$32.50
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In the spring of 2010, the Brooklyn-based quarterly magazine Cabinet invited poet and cultural critic Wayne Koestenbaum to begin writing a regular column. Entitled "Legend," the column had a highly unusual premise. Every three months, the editors of the magazine would ask Koestenbaum to write one or more extended captions for a single photograph with which they had(...)
Notes on glaze: 18 photographic investigations
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In the spring of 2010, the Brooklyn-based quarterly magazine Cabinet invited poet and cultural critic Wayne Koestenbaum to begin writing a regular column. Entitled "Legend," the column had a highly unusual premise. Every three months, the editors of the magazine would ask Koestenbaum to write one or more extended captions for a single photograph with which they had provided him; drawn from obscure vernacular, commercial and scientific sources, all of the images were unfamiliar to the author. After 18 installments, Koestenbaum concluded his column in the winter of 2015. 'Notes on Glaze', featuring an introductory essay by the author, collects all the "Legend" columns, as well as their accompanying photographs. Refusing the distancing language of critical disinterest, Koestenbaum’s columns always locate the author in intimate proximity to the subjects portrayed in the photographs and to the impossibly variegated cast of characters—ranging from Debbie Reynolds to Duccio, the Dalai Lama to Barbra Streisand; from Hegel to Pee-wee Herman, and Emily Dickinson to Cicciolina—that pass through these texts.
Theory of Photography
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x, 435 pages : illustrations, maps, plans ; 26 cm
Princeton, N.J. : D. Van Nostrand Company, Inc., [1963]
The urban pattern : city planning and design / by Arthur B. Gallion and Simon Eisner ; chapter title sketches by Anthony Stoner.
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x, 435 pages : illustrations, maps, plans ; 26 cm
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Princeton, N.J. : D. Van Nostrand Company, Inc., [1963]
$70.00
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From its birth as a remote trading outpost on the fringes of the Dutch empire to its current status as the so-called Capital of the World, New York has always captivated visual artists. The extraordinary prints collected by the New-York Historical Society over the course of its history vividly preserve these impressions on paper. In this handsome volume more than 150 of(...)
Impressions of New York : prints from the New-York historical society
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From its birth as a remote trading outpost on the fringes of the Dutch empire to its current status as the so-called Capital of the World, New York has always captivated visual artists. The extraordinary prints collected by the New-York Historical Society over the course of its history vividly preserve these impressions on paper. In this handsome volume more than 150 of these views of the city—including two spectacular gatefold panoramas—speak eloquently of the surging power of this dynamic urban centre. At the same time, they present an intimate portrait of everyday life as it has been lived and savoured in this great city for more than three centuries. The companion to an exhibition celebrating the New-York Historical Society's bicentennial anniversary, this beautifully printed volume presents a full range of historic images, from 1672 to the present. In the lively essay and information-filled captions, curator and historian Marilyn Symmes tells the unique stories behind the people and places, parks and buildings, streets and neighbourhoods, parades and events depicted in each image—in essence, the story of New York City itself.
History until 1900
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$78.00
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László Moholy-Nagy (1895–1946) was one of the most ardent seekers of the ‘New Vision’ among the early twentieth century avant-garde artists. His ongoing preoccupation with the phenomenon of light defined all periods of his artistic creativity, and his strength lay in his effortless skill translating light and spatial dimensions from one medium to another. In the early(...)
Photography monographs
January 1900, Göttingen
Laszlo Moholy-Nagy : color in transparency, photographic experiments in color
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László Moholy-Nagy (1895–1946) was one of the most ardent seekers of the ‘New Vision’ among the early twentieth century avant-garde artists. His ongoing preoccupation with the phenomenon of light defined all periods of his artistic creativity, and his strength lay in his effortless skill translating light and spatial dimensions from one medium to another. In the early 1930s the first color processes became widely available. After he had mastered the different fields of black/white photography, it was only to be expected that Moholy would focus his creative energy on the next hot issue among photographers. Color photography proved to be one of Moholy’s most important media of artistic production, but until now, with a few exceptions, his work in the field of color photography is unknown. This book presents 100 works — advertisements, portraits, urban views, New Bauhaus studies, and abstract compositions — from the early days of Moholy’s experimentation with color in 1934 until his death in 1946. A foreword by Hattula Moholy-Nagy, an introductory essay and extended captions by Jeannine Fiedler, a chronology and bibliography will present the history of color photography and the significance of these works in Moholy’s own oeuvre.
