Vie des arts, no 276
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Vie des arts renoue cet automne avec sa rubrique thématique. Intitulée Incantations, elle sonde la part de réenchantement qui émane de nos rituels quotidiens et de nos pratiques de l'intériorité. Des portraits de Meryl McMaster et Dominique Sirois soutiennent et dessinent ce panorama de démarches que l'on a réfléchies à partir de leurs sensibilités pour l'occulte et l'incantatoire.
Vie des arts, no 276
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Vie des arts renoue cet automne avec sa rubrique thématique. Intitulée Incantations, elle sonde la part de réenchantement qui émane de nos rituels quotidiens et de nos pratiques de l'intériorité. Des portraits de Meryl McMaster et Dominique Sirois soutiennent et dessinent ce panorama de démarches que l'on a réfléchies à partir de leurs sensibilités pour l'occulte et l'incantatoire.
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C’est prenant en compte l’eau d’abord comme une ressource limitée que ce nouveau numéro de ''L’Architecture d’Aujourd’hui'' entend traiter la question du précieux liquide. Peut-on construire sans eau ? Doit-on encore dompter son parcours ? Comment l’architecture, l’urbanisme et le paysage peuvent-ils participer à rendre l’eau à la communauté ? Sujet poétique et(...)
A'A' 462 : L'eau, bien commun / Water, Common Good
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C’est prenant en compte l’eau d’abord comme une ressource limitée que ce nouveau numéro de ''L’Architecture d’Aujourd’hui'' entend traiter la question du précieux liquide. Peut-on construire sans eau ? Doit-on encore dompter son parcours ? Comment l’architecture, l’urbanisme et le paysage peuvent-ils participer à rendre l’eau à la communauté ? Sujet poétique et politique, l’eau se dérobe à la propriété : on la pensait anéantie par les gestes de l’anthropocène, elle revient toujours à la surface. Invité·es par AA, les paysagistes, architectes, mais aussi artistes, philosophes et scientifiques disent leur amour pour cet élément qu’on aurait tort d’enterrer.
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Recent years have seen significant changes in architectural practice, where digital technology is widespread and commonplace – a condition referred to as “post-digital”. Technological and ecological disruptions are forcing architects to adapt and re-strategize. This issue features research and education institutions where such explorations are being actively pursued:(...)
A+U 646 : Post-Digitality in Architecture
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Recent years have seen significant changes in architectural practice, where digital technology is widespread and commonplace – a condition referred to as “post-digital”. Technological and ecological disruptions are forcing architects to adapt and re-strategize. This issue features research and education institutions where such explorations are being actively pursued: Southern California Institute of Architecture in Los Angeles, Bartlett School of Architecture at University College London, and the Swiss Federal Institute of Technology Zurich. It introduces pioneering projects that push the boundaries in their respective fields, redefining architecture within the post-digital context.
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AV Proyectos 124
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Though during the last century concrete and brick have played the leading role in construction, AV Proyectos 124 takes a stand for wood as a powerful alternative. This view is supported by architects and professors like Óscar Linares, who comments on the seven international projects contained in the dossier; or the Madrid-based team of Elena Orte and Guillermo Sevillano,(...)
AV Proyectos 124
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Though during the last century concrete and brick have played the leading role in construction, AV Proyectos 124 takes a stand for wood as a powerful alternative. This view is supported by architects and professors like Óscar Linares, who comments on the seven international projects contained in the dossier; or the Madrid-based team of Elena Orte and Guillermo Sevillano, of SUMA Arquitectura, which we have interviewed here on their pioneering experience using structural timber in Spain. The issue continues with the competition porposals for the remodelling of the Municipal Museum of Contemporary Art (SMAK) in Ghent, by David Kohn and noAarchitecten, and the work in process for the new Benin National Assembly in Porto Novo, by Francis Kéré, closing with Luis Fernández-Galiano’s review of Fischer von Erlach’s Project of a Historical Architecture, recently re-edited.
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From standout homes like Patkau Architects' latest Vancouver gem to the groundbreaking residential neighbourhood of East Bayfront in Toronto and new approaches for densifying the single-family house, the Jan/Feb 2025 issue celebrates the exciting directions that home design and housing are moving in.
Azure 308
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From standout homes like Patkau Architects' latest Vancouver gem to the groundbreaking residential neighbourhood of East Bayfront in Toronto and new approaches for densifying the single-family house, the Jan/Feb 2025 issue celebrates the exciting directions that home design and housing are moving in.
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Bordercrossings 166
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"It’s January 2025 and nothing is certain, nothing fixed or real. Images flicker and pass before they can be comprehended; beauty no longer speaks its name; the virtual is the unreal real, a “there” that can’t ever be reached. But Painting resists. Pigment on canvas or panel or sheet, mark by mark, the brush at the end of the hand linked to the animating pumping heart.(...)
