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"Artificial light" suggests an alternative type of critical theory consisting of personal and fictitious anecdotes, real and fake photographs, and mini-essays that addresses prevalent themes in architecture such as immediacy, affect, abstraction, atmosphere, realness, and banality. With a narrative style reminiscent of other unconventional writers on design such as Paul(...)
Artificial light : a narrative inquiry into the nature of abstraction, immediacy, and other architectural fictions
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"Artificial light" suggests an alternative type of critical theory consisting of personal and fictitious anecdotes, real and fake photographs, and mini-essays that addresses prevalent themes in architecture such as immediacy, affect, abstraction, atmosphere, realness, and banality. With a narrative style reminiscent of other unconventional writers on design such as Paul Shepheard, Roger Connah, and Rebecca Solnit, "Artificial light" is the beautifully written and visually engaging debut of a dynamic new voice in the world of architectural criticism. Keith Mitnick is an assistant professor of architecture at the University of Michigan, where he teaches graduate-level studios and seminars in architectural criticism, and a founding principal of Mitnick Roddier Hicks.
Architectural Theory
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In 1962 the young photographer René Burri, on the staff of the renowned photo agency MAGNUM, and known for his reportage and portraits, presented the architect, Le Corbusier, with a fold-out book, made with his own hands, containing photographs, dating back to 1953, that he had taken of the architect in various situations. The photographs it contains show Corbusier at the(...)
Für Le Corbusier / Pour Le Corbusier
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In 1962 the young photographer René Burri, on the staff of the renowned photo agency MAGNUM, and known for his reportage and portraits, presented the architect, Le Corbusier, with a fold-out book, made with his own hands, containing photographs, dating back to 1953, that he had taken of the architect in various situations. The photographs it contains show Corbusier at the height of his creativity – in conversation, alone in his studio, at the construction site. They also convey the unmistakable atmosphere of his designs. This scrupulous facsimile reproduction comes with a text by René Burri and commentaries by the Corbusier connoisseur and editor Arthur Rüegg.
Architecture Monographs
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In 'The Intimacy of Making', London-based Swiss-French photographer Hélène Binet takes us on a visual journey through a world of stone, walls and gardens to depict and celebrate the Korean art of making, and to discover traditional Korean architecture through a Western lens. In Binet’s photographs, which were taken over the course of the last three years, we encounter(...)
Photography monographs
March 2021
The intimacy of making: three historical sites in Korea
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In 'The Intimacy of Making', London-based Swiss-French photographer Hélène Binet takes us on a visual journey through a world of stone, walls and gardens to depict and celebrate the Korean art of making, and to discover traditional Korean architecture through a Western lens. In Binet’s photographs, which were taken over the course of the last three years, we encounter three typologies of traditional architecture in South Korea: the Confucian school and sacred site of Byeongsan Seowon; the garden and tea house Soswaewon; and the Jongmyo shrine. Her camera unites the natural surrounds and the built structures to convey the atmosphere of these three sites.
Photography monographs
As if, Uta Eisenreich
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This book of photographs is the sequel to ‘A NOT B’ (2010), wherein quotidian items are again staged and captured through the camera’s unblinking eye. Yet the images are no longer set in the innocent atmosphere of the preschool years, when the world is read through analogies, but catapulted into a darker space of representation at the cusp of adolescence, against the(...)
As if, Uta Eisenreich
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This book of photographs is the sequel to ‘A NOT B’ (2010), wherein quotidian items are again staged and captured through the camera’s unblinking eye. Yet the images are no longer set in the innocent atmosphere of the preschool years, when the world is read through analogies, but catapulted into a darker space of representation at the cusp of adolescence, against the backdrop of a hyper-commercialised world. The compositions create a distinctive play with logic, language, and meaning. Objects transform from their humble selves into abstract shapes discharged of meaning, or alternately into advertisements for themselves, charged with desire or bad omens of an ominous future.
Contemporary Art Monographs
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Shu’s design process always begins with an intense study of the location. The architect spends as long as possible on the site, absorbing its atmosphere. He then produces drafts in the form of hand-drawn sketches, creating them in relatively quick succession. Imagining the House follows this process in various buildings. Photographic documentation of the locations(...)
Wang Shu: imagining the house
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Shu’s design process always begins with an intense study of the location. The architect spends as long as possible on the site, absorbing its atmosphere. He then produces drafts in the form of hand-drawn sketches, creating them in relatively quick succession. Imagining the House follows this process in various buildings. Photographic documentation of the locations elucidate Shu’s on-site research. The reproductions of drawings in this book demonstrate how the designs change and become more concrete over the course of the process. The book provides unique insights into the work of an architect who has hitherto received little attention in Europe, thereby addressing a considerable omission in the publishing world.
