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2 volumes : illustrations, portrait ; 28 cm
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2 volumes : illustrations, portrait ; 28 cm
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Paris : Université de Paris VIII, 1989.
Paris : Université de Paris VIII, 1989.
Title:
Du Bauhaus à Chicago : les années d'enseignement de László Moholy-Nagy / Alain Findeli.
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2 volumes : illustrations, portrait ; 28 cm
Du Bauhaus à Chicago : les années d'enseignement de László Moholy-Nagy / Alain Findeli.
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2 volumes : illustrations, portrait ; 28 cm
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books
books
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Paris : Université de Paris VIII, 1989.
Paris : Université de Paris VIII, 1989.
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books
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$40.00
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The art of Alice Neel (1900-1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel's drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School,(...)
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The art of Alice Neel (1900-1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel's drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School,(...)
Title:
Alice Neel: intimate relations
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The art of Alice Neel (1900-1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel's drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School, an early sojourn in Cuba--that accompanied her through her tentative beginnings in the mid-1920s through to the maturity of her art after the Second World War, when she found room to accommodate abstraction and Pop art.
Alice Neel: intimate relations
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The art of Alice Neel (1900-1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel's drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School, an early sojourn in Cuba--that accompanied her through her tentative beginnings in the mid-1920s through to the maturity of her art after the Second World War, when she found room to accommodate abstraction and Pop art.
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books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$67.50
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Ed Ruscha is among the most popular American artists working today. His evocations of commonplace subjects have earned him a reputation as a Pop artist, while his interest in language and typography has aligned him with Conceptual art. This book, published to accompany Ruscha's first museum retrospective of drawings, showcases his singular vision and his wide range of(...)
$67.50
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Ed Ruscha is among the most popular American artists working today. His evocations of commonplace subjects have earned him a reputation as a Pop artist, while his interest in language and typography has aligned him with Conceptual art. This book, published to accompany Ruscha's first museum retrospective of drawings, showcases his singular vision and his wide range of(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
June 2004, New York
June 2004, New York
Title:
Cotton puffs, Q-tips, smoke and mirrors : the drawings of Ed Ruscha
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Ed Ruscha is among the most popular American artists working today. His evocations of commonplace subjects have earned him a reputation as a Pop artist, while his interest in language and typography has aligned him with Conceptual art. This book, published to accompany Ruscha's first museum retrospective of drawings, showcases his singular vision and his wide range of highly personal mediums and techniques.
Cotton puffs, Q-tips, smoke and mirrors : the drawings of Ed Ruscha
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$67.50
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Summary:
Ed Ruscha is among the most popular American artists working today. His evocations of commonplace subjects have earned him a reputation as a Pop artist, while his interest in language and typography has aligned him with Conceptual art. This book, published to accompany Ruscha's first museum retrospective of drawings, showcases his singular vision and his wide range of highly personal mediums and techniques.
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books
books
Publication:
June 2004, New York
June 2004, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$230.00
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Ruscha came to prominence in the early 1960s as part of the Pop art movement, although his work equally engages the legacies of Dada, Surrealism, and Abstract Expressionism as well as the Conceptual art that emerged later in the decade. He has long enjoyed international standing and admiration, and his work is widely known. Despite this recognition, this volume contains(...)
$230.00
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Summary:
Ruscha came to prominence in the early 1960s as part of the Pop art movement, although his work equally engages the legacies of Dada, Surrealism, and Abstract Expressionism as well as the Conceptual art that emerged later in the decade. He has long enjoyed international standing and admiration, and his work is widely known. Despite this recognition, this volume contains(...)
Title:
Edward Ruscha: catalogue raisonné of the works on Paper, volume 1, 1956–1976
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Ruscha came to prominence in the early 1960s as part of the Pop art movement, although his work equally engages the legacies of Dada, Surrealism, and Abstract Expressionism as well as the Conceptual art that emerged later in the decade. He has long enjoyed international standing and admiration, and his work is widely known. Despite this recognition, this volume contains hundreds of works that have infrequently, or never, been exhibited or published. Each work is catalogued with a color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references.
Edward Ruscha: catalogue raisonné of the works on Paper, volume 1, 1956–1976
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Ruscha came to prominence in the early 1960s as part of the Pop art movement, although his work equally engages the legacies of Dada, Surrealism, and Abstract Expressionism as well as the Conceptual art that emerged later in the decade. He has long enjoyed international standing and admiration, and his work is widely known. Despite this recognition, this volume contains hundreds of works that have infrequently, or never, been exhibited or published. Each work is catalogued with a color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references.
Form:
books
books
Publication:
November 2014
November 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Warhol-isms
Warhol-isms
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$22.95
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Warhol-isms separates legend from fact to present a unique and comprehensive collection of authentic quotations from the Pop artist. Gathered from interviews and other primary sources, these deadpan, droll, ironic, and sincere gems—in which a superficial embrace of superficiality often disguises provocative, unconventional ideas—provide compelling insights into the life(...)
