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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of(...)
Sonic experience : a guide to everyday sounds
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of sounds on listeners. In a multidisciplinary work spanning musicology, electro-acoustic composition, architecture, urban studies, communication, phenomenology, social theory, physics, and psychology, Jean-François Augoyard, Henry Torgue, and their associates at the Centre for Research on Sonic Space and the Urban Environment (CRESSON) in Grenoble, France, provide an alphabetical sourcebook of eighty sonic/auditory effects. Their accounts of sonic effects such as echo, anticipation, vibrato, and wha-wha integrate information about the objective physical spaces in which sounds occur with cultural contexts and individual auditory experience. "Sonic experience" attempts to rehabilitate general acoustic awareness, combining accessible definitions and literary examples with more in-depth technical information for specialists.
Acoustics
Scapegoat 12/13: c\a\n\a\d\a
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally(...)
Scapegoat 12/13: c\a\n\a\d\a
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally invented and formed. This research sees property delineation as a fundamental grammatical logic of the production of the space of nation, state and capital. The editors and contributors to this volume approach the intersection of Indigenous and settler viewpoints, as well as the interdisciplinary perspectives of both spatial delineators and critical commentators, in order to understand the deep connections between Indigenous dispossession and urban pathologies of gentrification, homelessness, systemically biased planning and urban alienation. The issue also addresses this connection in order to rethink and redraw land relations as a foundation for undoing this alienation and creating spaces that cultivate a caring relation with land, kin and strangers.
Magazines
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From the grandiose histories of monumental state building projects to the minutiae of street signs and corner cafés, from the rebuilding of capital cities to the provision of the humble public toilet, "Clean living under difficult circumstances" argues for the city as a socialist project. This essay collection spans a period from immediately before the 2008 financial(...)
Clean living in difficult circumstances
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From the grandiose histories of monumental state building projects to the minutiae of street signs and corner cafés, from the rebuilding of capital cities to the provision of the humble public toilet, "Clean living under difficult circumstances" argues for the city as a socialist project. This essay collection spans a period from immediately before the 2008 financial crash to the year of the pandemic. Against the business-as-usual responses to both crises, Owen Hatherley outlines a vision of the city as both a venue for political debate and dispute as well as a space of everyday experience, one that we shape as much as it shapes us. Incorporated here are the genres of memoir, history, music and film criticism, as well as portraits of figures who have inspired new ways of looking at cities, such as the architect Zaha Hadid, the activist and urbanist Jane Jacobs, and thinkers such as Mark Fisher and Adam Curtis. Throughout these pieces, Hatherley argues that the only way out of our difficult circumstances is to imagine and try to construct a better modernity.
Urban Theory
A platform to...
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"DeRAIL Platform for Art + Architecture", a registered non profit and independent arts producer, is an alternative platform for dialogue and collaboration across disciplinary, geographical, and ideological boundaries. DeRAIL commissions and produces place-specific art projects to foster new conversations about public space design and contemporary city building. We bring(...)
August 2018
A platform to...
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"DeRAIL Platform for Art + Architecture", a registered non profit and independent arts producer, is an alternative platform for dialogue and collaboration across disciplinary, geographical, and ideological boundaries. DeRAIL commissions and produces place-specific art projects to foster new conversations about public space design and contemporary city building. We bring an urban landscape to life through contemporary art by moving beyond the walls of a traditional gallery space to offer a new experience to both citizens as participants and artists as contributors.
books
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This book addresses the status of the periphery and of the peripheric -the state of being around something- as an antiquated space, a space fallen into disuse or discredit, where all defunct fashions are absorbed, and takes it as a starting point for revising the idea in which a recently acquired historical perspective plays an essential role. That as a common place, the(...)
Around
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This book addresses the status of the periphery and of the peripheric -the state of being around something- as an antiquated space, a space fallen into disuse or discredit, where all defunct fashions are absorbed, and takes it as a starting point for revising the idea in which a recently acquired historical perspective plays an essential role. That as a common place, the periphery belongs to the past is an advantage which, along with the interventions making up this book, we intend to make good use of. The first part of this book, "Prepositions: A Journey to the Periphery", attempts to juxtapose examples of architectural and photographic interventions that have contributed, and contribute, to turning the periphery into an easily identifiable spatial signifier, and likewise to propose a rereading of these spaces which permits us to decipher their more or less diverse yearnings, utopias and social spaces. In all these interventions the periphery is always comparable to a concrete geographical reality to which one directs oneself, towards which one travels, with the aim of appropriating it, of defining it. This always involves the same preposition: around. The second part, "Propositions: The Journey of the Periphery", will be taken up with the rehabilitation or reutilization of the concept of the periphery. Once the concept of the periphery is considered as being obsolete, it is possible -and this is the chief theoretical contribution of this project- to recycle it, to convert the preposition "around" into a theoretical proposition that gives a number of new twists to the concept and explores its possibilities. The projects and photos included in this second part reflect a fundamental change in the perception of the periphery. The periphery escapes its geographical location and occupies the city's historic center, rural/natural surroundings, technological fantasies, the social utopias of postmodernity, etc. The periphery ceases to mean "around" as a physical location and becomes an invitation to reflection "around" the periphery as both concept and possibility. This doesn't so much mean a colonizing journey to the periphery, as in the first part, as a journey of the periphery to places where it was proscribed until quite recently. The periphery turns out to mean a mobile discourse that uses the common places of the classical periphery in order to dislodge and deterritorialize these.
books
April 2003, Barcelona
Urban Theory
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Global urbanization, demographic change and the requirements of sustainability and competitiveness call for new solutions to ever-diminishing urban space. In this logbook-style publication, six universities and colleges, and 25 doctoral students draw up innovative, sustainable solutions for the development of metropolitan regions throughout Germany.
