books
Description:
541 pages, 11 unnumbered postliminary pages : illustrations (some color) ; 24 cm
Feldmeilen, Switzerland : Luma Foundation ; Annandale-on-Hudson, N.Y. : Center for Curatorial Studies, Bard College ; Cambridge, Mass. ; London, England : The MIT Press, [2019]
Curating after the global : roadmaps for the present / edited by Paul O'Neill, Simon Sheikh, Lucy Steeds, Mick Wilson.
Actions:
Holdings:
Description:
541 pages, 11 unnumbered postliminary pages : illustrations (some color) ; 24 cm
books
Feldmeilen, Switzerland : Luma Foundation ; Annandale-on-Hudson, N.Y. : Center for Curatorial Studies, Bard College ; Cambridge, Mass. ; London, England : The MIT Press, [2019]
books
Description:
250 pages : illustrations ; 23 cm.
Ann Arbor : Open Humanities Press, an imprint of Michigan Publishing, University of Michigan Library, 2013.
Architecture in the Anthropocene : encounters among design, deep time, science and philosophy / edited by Etienne Turpin.
Actions:
Holdings:
Description:
250 pages : illustrations ; 23 cm.
books
Ann Arbor : Open Humanities Press, an imprint of Michigan Publishing, University of Michigan Library, 2013.
$39.95
(available in store)
Summary:
Bridging histories of technology, media studies, and aesthetics, ''Electrographic architecture'' forges a critical narrative of the ways in which illuminated light and color have played key roles in the formation of America's white imaginary. Carolyn L. Kane charts the rise of the country's urban advertisements, light empires, and neoclassical buildings in the early(...)
Electrographic architecture: New York color, Las Vegas light, and America's white imaginary
Actions:
Price:
$39.95
(available in store)
Summary:
Bridging histories of technology, media studies, and aesthetics, ''Electrographic architecture'' forges a critical narrative of the ways in which illuminated light and color have played key roles in the formation of America's white imaginary. Carolyn L. Kane charts the rise of the country's urban advertisements, light empires, and neoclassical buildings in the early twentieth century; the midcentury construction of polychromatic electrographic spectacles; and their eclipse by informatically intense, invisible algorithms at the dawn of the new millennium. Drawing on archival research, interviews, and visual analysis, Electrographic Architecture shows how the development of America's electrographic surround runs parallel to a new paradigm of power, property, and possession.
Architectural Theory
$34.95
(available to order)
Summary:
For as long as humans have gathered in cities, those cities have had their shining—or shadowy—counterparts. Imaginary cities, potential cities, future cities, perfect cities. It is as if the city itself, its inescapable gritty reality and elbow-to-elbow nature, demands we call into being some alternative, yearned-for better place. This book is about those cities. It’s(...)
Imaginary cities: a tour of dream cities, nightmare cities and everywhere in between
Actions:
Price:
$34.95
(available to order)
Summary:
For as long as humans have gathered in cities, those cities have had their shining—or shadowy—counterparts. Imaginary cities, potential cities, future cities, perfect cities. It is as if the city itself, its inescapable gritty reality and elbow-to-elbow nature, demands we call into being some alternative, yearned-for better place. This book is about those cities. It’s neither a history of grand plans nor a literary exploration of the utopian impulse, but rather something different, hybrid, idiosyncratic. It’s a magpie’s book, full of characters and incidents and ideas drawn from cities real and imagined around the globe and throughout history. Thomas More’s allegorical island shares space with Soviet mega-planning; Marco Polo links up with James Joyce’s meticulously imagined Dublin; the medieval land of Cockaigne meets the hopeful future of Star Trek. With Darran Anderson as our guide, we find common themes and recurring dreams, tied to the seemingly ineluctable problems of our actual cities, of poverty and exclusion and waste and destruction. And that’s where Imaginary Cities becomes more than a mere—if ecstatically entertaining—intellectual exercise: for, as Anderson says, “If a city can be imagined into being, it can be re-imagined.” Every architect, philosopher, artist, writer, planner, or citizen who dreams up an imaginary city offers lessons for our real ones; harnessing those flights of hopeful fancy can help us improve the streets where we live.
Urban Theory
books
Description:
208 pages : illustrations (some color) ; 24 cm
Leipzig : Spector Books, 2018., New York : ARTBOOK / D.A.P., [2018], [Germany] : Druckhaus Köthen, [2018]
En plein air : ethnographies of the digital / edited by Pujan Karambeigi, Annelise Ostertag, Tabea Rossol, Pierre Schwarzer, Lukas Stolz.
Actions:
Holdings:
Description:
208 pages : illustrations (some color) ; 24 cm
books
Leipzig : Spector Books, 2018., New York : ARTBOOK / D.A.P., [2018], [Germany] : Druckhaus Köthen, [2018]
books
Description:
240 pages : colour illustrations ; 27 cm
Hamburg : Museum f̈ür Kunst und Gewerbe ; [Leipzig] : Spector Books, [2021?]
Life on Planet Orsimanirana : a non-gesamt Gesamtkunstwerk / editors, Tulga Beyerle, Emanuele Braga, Lukas Feireiss, Jerszy Seymour ; editorial concept and management, Lukas Feireiss ; copyeditor Mike Pilewski.
Actions:
Holdings:
Description:
240 pages : colour illustrations ; 27 cm
books
Hamburg : Museum f̈ür Kunst und Gewerbe ; [Leipzig] : Spector Books, [2021?]
books
Description:
1 online resource (250 pages) : illustrations (some color)
Ann Arbor : Open Humanities Press, an imprint of Michigan Publishing, University of Michigan Library, 2013.
Architecture in the anthropocene : encounters among design, deep time, science and philosophy / edited by Etienne Turpin.
Actions:
Description:
1 online resource (250 pages) : illustrations (some color)
books
Ann Arbor : Open Humanities Press, an imprint of Michigan Publishing, University of Michigan Library, 2013.
books
Description:
299 pages : color illustrations ; 23 cm
New York ; Barcelona : Actar Publishers, [2019]
Architecture as measure / Neyran Turan
Actions:
Holdings:
Description:
299 pages : color illustrations ; 23 cm
books
New York ; Barcelona : Actar Publishers, [2019]
books
Description:
214 pages : illustrations ; 24 cm
México, D.F. : Dirección de Publicaciones del Consejo Nacional para la Cultura y las Artes, ©2010.
Las manos indígenas de la raza espñola : el mestizaje como argumento arquitectónico / Johanna Lozoya.
Actions:
Holdings:
Description:
214 pages : illustrations ; 24 cm
books
México, D.F. : Dirección de Publicaciones del Consejo Nacional para la Cultura y las Artes, ©2010.
$62.50
(available to order)
Summary:
n 1954, the French writer, politician, and publisher André Malraux (1901–1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its(...)
The book on the floor: André Malraux and the imaginary museum
Actions:
Price:
$62.50
(available to order)
Summary:
n 1954, the French writer, politician, and publisher André Malraux (1901–1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.
Theory of Photography