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Dan Flavin : new light
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In making light his primary medium, Dan Flavin (1933–1996) established himself as one of the most innovative and significant artists of the minimalist movement. A new generation encountered Flavin’s work through the critically acclaimed exhibition "Dan Flavin : a retrospective", which opened in October 2004 at the National Gallery of Art, Washington. "Dan Flavin : new(...)
Contemporary Art Monographs
October 2006, New Haven, London
Dan Flavin : new light
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In making light his primary medium, Dan Flavin (1933–1996) established himself as one of the most innovative and significant artists of the minimalist movement. A new generation encountered Flavin’s work through the critically acclaimed exhibition "Dan Flavin : a retrospective", which opened in October 2004 at the National Gallery of Art, Washington. "Dan Flavin : new light" includes essays that respond to this exhibition and to the renewed interest in Flavin’s work and its place in 20th-century art. In this volume, six leading scholars of contemporary art consider the ambiguities and multiple resonances of Flavin’s light works. Each addresses the ontological complexity of the work –object-based, yet "situational", and painterly in its deployment of colored light – within the insistently sculptural world of minimalism. The book’s contributors interpret this tension by exploring Flavin’s early assemblages, the relationship of drawing to his installation practice, the specificity of his materials and their operation in actual space, and the openly ambivalent place of Flavin’s work within the history of late modernism.
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October 2006, New Haven, London
Contemporary Art Monographs
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Throughout history great gardeners have risen from all walks of life. Some have been aristocratic amateur gardeners, others professional designers with an international practice. Some have come to garden-making from sister arts such as sculpture or painting; others have been hands-on nurserymen or botanists. What they all have in common is the ability to take an idea and(...)
The lives of the great gardeners
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$66.00
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Throughout history great gardeners have risen from all walks of life. Some have been aristocratic amateur gardeners, others professional designers with an international practice. Some have come to garden-making from sister arts such as sculpture or painting; others have been hands-on nurserymen or botanists. What they all have in common is the ability to take an idea and develop it in a new manner relevant to their times. The book contains four sections. ‘Gardens of ideas’ moves from the politically allusive gardens of 18th-century England made by men such as William Kent, to Charles Jencks’s Scottish garden inspired by 21st-century cosmography. ‘Gardens of straight lines’ explores the lives of the great formalist gardeners, from Le Nôtre at Versailles to the rational English minimalism of contemporary designer Christopher Bradley-Hole. ‘Gardens of curves’ begins with that great exponent of the English landscape garden, ‘Capability’ Brown, and leads to the extraordinary Brazilian designer Roberto Burle Marx. Finally, ‘Gardens of plantsmanship’ moves from the father of naturalistic planting, William Robinson, to the sweeping prairies of New York’s favourite Dutch designer, Piet Oudolf.
Gardens
Agnes Martin
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Agnes Martin was one of the preeminent painters of the twentieth century, whose work has had a significant influence both on artists of her own time and for subsequent generations. A contemporary of the Abstract Expressionists though often identified with Minimalism, Martin was one of the few women artists who came to prominence in the predominately masculine art world of(...)
Agnes Martin
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Agnes Martin was one of the preeminent painters of the twentieth century, whose work has had a significant influence both on artists of her own time and for subsequent generations. A contemporary of the Abstract Expressionists though often identified with Minimalism, Martin was one of the few women artists who came to prominence in the predominately masculine art world of the late 1950s and 1960s, and she became a particularly important role model for younger women artists. This groundbreaking survey provides an overview of Martin's career, from lesser-known early experimental works through her striped and gridded grey paintings and use of color in various formats, to a group of her final pieces that reintroduce bold forms. A selection of drawings and watercolors is also included. With essays by leading scholars that give a context for Martin's work—her life, relationship with other artists, the influence of South-Asian philosophy—alongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre.
Contemporary Art Monographs
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ix, 163 pages : illustrations ; 26 cm.
London ; New York : Routledge, 1994.
Architecture in conservation : managing development at historic sites / James Strike.
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ix, 163 pages : illustrations ; 26 cm.
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London ; New York : Routledge, 1994.
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While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg.(...)
December 2016
Inventing downtown: artist-run galleries in New York City, 1952-1965
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While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period—uncovering its diversity, creativity, and nuances, and tracing the spaces’ influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area’s multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klüver and Julie Martin, offer unique personal insight into the era’s creative milieu. Taken together, the book’s essays and interviews provide a distinctly new assessment of how downtown New York’s fertile environment nurtured an innovative art scene.
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This publication introduces the reader to the basics of architecture so they can gain everything they need to know in order to "talk about" this topic. It provides the general public with the keys to understanding architecture from the twentieth and twenty-first centuries, and simultaneously recalls the great edifices of earlier eras. The work is broken down into chapters(...)
