lake in Milan, United States, a design development for three residences for De Oude Waegh and Marlof Marks. Material in this series was produced around 2009. The series contains presentation booklets of the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Level of archival description:
Project
Project
Date:
ca. 2009
ca. 2009
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP173.S2.2004.D1
Description:
Series documents Lars Spuybroek's project D-Tower in Doetinchem, Netherlands, an interactive public artwork for the City of Doetinchem. The project was completed in 2004. Material in this series was produced around 2004. The series contains slides of design development drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S2.2004.D1
Description:
Series documents Lars Spuybroek's project D-Tower in Doetinchem, Netherlands, an interactive public artwork for the City of Doetinchem. The project was completed in 2004. Material in this series was produced around 2004. The series contains slides of design development drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
People:
Date:
ca. 2004
ca. 2004
Title:
D-Tower, Doetinchem, Netherlands (2004)
Actions:
AP173.S2.2004.D1
Description:
Series documents Lars Spuybroek's project D-Tower in Doetinchem, Netherlands, an interactive public artwork for the City of Doetinchem. The project was completed in 2004. Material in this series was produced around 2004. The series contains slides of design development drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
D-Tower, Doetinchem, Netherlands (2004)
Actions:
AP173.S2.2004.D1
Description:
Series documents Lars Spuybroek's project D-Tower in Doetinchem, Netherlands, an interactive public artwork for the City of Doetinchem. The project was completed in 2004. Material in this series was produced around 2004. The series contains slides of design development drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Level of archival description:
Project
Project
Date:
ca. 2004
ca. 2004
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP173.S2.2000.D2
Description:
Series documents Lars Spuybroek's project for the invited competition for the Galerie der Forschung in Vienna, Austria, an exhibition centre for the Österreichische Akademie der Wissenschaften in Vienna. Material in this series was produced around 2000. The series contains slides of design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S2.2000.D2
Description:
Series documents Lars Spuybroek's project for the invited competition for the Galerie der Forschung in Vienna, Austria, an exhibition centre for the Österreichische Akademie der Wissenschaften in Vienna. Material in this series was produced around 2000. The series contains slides of design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
People:
Date:
ca. 2000
ca. 2000
Title:
Galerie Der Forschung, Vienna, Austria
Actions:
AP173.S2.2000.D2
Description:
Series documents Lars Spuybroek's project for the invited competition for the Galerie der Forschung in Vienna, Austria, an exhibition centre for the Österreichische Akademie der Wissenschaften in Vienna. Material in this series was produced around 2000. The series contains slides of design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Galerie Der Forschung, Vienna, Austria
Actions:
AP173.S2.2000.D2
Description:
Series documents Lars Spuybroek's project for the invited competition for the Galerie der Forschung in Vienna, Austria, an exhibition centre for the Österreichische Akademie der Wissenschaften in Vienna. Material in this series was produced around 2000. The series contains slides of design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Level of archival description:
Project
Project
Date:
ca. 2000
ca. 2000
People:
Level of archival description:
Project
Project
Reference number:
AP173.S1.2009.D1
Description:
Series documents Lars Spuybroek's project for the invited competition for the the Living Web of Shenzhen in Shenzhen, China, a Landmark for the City of Shenzhen. Material in this series was produced around 2009. The series contains reprographic copies of presentation drawings and presentation booklets for the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.2009.D1
Description:
Series documents Lars Spuybroek's project for the invited competition for the the Living Web of Shenzhen in Shenzhen, China, a Landmark for the City of Shenzhen. Material in this series was produced around 2009. The series contains reprographic copies of presentation drawings and presentation booklets for the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
People:
Date:
ca. 2009
ca. 2009
Title:
Living Web of Shenzhen, Shenzhen, China (2009)
Actions:
