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As early as the end of the 19th century, anarchists such as Peter Kropotkin and Élisée Reclus became interested in indigenous peoples, many of whom they saw as societies without a state or private property, living a form of communism. Thinkers such as David Graeber and John Holloway have continued this tradition of engagement with the practices of indigenous societies and(...)
Anarcho-Indigenism: Conversations on land and freedom
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As early as the end of the 19th century, anarchists such as Peter Kropotkin and Élisée Reclus became interested in indigenous peoples, many of whom they saw as societies without a state or private property, living a form of communism. Thinkers such as David Graeber and John Holloway have continued this tradition of engagement with the practices of indigenous societies and their politics. There has also been a long history of (often imperfect) collaboration between anarchists and indigenous activists, over land rights and environmental issues, including recent high-profile anti-pipeline campaigns. ''Anarcho-Indigenism'' is a dialogue between anarchism and indigenous politics, featuring interviews from indigenous contributors Véronique Hébert, Gord Hill, Freda Huson, J. Kehaulani Kauanui, Clifton Ariwakehte Nicholas and Toghestiy, as well as the Marxist scholar specialist in indigenous people’s history and politics, Roxanne Dunbar-Ortiz. The contributors reveal what indigenous thought and traditions and anarchism have in common, without denying the scars left by colonialism even within this anti-authoritarian movement. They ultimately offer a vision of the world that combines anti-colonialism, feminism, ecology, anti-capitalism and anti-statism.
indigenous
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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through(...)
Speculative relations: Indigenous worling and repair
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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through relations committed to reciprocity and care for human and more-than-human beings. Drawing on Cherokee thinking, Indigenous queer theory, literary and cultural studies, and art criticism, he illuminates pathways for understanding and resisting the ongoing damages of colonialism while pointing to future worlds and imaginaries that breathe life into Indigenous thought and practice. Analyzing a range of materials—from photography, literature, and sculpture to film and ethnography—Pierce reveals how speculation, as a form of situated knowledge production, can repair and reimagine the worlds that colonialism sought to destroy. In doing so, Pierce highlights how gestures, poetics, and embodiment can uphold tradition and harness the imaginative power of speculation to create pathways for living in good relations.
indigenous
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A unique documentation of how ideology translated into colonialism, settlement, urbanization, infrastructure, and mechanized agriculture radically reshaped the environment of Palestine-Israel. The biblical metaphor of a ''Land of Milk and Honey'' has denoted for millennia a prophecy and promise for plenitude. This book, published in conjunction with the Israeli(...)
Environment and environmental theory
October 2021
Land. Milk. Honey. Animal stories in imagined landscapes. 17th Venice Biennale
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A unique documentation of how ideology translated into colonialism, settlement, urbanization, infrastructure, and mechanized agriculture radically reshaped the environment of Palestine-Israel. The biblical metaphor of a ''Land of Milk and Honey'' has denoted for millennia a prophecy and promise for plenitude. This book, published in conjunction with the Israeli Pavilion at the seventeenth International Architecture Exhibition of the Venice Biennale, examines the reciprocal relations between humans, animals, and the environment within the context of modern Palestine-Israel, and demonstrates how this promise has become an action-plan over the course of the twentieth century. ''Land. Milk. Honey'' investigates how colonialism, urbanization, and mechanized agriculture radically reshaped the environment and altered human-animal relationships. It shows how the celebrated metamorphosis of the region into a prosperous agricultural landscape was entangled with irreparable damage to the environment, as well as the disruption of human communities. And it highlights the predicaments that both the environment and its inhabitants are facing after the territory has, over a century, been the testbed of modernist aspirations for plenitude.
Environment and environmental theory
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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an(...)
The Funambulist 14, Toxic atmospheres. November-December 2017
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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an environmentalist perspective. The toxicity described throughout its pages are the atmospheric conditions of colonialism, imperialism, and/or capitalism.
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books
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64 pages : illustrations (some color) ; 30 cm.
[Paris] : Institut français d'architecture, 2001.
Beyrouth / [par Jade Tabet ; avec Marlène Ghorayeb, Eric Huybrechts et Eric Verdeil].
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64 pages : illustrations (some color) ; 30 cm.
books
[Paris] : Institut français d'architecture, 2001.
