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''Magic Architecture'' was the architect Frederick Kiesler’s most ambitious book project, an epoch-spanning history of human housing from prehistory to the atomic era, submitted to editors after World War II but left unpublished. In its holistic view of habitation through the lens of anthropology, ecology, and the life sciences, ''Magic Architecture'' is one of the most(...)
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''Magic Architecture'' was the architect Frederick Kiesler’s most ambitious book project, an epoch-spanning history of human housing from prehistory to the atomic era, submitted to editors after World War II but left unpublished. In its holistic view of habitation through the lens of anthropology, ecology, and the life sciences, ''Magic Architecture'' is one of the most(...)
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Magic architecture: The story of human housing
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''Magic Architecture'' was the architect Frederick Kiesler’s most ambitious book project, an epoch-spanning history of human housing from prehistory to the atomic era, submitted to editors after World War II but left unpublished. In its holistic view of habitation through the lens of anthropology, ecology, and the life sciences, ''Magic Architecture'' is one of the most extraordinary texts on architecture written in the twentieth century, now at last published in the twenty-first. Kiesler’s exploration of the effects of modern technology in combination with the alternative epistemology of “magical” practices associated with cave drawings and the first artifacts of human industry reflects his profoundly interdisciplinary perspective on the development of art, architecture, and design. This critical edition preserves Kiesler’s conception of the book as a neo-Vitruvian treatise divided into ten parts that narrate an alternative history and theory of architecture. Also included are more than seventy composite plate illustrations consisting of images cut and pasted from books and popular science journals, with elaborate captions, as well as Kiesler’s own line drawings made specifically for this project. The editors have reassembled the book’s text and illustrations from archival documents, supplementing them with notes that trace the copious development of the work. Introductory essays provide an interpretation of key themes and bibliographic sources, as well as a chronological context of the architect’s research. Appendixes offer additional textual and visual material gathered by Kiesler for the project.
Magic architecture: The story of human housing
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''Magic Architecture'' was the architect Frederick Kiesler’s most ambitious book project, an epoch-spanning history of human housing from prehistory to the atomic era, submitted to editors after World War II but left unpublished. In its holistic view of habitation through the lens of anthropology, ecology, and the life sciences, ''Magic Architecture'' is one of the most extraordinary texts on architecture written in the twentieth century, now at last published in the twenty-first. Kiesler’s exploration of the effects of modern technology in combination with the alternative epistemology of “magical” practices associated with cave drawings and the first artifacts of human industry reflects his profoundly interdisciplinary perspective on the development of art, architecture, and design. This critical edition preserves Kiesler’s conception of the book as a neo-Vitruvian treatise divided into ten parts that narrate an alternative history and theory of architecture. Also included are more than seventy composite plate illustrations consisting of images cut and pasted from books and popular science journals, with elaborate captions, as well as Kiesler’s own line drawings made specifically for this project. The editors have reassembled the book’s text and illustrations from archival documents, supplementing them with notes that trace the copious development of the work. Introductory essays provide an interpretation of key themes and bibliographic sources, as well as a chronological context of the architect’s research. Appendixes offer additional textual and visual material gathered by Kiesler for the project.
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books
books
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April 2025
April 2025
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$59.95
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SPOON is a comprehensive view of new product design, presenting the work of 100 international designers who have emerged on an international platform in the last five years, selected by 10 critics, designers and entrepreneurs who are highly respected for their informed opinion on the international contemporary design scene. It provides a unique opportunity to see a(...)
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SPOON is a comprehensive view of new product design, presenting the work of 100 international designers who have emerged on an international platform in the last five years, selected by 10 critics, designers and entrepreneurs who are highly respected for their informed opinion on the international contemporary design scene. It provides a unique opportunity to see a(...)
