1412 Results
Form:
exhibitions
exhibitions
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Description:
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Location:
Main galleries
Main galleries
Date:
14 June 1995 to 14 September 1995
14 June 1995 to 14 September 1995
Title:
Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960
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Description:
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960
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Description:
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Form:
exhibitions
exhibitions
Date:
14 June 1995 to
14 September 1995
14 June 1995 to
14 September 1995
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Description:
This exhibition features Italian photographer Guido Guidis photographs of the Brion family mausoleum in Italy, considered to be architect Carlo Scarpa’s masterpiece. The artist’s 54 colour photographs reveal the beauty of the funerary complex, its clean architectural lines, and the poetic nature of Scarpa’s work. By concentrating on particular architectural features,(...)
This exhibition features Italian photographer Guido Guidis photographs of the Brion family mausoleum in Italy, considered to be architect Carlo Scarpa’s masterpiece. The artist’s 54 colour photographs reveal the beauty of the funerary complex, its clean architectural lines, and the poetic nature of Scarpa’s work. By concentrating on particular architectural features,(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
11 September 2009 to 10 January 2010
11 September 2009 to 10 January 2010
Title:
Carlo Scarpa's Tomba Brion: Photographs by Guido Guidi, 1997-2007
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Description:
This exhibition features Italian photographer Guido Guidis photographs of the Brion family mausoleum in Italy, considered to be architect Carlo Scarpa’s masterpiece. The artist’s 54 colour photographs reveal the beauty of the funerary complex, its clean architectural lines, and the poetic nature of Scarpa’s work. By concentrating on particular architectural features,(...)
Carlo Scarpa's Tomba Brion: Photographs by Guido Guidi, 1997-2007
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Description:
This exhibition features Italian photographer Guido Guidis photographs of the Brion family mausoleum in Italy, considered to be architect Carlo Scarpa’s masterpiece. The artist’s 54 colour photographs reveal the beauty of the funerary complex, its clean architectural lines, and the poetic nature of Scarpa’s work. By concentrating on particular architectural features,(...)
Form:
exhibitions
exhibitions
Date:
11 September 2009 to
10 January 2010
11 September 2009 to
10 January 2010
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
23 October 2008 to 15 February 2009
23 October 2008 to 15 February 2009
Title:
Toplight: Roof Transparencies from 1760 to 1960
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Description:
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Toplight: Roof Transparencies from 1760 to 1960
Actions:
Description:
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Form:
exhibitions
exhibitions
Date:
23 October 2008 to
15 February 2009
23 October 2008 to
15 February 2009
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Description:
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
23 July 2015 to 13 September 2015
23 July 2015 to 13 September 2015
Title:
Landscapes of the Hyperreal: Ábalos&Herreros selected by SO – IL
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Description:
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Landscapes of the Hyperreal: Ábalos&Herreros selected by SO – IL
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Description:
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Form:
exhibitions
exhibitions
Date:
23 July 2015 to
13 September 2015
23 July 2015 to
13 September 2015
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Description:
Publisher and graphic designer Lars Müller discusses his work and the implications of producing books in the digital age. The lecture also addresses collaborations between Lars Müller Publishers and the CCA, and is held on occasion of the publication of the exhibition catalogue Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa (2008). The book(...)
Publisher and graphic designer Lars Müller discusses his work and the implications of producing books in the digital age. The lecture also addresses collaborations between Lars Müller Publishers and the CCA, and is held on occasion of the publication of the exhibition catalogue Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa (2008). The book(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
18 September 2008 , 6pm
18 September 2008 , 6pm
Title:
Lars Müller: If this was not the End, what is the Future of Print?
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Description:
Publisher and graphic designer Lars Müller discusses his work and the implications of producing books in the digital age. The lecture also addresses collaborations between Lars Müller Publishers and the CCA, and is held on occasion of the publication of the exhibition catalogue Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa (2008). The book(...)
Lars Müller: If this was not the End, what is the Future of Print?
Actions:
Description:
Publisher and graphic designer Lars Müller discusses his work and the implications of producing books in the digital age. The lecture also addresses collaborations between Lars Müller Publishers and the CCA, and is held on occasion of the publication of the exhibition catalogue Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa (2008). The book(...)
Form:
events
events
Date:
18 September 2008
6pm
18 September 2008
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
exhibitions
exhibitions
Title:
John Soane 1753-1837
John Soane 1753-1837
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Description:
Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
Location:
Main galleries
Main galleries
Date:
16 May 2001 to 3 September 2001
16 May 2001 to 3 September 2001
Title:
John Soane 1753-1837
Actions:
Description:
Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
John Soane 1753-1837
Actions:
Description:
Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
Form:
exhibitions
exhibitions
Date:
16 May 2001 to
3 September 2001
16 May 2001 to
3 September 2001
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
Shaping the Great City explores the role of city-building throughout the Austro-Hungarian Empire, both before and after its dissolution, and expands architectural history by bringing to the fore a rich variety of modernisms. In the years surrounding World War I, these strains of modernism both reflected and shaped the many national and multinational identities of the(...)
