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books
books
Title:
Gehry draws
Gehry draws
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Everyone knows what the distinctive curves and lines of Frank Gehry's buildings look like. But where do they come from? Gehry has described drawing as his way of "thinking aloud"; Gehry Draws traces that thinking through 32 major projects (both built and unbuilt) with more than 500 drawings (many of which have never before been published) and more than 400 additional(...)
$84.95
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Summary:
Everyone knows what the distinctive curves and lines of Frank Gehry's buildings look like. But where do they come from? Gehry has described drawing as his way of "thinking aloud"; Gehry Draws traces that thinking through 32 major projects (both built and unbuilt) with more than 500 drawings (many of which have never before been published) and more than 400 additional(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
October 2004, Cambridge, Mass.
October 2004, Cambridge, Mass.
Title:
Gehry draws
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Everyone knows what the distinctive curves and lines of Frank Gehry's buildings look like. But where do they come from? Gehry has described drawing as his way of "thinking aloud"; Gehry Draws traces that thinking through 32 major projects (both built and unbuilt) with more than 500 drawings (many of which have never before been published) and more than 400 additional illustrations -- providing a privileged view of the creative practice of a master architect. Horst Bredekamp's introduction relates Gehry's drawing methods to the concept of "disegno," as practiced by Leonardo and Durer -- not only the act of drawing and modeling but also the dynamics of creative thinking -- and shows how Gehry thinks through the curving movements of his hand on paper. Gehry himself describes for Bredekamp his method in several explanatory sketches, and Bredekamp applies this to a study of drawings made for specific Gehry commissions. Gehry Draws is produced in collaboration with Frank Gehry and his team at Gehry Partners. Project synopses and commentary by Gehry and two of his Partners and Project Designers, Edwin Chan and Craig Webb, guide us through the full range of Gehry production, from the small details of furniture design to such large-scale undertakings as the Disney Concert Hall and the Guggenheim Museum in Bilbao. The drawings, illustrations, and text in Gehry Draws definitively place drawing at the heart of Frank Gehry's creative process.
Gehry draws
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$84.95
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Summary:
Everyone knows what the distinctive curves and lines of Frank Gehry's buildings look like. But where do they come from? Gehry has described drawing as his way of "thinking aloud"; Gehry Draws traces that thinking through 32 major projects (both built and unbuilt) with more than 500 drawings (many of which have never before been published) and more than 400 additional illustrations -- providing a privileged view of the creative practice of a master architect. Horst Bredekamp's introduction relates Gehry's drawing methods to the concept of "disegno," as practiced by Leonardo and Durer -- not only the act of drawing and modeling but also the dynamics of creative thinking -- and shows how Gehry thinks through the curving movements of his hand on paper. Gehry himself describes for Bredekamp his method in several explanatory sketches, and Bredekamp applies this to a study of drawings made for specific Gehry commissions. Gehry Draws is produced in collaboration with Frank Gehry and his team at Gehry Partners. Project synopses and commentary by Gehry and two of his Partners and Project Designers, Edwin Chan and Craig Webb, guide us through the full range of Gehry production, from the small details of furniture design to such large-scale undertakings as the Disney Concert Hall and the Guggenheim Museum in Bilbao. The drawings, illustrations, and text in Gehry Draws definitively place drawing at the heart of Frank Gehry's creative process.
Form:
books
books
Publication:
October 2004, Cambridge, Mass.
October 2004, Cambridge, Mass.
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$54.95
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Summary:
Recognizing that buildings are a major contributor to global warming and the critical role of embodied versus operational carbon, the book focuses on houses built from materials that either sequester carbon (plants), use materials with very low embodied carbon (earth and stone) or reuse substantial amounts of existing materials. Organized by those materials (wood,(...)
$54.95
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Summary:
Recognizing that buildings are a major contributor to global warming and the critical role of embodied versus operational carbon, the book focuses on houses built from materials that either sequester carbon (plants), use materials with very low embodied carbon (earth and stone) or reuse substantial amounts of existing materials. Organized by those materials (wood,(...)