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From the late nineteenth through most of the twentieth century, the evangelical Protestant Grenfell Mission in Newfoundland and Labrador, Canada, created a network of hospitals, schools, orphanages, stores, and industries with the goal of bringing health and organized society to settler fisherfolk and Indigenous populations. This infrastructure also served to support(...)
Slow disturbance: infrastructural mediation on the settler colonial resource frontier
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From the late nineteenth through most of the twentieth century, the evangelical Protestant Grenfell Mission in Newfoundland and Labrador, Canada, created a network of hospitals, schools, orphanages, stores, and industries with the goal of bringing health and organized society to settler fisherfolk and Indigenous populations. This infrastructure also served to support resource extraction of fisheries off Labrador's coast. In 'Slow Disturbance' Rafico Ruiz engages with the Grenfell Mission to theorize how settler colonialism establishes itself through what he calls infrastructural mediation—the ways in which colonial lifeworlds, subjectivities, and affects come into being through the creation and maintenance of infrastructures. Drawing on archival documents, maps, interviews with municipal officials, teachers, and residents, as well as his field photography, Ruiz shows how the mission's infrastructural mediation—from its attempts to restructure the local economy to the aerial surveying and mapping of the coastline—responded to the colony's environmental conditions in ways that expanded the bounds of the settler frontier. By tracing the mission's history and the mechanisms that enabled its functioning, Ruiz complicates understandings of mediation and infrastructure while expanding current debates surrounding settler colonialism and extractive capitalism.
Architecture ecologies
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This volume is a beautifully illustrated and astute examination of women photographers in Canada as it took shape in the nineteenth and early-twentieth centuries. Throughout, the camera was both a witness to the colonialism, capitalism, and gendered and racialized social organization, and a protagonist. And women across the country, whether residents or visitors, captured(...)
Rare merit: Women in photography in Canada, 1840-1940
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This volume is a beautifully illustrated and astute examination of women photographers in Canada as it took shape in the nineteenth and early-twentieth centuries. Throughout, the camera was both a witness to the colonialism, capitalism, and gendered and racialized social organization, and a protagonist. And women across the country, whether residents or visitors, captured people and places that were entirely new to the lens. This book shows how they did so, and the meaning their work carries.
Theory of Photography
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Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or(...)
On curating: interviews with ten international curators
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Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. Thea's interviewees are Joseph Backstein, Carolyn Christov-Bakargiev, Okwui Enwezor, Charles Esche, Massimiliano Gioni, RoseLee Goldberg, Mary Jane Jacob, Pi Li, Virginia Perez-Ratton and Rirkrit Tiravanija.
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''Welcome to the 32nd issue of The Funambulist. For once, we curated and coordinated its editorial line amongst the three of us (Caroline Honorien, Margarida Waco, and Léopold Lambert) in order to combine our perspectives on the topic. Pan-Africanism is an issue dedicated to a political project that 'maps onto Blackness' (Denise Ferreira da Silva) between the African(...)
The Funambulist 32: Pan-Africanism, November - December 2020
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''Welcome to the 32nd issue of The Funambulist. For once, we curated and coordinated its editorial line amongst the three of us (Caroline Honorien, Margarida Waco, and Léopold Lambert) in order to combine our perspectives on the topic. Pan-Africanism is an issue dedicated to a political project that 'maps onto Blackness' (Denise Ferreira da Silva) between the African Continent, the Afro Diaspora, and beyond; a project that can serve as a force and a reference for all people struggling against colonialism or neocolonialism.''
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The radicant
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First published in English. Version française va sortir en automne 2009. French edition to follow in fall 2009. “In ordinary language, ‘modernizing’ has come to mean reducing cultural and social reality to Western formats. And today, modernism amounts to a form of complicity with colonialism and Eurocentrism. Let us bet on a modernity which, far from absurdly duplicating(...)
Contemporary Art Monographs
September 2008, New York/Berlin
The radicant
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First published in English. Version française va sortir en automne 2009. French edition to follow in fall 2009. “In ordinary language, ‘modernizing’ has come to mean reducing cultural and social reality to Western formats. And today, modernism amounts to a form of complicity with colonialism and Eurocentrism. Let us bet on a modernity which, far from absurdly duplicating that of the last century, would be specific to our epoch and would echo its own problematics: an altermodernity whose issues and features this book seeks to sketch out.”
Contemporary Art Monographs