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Interior Design
Interior Design
Publication:
September 2004, London, New York
September 2004, London, New York
Title:
Spoon
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SPOON is a comprehensive view of new product design, presenting the work of 100 international designers who have emerged on an international platform in the last five years, selected by 10 critics, designers and entrepreneurs who are highly respected for their informed opinion on the international contemporary design scene. It provides a unique opportunity to see a diverse collection of recent design projects that includes a whole range of objects: furniture, lighting, tools, utensils, high-tech products, machinery and so on. The designers are listed in alphabetical order featuring two double-page spreads for each, with recent, exemplary products accompanied with sketches, drawings, computer renderings, model and prototypes that help to explain, together with the extensive captions, the process behind each project. A short explanatory text by the curator explains the designers’ work and the characteristics that make his/her projects forward-looking and ground breaking. SPOON also features, at the end of the book, 10 ‘classic’, industrially manufactured product designs, chosen by the curators as best examples of the concept of ‘good design’. These ‘classics’ are accompanied by text written by the curators that explains their choice of designers and generally what they see to be the concept of ‘good design’. SPOON takes its place in a series of surveys identifying 100 of the most interesting, cutting-edge practitioners of key art forms. Earlier surveys include cream and Fresh Cream, for contemporary art, 10x10 for architecture and BLINK for photography.
Spoon
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SPOON is a comprehensive view of new product design, presenting the work of 100 international designers who have emerged on an international platform in the last five years, selected by 10 critics, designers and entrepreneurs who are highly respected for their informed opinion on the international contemporary design scene. It provides a unique opportunity to see a diverse collection of recent design projects that includes a whole range of objects: furniture, lighting, tools, utensils, high-tech products, machinery and so on. The designers are listed in alphabetical order featuring two double-page spreads for each, with recent, exemplary products accompanied with sketches, drawings, computer renderings, model and prototypes that help to explain, together with the extensive captions, the process behind each project. A short explanatory text by the curator explains the designers’ work and the characteristics that make his/her projects forward-looking and ground breaking. SPOON also features, at the end of the book, 10 ‘classic’, industrially manufactured product designs, chosen by the curators as best examples of the concept of ‘good design’. These ‘classics’ are accompanied by text written by the curators that explains their choice of designers and generally what they see to be the concept of ‘good design’. SPOON takes its place in a series of surveys identifying 100 of the most interesting, cutting-edge practitioners of key art forms. Earlier surveys include cream and Fresh Cream, for contemporary art, 10x10 for architecture and BLINK for photography.
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books
books
Publication:
September 2004, London, New York
September 2004, London, New York
Subject:
Interior Design
Interior Design
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books
books
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$49.00
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Moshe Safdie achieved worldwide recognition as an architect when his very first building, Habitat 67, at Expo in Montreal, proved to be eminently livable. He was also enthusiastically praised as a writer on architectural and human values after the publication of his first book, Beyond Habitat (The MIT Press, 1970). He has since added to his luster a number of exciting(...)
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Moshe Safdie achieved worldwide recognition as an architect when his very first building, Habitat 67, at Expo in Montreal, proved to be eminently livable. He was also enthusiastically praised as a writer on architectural and human values after the publication of his first book, Beyond Habitat (The MIT Press, 1970). He has since added to his luster a number of exciting(...)
Title:
Moshe Safdie: For everyone a garden. Habitat 67
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Moshe Safdie achieved worldwide recognition as an architect when his very first building, Habitat 67, at Expo in Montreal, proved to be eminently livable. He was also enthusiastically praised as a writer on architectural and human values after the publication of his first book, Beyond Habitat (The MIT Press, 1970). He has since added to his luster a number of exciting architectural projects, and now this second book, For Everyone a Garden, goes beyond Beyond Habitat in several ways: it provides further detail and technical specificity of Safdie's experience with industrialized building methods for architects and engineers; it updates the status of ongoing projects; and, best of all, it throws off a cascade of sparkling new ideas about people, building, planning, sites, processes, and their interactions. The book is an integral synthesis of words and pictures. The greater part of its total net area is devoted to illustrations—about 125 drawings, 165 halftones, and 5 color photographs, supported by substantial captions—while the text proper puts these into perspective from four thematic points of view: the idea of the three-dimensional community; the requirements and possibilities of human habitation, ranging in amenity from the minimal to the luxurious; the techniques of building in the factory, with a case study that includes a typical plant layout and simplified flow diagrams; and the attributes of well-planned urban meeting places, whether in Jerusalem, Paris, or San Francisco.