Publication:
January 2023
January 2023
Title:
Manual of biogenic house sections
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$54.95
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Recognizing that buildings are a major contributor to global warming and the critical role of embodied versus operational carbon, the book focuses on houses built from materials that either sequester carbon (plants), use materials with very low embodied carbon (earth and stone) or reuse substantial amounts of existing materials. Organized by those materials (wood, bamboo, straw, hemp, cork, earth, brick, stone and re-use), and incorporating life cycle diagrams demonstrating how the raw material is processed into building components, the book shows how the unique properties of each material can transform the ways architects conceive the sections of houses. The house was selected as the vehicle for these investigations due to its scale, its role as a site of architectural experimentation, and its ubiquity. Building on the techniques of the "Manual of section," the book is comprised of newly generated cross-sectional drawings of fifty-five recent, modestly sized houses from around the world, making legible the tectonics and materials used in their construction. Each house is also shown through exploded axonometric, construction photographs and color photographs of the exterior and interior. Introductory essays set up the importance of embodied carbon, the role of vernacular plant-based construction and the problems of contemporary house construction. Drawing connections between the architecture of the house, environmental systems and material economies, the book seeks to change how we build now and for the future.
Manual of biogenic house sections
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$54.95
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Summary:
Recognizing that buildings are a major contributor to global warming and the critical role of embodied versus operational carbon, the book focuses on houses built from materials that either sequester carbon (plants), use materials with very low embodied carbon (earth and stone) or reuse substantial amounts of existing materials. Organized by those materials (wood, bamboo, straw, hemp, cork, earth, brick, stone and re-use), and incorporating life cycle diagrams demonstrating how the raw material is processed into building components, the book shows how the unique properties of each material can transform the ways architects conceive the sections of houses. The house was selected as the vehicle for these investigations due to its scale, its role as a site of architectural experimentation, and its ubiquity. Building on the techniques of the "Manual of section," the book is comprised of newly generated cross-sectional drawings of fifty-five recent, modestly sized houses from around the world, making legible the tectonics and materials used in their construction. Each house is also shown through exploded axonometric, construction photographs and color photographs of the exterior and interior. Introductory essays set up the importance of embodied carbon, the role of vernacular plant-based construction and the problems of contemporary house construction. Drawing connections between the architecture of the house, environmental systems and material economies, the book seeks to change how we build now and for the future.
Form:
books
books
Publication:
January 2023
January 2023
Form:
books
books
Title:
Paul Rudolph : the late work
Paul Rudolph : the late work
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$62.00
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The light- and breeze-filled modern houses in Florida of the 1950s -- featured in Paul Rudolph: The Florida Houses -- and the hard-lined silhouette of Yale's Art and Architecture Building (1962) are the two images that come to mind when one thinks of Paul Rudolph. Yet few people know the work of the last decades of his life, from the 1970s through the 90s. Published here(...)
$62.00
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Summary:
The light- and breeze-filled modern houses in Florida of the 1950s -- featured in Paul Rudolph: The Florida Houses -- and the hard-lined silhouette of Yale's Art and Architecture Building (1962) are the two images that come to mind when one thinks of Paul Rudolph. Yet few people know the work of the last decades of his life, from the 1970s through the 90s. Published here(...)
Title:
Paul Rudolph : the late work
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$62.00
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Summary:
The light- and breeze-filled modern houses in Florida of the 1950s -- featured in Paul Rudolph: The Florida Houses -- and the hard-lined silhouette of Yale's Art and Architecture Building (1962) are the two images that come to mind when one thinks of Paul Rudolph. Yet few people know the work of the last decades of his life, from the 1970s through the 90s. Published here for the first time, Rudolph's final works are explored through his masterful pencil drawings, models, and photographs, as well as the last interview of his life with architect Peter Blake. In a book that considers these projects in the context of his early success, Roberto de Alba explores the architect's buildings designed from 1969 to 1996 and includes an astonishing variety of projects, many built, such as houses, towers, bungalows, chapels, corporate buildings, and urban plans of a monumental scale. All show the complicated interplay of space, light, and mass that are the trademarks of Rudolph's genius. Through de Alba's close contact with the architect before his death, Rudolph's own vision is conveyed in descriptive texts and accompanying images. Paul Rudolph: The Late Work is designed as a companion volume to The Florida Houses, and is the second in a planned three-volume set of the complete works of this legendary architect.
