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This collection focuses on how architectural material is transformed, revised, swallowed whole, plagiarized, or in any other way appropriated. It charts new territory within this still unexplored yet highly topical area of study by establishing a shared vocabulary with which to discuss, or contest, the workings of appropriation as a vital and progressive aspect of(...)
Terms of appropriation: modern architecture and global exchange
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This collection focuses on how architectural material is transformed, revised, swallowed whole, plagiarized, or in any other way appropriated. It charts new territory within this still unexplored yet highly topical area of study by establishing a shared vocabulary with which to discuss, or contest, the workings of appropriation as a vital and progressive aspect of architectural discourse. Written by a group of rising scholars in the field of architectural history and criticism, the chapters cover a range of architectural subjects that are linked in their investigations of how architects engage with their predecessors.
Architectural Theory
C3 392 : bubble and squeak
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This instalment covers three very different subjects: ephemeral tangible structures, contemporary museum trends, and new sports facilities in relation to urban renewal and social inclusion. Two pneumatic bubble structures are profiled, one by Plastique Fantastique in the Netherlands and the other by Spanish practice DOSIS in London. The evolved function and form of the(...)
C3 392 : bubble and squeak
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This instalment covers three very different subjects: ephemeral tangible structures, contemporary museum trends, and new sports facilities in relation to urban renewal and social inclusion. Two pneumatic bubble structures are profiled, one by Plastique Fantastique in the Netherlands and the other by Spanish practice DOSIS in London. The evolved function and form of the museum is explored next, a typology nowadays characterised by place-making, entertainment, and versatility, with new buildings by Snøhetta, BIG, AL_A, and Verner Johnson. Lastly, new perspectives in sports architecture design by Manuelle Gautrand, MVRDV + ADEPT, CAB Architects, and more.
Magazines
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Architectural production today encompasses myriad documents that defy the traditional conventions of the profession. This book examines 33 artefacts involved in the design and construction of contemporary architecture. Its definition of architectural documents is expansive – not just working drawings, but correspondence, contracts, mock-ups and models, journalism, photos,(...)
Better together: (33) Documents of contemporary Australian architecture & their associated short stories
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Architectural production today encompasses myriad documents that defy the traditional conventions of the profession. This book examines 33 artefacts involved in the design and construction of contemporary architecture. Its definition of architectural documents is expansive – not just working drawings, but correspondence, contracts, mock-ups and models, journalism, photos, and other formats that address the unique processes of modern architectural production. With a cross-section of work by Australian architects, including Andrew Power, Studio Bright, Sibling Architecture, Richard Stampton, and others, presented in a short story format to unravel the artefacts’ inner lives.
Contemporary Architecture
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Every three years, three hundred square miles of land in northwestern Japan are transformed into the most ambitious and largest-scale art installation in the world: the Echigo-Tsumari Art Field. One hundred sixty of the world's best-known landscape artists, sculptors, and architects create artworks in two hundred villages that dot the mountains and terraced rice fields of(...)
October 2015
Art place Japan. The Echigo-Tsumari art triennale and the vision to reconnect art and nature
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Every three years, three hundred square miles of land in northwestern Japan are transformed into the most ambitious and largest-scale art installation in the world: the Echigo-Tsumari Art Field. One hundred sixty of the world's best-known landscape artists, sculptors, and architects create artworks in two hundred villages that dot the mountains and terraced rice fields of the Japanese countryside, with the intent of rediscovering relationships between nature, art, and humanity, forging collaborations between global artists and local communities, and connecting people to each other and the land.
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109 pages : illustrations (some color), portraits ; 26 cm + 1 facsimile ([24] pages : illustrations (some color) ; 26 cm)
Ostfildern-Ruit : Hatje Cantz, [2001]., New York, N.Y. : Distribution in the US, Distributed Art Publishers, ©2001
Frederick J. Kiesler : endless space / with essays by Dieter Bogner [and others] ; edited by Dieter Bogner and Peter Noever ; in cooperation with the Austrian Frederick and Lillian Kiesler Private Foundation.
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109 pages : illustrations (some color), portraits ; 26 cm + 1 facsimile ([24] pages : illustrations (some color) ; 26 cm)
books
Ostfildern-Ruit : Hatje Cantz, [2001]., New York, N.Y. : Distribution in the US, Distributed Art Publishers, ©2001
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Modernism In-Between explores the historical “in-betweenness” of Yugoslavian modernism and the strategies architects used to mediate different--sometimes directly opposed--concepts of culture and architecture. Surveyed here is a wide range of topics, from city building and state representation, to the typologies of everyday life. Also discussed is the work of Yugoslavia's(...)