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Summary:
Warhol-isms separates legend from fact to present a unique and comprehensive collection of authentic quotations from the Pop artist. Gathered from interviews and other primary sources, these deadpan, droll, ironic, and sincere gems—in which a superficial embrace of superficiality often disguises provocative, unconventional ideas—provide compelling insights into the life(...)
Title:
Warhol-isms
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$22.95
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Summary:
Warhol-isms separates legend from fact to present a unique and comprehensive collection of authentic quotations from the Pop artist. Gathered from interviews and other primary sources, these deadpan, droll, ironic, and sincere gems—in which a superficial embrace of superficiality often disguises provocative, unconventional ideas—provide compelling insights into the life and work of an artist who has left an indelible mark on art and popular culture.
Warhol-isms
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$22.95
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Summary:
Warhol-isms separates legend from fact to present a unique and comprehensive collection of authentic quotations from the Pop artist. Gathered from interviews and other primary sources, these deadpan, droll, ironic, and sincere gems—in which a superficial embrace of superficiality often disguises provocative, unconventional ideas—provide compelling insights into the life and work of an artist who has left an indelible mark on art and popular culture.
Form:
books
books
Publication:
May 2022
May 2022
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Rachel Harrison: fake titel
Rachel Harrison: fake titel
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$55.00
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Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the(...)
$55.00
(available to order)
Summary:
Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2014
February 2014
Title:
Rachel Harrison: fake titel
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$55.00
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Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the large-scale installation Incidents of Travel in Yucatan (2011) and the photographic suite Sunset Series (2000–2012).
Rachel Harrison: fake titel
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$55.00
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Summary:
Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the large-scale installation Incidents of Travel in Yucatan (2011) and the photographic suite Sunset Series (2000–2012).
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$54.00
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With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike(...)
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Summary:
With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
July 2010
July 2010
Title:
Richard Hamilton : Modern moral matters
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Summary:
With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike so many Pop artists, Hamilton was never an uncritical or ambivalent advocate of postwar society, and he has often agitated directly against it, producing a great deal of openly political, satirical work that assaults both consumer culture at large and more immediate political events. This monograph, published for Hamilton's 2010 exhibition at the Serpentine Gallery in London (his first exhibition since 1992), brings together Hamilton's famous "protest" paintings as well as newer political works and features essays by Benjamin H.D. Buchloh and Michael Bracewell.
Richard Hamilton : Modern moral matters
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$54.00
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Summary:
With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike so many Pop artists, Hamilton was never an uncritical or ambivalent advocate of postwar society, and he has often agitated directly against it, producing a great deal of openly political, satirical work that assaults both consumer culture at large and more immediate political events. This monograph, published for Hamilton's 2010 exhibition at the Serpentine Gallery in London (his first exhibition since 1992), brings together Hamilton's famous "protest" paintings as well as newer political works and features essays by Benjamin H.D. Buchloh and Michael Bracewell.
Form:
books
books
Publication:
July 2010
July 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
This is tomorrow
This is tomorrow
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$27.00
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This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo(...)
$27.00
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Summary:
This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo(...)
Title:
This is tomorrow
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$27.00
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Summary:
This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo Paolozzi, Richard Hamilton, William Turnbull and John McHale. The Independent Group's room premiered works of Op art alongside film posters, collages, murals, films and a jukebox, and was Britain's introduction to the phenomenon later named Pop. The spiralbound catalogue for This Is Tomorrow was designed by Edward Wright and published by Lund Humphries; out of print since 1957, it has since become a much sought-after rarity and a classic of graphic design and postwar visual culture. This facsimile edition is published for the Whitechapel's 2010-11 reconstruction of the 1956 show.
This is tomorrow
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$27.00
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Summary:
This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo Paolozzi, Richard Hamilton, William Turnbull and John McHale. The Independent Group's room premiered works of Op art alongside film posters, collages, murals, films and a jukebox, and was Britain's introduction to the phenomenon later named Pop. The spiralbound catalogue for This Is Tomorrow was designed by Edward Wright and published by Lund Humphries; out of print since 1957, it has since become a much sought-after rarity and a classic of graphic design and postwar visual culture. This facsimile edition is published for the Whitechapel's 2010-11 reconstruction of the 1956 show.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Art Periods and Styles
Art Periods and Styles
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books
books
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$86.00
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Summary:
Album covers, concert posters, flyers, fanzines, comics and photographs by Swiss graphic designers, musicians and photographers from the past 50 years of rock and pop history make The Swiss Art of Rock a terrific graphic design document and resource. Lurker Grand’s third and most recent book project in a trilogy published by Edition Patrick Frey, Die Not hat Ein Ende(...)