Talk about contemporary architecture
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This publication introduces the reader to the basics of architecture so they can gain everything they need to know in order to "talk about" this topic. It provides the general public with the keys to understanding architecture from the twentieth and twenty-first centuries, and simultaneously recalls the great edifices of earlier eras. The work is broken down into chapters that decipher a diverse range of essential concepts and answer the fundamental questions on the subject: What is contemporary architecture? When did it arise? What is its purpose? What are its newest innovations? Who are the leading architects and their most significant contributions? How can different styles be recognized? The answers to all of these questions are explained in clear and engaging text, guiding the reader to appreciate this art form that pervades all public spaces and is of universal interest. Designed as an accessible introduction, this work highlights thirty essential dates that changed the face of architecture, as well as the movers and shakers of the architecture world who have initiated and propelled movements ranging from minimalism to modernism to neo-classicism. The book is completed by a detailed chronology and a glossary of the essential vocabulary needed to talk about architecture.
Contemporary Architecture
Felix Gonzalez-Torres
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Felix Gonzalez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own democratic ideology, determined to “make this a better place for everyone.” Combining principles of conceptual art, minimalism, political activism and poetic beauty, Gonzalez-Torres’s ever-changing arsenal included public billboards, give-away(...)
Felix Gonzalez-Torres
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Felix Gonzalez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own democratic ideology, determined to “make this a better place for everyone.” Combining principles of conceptual art, minimalism, political activism and poetic beauty, Gonzalez-Torres’s ever-changing arsenal included public billboards, give-away piles of candy or posters, and ordinary objects (clocks, mirrors, light fixtures) often used to startling effect. His work challenged the notions of public and private space, originality, authorship and—most significantly—the authoritative structure in which he functioned. Now in its second edition, Gonzalez-Torres’s editor Julie Ault has amassed a comprehensive monograph of this important artist. In the spirit of the artist’s method, Ault rethinks the very idea of what a monograph should be. The book, which places strong emphasis on the written word, contains texts by Robert Storr and Miwon Kwon among other notables, as well as significant critical essays, exhibition statements, transcripts from lectures, personal correspondence, and writings that influenced Gonzalez-Torres and his work. Ample visual documentation adds another decisive layer of content. We see works not just in their finality, but often witness their transformation over a lifespan. This collection is a critical reference for the history of contemporary art.
Contemporary Art Monographs
books
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256 pages : color illustrations, plans ; 26 cm
New York, NY : Metropolis Books, 2014., ©2014
Superlight : rethinking how our homes impact the earth / Phyllis Richardson.
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256 pages : color illustrations, plans ; 26 cm
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New York, NY : Metropolis Books, 2014., ©2014
books
Boring postcards
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Martin Parr is a key figure in the world of photography and contemporary art. Some accuse him of cruelty, but many more appreciate the wit and irony with which he tackles such subjects as bad taste, food, the tourist, shopping and the foibles of the British. Parr has been collecting postcards for twenty years, and here is the cream of his collection – his boring(...)
Boring postcards
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Martin Parr is a key figure in the world of photography and contemporary art. Some accuse him of cruelty, but many more appreciate the wit and irony with which he tackles such subjects as bad taste, food, the tourist, shopping and the foibles of the British. Parr has been collecting postcards for twenty years, and here is the cream of his collection – his boring postcards. With no introduction or commentary of any kind, Parr’s boring postcards are reproduced straight: they are exactly what they say they are, namely boring picture postcards showing boring photographs of boring places … presumably for boring people to buy to send to their boring friends. All of them are shot in Britain, taking us on a boring tour of its motorways, ring roads, traffic interchanges, bus stations, pedestrian precincts, factories, housing estates, airports, caravan sites, convalescent homes and shopping centres. Some attempt to idealize their subjects, only to fail dismally. Others lack any apparent purpose or interest … but the resultant collection of photographic images is wholly compelling. Boring Postcards is multi-layered: a commentary on British architecture, social life and identity, a record of a folk photography which is today being appropriated by the most fashionable photographers (including Parr), an exercise in sublime minimalism … and, above all, a richly comic photographic entertainment
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February 2004, London
Theory of Photography
books
Description:
255 pages : illustrations (some color) ; 29 x 25 cm
Dallas, Texas : Nasher Sculpture Center ; New York : Del Monico Books·D.A.P., [2023], ©2023
Groundswell : women of land art / Leigh A. Arnold ; with contributions by Leigh A. Arnold, Scout Hutchinson, Jana La Brasca, Anna Lovatt, Jenni Sorkin, and Anne Thompson.
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255 pages : illustrations (some color) ; 29 x 25 cm
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Dallas, Texas : Nasher Sculpture Center ; New York : Del Monico Books·D.A.P., [2023], ©2023