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Frame 124, September/October 2018
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Grey room 72
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This issue examines the impartation of meaning through visible language, whether informative, instructive, transformative, narrative, or other. Contributions include Peter Culley’s restructuring of a botanical text as lyrical poetry, a vignette by Octavia E. Butler, a preface to ‘The Art of Science Writing’ by Worsley and Mayer, Daniel Victor’s report on an Oxford comma(...)
F.R. David autumn 2018 : '' What I mean is-''
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This issue examines the impartation of meaning through visible language, whether informative, instructive, transformative, narrative, or other. Contributions include Peter Culley’s restructuring of a botanical text as lyrical poetry, a vignette by Octavia E. Butler, a preface to ‘The Art of Science Writing’ by Worsley and Mayer, Daniel Victor’s report on an Oxford comma dispute, a wall text for ‘High Speed Geology’ at Museum für Naturkunde, ‘In the Shadow of the American Dream’ by David Wojnarowicz, ‘26 Theses on Craft’ by Sharon H. Poggenpohl, a report Charles and Ray Eames drew up for the Indian government to promote quality in small industries, and much more.
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AV Monographs 207 : Batlle iRoig, building with nature
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Spacing fall 2018
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Spacing fall 2018
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The plan 108
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D'a (D'architectures) 265
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Le dernier numéro est maintenant disponible à la librairie !
D'a (D'architectures) 265
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L'édition ''Les nouveaux paradigmes'' dirigée par Alessandra Mariani et Rébéca Lemay-Perreault, explore les stratégies et les approches en cours dans les institutions muséales et divers espaces analogues. Par le biais d'études de cas exemplaires, les articles colligés dans ce numéro exposent les façons dont la critique sociale, l'ontologie historique, l'occidentalisme,(...)
Muséologies volume 8, numéro 2, 2018
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L'édition ''Les nouveaux paradigmes'' dirigée par Alessandra Mariani et Rébéca Lemay-Perreault, explore les stratégies et les approches en cours dans les institutions muséales et divers espaces analogues. Par le biais d'études de cas exemplaires, les articles colligés dans ce numéro exposent les façons dont la critique sociale, l'ontologie historique, l'occidentalisme, les études de genre, la pédagogie critique et les théories de l'action communicative et du public transforment les paradigmes muséaux existants (les expositions, les cinq fonctions muséales, les publics, la médiation, les pratiques spatiales, le féminisme, le postcolonialisme , le poststructuralisme, et le (socio) constructivisme) en des champs de recherche distincts qui alimentent la codification et la rationalisation nécessaires à la pérennité des pratiques émergentes.
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