Moshe Safdie: For everyone a garden. Habitat 67
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Moshe Safdie achieved worldwide recognition as an architect when his very first building, Habitat 67, at Expo in Montreal, proved to be eminently livable. He was also enthusiastically praised as a writer on architectural and human values after the publication of his first book, Beyond Habitat (The MIT Press, 1970). He has since added to his luster a number of exciting architectural projects, and now this second book, For Everyone a Garden, goes beyond Beyond Habitat in several ways: it provides further detail and technical specificity of Safdie's experience with industrialized building methods for architects and engineers; it updates the status of ongoing projects; and, best of all, it throws off a cascade of sparkling new ideas about people, building, planning, sites, processes, and their interactions. The book is an integral synthesis of words and pictures. The greater part of its total net area is devoted to illustrations—about 125 drawings, 165 halftones, and 5 color photographs, supported by substantial captions—while the text proper puts these into perspective from four thematic points of view: the idea of the three-dimensional community; the requirements and possibilities of human habitation, ranging in amenity from the minimal to the luxurious; the techniques of building in the factory, with a case study that includes a typical plant layout and simplified flow diagrams; and the attributes of well-planned urban meeting places, whether in Jerusalem, Paris, or San Francisco.
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books
books
Publication:
October 2015
October 2015
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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128 pages : illustrations, maps ; 24 x 29 cm
Description:
128 pages : illustrations, maps ; 24 x 29 cm
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London ; New York : I.B. Tauris ; New York : In the U.S. and Canada distributed by St. Martin's Press, 1999.
London ; New York : I.B. Tauris ; New York : In the U.S. and Canada distributed by St. Martin's Press, 1999.
Title:
Kuwait by the first photographers / William Facey and Gillian Grant.
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128 pages : illustrations, maps ; 24 x 29 cm
Kuwait by the first photographers / William Facey and Gillian Grant.
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128 pages : illustrations, maps ; 24 x 29 cm
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books
books
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London ; New York : I.B. Tauris ; New York : In the U.S. and Canada distributed by St. Martin's Press, 1999.
London ; New York : I.B. Tauris ; New York : In the U.S. and Canada distributed by St. Martin's Press, 1999.
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books
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Title:
Massive change
Massive change
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$39.95
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Summary:
"Massive Change" is a modern illustrated primer on the new inventions, technologies, and events that are affecting the human race worldwide. The book is a part of a broader research project by Bruce Mau Design intended to provoke debate and discussion about the future of design culture, broadly defined as the “familiar objects and techniques that are transforming our(...)
$39.95
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Summary:
"Massive Change" is a modern illustrated primer on the new inventions, technologies, and events that are affecting the human race worldwide. The book is a part of a broader research project by Bruce Mau Design intended to provoke debate and discussion about the future of design culture, broadly defined as the “familiar objects and techniques that are transforming our(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
November 2004, New York
November 2004, New York
Title:
Massive change
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"Massive Change" is a modern illustrated primer on the new inventions, technologies, and events that are affecting the human race worldwide. The book is a part of a broader research project by Bruce Mau Design intended to provoke debate and discussion about the future of design culture, broadly defined as the “familiar objects and techniques that are transforming our lives.” In essays, interviews, and provocative imagery aimed at a broad audience, "Massive Change" explores the changing force of design in the contemporary world, and in doing so expands the definition of design to include the built environment, transportation technologies, revolutionary materials, energy and information systems, and living organisms. The book is divided into 11 heavily illustrated sections covering major areas of change in contemporary society — such as urbanism and architecture, the military, health and living, and wealth and politics. Each section intersperses intriguing documentary images with a general introductory essay, extended captions, and interviews with leading thinkers, including engineers, designers, philosophers, scientists, architects, artists, and writers. Concluding the book is a graphic timeline of significant inventions and world events from 10,000 B.C. to the present. "Massive Change" is a well designed, intelligent, visually provocative exploration of the myriad subjects percolating through popular culture: those we read about in magazines and on Web sites but rarely understand in any meaningful way. It poses the question: “Now that the human race can do almost anything, what will we do next?” Accompanies the internationally touring exhibition produced by Bruce Mau and his Institute without Borders.