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January 1900, Göttingen
Photography monographs
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American visual artist and scholar Joseph Grigely (born 1956) here brings together writings, lectures, interviews and documentation of his work spanning 40 years. Deaf since the age of 10, his art and writing have long questioned and made use of various modes of communication—photographs, handwritten notes, lipreading, newspaper headlines, paintings and TV captions—to(...)
Joseph Grigely: Otherhow: Essays and documents on art and disability, 1985-2024
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American visual artist and scholar Joseph Grigely (born 1956) here brings together writings, lectures, interviews and documentation of his work spanning 40 years. Deaf since the age of 10, his art and writing have long questioned and made use of various modes of communication—photographs, handwritten notes, lipreading, newspaper headlines, paintings and TV captions—to examine and scrutinize the ableism embedded in cultural and media production. ''Otherhow'' interrogates modes of access and analyzes how issues of accessibility and their resolution provide a benefit to everyone, not just the disabled. Chapters devoted to art, access and advocacy underpin the interconnected nature of these issues. Letters of complaint, faxes and emails, unpublished op-eds, exhibition proposals, statements on equality and access: each provides a glimpse into how Grigely’s work has been shaped by—or constructed from—the "tangled process" of opening access. The book is rounded out by a series of visual inventories: collections of images that document failures of access or, in the case of the obituaries, highlight those who had a disability or were activists working to establish greater access for those with disabilities.
Contemporary Art Monographs
Montreal moods
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Millions of people love Montreal with a passion. It has a beauty of its own that sets it apart from the other great cities of the world. Over the years, Montreal has never ceased to change or grow in beauty. In this volume, Georges-Hébert Germain paints an arresting portrait of this fascinating metropolis. In this precise, colourful writing style, he describes, with(...)
Architecture de Montréal
September 2006, Québec
Montreal moods
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Millions of people love Montreal with a passion. It has a beauty of its own that sets it apart from the other great cities of the world. Over the years, Montreal has never ceased to change or grow in beauty. In this volume, Georges-Hébert Germain paints an arresting portrait of this fascinating metropolis. In this precise, colourful writing style, he describes, with remarkable evocatory power, the charm and seductiveness of Montreal. Linda Turgeon's photographs and Rose Élise Cialdella's captions portray the multiple facets-history, architecture, cultural life and human dimension-of this great city. Experience the special moods that permeate it. You will be captivated by the visual treasure trove scattered throughout Montreal. You will almost smell the scents wafting through the city's parks. You will imagine you can hear the hubbub of this teeming metropolis and its cosmopolitan population. The cultural and historical face of Montréal, the principal city of French America, has been shaped by the torment and fantasies of a people besieged but outspoken in their demands. This volume is a reminder that Montreal is a setting for gems occasionaly unbeknownst to even its own inhabitants. Discover them here and let yourself be bewitched by this city lovingly stretched out on its island.
Architecture de Montréal
Francesca Woodman's notebook
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure,(...)
Francesca Woodman's notebook
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure, Woodman found five tattered school exercise books, printed in 1906, side-stapled and inscribed in fine cursive penmanship with notes from physics lectures or poems in English and Italian. To these evocative objects, Woodman--already fully formed as the photographer we recognize and admire today--added her characteristic black-and-white photographs, either as small paper prints or as prints made on transparent film that allows the writing beneath to show through, further embellishing them with her own captions or remarks. This facsimile edition of one of these notebooks was selected for publication by Woodman's mother and father as an artist's book of particular beauty and revelatory content that provides unprecedented insight into the emphatically narrative logic of Woodman's photography. Housed in a lightweight printed box, it includes an afterword by George Woodman, Francesca's father, that contextualizes the work within the photographer's artist's book production.