Modernism in-between: the mediatory architectures of socialist Yugoslavia
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Modernism In-Between explores the historical “in-betweenness” of Yugoslavian modernism and the strategies architects used to mediate different--sometimes directly opposed--concepts of culture and architecture. Surveyed here is a wide range of topics, from city building and state representation, to the typologies of everyday life. Also discussed is the work of Yugoslavia's leading architects, who transformed their in-betweenness into a new quality: Edvard Ravnikar's seamless blending of such varied influences as Joe Plenik, Le Corbusier and Otto Wagner; Bogdan Bogdanovic's war memorials, which filtered deep-seated cultural archetypes through the lens of Surrealism; Juraj Neidhardt's efforts at forging a modern identity for Bosnia based on the vernacular Ottoman heritage; and Vjenceslav Richter's neo-avant-garde experiments, which provided some of the most convincing representations of Yugoslav socialism. Wolfgang Thaler's photographs document these and many other achievements.
Architectural Theory
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"Archives" is a magazine developed for a paper format; it seeks to fill a gap in the sphere of architecture and other areas to which our particular view of the world relates. It was conceived as an abject that one would want to read employing both eyes and hands, and with the idea of becoming an archive that orders and clarifies the diverse ways of working and the(...)
Archives 2: Bearth & Deplazes
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"Archives" is a magazine developed for a paper format; it seeks to fill a gap in the sphere of architecture and other areas to which our particular view of the world relates. It was conceived as an abject that one would want to read employing both eyes and hands, and with the idea of becoming an archive that orders and clarifies the diverse ways of working and the projects of a series of architects. "Archives" presents monographic issues dedicated to architects with built work that can be visited and photographed, so as to offer a real look at their architecture. A continuous look through the eyes of the same photographer, Juan Rodriguez, with the idea of establishing a relationship between all that may be shown in the different issues of the magazine. This second issue shows the work of Bearth & Deplazes.
Architecture Monographs
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When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable--and influential--figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT(...)
The man in the glass house: Philip Johnson, architecture of the modern century
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When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable--and influential--figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT Building in NYC, among many others in nearly every city in the country--but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism--the sleek, glass-and-steel architecture that now dominates our cities--to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns.
Architecture Monographs
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At a moment when the word “design” has come to refer to everything and thus nothing, this issue examines the hidden mechanics and visible output of design practice in order to track the shifting role of designers in society and to gauge the capacity of designers to effect change in a world of mounting crises. The issue’s title, ''Instruments of Service'', carries a(...)
Harvard Design Magazine no. 52 : Instruments of service
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At a moment when the word “design” has come to refer to everything and thus nothing, this issue examines the hidden mechanics and visible output of design practice in order to track the shifting role of designers in society and to gauge the capacity of designers to effect change in a world of mounting crises. The issue’s title, ''Instruments of Service'', carries a double meaning. As defined in standard American Institute of Architects contracts, “Instruments of Service are representations, in any medium of expression now known or later developed, of the tangible and intangible creative work performed by the Architect and the Architect’s consultants under their respective professional services agreements. Instruments of Service may include, without limitation, studies, surveys, models, sketches, drawings, specifications, and other similar materials.” Instruments of service are the instruction manuals that architects—and other designers—make so that others can make something. They define the architect’s relationships with labor, construction, clients, and society. And these relationships—along with the agency of architectural practice—are changing as a growing number of external pressures force instruments of service to change. Architects and designers can also be seen as instruments of service to society, responsible to a continually shifting set of values. At a fundamental level, the designer’s job is to imagine and articulate a better future. In a time of crisis and competing value systems—market returns, cultural relevance, environmental response, social equity, automation—the role of the designer in society is ever more important and increasingly accountable to divergent interests that call into question the raison d’être of design practice itself.
Magazines
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Bogdan Bogdanovic (1922–2010) was a Yugoslav architect, theorist, professor and a one-time mayor of Belgrade. His idiosyncratic memorials to the victims and heroes of World War II, scattered around the former Yugoslavia, continue to attract attention today, more than 25 years after the country’s collapse. The monuments, cemeteries, mausoleums, memorial parks,(...)
Bogdanovic by Bogdanovic: Yugoslav memorials through the eyes of their architect
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Bogdan Bogdanovic (1922–2010) was a Yugoslav architect, theorist, professor and a one-time mayor of Belgrade. His idiosyncratic memorials to the victims and heroes of World War II, scattered around the former Yugoslavia, continue to attract attention today, more than 25 years after the country’s collapse. The monuments, cemeteries, mausoleums, memorial parks, necropolises, cenotaphs and other sites of memory Bogdanovic designed between the early 1950s and late 1970s occupy a unique place in the history of modern architecture, redrawing the boundaries between architecture, landscape and sculpture in varied and unexpected ways. This book presents Bogdanovic’s built oeuvre through his own eyes, in a selection of nearly 50 color photographs of his memorials, which the architect took soon after the completion of each project.
Photography monographs