Architecture Monographs
Blindhaedir: East Iceland
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Silvia Bachli and Eric Hatan spent four months, from March to June, in Seydisfjordur in eastern Iceland. The landscape they explored on their daily walks is dominated by snow, which shapes the atmosphere in and around the fjord with its changeable forms: turquoise meltwater, frost patterns, a few glass-clear bright colours in the whiteness, walls of snow by the edge of(...)
Blindhaedir: East Iceland
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Silvia Bachli and Eric Hatan spent four months, from March to June, in Seydisfjordur in eastern Iceland. The landscape they explored on their daily walks is dominated by snow, which shapes the atmosphere in and around the fjord with its changeable forms: turquoise meltwater, frost patterns, a few glass-clear bright colours in the whiteness, walls of snow by the edge of the road, drifts, icicles and at last the first brown snow-free places - things are slowly turning green. The artists create a unique portrait of Iceland's magnificent landscapes with their photographs, in all its detail, thus chronicling the passage of time and the approach of the warmer season.
Photography monographs
$24.95
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A work with no place for the superfluous : the fast, essential pencil stroke and concise, bare text throw us into what seems above all to be a sensory experience. It is winter in person that opens the doors and page after page envelops us in the vast and silent whiteness of the cloud-filled sky, and then in a blinding expanse of freezing snow. Aoi Huber Kono plunges us(...)
Winter
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A work with no place for the superfluous : the fast, essential pencil stroke and concise, bare text throw us into what seems above all to be a sensory experience. It is winter in person that opens the doors and page after page envelops us in the vast and silent whiteness of the cloud-filled sky, and then in a blinding expanse of freezing snow. Aoi Huber Kono plunges us into an atmosphere that seems paralysed in the poetry of the cold to then allow us to discover with equal surprise that underneath is a world throbbing with life. Who is hiding among the snow-covered trees? To find out we have to follow the footsteps in the snow.
Children's Books
111 Inception
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This book is a chain of inspiration that involves 111 architects from around the world. How does inspiration move through the atmosphere? How do we inspire each other? And how does creative inspiration itself change through each person’s unique experience? To find out, Anna Bates initiated an experiment in 2017, tasking one architect to use a painting by Theo van Doesburg(...)
111 Inception
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This book is a chain of inspiration that involves 111 architects from around the world. How does inspiration move through the atmosphere? How do we inspire each other? And how does creative inspiration itself change through each person’s unique experience? To find out, Anna Bates initiated an experiment in 2017, tasking one architect to use a painting by Theo van Doesburg as a stimulus for creating their own work. This would then be passed on to other architects, who in turn would draw inspiration for their new work, and so on, growing into a web of conversation, interplay, and inspiration. Gary Bates of Space Group was invited to create the first work.
Contemporary Architecture
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In galleries and museums, one’s perception of art, space, and atmosphere is largely determined by lighting. But which light settings should art and museum experts and exhibition designers choose, and on what basis are those choices made? Pioneering LED technologies make customized lighting scenarios possible, turning artificial light into an interactive material in museum(...)
Light up: The potential of light in museum architecture
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In galleries and museums, one’s perception of art, space, and atmosphere is largely determined by lighting. But which light settings should art and museum experts and exhibition designers choose, and on what basis are those choices made? Pioneering LED technologies make customized lighting scenarios possible, turning artificial light into an interactive material in museum architecture – not only in terms of design practice, but also in terms of real-time spatial experiences. Computer-controlled lighting technologies are breaking boundaries, allowing the individual to take full control of lighting design. ''Light Up'' explores the potential of dynamic artificial lighting technologies in museum architecture, offering new insights into the use of light in exhibition spaces.
Materials and Lighting
Julia Hetta: Island
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The Swedish photographer Julia Hetta photographed the images in this book on the Swedish island of Fårö in the Baltic Sea, in close collaboration with her friend, the artist Åsa Stenerhag. Her (mostly) black-and-white photographs in "Island" depict their subjects—from trees (the branches, leaves, trunks of trees), rocks (the shapes, layers, textures of rocks), human(...)
Julia Hetta: Island
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The Swedish photographer Julia Hetta photographed the images in this book on the Swedish island of Fårö in the Baltic Sea, in close collaboration with her friend, the artist Åsa Stenerhag. Her (mostly) black-and-white photographs in "Island" depict their subjects—from trees (the branches, leaves, trunks of trees), rocks (the shapes, layers, textures of rocks), human beings (the faces, hair, expressions, clothes of human beings)—both in relation to one another and with a more singular focus. The book imbues its subjects with stillness and power. Though calm, the atmosphere is one of capacious potential. The titular island may as well be from another dimension. Black, fragile, powerful; a world of romance after the despair.
Photography monographs