Contemporary Art Monographs
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This two-volume work presents life and work of the English typographer Anthony Froshaug. "Typography & texts" concerns Froshaug's work. An introduction by Robin Kinross outlines the nature and achievement of Froshaug. Then a selection of his printed products is shown with extended critical captions, followed by layouts(...)
Graphic Designers, Monographs
October 2000, London
Anthony Froshaug : typography and texts / documents of a life
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This two-volume work presents life and work of the English typographer Anthony Froshaug. "Typography & texts" concerns Froshaug's work. An introduction by Robin Kinross outlines the nature and achievement of Froshaug. Then a selection of his printed products is shown with extended critical captions, followed by layouts that he made as instructions. At the centre of this book is the section of 'texts' all the writings that Froshaug published in his lifetime or which exist in manuscript in some adequately finished state. This volume concludes with a catalogue of work, bibliographies, index (to both volumes). The second volume, "Documents of a life" is not a biography, but rather a sequence of documents, mostly drawn from hitherto private sources, interspersed with explanation by the editor. Among these documents are autobiographical memories by Froshaug, as well as correspondence between him and a range of contemporaries. Notable correspondences represent his attempt in the 1940s to publish texts by Jan Tschichold, and his friendship with the writer Stefan Themerson. Memories by his friend Wolfgang Hildesheimer are preseted here for the first time in English. Froshaug’s periods as a one-man printer in Cornwall, adjacent to the artists at St Ives, are documented. The book also represents his seminal teaching work at the Central School of Arts & Crafts, the Hochschule für Gestaltung Ulm, the Royal College of Art, and Watford School of Art.
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October 2000, London
Graphic Designers, Monographs
Mute magazine graphic design
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In the early 1990s, long before the internet became an integral part of life, a handful of pioneering magazines took it upon themselves to imagine the web into existence. Using fiction, interviews, speculative theory and experimental graphic design, these titles helped create a lexicon and iconography every bit as powerful as the architecture of the World Wide Web.(...)
Graphic Design and Typography
August 2008, London
Mute magazine graphic design
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In the early 1990s, long before the internet became an integral part of life, a handful of pioneering magazines took it upon themselves to imagine the web into existence. Using fiction, interviews, speculative theory and experimental graphic design, these titles helped create a lexicon and iconography every bit as powerful as the architecture of the World Wide Web. London-based Mute occupied a central position here, wielding an influence vastly disproportionate to its size. The product of a period of intense creative ferment, Mute engaged boldly with allcomers. The magazine offered a platform to authors Bruce Sterling, Arthur Kroker, Mark Dery, Geert Lovink, Hari Kunzru, James Flint and Lev Manovich, just as it did to artists Keith Tyson, VNS Matrix and the Bureau of Inverse Technology. As new technologies forced a collapse of disciplinary boundaries and the intermingling of communities, Mute became part of a dynamic London scene, featuring many of the artists, writers and photographers who came to epitomise London’s status as a creative hotbed. The resulting collection of magazines defines an era, telling the fascinating tale of one publisher's relationship with the ‘digital revolution’ – the nineties’ very own Big Bang. This book presents a full overview of the magazine over a decade, showing its entire output – logos, covers and spreads. Using generous illustrations and in-depth captions, it details recurrent graphic themes and places Mute's evolution in perspective
Graphic Design and Typography
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Description:
1 volume (approximately 190 pages) : chiefly color illustrations, portraits ; 28 cm
[Copenhagen, Denmark] : Disko Bay, [2022], ©2022
Keepers of the ocean / Inuuteq Storch ; editor: Stinus Duch ; preface: Martin Brandt Hansen ; English translation: Jennifer Russell ; Greenlandic translation: Nuka Møller
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1 volume (approximately 190 pages) : chiefly color illustrations, portraits ; 28 cm
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[Copenhagen, Denmark] : Disko Bay, [2022], ©2022