Bordercrossings 166
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"It’s January 2025 and nothing is certain, nothing fixed or real. Images flicker and pass before they can be comprehended; beauty no longer speaks its name; the virtual is the unreal real, a “there” that can’t ever be reached. But Painting resists. Pigment on canvas or panel or sheet, mark by mark, the brush at the end of the hand linked to the animating pumping heart. Painting. We bring it to you again in a large, full issue. Heart and spirit; soul and resistance, joy and pleasure, some rage and some hope. "
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Espace 139: blockchain
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Au-delà de la formalisation abstraite et des mirages de l'automatisation associés à la blockchain, ce dossier interroge la manière dont cette technologie d'enregistrement devient le catalyseur d'expérimentations artistiques et culturelles. Les pratiques analysées concernent les démarches plastiques qui se saisissent de l'univers de représentations de la blockchain, les(...)
Espace 139: blockchain
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Au-delà de la formalisation abstraite et des mirages de l'automatisation associés à la blockchain, ce dossier interroge la manière dont cette technologie d'enregistrement devient le catalyseur d'expérimentations artistiques et culturelles. Les pratiques analysées concernent les démarches plastiques qui se saisissent de l'univers de représentations de la blockchain, les expérimentations muséales et institutionnelles, les applications de la blockchain aux marchés de l'art, aux circuits ou à la gouvernance du secteur des arts. Les contributions réunies permettent d'éclairer, sous un angle esthétique et politique, les relations entre l'informel et la formalisation technique et à interroger les économies mutualistes ou de nouveaux modèles de revenus pour les arts. Ce dossier propose un espace de réflexion sur ces dynamiques et leur résonance avec les enjeux de la création et de l'organisation artistiques au 21e siècle.
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The February issue focuses on living and working spaces for creatives : Ulster House, the cover story, is the home of LGA Architectural Partners co-founders Janna Levitt and Dean Goodman—and also a prototype for missing middle housing in Toronto; Halifax firm FBM has similarly used their own building as a prototype, in this case constructing a mixed-use infill that proves(...)
Canadian Architect, v.70 n.01, February 2025
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The February issue focuses on living and working spaces for creatives : Ulster House, the cover story, is the home of LGA Architectural Partners co-founders Janna Levitt and Dean Goodman—and also a prototype for missing middle housing in Toronto; Halifax firm FBM has similarly used their own building as a prototype, in this case constructing a mixed-use infill that proves the viability of mass timber in the Atlantic Provinces; Contributor Michael Carroll takes it even further east, reporting from Fogo Island, Newfoundland; This issue also looks back at Banff Centre’s Leighton Artist Studios, a set of eight retreats, built 40 years ago, each by a different architect.
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The seventh issue of Errant Journal is guest edited by Ghiwa Sayegh and aims to interrogate the role of the body in strategies of resistance from below. Taking Palestine as a starting point, the ongoing genocide committed by Israel and other colonial powers and the people’s continued struggle for liberation inform the issue’s thinking and praxis. From this political(...)
Errant Journal #7: Embodying resistance
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The seventh issue of Errant Journal is guest edited by Ghiwa Sayegh and aims to interrogate the role of the body in strategies of resistance from below. Taking Palestine as a starting point, the ongoing genocide committed by Israel and other colonial powers and the people’s continued struggle for liberation inform the issue’s thinking and praxis. From this political standpoint, it explores the ways in which bodies – that are sexualised, criminalised, racialised, crip – have been able to divert and subvert in order to fight back. To resist from the body is what crip theory tells us is a matter of need. It is a body that no longer fears deviation, specifically because of how cheap our lives are considered and how dangerous our futures are treated. It is about finding community and kinship when we are told we are alone.
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Redonner à l’affect et à la subjectivité une place centrale dans l’exercice de la critique : tel est l’enjeu de ce dossier, qui accueille une série de gestes d’écriture et de pensée portés par une conception performative de la critique. Issues de la littérature, des arts vivants, des études cinématographiques et de l’histoire de l’art, les auteur·rices du numéro explorent(...)
Spirale 288 :Textes-gestes. Performer la critique
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Redonner à l’affect et à la subjectivité une place centrale dans l’exercice de la critique : tel est l’enjeu de ce dossier, qui accueille une série de gestes d’écriture et de pensée portés par une conception performative de la critique. Issues de la littérature, des arts vivants, des études cinématographiques et de l’histoire de l’art, les auteur·rices du numéro explorent diverses voies créatives (le fragment, le récit, l’entretien, le journal, le scénario, la poésie et l’essai) afin de performer la critique autrement. Ces écrits s’articulent ainsi comme autant de « textes-gestes » où la critique se fait agissante et se laisser affecter en s’engageant dans un rapport sensible aux œuvres et aux êtres.
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