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Blackwood Gallery 2023
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Blackwood Gallery 2023
books
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1 online resource
[Place of publication not identified] : Secession ; Verlag der Buchhandlung Walther und Franz König, 2023.
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[Place of publication not identified] : Secession ; Verlag der Buchhandlung Walther und Franz König, 2023.
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Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that(...)
Collective threads: Anna Andreeva at the Red Rose Silk Factory
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Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that shaped the fashion and material culture of late socialism. Andreeva’s spectacular patterns range from abstract and geometric to cosmic and space-age and to pictorial themes of the city of Moscow and Russian folk art. Her mass-produced designs were among the most popular textile prints distributed within the USSR in the 1960s and 1970s.
Design Monographs
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"Landscapes of play: A collection of imaginative spaces in Japan" is a self-published book exploring Japan’s unique and influential approach to outdoor play design, beginning with Mitsuru Senda’s pioneering of the “play apparatus” concept of the 1960s and extending to more contemporary play environments at the Showa Memorial Park in Tokyo. Through a combination of(...)
October 2025
Landscapes of play: A collective of imaginative spaces in Japan
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"Landscapes of play: A collection of imaginative spaces in Japan" is a self-published book exploring Japan’s unique and influential approach to outdoor play design, beginning with Mitsuru Senda’s pioneering of the “play apparatus” concept of the 1960s and extending to more contemporary play environments at the Showa Memorial Park in Tokyo. Through a combination of photography, research and personal reflections, it documents how these environments invite children and adults to play in ways that transcend conventional designs. The book also features a conversation with Norihiro Kanekiyo from Takano Landscape Planning —the office responsible for several of the projects in the book— which offers deep insight into their design approach to play and the role of nature in the conceptualization of these spaces.
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This book describes a series of different visual and mental models by which the urban environment has been recognized, depicted, and planned. Boyer identifies three major ''maps'': one common to the traditional city -- the city as a work of art; one characteristic of the modern city -- the city as panorama; and one appropriate to the contemporary city --(...)
City of collective memory : its historical imagery and architectural entertainments
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This book describes a series of different visual and mental models by which the urban environment has been recognized, depicted, and planned. Boyer identifies three major ''maps'': one common to the traditional city -- the city as a work of art; one characteristic of the modern city -- the city as panorama; and one appropriate to the contemporary city -- the city as spectacle. It is a richly illustrated and documented study that pays considerable attention to the normally hidden and unspoken codes that regulate the order imposed on and derived from the city.
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June 1994, Cambridge, Mass.
Urban Theory
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Cofounder of the Droog Design collective, the Dutch designer, art historian, critic and curator Renny Ramakers (born 1946) has championed the notion of furniture and industrial design as a reimagination of today's world for more than three decades, combining virtual technologies and social media with the craft of design to develop new social relations. When Droog first(...)
Renny Ramakers: rethinking design, curator of change. Droog design collective
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Cofounder of the Droog Design collective, the Dutch designer, art historian, critic and curator Renny Ramakers (born 1946) has championed the notion of furniture and industrial design as a reimagination of today's world for more than three decades, combining virtual technologies and social media with the craft of design to develop new social relations. When Droog first exhibited at the Milan furniture fair in 1993, its assemblies of found materials and witty forms instantly changed the landscape of design. Since then, Ramakers has worked with makers and creators to move beyond slick objects and toward critical projects that open our eyes to our multifaceted realities while bringing great access and joy to users.
Graphic Designers, Monographs
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Since the beginning of the twentieth century, Toronto's Kensington Market neighbourhood has been home to a multicultural mosaic of immigrant communities: Jewish, Portuguese, Chinese, South Asian, Caribbean, and many others. Despite repeated transformations, the neighbourhood has never lost its vibrant, close-knit character. In Kensington Market, urban planner and public(...)
Kensington market: collective memory, public history, and Toronto's urban landscape
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Since the beginning of the twentieth century, Toronto's Kensington Market neighbourhood has been home to a multicultural mosaic of immigrant communities: Jewish, Portuguese, Chinese, South Asian, Caribbean, and many others. Despite repeated transformations, the neighbourhood has never lost its vibrant, close-knit character. In Kensington Market, urban planner and public historian Na Li explores both the Market's dynamic history and the ways in which planners can access the intangible collective memory that helps define neighbourhoods like it around the world.
Architecture in Canada
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Spectacular, scientific, and educational cultural practices were used to establish and define public identities in the British colonies of nineteenth-century Canada. In Visibly Canadian, Karen Stanworth argues that visual representations were the era's primary mode of expressing identity, and shows how the citizenry of Quebec and Ontario was - or was not - represented in(...)
Visibly Canadian: imaging collective identities in the Canadas, 1820-1910
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Spectacular, scientific, and educational cultural practices were used to establish and define public identities in the British colonies of nineteenth-century Canada. In Visibly Canadian, Karen Stanworth argues that visual representations were the era's primary mode of expressing identity, and shows how the citizenry of Quebec and Ontario was - or was not - represented in the visual culture of the time.Through nine case studies, each representing key moments of identity formation and contestation, Stanworth investigates how a broad range of cultural phenomena, from fine arts to institutional histories to public spectacles, were used to order, resist, and articulate identities within specific social and economic contexts. The negotiation and planning underpinning civic culture are evident in rare moments of compromise such as the surprising proposal from the Saint-Jean-Baptiste Society to merge their annual parade with the celebration of Queen Victoria's Diamond Jubilee in 1897. Equally astounding is the scale of nineteenth-century public spectacles; reenactments of Victorian scenes of war often attracted crowds of upwards of 10,000 people. Illustrated with over fifty images, many unseen for over a century, Visibly Canadian establishes the significance of artwork and public spectacles in cutting across language, religion, and class to tell stories of nationhood, belonging, and difference.
Architecture in Canada
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xxiii, 366 pages : illustrations (some color) ; 23 cm
New Haven ; London : Yale University Press, [2017], ©2017
Sansovino's Venice : a translation of Francesco Tatti da Sansovino's guidebook to Venice of 1561 / by Vaughan Hart and Peter Hicks.
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xxiii, 366 pages : illustrations (some color) ; 23 cm
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New Haven ; London : Yale University Press, [2017], ©2017
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MARCH 2024
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MARCH 2024