Counterpoint #24 : Long
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Counterpoint is made in Leith with a special Japanese printing method in red, yellow and teal ink. This issue includes writing from Katie Hawthorne, Peter Simpson, Sam Goncalves, Harry Harris, Eilidh Akilade, Kenza Marland and Heather Parry alongside illustrations from Bridie Cheeseman, Lizzie Lomax, Rosie Ryott, Frieda Ruh and Lucy Grainge. It’s about getting through(...)
Counterpoint #24 : Long
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Counterpoint is made in Leith with a special Japanese printing method in red, yellow and teal ink. This issue includes writing from Katie Hawthorne, Peter Simpson, Sam Goncalves, Harry Harris, Eilidh Akilade, Kenza Marland and Heather Parry alongside illustrations from Bridie Cheeseman, Lizzie Lomax, Rosie Ryott, Frieda Ruh and Lucy Grainge. It’s about getting through breakups, sitting through theatre, and pushing projects through to the end. It’s also about motorways, worms and undersea cables.There’s an original cover by Ot Pascoe and interviews with Jonny Hannah and Max Machen. Read it, rip it, pin it to your wall. There’ll only be 600 copies ever made, and thanks to mechanical misregistration and the quirks of riso printing, each one ends up unique in some way.
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It is not without irony that in an age characterised by the dissolution of certainty – a consequence of digital dematerialisation and the catastrophic destabilisation of our social institutions and natural world – architecture, for so long the repository for our myths and the vessel for our intangible narratives and rituals, has been stripped bare. Increasingly(...)
AD: Ghost Stories: Architecture and the Intangible
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It is not without irony that in an age characterised by the dissolution of certainty – a consequence of digital dematerialisation and the catastrophic destabilisation of our social institutions and natural world – architecture, for so long the repository for our myths and the vessel for our intangible narratives and rituals, has been stripped bare. Increasingly preoccupied with the physical, material and measurable, architecture has forfeited its original purpose as a mediating link between the tacit and the tangible. Drawing on the current resurgence and our enduring cultural fascination with the ethereal and uncanny, this AD frames the spectral as a deconstructive gesture that undermines the fixedness and certainties of binary logics, a means to develop new practices and positions from which to address our contemporary uncertainties. Gathering a body of work that explores and speculates on architecture’s long romance with the incorporeal, the issue is intended as a catalyst through which latency, contingency and indeterminacy, inherent characteristics of the architectural condition, can once more be valued, cultivated and nurtured.
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AD: Constructing change
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Every year, nearly 100 billion tonnes of raw material globally is extracted from the earth – approximately half of it for construction purposes. The construction industry is responsible for an estimated third of global waste, while reuse of construction materials is not increasing fast enough. The same sector accounts for at least 40 per cent of global carbon-dioxide(...)
AD: Constructing change
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Every year, nearly 100 billion tonnes of raw material globally is extracted from the earth – approximately half of it for construction purposes. The construction industry is responsible for an estimated third of global waste, while reuse of construction materials is not increasing fast enough. The same sector accounts for at least 40 per cent of global carbon-dioxide emissions. There is thus an urgent need to showcase how novel approaches in digital fabrication might be able to enhance thesustainability of buildings and transform construction. Featuring specialists from architecture, engineering and materials science, this AD presents innovative research and new construction systems, approaches and trends to demonstrate how existing methods and unique concepts that utilise cutting-edge technologies can, in a short space of time, help us advance towards a culture of sustainable construction. It focuses on digital design and manufacturing, including XR technologies, and highlights unique ways to build with earth or concrete.
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Bordercrossings 164
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The latest issue is now available at the bookstore.
Bordercrossings 164
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The latest issue is now available at the bookstore.
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"306090 05" focuses on the work of young educators throughout the world, with essays on the effects of practice on education and education on practice. It features the built work of design instructors alongside the studio projects of their students, among other revealing juxtapositions. Students and professors profiled are from Michigan, California, New York, and(...)
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September 2003, New York
306090 05 : teaching + building : beyond the imagining
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"306090 05" focuses on the work of young educators throughout the world, with essays on the effects of practice on education and education on practice. It features the built work of design instructors alongside the studio projects of their students, among other revealing juxtapositions. Students and professors profiled are from Michigan, California, New York, and London. This new journal, now in its fifth volume, has reinvigorated the architectural world by introducing and recognizing the work of emerging students, young designers, and innovative educational institutions whose cross-disciplinary projects, ideas, and buildings will inform the future of architectural practice. Alexander F. Brisano and Jonathan D. Solomon edit "306090" from their offices in Brooklyn, New York and Princetion, New Jersey. Previously priced at $18.95.
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One of the fundamental considerations in landscape architecture is whether to create something which appears to be natural, or to design something deliberately artificial. Always moving between nature and artifice the art of landscape architecture expresses itself in a sensitive awareness of time and place. If the design is not to become a mere ornament, then it must be(...)