Massive change
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"Massive Change" is a modern illustrated primer on the new inventions, technologies, and events that are affecting the human race worldwide. The book is a part of a broader research project by Bruce Mau Design intended to provoke debate and discussion about the future of design culture, broadly defined as the “familiar objects and techniques that are transforming our lives.” In essays, interviews, and provocative imagery aimed at a broad audience, "Massive Change" explores the changing force of design in the contemporary world, and in doing so expands the definition of design to include the built environment, transportation technologies, revolutionary materials, energy and information systems, and living organisms. The book is divided into 11 heavily illustrated sections covering major areas of change in contemporary society — such as urbanism and architecture, the military, health and living, and wealth and politics. Each section intersperses intriguing documentary images with a general introductory essay, extended captions, and interviews with leading thinkers, including engineers, designers, philosophers, scientists, architects, artists, and writers. Concluding the book is a graphic timeline of significant inventions and world events from 10,000 B.C. to the present. "Massive Change" is a well designed, intelligent, visually provocative exploration of the myriad subjects percolating through popular culture: those we read about in magazines and on Web sites but rarely understand in any meaningful way. It poses the question: “Now that the human race can do almost anything, what will we do next?” Accompanies the internationally touring exhibition produced by Bruce Mau and his Institute without Borders.
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books
books
Publication:
November 2004, New York
November 2004, New York
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
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$40.00
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Wim Wenders (born 1945) started taking photographs at the age of 7. By the age of 12 he had equipped himself with his own darkroom, and by 17 he had acquired his first Leica. A few years later he was to emerge as a leading light in the New German Cinema movement of the late 1960s, making his feature-length directorial debut with Summer in the City (1970). Throughout his(...)
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Wim Wenders (born 1945) started taking photographs at the age of 7. By the age of 12 he had equipped himself with his own darkroom, and by 17 he had acquired his first Leica. A few years later he was to emerge as a leading light in the New German Cinema movement of the late 1960s, making his feature-length directorial debut with Summer in the City (1970). Throughout his(...)
Title:
Wim Wenders : places, strange and quiet
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Wim Wenders (born 1945) started taking photographs at the age of 7. By the age of 12 he had equipped himself with his own darkroom, and by 17 he had acquired his first Leica. A few years later he was to emerge as a leading light in the New German Cinema movement of the late 1960s, making his feature-length directorial debut with Summer in the City (1970). Throughout his subsequent global acclaim as a director, Wenders has doggedly maintained his life as a photographer. In fact, the two careers have served each other well, as many of his photographs are created while location-scouting for films. His image repertoire of neglected industrial buildings, vacant lots, cemeteries, dilapidated urban niches and courtyards express a mixture of bemusement, melancholy and dislocation. “When you travel a lot, and when you love to just wander around and get lost, you can end up in the strangest spots,” Wenders says. “It must be some sort of built-in radar that often directs me to places that are strangely quiet, or quietly strange.” These strange and quiet color photographs are accompanied by poetical captions, some of which elucidate what is depicted, others of which lightly supplement with an anecdote (one characteristically deadpan caption accompanies an image of a cowboy clown standing at a rodeo: “It is amazing how many different ideas of 'fun' co-exist in this world” ). This publication gathers photographs from 1983 to 2011 in a full panorama of Wenders' photography to date.