Spatial research lab : the logbook
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Global urbanization, demographic change and the requirements of sustainability and competitiveness call for new solutions to ever-diminishing urban space. In this logbook-style publication, six universities and colleges, and 25 doctoral students draw up innovative, sustainable solutions for the development of metropolitan regions throughout Germany.
Architecture since 1900, Europe
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The Gwangju Folly project began in 2011 as part of the first Gwangju Design Biennale led by co-artistic directors Seung H-Sang and Ai Weiwei. Following its second edition in 2013 with Nikolaus Hirsch, 2016 Gwangju Folly III is conceived by Eui-Young Chunand and introduces a look at new follies in the urban space of Gwangju in South Korea. “See, Play, Eat, Walk”, presents(...)
See play eat walk: Gwangiu Folly III: where the everyday and the unexpected intersect
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The Gwangju Folly project began in 2011 as part of the first Gwangju Design Biennale led by co-artistic directors Seung H-Sang and Ai Weiwei. Following its second edition in 2013 with Nikolaus Hirsch, 2016 Gwangju Folly III is conceived by Eui-Young Chunand and introduces a look at new follies in the urban space of Gwangju in South Korea. “See, Play, Eat, Walk”, presents four follies, all newly commissioned works from architects and artists challenging the perception of public space: View Folly, GD (Gwangju Dutch) Folly, Cook Folly, Fun Pun Folly and Mini Folly as a sub-folly. Gwangju Folly III perceives follies as a new and creative spatial alternative that is able to overcome the contextual limitations of existing urban cities and facilitate greater communication with the public.
Contemporary Architecture
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Before skyscrapers forever transformed the landscape of the modern metropolis, the conveyance that made them possible had to be created. Invented in New York in the 1850s, the elevator became an urban fact of life on both sides of the Atlantic by the early twentieth century. While it may at first glance seem a modest innovation, it had wide-ranging effects, from(...)
Lifted: a cultural history of the elevator
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Before skyscrapers forever transformed the landscape of the modern metropolis, the conveyance that made them possible had to be created. Invented in New York in the 1850s, the elevator became an urban fact of life on both sides of the Atlantic by the early twentieth century. While it may at first glance seem a modest innovation, it had wide-ranging effects, from fundamentally restructuring building design to reinforcing social class hierarchies by moving luxury apartments to upper levels, previously the domain of the lower classes. The cramped elevator cabin itself served as a reflection of life in modern growing cities, as a space of simultaneous intimacy and anonymity, constantly in motion. In this book, Andreas Bernard explores how the appearance of this new element changed notions of verticality and urban space.
Architectural Theory
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In the final days before the fall of Saigon in 1975, 125,000 Vietnamese who were evacuated or who made their own way out of the country resettled in the United States. Finding themselves in unfamiliar places yet still connected in exile, these refugees began building their own communities as memorials to a lost homeland. Known both officially and unofficially as Little(...)
Building Little Saigon: Refugee urbanism in American cities and suburbs
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In the final days before the fall of Saigon in 1975, 125,000 Vietnamese who were evacuated or who made their own way out of the country resettled in the United States. Finding themselves in unfamiliar places yet still connected in exile, these refugees began building their own communities as memorials to a lost homeland. Known both officially and unofficially as Little Saigons, these built landscapes offer space for everyday activities as well as the staging of cultural heritage and political events. "Building Little Saigon" examines nearly fifty years of city building by Vietnamese Americans-who number over 2.2 million today. Author Erica Allen-Kim highlights architecture and planning ideas adapted by the Vietnamese communities who, in turn, have influenced planning policies and mainstream practices. Allen-Kim traveled to ten Little Saigons in the United States to visit archives, buildings, and public art and to converse with developers, community planners, artists, business owners, and Vietnam veterans. By examining everyday buildings-who made them and what they mean for those who know them-"Building Little Saigon" shows us the complexities of migration unfolding across lifetimes and generations.
Urban Theory
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Metals, as surface or structure as the generators of space play a role in nearly every strain of modernization in architecture. They define complete geographies of work, production, and political life. Non-architectural metals delivered in automobiles, and hard goods in the United States and worldwide have all been sourced as the engines of the sprawling late(...)
Post-Ductility: Metals in architecture and engineering
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Metals, as surface or structure as the generators of space play a role in nearly every strain of modernization in architecture. They define complete geographies of work, production, and political life. Non-architectural metals delivered in automobiles, and hard goods in the United States and worldwide have all been sourced as the engines of the sprawling late twentieth-century city in all of its forms. Post-Ductility refers to the literal aspects of material behavior in this case of metals but also of aspects of architectural and urban space that are measured by less verifiable but nonetheless real quotients of stress and strain. It is the tension and compression of space that gives form or coherence to form.
Materials and Lighting