Paul Rudolph : the late work
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$62.00
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Summary:
The light- and breeze-filled modern houses in Florida of the 1950s -- featured in Paul Rudolph: The Florida Houses -- and the hard-lined silhouette of Yale's Art and Architecture Building (1962) are the two images that come to mind when one thinks of Paul Rudolph. Yet few people know the work of the last decades of his life, from the 1970s through the 90s. Published here for the first time, Rudolph's final works are explored through his masterful pencil drawings, models, and photographs, as well as the last interview of his life with architect Peter Blake. In a book that considers these projects in the context of his early success, Roberto de Alba explores the architect's buildings designed from 1969 to 1996 and includes an astonishing variety of projects, many built, such as houses, towers, bungalows, chapels, corporate buildings, and urban plans of a monumental scale. All show the complicated interplay of space, light, and mass that are the trademarks of Rudolph's genius. Through de Alba's close contact with the architect before his death, Rudolph's own vision is conveyed in descriptive texts and accompanying images. Paul Rudolph: The Late Work is designed as a companion volume to The Florida Houses, and is the second in a planned three-volume set of the complete works of this legendary architect.
Form:
books
books
Publication:
February 2003, New York
February 2003, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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Price:
$96.00
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Summary:
Recognized in his own time for extraordinary architectural achievements, Leon Battista Alberti (14041472) five hundred years after his death continues to influence the practice and theory of architecture. This book is the first full-scale study of Alberti's life and architecture in more than a quarter century. Robert Tavernor provides a biographical account of the(...)
$96.00
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Summary:
Recognized in his own time for extraordinary architectural achievements, Leon Battista Alberti (14041472) five hundred years after his death continues to influence the practice and theory of architecture. This book is the first full-scale study of Alberti's life and architecture in more than a quarter century. Robert Tavernor provides a biographical account of the(...)
Title:
On Alberti and the art of building
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$96.00
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Recognized in his own time for extraordinary architectural achievements, Leon Battista Alberti (14041472) five hundred years after his death continues to influence the practice and theory of architecture. This book is the first full-scale study of Alberti's life and architecture in more than a quarter century. Robert Tavernor provides a biographical account of the Italian architect and a detailed consideration of each of the building projects with which he was involved. With new reconstructions of Alberti's buildings and new interpretations of his design intentions, this book will fascinate every reader with an interest in Renaissance architecture. From Alberti's supreme knowledge of the thought and buildings of antiquity, he developed a set of writings on science and the visual arts, including his important treatise on architecture, De re aedificatoria. In this volume, Tavernor examines Alberti's architectural writings and his practical example, his relations with his patrons, how he extended his theory into practice through major building projects across Italy, and how he succeeded in raising the status of architecture to an art-one that sought harmony with the natural world. Focusing on the analysis of Alberti's buildings, the author sets each in historical context; provides a building history; and considers source material, proportional systems, and iconography. He concludes the book with a fresh view of Alberti's theory and practice and a summary of his design process.
On Alberti and the art of building
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$96.00
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Summary:
Recognized in his own time for extraordinary architectural achievements, Leon Battista Alberti (14041472) five hundred years after his death continues to influence the practice and theory of architecture. This book is the first full-scale study of Alberti's life and architecture in more than a quarter century. Robert Tavernor provides a biographical account of the Italian architect and a detailed consideration of each of the building projects with which he was involved. With new reconstructions of Alberti's buildings and new interpretations of his design intentions, this book will fascinate every reader with an interest in Renaissance architecture. From Alberti's supreme knowledge of the thought and buildings of antiquity, he developed a set of writings on science and the visual arts, including his important treatise on architecture, De re aedificatoria. In this volume, Tavernor examines Alberti's architectural writings and his practical example, his relations with his patrons, how he extended his theory into practice through major building projects across Italy, and how he succeeded in raising the status of architecture to an art-one that sought harmony with the natural world. Focusing on the analysis of Alberti's buildings, the author sets each in historical context; provides a building history; and considers source material, proportional systems, and iconography. He concludes the book with a fresh view of Alberti's theory and practice and a summary of his design process.
Form:
books
books
Publication:
December 1998, New Haven
December 1998, New Haven
Subject:
Treatises
Treatises
Form:
books
books
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$67.50
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"Wang Shu Amateur Architecture Studio" is the first major book on the recent work of architect Wang Shu, Pritzker Price winner in 2012, and his wife Lu Wenyu. Together they have run Amateur Architecture Studio, based in Hangzhou, China, for nearly 20 years. At a time when China’s explosive urbanization is making inroads into rural areas and leaving the marks of cheap(...)
$67.50
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Summary:
"Wang Shu Amateur Architecture Studio" is the first major book on the recent work of architect Wang Shu, Pritzker Price winner in 2012, and his wife Lu Wenyu. Together they have run Amateur Architecture Studio, based in Hangzhou, China, for nearly 20 years. At a time when China’s explosive urbanization is making inroads into rural areas and leaving the marks of cheap(...)