Wim Wenders : places, strange and quiet
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Wim Wenders (born 1945) started taking photographs at the age of 7. By the age of 12 he had equipped himself with his own darkroom, and by 17 he had acquired his first Leica. A few years later he was to emerge as a leading light in the New German Cinema movement of the late 1960s, making his feature-length directorial debut with Summer in the City (1970). Throughout his subsequent global acclaim as a director, Wenders has doggedly maintained his life as a photographer. In fact, the two careers have served each other well, as many of his photographs are created while location-scouting for films. His image repertoire of neglected industrial buildings, vacant lots, cemeteries, dilapidated urban niches and courtyards express a mixture of bemusement, melancholy and dislocation. “When you travel a lot, and when you love to just wander around and get lost, you can end up in the strangest spots,” Wenders says. “It must be some sort of built-in radar that often directs me to places that are strangely quiet, or quietly strange.” These strange and quiet color photographs are accompanied by poetical captions, some of which elucidate what is depicted, others of which lightly supplement with an anecdote (one characteristically deadpan caption accompanies an image of a cowboy clown standing at a rodeo: “It is amazing how many different ideas of 'fun' co-exist in this world” ). This publication gathers photographs from 1983 to 2011 in a full panorama of Wenders' photography to date.
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books
books
Publication:
July 2011
July 2011
Subject:
Photography monographs
Photography monographs
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books
books
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Description:
281 pages : illustrations ; 24 cm.
Description:
281 pages : illustrations ; 24 cm.
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Publication:
Amsterdam : VU University Press, 1994.
Amsterdam : VU University Press, 1994.
Title:
American photographs in Europe / edited by David E. Nye, Mick Gidley ; with contributions from Mick Gidley [and others].
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Description:
281 pages : illustrations ; 24 cm.
American photographs in Europe / edited by David E. Nye, Mick Gidley ; with contributions from Mick Gidley [and others].
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Description:
281 pages : illustrations ; 24 cm.
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books
books
Publication:
Amsterdam : VU University Press, 1994.
Amsterdam : VU University Press, 1994.
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books
books
Title:
Barcelona grafica
Barcelona grafica
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$87.95
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In producing this book, America Sanchez has photographed and arranged some 1,825 examples of Barcelona urban graphic art: shop signs, door numbers, vignettes, allegories, emblems and pictograms which illustrate the uses of the city and make them legible. In so doing, Sanchez has rescued from anonymity a multitudinous cast of spontaneous graphic artists: sign-writers,(...)
$87.95
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Summary:
In producing this book, America Sanchez has photographed and arranged some 1,825 examples of Barcelona urban graphic art: shop signs, door numbers, vignettes, allegories, emblems and pictograms which illustrate the uses of the city and make them legible. In so doing, Sanchez has rescued from anonymity a multitudinous cast of spontaneous graphic artists: sign-writers,(...)
Title:
Barcelona grafica
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$87.95
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In producing this book, America Sanchez has photographed and arranged some 1,825 examples of Barcelona urban graphic art: shop signs, door numbers, vignettes, allegories, emblems and pictograms which illustrate the uses of the city and make them legible. In so doing, Sanchez has rescued from anonymity a multitudinous cast of spontaneous graphic artists: sign-writers, painters, engravers, carvers, smiths, stained-glass workers. With this, he has inaugurated a new field of study of everyday life, the main themes of which Norberto Chaves discusses in his introductory remarks to the work. A superficial gaze will find nothing here but a collection of curiosities, products of popular inventiveness. The more attentive gaze, however, will discover a genuine graphic treasure. With this book, America Sanchez makes a cultural contribution as important, if not more so, as his estimable work as a graphic designer. As a result, Barcelona can see itself in the mirror of its anonymous graphic art and thereby recoup another aspect of its enormously rich heritage. There are almost two thousand images, representing all the barrios of Barcelona, and classified in some 150 variations on seventeen major themes: the human figure, flora, fauna, figurative and abstract iconography, shields, plaques, tiles, murals, signs, captions, monograms, numbers, ornaments, ironwork. Two hundred and thirty pages and four gatefolds, arbitrarily arranged, the aim of which is to awaken the curiosity of, and to surprise, the "pedestrian". The author himself writes that: "The book is open to a wide range of readings, as a volume of photos, a graphic document of the city's heritage, or as a reference manual of graphic solutions for designers, typographers, architects and interior designers. It is also a meditation on the industrial, commercial and institutional fabric of different eras of the city". This book was originally published in 2001. The new edition includes a red fabric-covered slip-case.
