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The artists discussed in Space-Age Aesthetics looked beyond the limits of the picture, exploring space, mass media, pop culture, nuclear power, and science fiction to connect new art to the dramatic changes taking place through the encroaching Space Age. Space-Age Aesthetics begins by addressing the imagery of space exploration as a field of mythical representation(...)
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The artists discussed in Space-Age Aesthetics looked beyond the limits of the picture, exploring space, mass media, pop culture, nuclear power, and science fiction to connect new art to the dramatic changes taking place through the encroaching Space Age. Space-Age Aesthetics begins by addressing the imagery of space exploration as a field of mythical representation(...)
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January 2010
January 2010
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Space-age aesthetics: Lucio Fontana, Yves Klein, and the Postwar European Avant-Garde
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The artists discussed in Space-Age Aesthetics looked beyond the limits of the picture, exploring space, mass media, pop culture, nuclear power, and science fiction to connect new art to the dramatic changes taking place through the encroaching Space Age. Space-Age Aesthetics begins by addressing the imagery of space exploration as a field of mythical representation informed by Cold War politics and acted out in an expansive variety of media, from the picture press to comic books.
Space-age aesthetics: Lucio Fontana, Yves Klein, and the Postwar European Avant-Garde
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The artists discussed in Space-Age Aesthetics looked beyond the limits of the picture, exploring space, mass media, pop culture, nuclear power, and science fiction to connect new art to the dramatic changes taking place through the encroaching Space Age. Space-Age Aesthetics begins by addressing the imagery of space exploration as a field of mythical representation informed by Cold War politics and acted out in an expansive variety of media, from the picture press to comic books.
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books
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January 2010
January 2010
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325 pages : illustrations ; 27 cm
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325 pages : illustrations ; 27 cm
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Paris : Edition A. et J. Picard ; Roma : Campisano, [2015], ©2015
Paris : Edition A. et J. Picard ; Roma : Campisano, [2015], ©2015
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Les maquettes d'architecture : fonction et évolution d'un instrument de conceptionet de réalisation / sous la direction de Sabine Frommel; avec la collaboration de Raphaël Tassin.
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325 pages : illustrations ; 27 cm
Les maquettes d'architecture : fonction et évolution d'un instrument de conceptionet de réalisation / sous la direction de Sabine Frommel; avec la collaboration de Raphaël Tassin.
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325 pages : illustrations ; 27 cm
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Paris : Edition A. et J. Picard ; Roma : Campisano, [2015], ©2015
Paris : Edition A. et J. Picard ; Roma : Campisano, [2015], ©2015
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88 pages figure, planches, 1 depl. h.t., couv. illustrations 20 x 14 cm
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88 pages figure, planches, 1 depl. h.t., couv. illustrations 20 x 14 cm
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[Budapest] Kiadja a Nepmüvelési Miniszterium Múzeumi föoszlálya 1955.
[Budapest] Kiadja a Nepmüvelési Miniszterium Múzeumi föoszlálya 1955.
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A Középkori Buda és Pest. Irták: F. Mihály Ida, Lócsy Erzsébet, Holl Imre.
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88 pages figure, planches, 1 depl. h.t., couv. illustrations 20 x 14 cm
A Középkori Buda és Pest. Irták: F. Mihály Ida, Lócsy Erzsébet, Holl Imre.
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88 pages figure, planches, 1 depl. h.t., couv. illustrations 20 x 14 cm
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books
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[Budapest] Kiadja a Nepmüvelési Miniszterium Múzeumi föoszlálya 1955.
[Budapest] Kiadja a Nepmüvelési Miniszterium Múzeumi föoszlálya 1955.
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$34.95
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Since the 2010s, the line between public and private, online and offline have increasingly become blurred by digitalization and social media. In contemporary art, digitality has assumed a new type of presence—no longer only as a virtual sphere of sociality, but increasingly as a technological interface that structures our embodied experiences. What is presented in an(...)
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Since the 2010s, the line between public and private, online and offline have increasingly become blurred by digitalization and social media. In contemporary art, digitality has assumed a new type of presence—no longer only as a virtual sphere of sociality, but increasingly as a technological interface that structures our embodied experiences. What is presented in an(...)
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Passing images: Art in the post-digital age
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Since the 2010s, the line between public and private, online and offline have increasingly become blurred by digitalization and social media. In contemporary art, digitality has assumed a new type of presence—no longer only as a virtual sphere of sociality, but increasingly as a technological interface that structures our embodied experiences. What is presented in an ''exhibitio''? And how should we write about the new types of post-digital images we are seeing (in them)? In ''Passing images: Art in the post-digital age,'' Marie France Rafael provides an attempt to write with art, rather than just about it. Rafael aims to retrace the living spirit of art and the procedural-performative experience of art in her writing.
Passing images: Art in the post-digital age
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Since the 2010s, the line between public and private, online and offline have increasingly become blurred by digitalization and social media. In contemporary art, digitality has assumed a new type of presence—no longer only as a virtual sphere of sociality, but increasingly as a technological interface that structures our embodied experiences. What is presented in an ''exhibitio''? And how should we write about the new types of post-digital images we are seeing (in them)? In ''Passing images: Art in the post-digital age,'' Marie France Rafael provides an attempt to write with art, rather than just about it. Rafael aims to retrace the living spirit of art and the procedural-performative experience of art in her writing.
