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The second volume of the source books in architecture series, "The light construction reader" is a collection of 38 essays that explores the themes and issues surrounding this exhibition. Included here are essays by exhibition curator Terence Riley as well as noted architects and critics such as Peter Eisenman, Anthony Vidler, Greg Lynn, and Robin Evans. The complete(...)
The light construction reader / source books in architecture 2
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The second volume of the source books in architecture series, "The light construction reader" is a collection of 38 essays that explores the themes and issues surrounding this exhibition. Included here are essays by exhibition curator Terence Riley as well as noted architects and critics such as Peter Eisenman, Anthony Vidler, Greg Lynn, and Robin Evans. The complete transcripts of the Light Construction Symposium, held at Columbia University in conjunction with the exhibition, are also included. Colin Rowe and Robert Slutzky’s essay 'Transparency: Literal and Phenomenal' is presented here for the first time together with its lesser-known sequel of 1971. Also represented are Italo Calvino, Jacques Derrida, Jean Starobinski, and many others.
Materials and Lighting
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Since the famous competition for the Park La Villette in Paris where the participants included Bernard Tschumi, Peter Eisenman and Gilles Deleuze, the relationship between building and landscape has been dramatically transformed. Concepts such as metamorphosis and interaction, layers and fields are becoming as much a part of architectonic discourse as the practical(...)
Newscapes : territories of complexity
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Since the famous competition for the Park La Villette in Paris where the participants included Bernard Tschumi, Peter Eisenman and Gilles Deleuze, the relationship between building and landscape has been dramatically transformed. Concepts such as metamorphosis and interaction, layers and fields are becoming as much a part of architectonic discourse as the practical designs and the realization. Author Paola Gregory examines this interplay between buildings and landscapes present in today´s architecture scene, illustrating her analysis with exciting examples including the ecological landscapes of James Wines and Greg Lynn, the virtual environments of Marcos Novak and Nox, buildings by Jean Nouvel and Toyo Ito which actively incorporate passers-by and surroundings by means of new media.
small format
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe(...)
Reckoning with Colin Rowe: ten architects take position
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe (1920 - 1999) was a leader of this epistemic shift due to his aptitude to connect his historical and philosophical erudition to the visual analysis of architecture. This book unites ten different perspectives from architects whose lives and ideas intersected with Rowe’s, including: Robert Maxwell, Anthony Vidler, Peter Eisenman, O. Mathias Ungers, Léon Krier, Rem Koolhaas, Alan Colquhoun, Robert Slutzky, Bernhard Hoesli and Bernard Tschumi.
Architectural Theory
books
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The city in the twenty-first century faces major challenges, including social and economic stratification, wasteful consumption of resources, transportation congestion, and environmental degradation. More than half of the world’s population lives in cities and major metropolitan areas, and in the next two decades the number of city dwellers is estimated to reach five(...)
Sustainable urbanism and beyond: rethinking cities for the future
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The city in the twenty-first century faces major challenges, including social and economic stratification, wasteful consumption of resources, transportation congestion, and environmental degradation. More than half of the world’s population lives in cities and major metropolitan areas, and in the next two decades the number of city dwellers is estimated to reach five billion. This puts enormous pressures on transportation systems, housing stock, and infrastructure such as energy, waste, and water, which directly influences the emissions of greenhouse gases. As the long emergency awaits us, urgent questions remain: How will our cities survive? How can we combat and reconcile urban growth with sustainable use of resources for future generations to thrive? Where and how urbanism comes into the picture and what “sustainable” urban forms can do in light of these events are some of the issues Sustainable Urbanism and Beyond explores. With more than sixty essays, including contributions by Andrés Duany, Saskia Sassen, Peter Newman, Douglas Farr, Henry Cisneros, Peter Hall, Sharon Zukin, Peter Eisenman, and others, this book is a unique perspective on architecture, urban planning, environmental and urban design, exploring ways for raising quality of life and the standard of living in a new modern era by creating better and more viable places to live.
books
April 2012
Urban Theory
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"Open: New Designs for Public Space" puts forth the simple proposition that new public spaces need not be the banal leftovers of design neglect. "Open" showcases the best recent public projects from some of the world's most talented designers, including Elizabeth Diller and Ricardo Scofidio, Craig Dykers, Peter Eisenman, Zaha Hadid, Walter Hood, UN Studio, Norman(...)
Open : new designs for public space
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"Open: New Designs for Public Space" puts forth the simple proposition that new public spaces need not be the banal leftovers of design neglect. "Open" showcases the best recent public projects from some of the world's most talented designers, including Elizabeth Diller and Ricardo Scofidio, Craig Dykers, Peter Eisenman, Zaha Hadid, Walter Hood, UN Studio, Norman Foster, Weiss/Manfredi, and Will Alsop. More than 300 images illustrate a range of projects from memorials to new types of urban plazas and parks. Essays by Raymond Gastil, Linda Pollak, and Zoë Ryan, argue that the most successful urban spaces are those that combine large-scale operations and small-scale experiences, major infrastructure with recreation and culture, and grand civic events with intimate daily interaction.