Barcelona grafica
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$87.95
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In producing this book, America Sanchez has photographed and arranged some 1,825 examples of Barcelona urban graphic art: shop signs, door numbers, vignettes, allegories, emblems and pictograms which illustrate the uses of the city and make them legible. In so doing, Sanchez has rescued from anonymity a multitudinous cast of spontaneous graphic artists: sign-writers, painters, engravers, carvers, smiths, stained-glass workers. With this, he has inaugurated a new field of study of everyday life, the main themes of which Norberto Chaves discusses in his introductory remarks to the work. A superficial gaze will find nothing here but a collection of curiosities, products of popular inventiveness. The more attentive gaze, however, will discover a genuine graphic treasure. With this book, America Sanchez makes a cultural contribution as important, if not more so, as his estimable work as a graphic designer. As a result, Barcelona can see itself in the mirror of its anonymous graphic art and thereby recoup another aspect of its enormously rich heritage. There are almost two thousand images, representing all the barrios of Barcelona, and classified in some 150 variations on seventeen major themes: the human figure, flora, fauna, figurative and abstract iconography, shields, plaques, tiles, murals, signs, captions, monograms, numbers, ornaments, ironwork. Two hundred and thirty pages and four gatefolds, arbitrarily arranged, the aim of which is to awaken the curiosity of, and to surprise, the "pedestrian". The author himself writes that: "The book is open to a wide range of readings, as a volume of photos, a graphic document of the city's heritage, or as a reference manual of graphic solutions for designers, typographers, architects and interior designers. It is also a meditation on the industrial, commercial and institutional fabric of different eras of the city". This book was originally published in 2001. The new edition includes a red fabric-covered slip-case.
Form:
books
books
Publication:
April 2005, Barcelona
April 2005, Barcelona
Subject:
Graphic Design and Typography
Graphic Design and Typography
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books
books
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Description:
628 pages : illustrations (some color), color maps ; 29 cm
Description:
628 pages : illustrations (some color), color maps ; 29 cm
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Publication:
New York : Harry N. Abrams, 1997., ©1997
New York : Harry N. Abrams, 1997., ©1997
Title:
Art past, art present / David G. Wilkins, Bernard Schultz, Katheryn M. Linduff.
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628 pages : illustrations (some color), color maps ; 29 cm
Art past, art present / David G. Wilkins, Bernard Schultz, Katheryn M. Linduff.
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628 pages : illustrations (some color), color maps ; 29 cm
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books
books
Publication:
New York : Harry N. Abrams, 1997., ©1997
New York : Harry N. Abrams, 1997., ©1997
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books
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Description:
160 pages : chiefly color illustrations ; 26 cm
Description:
160 pages : chiefly color illustrations ; 26 cm
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Publication:
New York, NY : Abrams, 2013, ©2013
New York, NY : Abrams, 2013, ©2013
Title:
Animal architecture / Ingo Arndt ; text by Prof. Dr. Jürgen Tautz ; foreword, Jim Brandenburg ; photo captioning, Ingo Arndt ; translated from the German by Mary Harris and Henning Grentz.
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160 pages : chiefly color illustrations ; 26 cm
Animal architecture / Ingo Arndt ; text by Prof. Dr. Jürgen Tautz ; foreword, Jim Brandenburg ; photo captioning, Ingo Arndt ; translated from the German by Mary Harris and Henning Grentz.
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160 pages : chiefly color illustrations ; 26 cm
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books
books
Publication:
New York, NY : Abrams, 2013, ©2013
New York, NY : Abrams, 2013, ©2013
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