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books
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November 2022
November 2022
Subject:
Art Theory
Art Theory
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books
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$75.00
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Humphry Repton (1752–1818) remains one of England’s most interesting and prolific garden and landscape designers. Renowned for his innovative design proposals and distinctive before-and-after images, captured in his famous "Red Books," Repton’s astonishing career represents the link between the simple parklands of his predecessor Capability Brown and the more elaborate,(...)
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Humphry Repton (1752–1818) remains one of England’s most interesting and prolific garden and landscape designers. Renowned for his innovative design proposals and distinctive before-and-after images, captured in his famous "Red Books," Repton’s astonishing career represents the link between the simple parklands of his predecessor Capability Brown and the more elaborate,(...)
Title:
Humphry Repton: Landscape design in an age of revolution
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Humphry Repton (1752–1818) remains one of England’s most interesting and prolific garden and landscape designers. Renowned for his innovative design proposals and distinctive before-and-after images, captured in his famous "Red Books," Repton’s astonishing career represents the link between the simple parklands of his predecessor Capability Brown and the more elaborate, structured, and formal landscapes of the Victorian age. This lavishly illustrated book, based on a wealth of new research, reinterprets Repton’s life, working methods, and designs, and examines why they proved so popular in a rapidly changing world.
Humphry Repton: Landscape design in an age of revolution
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$75.00
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Humphry Repton (1752–1818) remains one of England’s most interesting and prolific garden and landscape designers. Renowned for his innovative design proposals and distinctive before-and-after images, captured in his famous "Red Books," Repton’s astonishing career represents the link between the simple parklands of his predecessor Capability Brown and the more elaborate, structured, and formal landscapes of the Victorian age. This lavishly illustrated book, based on a wealth of new research, reinterprets Repton’s life, working methods, and designs, and examines why they proved so popular in a rapidly changing world.
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books
books
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December 2020
December 2020
Subject:
Landscape Theory
Landscape Theory
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books
books
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Robert Byron / James Knox.
Robert Byron / James Knox.
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xvi, 493 pages, 32 unnumbered pages of plates : illustrations, maps ; 24 cm
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xvi, 493 pages, 32 unnumbered pages of plates : illustrations, maps ; 24 cm
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London : John Murray, [2003], © 2003
London : John Murray, [2003], © 2003
Title:
Robert Byron / James Knox.
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xvi, 493 pages, 32 unnumbered pages of plates : illustrations, maps ; 24 cm
Robert Byron / James Knox.
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xvi, 493 pages, 32 unnumbered pages of plates : illustrations, maps ; 24 cm
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books
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London : John Murray, [2003], © 2003
London : John Murray, [2003], © 2003
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viii, 595 pages : illustrations (some color) ; 24 cm
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viii, 595 pages : illustrations (some color) ; 24 cm
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Baltimore : Johns Hopkins University Press, 2017, ©2017
Baltimore : Johns Hopkins University Press, 2017, ©2017
Title:
Energy humanities : an anthology / edited by Imre Szeman and Dominic Boyer.
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viii, 595 pages : illustrations (some color) ; 24 cm
Energy humanities : an anthology / edited by Imre Szeman and Dominic Boyer.
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viii, 595 pages : illustrations (some color) ; 24 cm
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books
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Baltimore : Johns Hopkins University Press, 2017, ©2017
Baltimore : Johns Hopkins University Press, 2017, ©2017
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x, 115 pages : illustrations ; 14 x 22 cm
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x, 115 pages : illustrations ; 14 x 22 cm
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Salt Lake City : Peregrine Smith Books, 1984.
Salt Lake City : Peregrine Smith Books, 1984.
Title:
Paolo Soleri's earth casting : for sculpture, models, and construction / Paolo Soleri, Scott M. Davis.
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x, 115 pages : illustrations ; 14 x 22 cm
Paolo Soleri's earth casting : for sculpture, models, and construction / Paolo Soleri, Scott M. Davis.
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x, 115 pages : illustrations ; 14 x 22 cm
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Salt Lake City : Peregrine Smith Books, 1984.
Salt Lake City : Peregrine Smith Books, 1984.
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xviii, 253 pages : illustrations, map ; 21 cm
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xviii, 253 pages : illustrations, map ; 21 cm
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New York : Norton, ©1998.
New York : Norton, ©1998.
Title:
Heavenly mansions : and other essays on architecture / John Summerson ; [with a foreword by Kent Bloomer].
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xviii, 253 pages : illustrations, map ; 21 cm
Heavenly mansions : and other essays on architecture / John Summerson ; [with a foreword by Kent Bloomer].
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xviii, 253 pages : illustrations, map ; 21 cm
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books
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New York : Norton, ©1998.
New York : Norton, ©1998.
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445 pages illustrations, maps (some folded) 22 cm
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445 pages illustrations, maps (some folded) 22 cm
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London, Lutterworth Press [1954]
London, Lutterworth Press [1954]
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The lost villages of England, by Maurice Beresford.
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445 pages illustrations, maps (some folded) 22 cm
The lost villages of England, by Maurice Beresford.
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445 pages illustrations, maps (some folded) 22 cm
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books
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London, Lutterworth Press [1954]
London, Lutterworth Press [1954]
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