Urban Theory
The iconic building
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Charles Jencks takes on "trendiness" in architecture : namely the rise of the "iconic building," instantly distinctively recognizable structures like Norman Foster's "Gherkin" in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as(...)
September 2005, New York
The iconic building
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Charles Jencks takes on "trendiness" in architecture : namely the rise of the "iconic building," instantly distinctively recognizable structures like Norman Foster's "Gherkin" in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as being fueled by the real estate industry's thirst for profit and architects' outsize egos. Since the debut of Gehry's Guggenheim Bilbao, a roster of international architects has created iconic buildings that court publicity and controversy in equal measure. Some iconic buildings are successful creations that fulfill their contradictory requirements, while others make the public and the critics wince. In addition to Foster, Gehry and Libeskind, Jencks also discusses recent works by Peter Eisenman, Zaha Hadid, Rem Koolhaas, and Renzo Piano.
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Crown Hall Dean’s Dialogues: 2012-2017 collects incisive, intimate thoughts from leading contemporary architects in dialogue with students from the Illinois Institute of Technology, College of Architecture. This title collects the voices of 18 esteemed architects, designers, educators and theorists in dialogue with students from the Illinois Institute of Technology,(...)
Crown Hall Dean's dialogues 2012-2017
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Crown Hall Dean’s Dialogues: 2012-2017 collects incisive, intimate thoughts from leading contemporary architects in dialogue with students from the Illinois Institute of Technology, College of Architecture. This title collects the voices of 18 esteemed architects, designers, educators and theorists in dialogue with students from the Illinois Institute of Technology, College of Architecture. Voices ranging from Phyllis Lambert to David Adjaye to Rafael Vinoly expound and express their thoughts freely, digging deeply into essential themes that drive their work, study and process. Featuring interviews with leading architects and luminaries including Kazuyo Sejima, William Baker, Wiel Arets, Junya Ishigami, Stefano Boeri, Peter Eisenman, Rafael Viñoly, Ben van Berkel, Pezo von Ellrichshausen, Phyllis Lambert, Riken Yamamoto, Herman Hertzberger, Armand Mevis, David Adjaye, Erwin Olaf, Dominique Perrault, Stan Allen, and Bernard Khoury.
Architectural Theory
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume,(...)
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi's work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Tschudi's exploration of Piranesi's influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas.
Architectural Theory
Modern views: inspired by the Mies van der Rohe Farnsworth House and the Philip Johnson Glass House
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Mies van der Rohe’s 1941–45 Farnsworth House and Philip Johnson’s 1947 Glass House in New Caanan, Connecticut: two haikus of glass and concrete that rewrote the history of modern residential architecture. Much ink has already been spilled on the subject by critics and historians intent on deconstructing our notions of domesticity; however these two masterpieces have also(...)
Modern views: inspired by the Mies van der Rohe Farnsworth House and the Philip Johnson Glass House
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Mies van der Rohe’s 1941–45 Farnsworth House and Philip Johnson’s 1947 Glass House in New Caanan, Connecticut: two haikus of glass and concrete that rewrote the history of modern residential architecture. Much ink has already been spilled on the subject by critics and historians intent on deconstructing our notions of domesticity; however these two masterpieces have also taken on lives of their own in the minds of countless artists, architects, and designers. They have inspired nearly ninety creations for an exclusive project with the National Historic Preservation Trust, collected here in Modern Views . With an introduction by critic Paul Goldberger and essays by Phyllis Lambert and Sylvia Lavin; contributors include David Adjaye, Tadao Ando, Peter Eisenman, Zaha Hadid, Maira Kalman, Annie Leibowitz, Daniel Libeskind, Thom Mayne, and Rafael Viñoly, among others.
Modernism
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The 1960s and 1970s avant-garde has been likened to an ''architectural Big Bang'', such was the intensity of energy and ambition in which it exploded into the postwar world. Marked out by architectural projects that redefined the discipline, it remains just as influential today. References to the likes of Archizoom, Peter Eisenman, John Hejduk and Superstudio abound.(...)
AD Re-imagining the Avant-Garde: revisiting the architecture of the 1960s and 1970s
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The 1960s and 1970s avant-garde has been likened to an ''architectural Big Bang'', such was the intensity of energy and ambition in which it exploded into the postwar world. Marked out by architectural projects that redefined the discipline, it remains just as influential today. References to the likes of Archizoom, Peter Eisenman, John Hejduk and Superstudio abound. Highly diverse, the avant-garde cannot be defined as a single strand or tendency. It was divergent geographically – reaching from Europe to North America and Japan – and in its political, formal and cultural preoccupations. It was unified, though, as a critical and experimental force, critiquing contemporary society against the backdrop of extreme social and political upheaval: the Paris riots of May 1968, the anti-Vietnam war movement in America and the looming ecological crisis.
Architectural Theory