$86.00
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Summary:
Album covers, concert posters, flyers, fanzines, comics and photographs by Swiss graphic designers, musicians and photographers from the past 50 years of rock and pop history make The Swiss Art of Rock a terrific graphic design document and resource. Lurker Grand’s third and most recent book project in a trilogy published by Edition Patrick Frey, Die Not hat Ein Ende(...)
Title:
Die not hat ein ende: the Swiss art of rock
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Album covers, concert posters, flyers, fanzines, comics and photographs by Swiss graphic designers, musicians and photographers from the past 50 years of rock and pop history make The Swiss Art of Rock a terrific graphic design document and resource. Lurker Grand’s third and most recent book project in a trilogy published by Edition Patrick Frey, Die Not hat Ein Ende (Need Comes to an End) is packed with images and interwoven with texts on both musical and graphic history. Here the focus is not so much on a musical era and its protagonists as on the visualization of the subcultures. In addition to visualizing the music, much space is devoted to the history of the music itself. Music journalist, collector and curator Samuel Mumenthaler, co-author of this book, offers a detailed chronology of the development of rock music in Switzerland. Roland Fischbacher, Director of the Visual Communications Program at the Bern School for the Arts, and Robert Lzicar, design researcher and designer, discuss the roots of Swiss rock graphics. Additional essays cover international influences, montage and image construction, sampling, remix and craft. Also featured is an extensive artist index including works by contemporary greats from H. R. Geiger and Peter Fischli to R. Crumb and Roy Lichtenstein, plus an index of bands from Aerosmith to Frank Zappa. This is a pioneering work that no one in Switzerland has undertaken to date, making for a fascinating and comprehensive study of the aesthetics of an artistic avant-garde.
Die not hat ein ende: the Swiss art of rock
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$86.00
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Album covers, concert posters, flyers, fanzines, comics and photographs by Swiss graphic designers, musicians and photographers from the past 50 years of rock and pop history make The Swiss Art of Rock a terrific graphic design document and resource. Lurker Grand’s third and most recent book project in a trilogy published by Edition Patrick Frey, Die Not hat Ein Ende (Need Comes to an End) is packed with images and interwoven with texts on both musical and graphic history. Here the focus is not so much on a musical era and its protagonists as on the visualization of the subcultures. In addition to visualizing the music, much space is devoted to the history of the music itself. Music journalist, collector and curator Samuel Mumenthaler, co-author of this book, offers a detailed chronology of the development of rock music in Switzerland. Roland Fischbacher, Director of the Visual Communications Program at the Bern School for the Arts, and Robert Lzicar, design researcher and designer, discuss the roots of Swiss rock graphics. Additional essays cover international influences, montage and image construction, sampling, remix and craft. Also featured is an extensive artist index including works by contemporary greats from H. R. Geiger and Peter Fischli to R. Crumb and Roy Lichtenstein, plus an index of bands from Aerosmith to Frank Zappa. This is a pioneering work that no one in Switzerland has undertaken to date, making for a fascinating and comprehensive study of the aesthetics of an artistic avant-garde.
Form:
books
books
Publication:
July 2015
July 2015
Subject:
Printed Matter
Printed Matter
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books
books
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$60.00
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Andy Warhol (1928–1987) remains an icon of the 20th century and a leading figure in the Pop Art movement. He also was an obsessive collector of things large and small, ordinary and quirky. Since 1994, The Andy Warhol Museum has studied and safeguarded the artist’s archive encompassing hundreds of thousands of these objects, at turns strange, amusing, and poignant. From(...)
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Summary:
Andy Warhol (1928–1987) remains an icon of the 20th century and a leading figure in the Pop Art movement. He also was an obsessive collector of things large and small, ordinary and quirky. Since 1994, The Andy Warhol Museum has studied and safeguarded the artist’s archive encompassing hundreds of thousands of these objects, at turns strange, amusing, and poignant. From(...)
Title:
A is for archive: Warhol's world from A to Z
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Andy Warhol (1928–1987) remains an icon of the 20th century and a leading figure in the Pop Art movement. He also was an obsessive collector of things large and small, ordinary and quirky. Since 1994, The Andy Warhol Museum has studied and safeguarded the artist’s archive encompassing hundreds of thousands of these objects, at turns strange, amusing, and poignant. From this array, many of these items have been researched and described in this book for the first time.
A is for archive: Warhol's world from A to Z
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$60.00
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Summary:
Andy Warhol (1928–1987) remains an icon of the 20th century and a leading figure in the Pop Art movement. He also was an obsessive collector of things large and small, ordinary and quirky. Since 1994, The Andy Warhol Museum has studied and safeguarded the artist’s archive encompassing hundreds of thousands of these objects, at turns strange, amusing, and poignant. From this array, many of these items have been researched and described in this book for the first time.
Form:
books
books
Publication:
August 2019
August 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