Title:
Wang Shu and Amateur Architecture Studio
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$67.50
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"Wang Shu Amateur Architecture Studio" is the first major book on the recent work of architect Wang Shu, Pritzker Price winner in 2012, and his wife Lu Wenyu. Together they have run Amateur Architecture Studio, based in Hangzhou, China, for nearly 20 years. At a time when China’s explosive urbanization is making inroads into rural areas and leaving the marks of cheap concrete construction everywhere, Amateur Architecture Studio is keen to work against this tendency by reusing materials from the buildings that Chinese authorities are systematically tearing down. Amateur Architecture Studio’s working ways successfully represent socially conscious and sustainable new architecture. Wang Shu’s architecture reveals a thoughtful attitude toward both design and implementation, as well as the ability to react flexibly to the surroundings and history of a particular site. At heart, it comes down to preserving Chinese building customs and local awareness of material in a nation that is fast losing its building culture. The studio’s projects inhabit a fascinating field between allusions to traditional Chinese culture and large-scale modern architecture. This book is published on the occasion of the Louisiana Museum of Modern Art exhibition in 2017 of Wang Shu and Amateur Architecture Studio’s work. Featuring a wealth of images by architecture photographer Iwan Baan this is a detailed and reflective guide to Amateur Architecture Studio’s projects, philosophy and methodology
Wang Shu and Amateur Architecture Studio
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$67.50
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Summary:
"Wang Shu Amateur Architecture Studio" is the first major book on the recent work of architect Wang Shu, Pritzker Price winner in 2012, and his wife Lu Wenyu. Together they have run Amateur Architecture Studio, based in Hangzhou, China, for nearly 20 years. At a time when China’s explosive urbanization is making inroads into rural areas and leaving the marks of cheap concrete construction everywhere, Amateur Architecture Studio is keen to work against this tendency by reusing materials from the buildings that Chinese authorities are systematically tearing down. Amateur Architecture Studio’s working ways successfully represent socially conscious and sustainable new architecture. Wang Shu’s architecture reveals a thoughtful attitude toward both design and implementation, as well as the ability to react flexibly to the surroundings and history of a particular site. At heart, it comes down to preserving Chinese building customs and local awareness of material in a nation that is fast losing its building culture. The studio’s projects inhabit a fascinating field between allusions to traditional Chinese culture and large-scale modern architecture. This book is published on the occasion of the Louisiana Museum of Modern Art exhibition in 2017 of Wang Shu and Amateur Architecture Studio’s work. Featuring a wealth of images by architecture photographer Iwan Baan this is a detailed and reflective guide to Amateur Architecture Studio’s projects, philosophy and methodology
Form:
books
books
Publication:
February 2017
February 2017
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$41.95
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Summary:
Is it possible for the economy to grow without the environment being destroyed? Will our lifestyles impoverish the planet for our children and grandchildren? Is the world sick? Can it be healed? Less than a lifetime ago, these questions would have made no sense. This was not because our ancestors had no impact on nature—nor because they were unaware of the serious damage(...)
$41.95
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Summary:
Is it possible for the economy to grow without the environment being destroyed? Will our lifestyles impoverish the planet for our children and grandchildren? Is the world sick? Can it be healed? Less than a lifetime ago, these questions would have made no sense. This was not because our ancestors had no impact on nature—nor because they were unaware of the serious damage(...)
Subject:
Environment and environmental theory
Environment and environmental theory
Publication:
November 2018
November 2018
Title:
The environment: a history of an idea
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$41.95
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Summary:
Is it possible for the economy to grow without the environment being destroyed? Will our lifestyles impoverish the planet for our children and grandchildren? Is the world sick? Can it be healed? Less than a lifetime ago, these questions would have made no sense. This was not because our ancestors had no impact on nature—nor because they were unaware of the serious damage they had done. What people lacked was an idea: a way of imagining the web of interconnection and consequence of which the natural world is made. Without this notion, we didn’t have a way to describe the scale and scope of human impact upon nature. This idea was "the environment." Paul Warde, Libby Robin, and Sverker Sörlin trace the emergence of the concept of the environment following World War II, a period characterized by both hope for a new global order and fear of humans’ capacity for almost limitless destruction. It was at this moment that a new idea and a new narrative about the planet-wide impact of people's behavior emerged, closely allied to anxieties for the future. Now we had a vocabulary for talking about how we were changing nature: resource exhaustion and energy, biodiversity, pollution, and—eventually—climate change. With the rise of "the environment," the authors argue, came new expertise, making certain kinds of knowledge crucial to understanding the future of our planet.