AP173.S1.2009.D1
Description:
Series documents Lars Spuybroek's project for the invited competition for the the Living Web of Shenzhen in Shenzhen, China, a Landmark for the City of Shenzhen. Material in this series was produced around 2009. The series contains reprographic copies of presentation drawings and presentation booklets for the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Living Web of Shenzhen, Shenzhen, China (2009)
Actions:
AP173.S1.2009.D1
Description:
Series documents Lars Spuybroek's project for the invited competition for the the Living Web of Shenzhen in Shenzhen, China, a Landmark for the City of Shenzhen. Material in this series was produced around 2009. The series contains reprographic copies of presentation drawings and presentation booklets for the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Level of archival description:
Project
Project
Date:
ca. 2009
ca. 2009
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP173.S2.2001.D1
Description:
Series documents Lars Spuybroek's exhibition NOX FLURBS in Rotterdam, Netherlands, a solo exhibition at the Vormgevingsgalerie VIVID in Rotterdam. The exhibition was also presented in Berlin and in Tel Aviv. Material in this series was produced around 2001. The series contains slides of the exhibition installation. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S2.2001.D1
Description:
Series documents Lars Spuybroek's exhibition NOX FLURBS in Rotterdam, Netherlands, a solo exhibition at the Vormgevingsgalerie VIVID in Rotterdam. The exhibition was also presented in Berlin and in Tel Aviv. Material in this series was produced around 2001. The series contains slides of the exhibition installation. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
People:
Date:
ca. 2001
ca. 2001
Title:
NOX FLURBS, Rotterdam, Netherlands and Berlin, Germany (2001)
Actions:
AP173.S2.2001.D1
Description:
Series documents Lars Spuybroek's exhibition NOX FLURBS in Rotterdam, Netherlands, a solo exhibition at the Vormgevingsgalerie VIVID in Rotterdam. The exhibition was also presented in Berlin and in Tel Aviv. Material in this series was produced around 2001. The series contains slides of the exhibition installation. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
NOX FLURBS, Rotterdam, Netherlands and Berlin, Germany (2001)
Actions:
AP173.S2.2001.D1
Description:
Series documents Lars Spuybroek's exhibition NOX FLURBS in Rotterdam, Netherlands, a solo exhibition at the Vormgevingsgalerie VIVID in Rotterdam. The exhibition was also presented in Berlin and in Tel Aviv. Material in this series was produced around 2001. The series contains slides of the exhibition installation. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Level of archival description:
Project
Project
Date:
ca. 2001
ca. 2001
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP173.S2.2007.D7
Description:
Series documents an exhibition of Lars Spuybroek's project in his sister's gallery in Haarlem, Netherlands, in 2007. The material present in this series was specially prepared for this exhibition and was produced in 2007. The series contains framed presentation drawings and a presentation drawings mounted in a lightbox. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S2.2007.D7
Description:
Series documents an exhibition of Lars Spuybroek's project in his sister's gallery in Haarlem, Netherlands, in 2007. The material present in this series was specially prepared for this exhibition and was produced in 2007. The series contains framed presentation drawings and a presentation drawings mounted in a lightbox. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
People:
Date:
2007
2007
Title:
Gallery exhibition in Haarlem, Netherlands (2007)
Actions:
AP173.S2.2007.D7
Description:
Series documents an exhibition of Lars Spuybroek's project in his sister's gallery in Haarlem, Netherlands, in 2007. The material present in this series was specially prepared for this exhibition and was produced in 2007. The series contains framed presentation drawings and a presentation drawings mounted in a lightbox. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Gallery exhibition in Haarlem, Netherlands (2007)
Actions:
AP173.S2.2007.D7
Description:
Series documents an exhibition of Lars Spuybroek's project in his sister's gallery in Haarlem, Netherlands, in 2007. The material present in this series was specially prepared for this exhibition and was produced in 2007. The series contains framed presentation drawings and a presentation drawings mounted in a lightbox. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Level of archival description:
Project
Project
Date:
2007
2007
People:
