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Texte zur kunst 129: Trans perspectives
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Continuité 176 : À la défense du bungalow
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Histoire Québec vol. 28 no. 3 : Regards sur la muséologie: La contribution de Parcs Canada - Québec
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Histoire Québec vol. 28 no. 3 : Regards sur la muséologie: La contribution de Parcs Canada - Québec
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te magazine’s second issue takes inspiration from recent events and debates reverberating all around us, and the 10 pieces in this issue investigate the transformative points of contact where sound, language and action intersect. Together, the contributors discuss this abstract and ubiquitous medium, creating an album of diverse and dialogical tracks.
te magazine n.2: Song of the Nightingale
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te magazine’s second issue takes inspiration from recent events and debates reverberating all around us, and the 10 pieces in this issue investigate the transformative points of contact where sound, language and action intersect. Together, the contributors discuss this abstract and ubiquitous medium, creating an album of diverse and dialogical tracks.
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''AMag 30'' focuses on work by three Scandinavian practices: Ateljé Ö (Sweden), Johansen Skovsted Arkitekter (Denmark), and NORRØN (Denmark), highlighting an intersection of approaches and common values: functionalism, empiricism, and mastery. Included is a free copy of the first issue of ''AMag PT'', a new series exclusively dedicated to Portuguese architecture. It(...)
A.Mag 30 + A.Mag PT 01 (special limited edition)
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''AMag 30'' focuses on work by three Scandinavian practices: Ateljé Ö (Sweden), Johansen Skovsted Arkitekter (Denmark), and NORRØN (Denmark), highlighting an intersection of approaches and common values: functionalism, empiricism, and mastery. Included is a free copy of the first issue of ''AMag PT'', a new series exclusively dedicated to Portuguese architecture. It features detailed profiles of seven projects from Diogo Aguiar Studio. Established in 2016, the studio operates across the fields of architecture and art, designing small buildings and interiors, as well as temporary or fixed spatial installations destined for the public space.
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Vie des arts 270
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Vie des arts 270
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Riffing off the title, this volume includes an interview with Carolyn Lazard – an artist whose conceptual and often spare videos, sculptures, installations, and performances explore the full amplitude of relation – by Catherine Damman, plus a feature on New York-based contemporary artist Tishan Hsu, whose practice examines the “embodiment of technology”, and contributions(...)
F.R. David, spring 2023 : Zeros and ones
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Riffing off the title, this volume includes an interview with Carolyn Lazard – an artist whose conceptual and often spare videos, sculptures, installations, and performances explore the full amplitude of relation – by Catherine Damman, plus a feature on New York-based contemporary artist Tishan Hsu, whose practice examines the “embodiment of technology”, and contributions by time-based media artist Silvia Kolbowski, for whom political resistance, the unconscious, and structures of spectatorship are a central concern of all her projects; choreographer and dancer Yvonne Rainer; and science fiction author Octavia Butler. Edited with Kathrin Bentele, Anna Gritz, and Ghislaine Leung.
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Canadian-born American architect Frank Gehry is considered one of the most important and influential architects in contemporary architecture. This issue of ‘a+u’ features drawings by Frank Gehry that span three decades, from his early works in the 1960s to the “exploding” box in Los Angeles, through to the Guggenheim Museum Bilbao in the late 1990s. While the projects(...)
A+U 628: Becoming Frank Gehry
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Canadian-born American architect Frank Gehry is considered one of the most important and influential architects in contemporary architecture. This issue of ‘a+u’ features drawings by Frank Gehry that span three decades, from his early works in the 1960s to the “exploding” box in Los Angeles, through to the Guggenheim Museum Bilbao in the late 1990s. While the projects showcased vary greatly, they document the emergence of Gehry’s radical style, which he would pursue in the following decades. With texts by Jean-Louis Cohen and Megan Meulemans, as well as drawings, sketches, and photographs.
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Neutral Colors 4: Work
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''Neutral Colors,'' the independent Japanese magazine combining vibrant offset and Risograph printing with a saddle-stitched binding, presents an issue on 'work.' The issue is a bit of an experiment for the publisher, to see if they can make a living (or work) just by making magazines. Its pages are filled with personal ideas, beliefs, and resolutions about the topic at(...)
Neutral Colors 4: Work
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''Neutral Colors,'' the independent Japanese magazine combining vibrant offset and Risograph printing with a saddle-stitched binding, presents an issue on 'work.' The issue is a bit of an experiment for the publisher, to see if they can make a living (or work) just by making magazines. Its pages are filled with personal ideas, beliefs, and resolutions about the topic at hand. Most notably it includes a record of editor-in-chief Naonori Katoh's visit to Amsterdam, where he stopped by Idea Books and Roma Publications. In addition, there is a feature on the phenomenon of Japanese cold type printing, plus musings on proofreading, the challenges of cultivating 'ant plants,' and more.
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AD In praise of penumbra
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Penumbra, from the Latin paene (almost) and umbra (shadow), can be defined as an intermediate zone of transition between light and shadow. Penumbra is therefore that space, both physical and imaginary, where everything is possible: it is the place of the uncanny, where presence and/or absence can produce wonder or horror. This AD positions the presence of this(...)
AD In praise of penumbra
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Penumbra, from the Latin paene (almost) and umbra (shadow), can be defined as an intermediate zone of transition between light and shadow. Penumbra is therefore that space, both physical and imaginary, where everything is possible: it is the place of the uncanny, where presence and/or absence can produce wonder or horror. This AD positions the presence of this archetype in the contemporary world of architecture, investigating the ways it permeates different expressive forms – from critical theory to architectural drawing, from design and planning to photography. The contributors illustrate and discuss how penumbra has shaped their creativity and modified their approach to the design process. As a physical phenomenon, penumbra has supra-historical and global connotations; nonetheless, different cultures elaborate its symbolism in different ways. Its wide semantic spectrum powerfully inspires creative forms that hover between fullness and emptiness, presence and absence, past and future. The critical perspectives in this issue offer a wide analysis of penumbra’s expressive potential and the key to an in-depth understanding of this elusive layer of reality.
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