The environment: a history of an idea
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$41.95
(available to order)
Summary:
Is it possible for the economy to grow without the environment being destroyed? Will our lifestyles impoverish the planet for our children and grandchildren? Is the world sick? Can it be healed? Less than a lifetime ago, these questions would have made no sense. This was not because our ancestors had no impact on nature—nor because they were unaware of the serious damage they had done. What people lacked was an idea: a way of imagining the web of interconnection and consequence of which the natural world is made. Without this notion, we didn’t have a way to describe the scale and scope of human impact upon nature. This idea was "the environment." Paul Warde, Libby Robin, and Sverker Sörlin trace the emergence of the concept of the environment following World War II, a period characterized by both hope for a new global order and fear of humans’ capacity for almost limitless destruction. It was at this moment that a new idea and a new narrative about the planet-wide impact of people's behavior emerged, closely allied to anxieties for the future. Now we had a vocabulary for talking about how we were changing nature: resource exhaustion and energy, biodiversity, pollution, and—eventually—climate change. With the rise of "the environment," the authors argue, came new expertise, making certain kinds of knowledge crucial to understanding the future of our planet.
Form:
books
books
Publication:
November 2018
November 2018
Subject:
Environment and environmental theory
Environment and environmental theory
Form:
books
books
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$99.00
(available to order)
Summary:
This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd’s personal spaces, which are a crucial part of this revered artist’s(...)
$99.00
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Summary:
This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd’s personal spaces, which are a crucial part of this revered artist’s(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2020
March 2020
Title:
Donald Judd spaces: Judd Foundation New York & Texas
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$99.00
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Summary:
This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd’s personal spaces, which are a crucial part of this revered artist’s oeuvre. From a 19th-century cast-iron building in Manhattan to an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and lands surrounding the buildings that comprise Judd’s extant living and working spaces. Readers will discover how Judd developed the concept of permanent installation at Spring Street in New York City, with artworks, furniture, and decorative objects striking a balance between the building’s historic qualities and his own architectural innovations. His buildings in Marfa, Texas, demonstrate how Judd reiterated his concept of integrative living on a larger scale, extending to the reaches of the Chinati Mountains at Ayala de Chinati, his 33,000-acre ranch south of the town. Each of the spaces was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these residences reflect Judd’s consistent aesthetic. His spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture.
Donald Judd spaces: Judd Foundation New York & Texas
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$99.00
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Summary:
This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd’s personal spaces, which are a crucial part of this revered artist’s oeuvre. From a 19th-century cast-iron building in Manhattan to an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and lands surrounding the buildings that comprise Judd’s extant living and working spaces. Readers will discover how Judd developed the concept of permanent installation at Spring Street in New York City, with artworks, furniture, and decorative objects striking a balance between the building’s historic qualities and his own architectural innovations. His buildings in Marfa, Texas, demonstrate how Judd reiterated his concept of integrative living on a larger scale, extending to the reaches of the Chinati Mountains at Ayala de Chinati, his 33,000-acre ranch south of the town. Each of the spaces was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these residences reflect Judd’s consistent aesthetic. His spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture.
Form:
books
books
Publication:
March 2020
March 2020
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$44.95
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Summary:
Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once(...)
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Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once(...)
Title:
Modelling time: the permanent collection 1925-2014
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Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once hosted its biggest ever display in 1931. The collection testifies to a different modernism; not white and austere but colourful, diverse, and full of detail. Modelling Time gives an in-depth portrayal of the so-called ‘Permanent Collection’ of Norwegian scale models, photographs and drawings, tracing its international trajectory of exhibitions from Brussels in 1927 to its last appearance at the World’s Fair in New York in 1939. The book documents the collection’s heydays as part of a vivid international modernist culture, as well as its archival diaspora as it falls into oblivion after WWII. In an extensive, archive-based essay editors Lending and Hvattum give the full context of the collection, while Juliane Derry and Jorge Otero-Pailos look into the models’ materiality and issues of decay. Model scholars and architecture curators Barry Bergdoll, Carson Chan, Pippo Ciorra, Oliver Elser, Juliet Koss, Andres Lepik, Adam Lowe, Wallis Miller, Jorge Otero-Pailos, Léa-Catherine Szacka, and Victor Plathe Tschudi presents a variety of perspectives inspired by the Oslo collection.
