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In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes,(...)
Digital art and meaning: reading kinetic poetry, text machines, mapping art, and interactive installations
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In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done. Digital Art and Meaning offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture. For instance, Simanowski deciphers the complex meaning of words that not only form an image on a screen but also react to the viewer’s behavior; images that are progressively destroyed by the human gaze; text machines generating nonsense sentences out of a Kafka story; and a light show above Mexico City’s historic square, created by Internet users all over the world. Simanowski combines these illuminating explanations with a theoretical discussion that employs art philosophy and history to achieve a deeper understanding of each particular example of digital art and, ultimately, of the genre as a whole.
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Peter Reyner Banham, taught in the newly founded architecture program at the State University of New York at Buffalo between 1976 and 1980. During his tenure at Buffalo, inspired by the daylight factories and the grain silos of the region, he conducted research that led to his seminal book, A concrete Atlantis, illuminating the relationship between American industrial(...)
Banham in Buffalo: 5 years of the Peter Reyner Banham Fellowship at the University at Buffalo Department of Architecture
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Peter Reyner Banham, taught in the newly founded architecture program at the State University of New York at Buffalo between 1976 and 1980. During his tenure at Buffalo, inspired by the daylight factories and the grain silos of the region, he conducted research that led to his seminal book, A concrete Atlantis, illuminating the relationship between American industrial buildings and European Modern Architecture. The Peter Reyner Banham Fellowship program at Buffalo was established in 2000 to celebrate Banham's legacy at Buffalo, and, most importantly, to project new work that is inspired by Banham's foundational body of scholarship on material and visual culture. Each year, the Banham Fellow engages the students and the faculty of the department through research, creative activity, and teaching, and presents that body of work through an exhibition and a lecture. In this publication, the projections of the past five Banham Fellows are documented: Jonathan Solomon (2005-2006), Sergio Lopez-Pineiro (2006-2007), Eva Franch-Gilabert (2007-2008), Michael Kubo (2008-2009), Brian Tabolt (2009-2010). This document is a testament to the reach of Banham's visions and to the visionary work of the Fellows at Buffalo.
Architectural Theory
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In 1957–58, after he moved to New York’s Lower East Side, Claes Oldenburg (b. 1929) began making collages he has described as “mostly done in an uncontrolled and intuitive dream mode.” Made from found, printed imagery, the Strange Eggs are enigmatic, surrealistic, and vastly different from the Pop art of the 1960s for which he soon became famous. These collages are(...)
Contemporary Art Monographs
October 2013
Strange Eggs: poems and cutouts, 1956-1958
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In 1957–58, after he moved to New York’s Lower East Side, Claes Oldenburg (b. 1929) began making collages he has described as “mostly done in an uncontrolled and intuitive dream mode.” Made from found, printed imagery, the Strange Eggs are enigmatic, surrealistic, and vastly different from the Pop art of the 1960s for which he soon became famous. These collages are characterized by self-contained forms, or "eggs," the artist made by melding cut fragments of photographic illustrations. While many of the pieces are unrecognizable, some original references are discernible: a piece of pie, the hind leg of a horse, the creased skin of a clenched fist, and the texture of concrete. These eighteen collages were first shown at the Menil Collection in 2012, and they are being published together for the first time, along with poems that the artist wrote at the same time based on found imagery from his walks around New York's Lower East Side. Anticipating second-generation New York School art-poetry collaborations by half a decade, Strange Eggs makes an important single-artist contribution to our understanding of the period.
Contemporary Art Monographs
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299 pages, 5 unnumbered pages : illustrations (some color), plans (chiefly color) ; 28 cm
Florence, Italy : Forma Edizioni S.r.l. ; [Rome, Italy] : MAXXI, 2019., ©2019
Gio Ponti : loving architecture / edited by Maristella Casciato and Fulvio Irace.
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299 pages, 5 unnumbered pages : illustrations (some color), plans (chiefly color) ; 28 cm
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Florence, Italy : Forma Edizioni S.r.l. ; [Rome, Italy] : MAXXI, 2019., ©2019
books
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223 pages : illustrations (chiefly color) ; 29 cm
Paris : Éditions du patrimoine, Centre des monuments nationaux, [2016]
La saline royale de Claude Nicolas Ledoux : Arc-et-Senans / Dominique Massounie ; photographies, Georges Fessy.
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223 pages : illustrations (chiefly color) ; 29 cm
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Paris : Éditions du patrimoine, Centre des monuments nationaux, [2016]
books
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1 vol. (188 p.) : ill. en noir et coul., plans, couv. ill. en coul. ; 19 cm.
[Genève] : MétisPresses., copyright 2018.
L'exercice du droit à la ville : de l'habitant au citoyen / Matthias Lecoq ; [préface de Joan Subirats].
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1 vol. (188 p.) : ill. en noir et coul., plans, couv. ill. en coul. ; 19 cm.
books
[Genève] : MétisPresses., copyright 2018.
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Anti-racist design interventions can be difficult. Well-intentioned conversations can fuel tensions, activate racialized trauma, and lead to misunderstandings, especially in spaces not typically focused on diversity, equity, and inclusion. Even when progress is made, white supremacy culture can resurface. We need anti-racist guidelines and approaches that lay bare(...)
