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La Cité du Design de Saint-Etienne est une institution d'un nouveau genre consacrée à la recherche et la formation, la communication, la diffusion et les services liés au design. Elle s'adresse aux acteurs les plus divers et intègre des pratiques variées, artistiques, industrielles, universitaires, urbaines, sociétales. Un seul volume élancé, la Platine, s'intègre dans le(...)
Cité du design Saint-Étienne 2006 : 02, projections
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La Cité du Design de Saint-Etienne est une institution d'un nouveau genre consacrée à la recherche et la formation, la communication, la diffusion et les services liés au design. Elle s'adresse aux acteurs les plus divers et intègre des pratiques variées, artistiques, industrielles, universitaires, urbaines, sociétales. Un seul volume élancé, la Platine, s'intègre dans le site de l'ancienne Manufacture d'Armes de Saint-Etienne. Ce mono espace connecte les activités communicatives avec les programmes spécifiques qui s'inscrivent dans les bâtiments historiques de la Manufacture. Une tour observatoire est l'élément pionnier qui marque le point de départ de cette transformation. Trois livres décrivent la genèse de la Cité du Design de Saint-Etienne. «Observations» explore le lieu et montre la tour observatoire. «Projections» retrace le processus de la conception architecturale. «Constructions» présentera la Cité du Design achevée en 2008.
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October 2006, Paris
small format
books
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La Cité du Design de Saint-Etienne est une institution d'un nouveau genre consacrée à la recherche et la formation, la communication, la diffusion et les services liés au design. Elle s'adresse aux acteurs les plus divers et intègre des pratiques variées, artistiques, industrielles, universitaires, urbaines, sociétales. Un seul volume élancé, la Platine, s'intègre dans(...)
Cité du design Saint-Étienne 2006 : 01, observations
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La Cité du Design de Saint-Etienne est une institution d'un nouveau genre consacrée à la recherche et la formation, la communication, la diffusion et les services liés au design. Elle s'adresse aux acteurs les plus divers et intègre des pratiques variées, artistiques, industrielles, universitaires, urbaines, sociétales. Un seul volume élancé, la Platine, s'intègre dans le site de l'ancienne Manufacture d'Armes de Saint-Etienne. Ce mono espace connecte les activités communicatives avec les programmes spécifiques qui s'inscrivent dans les bâtiments historiques de la Manufacture. Une tour observatoire est l'élément pionnier qui marque le point de départ de cette transformation. Trois livres décrivent la genèse de la Cité du Design de Saint-Etienne. «Observations» explore le lieu et montre la tour observatoire. «Projections» retrace le processus de la conception architecturale. «Constructions» présentera la Cité du Design achevée en 2008.
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October 2006, Paris
small format
$27.95
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From Greek and Roman times to the digital era, the library has remained central to knowledge, scholarship, and the imagination. The Meaning of the Library is a generously illustrated examination of this key institution of Western culture. Tracing what the library has meant since its beginning, examining how its significance has shifted, and pondering its importance in the(...)
The meaning of the library: a cultural history
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From Greek and Roman times to the digital era, the library has remained central to knowledge, scholarship, and the imagination. The Meaning of the Library is a generously illustrated examination of this key institution of Western culture. Tracing what the library has meant since its beginning, examining how its significance has shifted, and pondering its importance in the twenty-first century, notable contributors—including the Librarian of Congress and the former executive director of the HathiTrust—present a cultural history of the library. In an informative introduction, Alice Crawford sets out the book's purpose and scope, and an international array of scholars, librarians, writers, and critics offer vivid perspectives about the library through their chosen fields. The Meaning of the Library will appeal to all who are interested in this vital institution's heritage and ongoing legacy.
Archive, library and the digital
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Pièce majeure de la collection du MAMCO de Genève, Open House, créée à l'origine à SoHo (New York) durant le printemps 1972, est la seule œuvre de grande dimension de l'artiste américain Gordon Matta-Clark (1943-1978) conservée par une institution. Il s'agit d'un container à l'intérieur duquel a été construit un labyrinthe fait de portes et de cloisons en bois(...)
March 2020
Gordon Matta-Clark: open house (v.f.)
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Pièce majeure de la collection du MAMCO de Genève, Open House, créée à l'origine à SoHo (New York) durant le printemps 1972, est la seule œuvre de grande dimension de l'artiste américain Gordon Matta-Clark (1943-1978) conservée par une institution. Il s'agit d'un container à l'intérieur duquel a été construit un labyrinthe fait de portes et de cloisons en bois récupérées. Véritable manifeste esthétique, cette construction de fortune cristallise bien des prises de position assumées par son créateur, tant dans ses relations avec la sculpture que dans ses rapports critiques à l'architecture. Elle est ici étudiée pour la première fois par trois auteur-e-s, Sophie Costes, Thierry Davila et Lydia Yee, qui en restituent toute la richesse et la complexité. Une façon de réaffirmer l'importance de la figure de Gordon Matta-Clark pour l'art des XXe et XXIe siècles.