Shaping the Great City explores the role of city-building throughout the Austro-Hungarian Empire, both before and after its dissolution, and expands architectural history by bringing to the fore a rich variety of modernisms. In the years surrounding World War I, these strains of modernism both reflected and shaped the many national and multinational identities of the(...)
Location:
Main galleries and hall cases
Main galleries and hall cases
Date:
14 May 2000 to 15 October 2000
14 May 2000 to 15 October 2000
Title:
Shaping the Great City: Modern Architecture in Central Europe, 1890–1937
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Description:
Shaping the Great City explores the role of city-building throughout the Austro-Hungarian Empire, both before and after its dissolution, and expands architectural history by bringing to the fore a rich variety of modernisms. In the years surrounding World War I, these strains of modernism both reflected and shaped the many national and multinational identities of the(...)
Shaping the Great City: Modern Architecture in Central Europe, 1890–1937
Actions:
Description:
Shaping the Great City explores the role of city-building throughout the Austro-Hungarian Empire, both before and after its dissolution, and expands architectural history by bringing to the fore a rich variety of modernisms. In the years surrounding World War I, these strains of modernism both reflected and shaped the many national and multinational identities of the(...)
Form:
exhibitions
exhibitions
Date:
14 May 2000 to
15 October 2000
14 May 2000 to
15 October 2000
Location:
Main galleries and hall cases
Main galleries and hall cases
Form:
events
events
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Date:
5 October 2017, 6:30pm
5 October 2017, 6:30pm
Title:
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Form:
events
events
Date:
5 October 2017
6:30pm
5 October 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Form:
exhibitions
exhibitions
Description:
This exhibition presents American architect Ben Nicholson’s search for order, meaning, and logic in a world of art, science, and mystery. The Laurentian Library in Florence, a masterwork by Michelangelo designed in 1524–25, contains fifteen pairs of terra cotta panels bearing complex geometric patterns that have been long hidden from view. Nicholson studied the panels at(...)
This exhibition presents American architect Ben Nicholson’s search for order, meaning, and logic in a world of art, science, and mystery. The Laurentian Library in Florence, a masterwork by Michelangelo designed in 1524–25, contains fifteen pairs of terra cotta panels bearing complex geometric patterns that have been long hidden from view. Nicholson studied the panels at(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
11 December 1996 to 9 March 1997
11 December 1996 to 9 March 1997
Title:
Uncovering Geometry: Ben Nicholson at the Laurentian Library
Actions:
Description:
This exhibition presents American architect Ben Nicholson’s search for order, meaning, and logic in a world of art, science, and mystery. The Laurentian Library in Florence, a masterwork by Michelangelo designed in 1524–25, contains fifteen pairs of terra cotta panels bearing complex geometric patterns that have been long hidden from view. Nicholson studied the panels at(...)
Uncovering Geometry: Ben Nicholson at the Laurentian Library
Actions:
Description:
This exhibition presents American architect Ben Nicholson’s search for order, meaning, and logic in a world of art, science, and mystery. The Laurentian Library in Florence, a masterwork by Michelangelo designed in 1524–25, contains fifteen pairs of terra cotta panels bearing complex geometric patterns that have been long hidden from view. Nicholson studied the panels at(...)
Form:
exhibitions
exhibitions
Date:
11 December 1996 to
9 March 1997
11 December 1996 to
9 March 1997
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Description:
Luigi Ghirri / Aldo Rossi: Things Which Are Only Themselves presents a visual dialogue between two leading figures in contemporary Italian art and culture. Their discussion is based on a sympathy between photographer and architect that is grounded in a shared fascination for a region—the Padana of northern Italy—and a common belief both in the autonomous eye of the(...)
Luigi Ghirri / Aldo Rossi: Things Which Are Only Themselves presents a visual dialogue between two leading figures in contemporary Italian art and culture. Their discussion is based on a sympathy between photographer and architect that is grounded in a shared fascination for a region—the Padana of northern Italy—and a common belief both in the autonomous eye of the(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
21 August 1996 to 24 November 1996
21 August 1996 to 24 November 1996
Title:
Luigi Ghirri/Aldo Rossi: Things Which Are Only Themselves
Actions:
Description:
Luigi Ghirri / Aldo Rossi: Things Which Are Only Themselves presents a visual dialogue between two leading figures in contemporary Italian art and culture. Their discussion is based on a sympathy between photographer and architect that is grounded in a shared fascination for a region—the Padana of northern Italy—and a common belief both in the autonomous eye of the(...)
Luigi Ghirri/Aldo Rossi: Things Which Are Only Themselves
Actions:
Description:
Luigi Ghirri / Aldo Rossi: Things Which Are Only Themselves presents a visual dialogue between two leading figures in contemporary Italian art and culture. Their discussion is based on a sympathy between photographer and architect that is grounded in a shared fascination for a region—the Padana of northern Italy—and a common belief both in the autonomous eye of the(...)
Form:
exhibitions
exhibitions
Date:
21 August 1996 to
24 November 1996
21 August 1996 to
24 November 1996
Location:
Octagonal gallery
Octagonal gallery