Racism untaught: Revealing and unlearning racialized design
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Anti-racist design interventions can be difficult. Well-intentioned conversations can fuel tensions, activate racialized trauma, and lead to misunderstandings, especially in spaces not typically focused on diversity, equity, and inclusion. Even when progress is made, white supremacy culture can resurface. We need anti-racist guidelines and approaches that lay bare racialized systems of oppression and fundamentally disrupt their replication. In Racism Untaught, Lisa E. Mercer and Terresa Moses, two veteran anti-racist educators, deliver this exact approach. Mercer and Moses provide a step-by-step guide to anti-racist interventions in academic, business, and community settings that benefits all participants. Adapted from their successful workshop series and filled with concrete examples and ample case studies, their book teaches participants how to analyze design—and reimagine racialized artifacts, systems, and experiences guided by anti-oppressive principles. They demonstrate how to examine positionality within the context of racism and oppression; help us understand how design can reinforce and perpetuate oppression; and reveal the unique relationship among equity, ethics, and responsibility that constitutes the core value of an anti-racist design discipline. In ''Racism untaught'', Mercer and Moses provide the framework we need to unlearn racialized design practices and move more generatively toward collective liberation.
Design Theory
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Cities are at once among humanity’s crowning achievements and core drivers of the climate crisis. Their dependence on the outside world for vital resources is causing global temperatures to rise and wildlife habitats to shrink. But we have the opportunity to make cities more sustainable by transforming the built environment. Dickson D. Despommier proposes a plan for(...)
The new city: How to build our sustainable urban future
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Cities are at once among humanity’s crowning achievements and core drivers of the climate crisis. Their dependence on the outside world for vital resources is causing global temperatures to rise and wildlife habitats to shrink. But we have the opportunity to make cities more sustainable by transforming the built environment. Dickson D. Despommier proposes a plan for creating a new, self-sustaining urban landscape. He argues that we can find solutions through the concept of biomimicry: emulating successful strategies found in nature. A better city is possible if we heed the lessons that forests and trees teach about how to store carbon, grow food, collect rainwater, and convert sunlight into energy. Touring established and leading-edge technologies, ''The new city'' provides a blueprint for tomorrow’s urban environment. Cities built from wood will be more resilient and less destructive than concrete and steel construction; they will also encourage reforestation, boosting carbon sequestration. Vertical farms inside city limits will supply residents with a reliable, healthy food supply. Buildings will harvest moisture from the rain and air to secure a clean water supply. Renewable energy, including not only wind, solar, and geothermal but also clear photovoltaic window glass and nonpolluting hydrogen fuel cells, will power a cleaner city.
Urban Theory
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A step-by-step guide to more synthetic, holistic, and integrated urban design strategies, Design Charrettes for Sustainable Communities is a practical manual to accomplish complex community design decisions and create more green, clean, and equitable communities. The design charrette has become an increasingly popular way to engage the public and stakeholders in public(...)
Design charettes for Sustainable communities
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A step-by-step guide to more synthetic, holistic, and integrated urban design strategies, Design Charrettes for Sustainable Communities is a practical manual to accomplish complex community design decisions and create more green, clean, and equitable communities. The design charrette has become an increasingly popular way to engage the public and stakeholders in public planning, and Design Charrettes for Sustainable Communities shows how citizens and officials can use this tool to change the way they make decisions, especially when addressing issues of the sustainable community. Designed to build consensus and cooperation, a successful charrette produces a design that expresses the values and vision of the community. Patrick Condon outlines the key features of the charrette, an inclusive decision-making process that brings together citizens, designers, public officials, and developers in several days of collaborative workshops. Drawing on years of experience designing sustainable urban environments and bringing together communities for charrettes, Condon’s manual provides step-by-step instructions for making this process work to everyone’s benefit. He translates emerging sustainable development concepts and problem-solving theory into concrete principles in order to explain what a charrette is, how to organize one, and how to make it work to produce sustainable urban design results.
Green Architecture
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Los Angeles's history is a story of conflicting visions. Most historians, journalists, and filmmakers have focused on L.A. as a bastion of corporate greed, business boosterism, political corruption, cheap labor, exploited immigrants, and unregulated sprawl. "The next Los Angeles" tells a different story: that of the reformers and radicals who have struggled for(...)
Urban Theory
August 2006, Berkeley, Los Angeles, London
The next Los Angeles : the struggle for a livable city, updated with a new preface
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Los Angeles's history is a story of conflicting visions. Most historians, journalists, and filmmakers have focused on L.A. as a bastion of corporate greed, business boosterism, political corruption, cheap labor, exploited immigrants, and unregulated sprawl. "The next Los Angeles" tells a different story: that of the reformers and radicals who have struggled for alternative visions of social and economic justice. The authors chronicle efforts of progressive social movements that worked throughout the twentieth century to create a more livable, just, and democratic Los Angeles. These movements-what the authors call Progressive L.A.-have produced a new kind of labor movement, community-oriented environmentalism, and multi-ethnic coalition politics. This book shows how reformers have fought to transform a city characterized by huge economic disparities, concrete-encased rivers, and an endless landscape of subdivisions, freeways, and malls into a progressive model for regions around the country. "The next Los Angeles" includes a decade-by-decade historical snapshot of the city's progressive social movements and an in-depth exploration of key trends that are remaking L.A. at the beginning of the twenty-first century. It examines L.A.'s changing political landscape, including grassroots initiatives to construct a new agenda for social transformation.
Urban Theory