Texte zur Landschaft / About landscape : essays on design, style, time and space
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One of the fundamental considerations in landscape architecture is whether to create something which appears to be natural, or to design something deliberately artificial. Always moving between nature and artifice the art of landscape architecture expresses itself in a sensitive awareness of time and place. If the design is not to become a mere ornament, then it must be supported by concepts and visions, daring to create something new from the existing surroundings. This collection of essays which have been published over the last decade in Topos – European Landscape Magazine, is a valuable contribution to the literature in the specialised field of landscape architecture. The authors include Paolo Bürgi who writes on dimensions of memory, Joachim W. Jacobs who investigates the Bauhaus and the theory of space, and Kathinka Schreiber who takes a critical look at landscape in film.
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Accattone n.09
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Accattone 9 rassemble une réflexion sur les fluctuations entre affirmation et déni ainsi que sur les opérations matérielles et conceptuelles liées à la saleté. Ce numéro présente une résidence artistique réassemblée, des meubles fabriqués à partir de matériaux de récupération (et de boulons neufs), de la marqueterie sur cloison sèche, une ferme punk, la plus ancienne(...)
Accattone n.09
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Accattone 9 rassemble une réflexion sur les fluctuations entre affirmation et déni ainsi que sur les opérations matérielles et conceptuelles liées à la saleté. Ce numéro présente une résidence artistique réassemblée, des meubles fabriqués à partir de matériaux de récupération (et de boulons neufs), de la marqueterie sur cloison sèche, une ferme punk, la plus ancienne construction troglodytique, des toilettes recouvertes de plumes d'oie, des voitures enfouies sous l'asphalte, des faux ongles, des murs en gabions, des trucs poilus, de la boue, une recette pour des murs et des dalles en béton, une façade en sacs de sable, une théorie nourrie aux vers, une fontaine qui fuit, des fatbergs théoriques et le oui du non.
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In the summer of 2025, nine Western States formally recognized the State of Palestine. This State recognition and the resurrection of the moribund so-called “two-State solution” is combined with a criminalization of calls to liberate Palestine “from the river to the sea.” This issue asks: can liberation ever take the form of a state? Borrowing a phrase Sophia Azeb used(...)
The Funambulist 64: The no-state solution
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In the summer of 2025, nine Western States formally recognized the State of Palestine. This State recognition and the resurrection of the moribund so-called “two-State solution” is combined with a criminalization of calls to liberate Palestine “from the river to the sea.” This issue asks: can liberation ever take the form of a state? Borrowing a phrase Sophia Azeb used multiple times in the history of The Funambulist (since our first conversation in 2014), The No-State Solution intends to revisit this concept in the context of Palestine in challenging the very idea of “solution” (Sophia Azeb & Rebecca Gross), but also in other liberation struggles such as the Kurdish (Havin Guneser) and Zapatista (Linda Quiquivix) ones. It warns us against state dreams, such as the ones implemented in Sierra Leone and Liberia (what William C. Anderson calls “Black Zionism” in his contribution), and questions the differences between State and community forms of governance, in particular when it comes to healthcare, as made evident in Cuba and Venezuela (Lisbeth Moya González). Finally, it envisions borderless, stateless futures in Aotearoa (Kai-rui Cheng) and Kanaky (Florenda Nirikani). As for the artwork on the cover, it is an original creation by Samir Harb.
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radition and precedent inspire invention, architectural drawing, and media practice. This issue of AD presents a series of encounters with printed drawings, leading to their transformation and reimagination. Archival media from the John Nichols Printmakers & Publishers Collection, located at the A83 gallery in New York City, becomes the foundation for a series of new(...)
AD 03:95 Reimagining architectural drawing: Print and process
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radition and precedent inspire invention, architectural drawing, and media practice. This issue of AD presents a series of encounters with printed drawings, leading to their transformation and reimagination. Archival media from the John Nichols Printmakers & Publishers Collection, located at the A83 gallery in New York City, becomes the foundation for a series of new works by contemporary architects. Collectively exhibited at A83 under the title ''The Sixth Somewhat Annual Meeting'', these drawings explore ways archival artifacts can be newly activated, how intricate material objects invite non-normative readings, and how shifts in media forms produce complex differential effects. The contributors address these concerns through close engagement with specific works, expanding the conversation between drawing, archive, and publication.
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Since 2004, Manuel Cervantes Estudio has approached architecture as a dialogue with territory, culture, and time. Driven by exploration, the studio develops processes rooted in research, observation, and the distillation of local conditions – climate, materials, craft, and everyday life – into clear and essential forms. Ranging from social housing to pavilions and(...)
El Croquis 233 : Manuel Cervantes 2018 - 2026
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Since 2004, Manuel Cervantes Estudio has approached architecture as a dialogue with territory, culture, and time. Driven by exploration, the studio develops processes rooted in research, observation, and the distillation of local conditions – climate, materials, craft, and everyday life – into clear and essential forms. Ranging from social housing to pavilions and infrastructure, its projects balance innovation with restraint, seeking synthesis through structural clarity and environmental responsibility. Founded by Manuel Cervantes Céspedes, the practice bridges design, research, and teaching, and is recognised as a leading voice in contemporary Mexican architecture.
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