$42.00
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Jill Jonnes’s Urban Forests is a natural history of the tree in American cities over the course of the past two centuries. Jonnes’s survey ranges from early sponsors for the Urban Tree Movement to the fascinating stories of particular species (including Washington, DC’s famed cherry trees, and the American chestnut and elm, and the diseases that almost destroyed them) to(...)
Urban Forests: a natural history of trees and people in the American cityscape
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Jill Jonnes’s Urban Forests is a natural history of the tree in American cities over the course of the past two centuries. Jonnes’s survey ranges from early sponsors for the Urban Tree Movement to the fascinating stories of particular species (including Washington, DC’s famed cherry trees, and the American chestnut and elm, and the diseases that almost destroyed them) to the institution of Arbor Day to the most recent generation of tree evangelists who are identifying the best species to populate our cities’ leafy canopies. The book examines such questions as the character of American urban forests and the effect that tree-rich landscaping might have on commerce, crime, and human well-being. As we wrestle with how to repair the damage we have wrought on nature and how to slow climate change, urban forests offer an obvious, low-tech solution.
Urban Landscapes
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav(...)
July 2008, Köln
Ausstellungen generali foundation exhibitions 1989-2008
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav Metzger, Walter Pichler, Martha Rosler, Adrian Piper and Allan Sekula have all shown there, often for their first solo outing. Generali has also commissioned works by artists such as Maria Eichhorn, Andrea Fraser, Hans Haacke, Dorit Margreiter, Mathias Poledna, Marjetica Potrc and Heimo Zobernig. In this power-packed book, numerous installation views and texts provide a review of the foundation's comprehensive program, whose context and genesis are discussed in a conversation between the foundation's long-time Director Sabine Breitwieser and art critic Sabeth Buchmann.
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July 2008, Köln
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Over the past thirty years, Victor Burgin has become both an influential artist and a renowned theorist of the still and moving image. His writings are noted for their lucidity, while his photographs and videos are paradoxical and question meaning in contemporary society. In this book, Victor Burgin retraces the history of his artistic and critical pursuits, from his(...)
Victor Burgin: components of a practice
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Over the past thirty years, Victor Burgin has become both an influential artist and a renowned theorist of the still and moving image. His writings are noted for their lucidity, while his photographs and videos are paradoxical and question meaning in contemporary society. In this book, Victor Burgin retraces the history of his artistic and critical pursuits, from his conceptual photographic works of the sixties to his recent video work. He reviews the evolution of his visual work with a particular focus on its relationship to the institution and practices of painting, photography and cinema. This book is different from Burgin’s previous publications, which are either monographs of his visual work—with essays by other writers—or collections of his essays. This is the first book in which Burgin turns his attention to his own artistic production.
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September 2008
Photography monographs
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The publication Arts for Living takes a close look at the Abrons Arts Center, a community-art facility on the Lower East Side of New York, as a case study for architecture designed to address issues of public space and community life. The Center was built during the 1970's fiscal crisis and designed by Prentice, Chan and Ohlhausen as a cultural institution with new(...)
Arts for living: public architecture and architectural education
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The publication Arts for Living takes a close look at the Abrons Arts Center, a community-art facility on the Lower East Side of New York, as a case study for architecture designed to address issues of public space and community life. The Center was built during the 1970's fiscal crisis and designed by Prentice, Chan and Ohlhausen as a cultural institution with new educational facilities intended to enable, foster, and serve the everyday activities of the local low-income population. The notions of public architecture and architecture education will be framed through three topics: the architecture and urban space of the Abrons Arts Center itself; the programming and activities at the Abrons Arts Center within the context of architectural education; and a larger survey of the environment of the Lower East Side, in terms of its cultural, social, and political context.
Architectural Theory
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31 pages : illustrations ; 21 cm
New York, N.Y. : The Museum, [1979]
Furniture in the collection of the Cooper-Hewitt Museum / the Smithsonian Institution's National Museum of Design.
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31 pages : illustrations ; 21 cm
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New York, N.Y. : The Museum, [1979]
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173 pages : illustrations ; 23 x 29 cm
New York : Rizzoli, [1982]
Cities, the forces that shape them / Cooper-Hewitt Museum, the Smithsonian Institution's National Museum of Design.
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173 pages : illustrations ; 23 x 29 cm
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New York : Rizzoli, [1982]