Modelling time: the permanent collection 1925-2014
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$44.95
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Summary:
Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once hosted its biggest ever display in 1931. The collection testifies to a different modernism; not white and austere but colourful, diverse, and full of detail. Modelling Time gives an in-depth portrayal of the so-called ‘Permanent Collection’ of Norwegian scale models, photographs and drawings, tracing its international trajectory of exhibitions from Brussels in 1927 to its last appearance at the World’s Fair in New York in 1939. The book documents the collection’s heydays as part of a vivid international modernist culture, as well as its archival diaspora as it falls into oblivion after WWII. In an extensive, archive-based essay editors Lending and Hvattum give the full context of the collection, while Juliane Derry and Jorge Otero-Pailos look into the models’ materiality and issues of decay. Model scholars and architecture curators Barry Bergdoll, Carson Chan, Pippo Ciorra, Oliver Elser, Juliet Koss, Andres Lepik, Adam Lowe, Wallis Miller, Jorge Otero-Pailos, Léa-Catherine Szacka, and Victor Plathe Tschudi presents a variety of perspectives inspired by the Oslo collection.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Models
Models
Form:
journals and magazines
journals and magazines
Title:
New Geographies 12: Commons
New Geographies 12: Commons
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$45.00
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Summary:
The commons as a contested political idea has been continually articulated and reproduced in many disciplines and in relation to specific historical and geographical contexts. Since the 1960s, the concept of commons has started to play an increasingly important role in the field of urban studies. While commons are usually perceived as the material spaces of the city such(...)
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The commons as a contested political idea has been continually articulated and reproduced in many disciplines and in relation to specific historical and geographical contexts. Since the 1960s, the concept of commons has started to play an increasingly important role in the field of urban studies. While commons are usually perceived as the material spaces of the city such(...)
Title:
New Geographies 12: Commons
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$45.00
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The commons as a contested political idea has been continually articulated and reproduced in many disciplines and in relation to specific historical and geographical contexts. Since the 1960s, the concept of commons has started to play an increasingly important role in the field of urban studies. While commons are usually perceived as the material spaces of the city such as streets, parks, public spaces, etc., they are also perceived as the immaterial public realm- including subaltern and mainstream culture, knowledge, language, and modes of sociality. As the commoning process continuously involves the substance of urban spaces, be it physical or virtual, the concept of commons has actively contributed to reshaping spatial imaginaries such as urban islands, archipelagos, and thresholds. This issue of 'New Geographies' proposes the concept of commons as a mode of thinking that challenges assumptions in the design disciplines such as public and private spaces, local and regional geographies, and capital and state interventions. It expands the production of space as the commons into a planetary territory all the way from the intimate and subjective scale of the body to the connected material and immaterial spaces. In doing so, NG 12 aims to foreground the significance of political thinking in the process of space production, and invites to imagine alternative social relations and modes of urbanization.
New Geographies 12: Commons
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Summary:
The commons as a contested political idea has been continually articulated and reproduced in many disciplines and in relation to specific historical and geographical contexts. Since the 1960s, the concept of commons has started to play an increasingly important role in the field of urban studies. While commons are usually perceived as the material spaces of the city such as streets, parks, public spaces, etc., they are also perceived as the immaterial public realm- including subaltern and mainstream culture, knowledge, language, and modes of sociality. As the commoning process continuously involves the substance of urban spaces, be it physical or virtual, the concept of commons has actively contributed to reshaping spatial imaginaries such as urban islands, archipelagos, and thresholds. This issue of 'New Geographies' proposes the concept of commons as a mode of thinking that challenges assumptions in the design disciplines such as public and private spaces, local and regional geographies, and capital and state interventions. It expands the production of space as the commons into a planetary territory all the way from the intimate and subjective scale of the body to the connected material and immaterial spaces. In doing so, NG 12 aims to foreground the significance of political thinking in the process of space production, and invites to imagine alternative social relations and modes of urbanization.
Form:
journals and magazines
journals and magazines
Publication:
April 2022
April 2022
Subject:
Magazines
Magazines
Form:
books
books
Title:
The care manifesto
The care manifesto
Actions:
Price:
$19.95
(available to order)
Summary:
''The care manifesto'' puts care at the heart of the debates of our current crisis: from intimate care--childcare, healthcare, elder care--to care for the natural world. We live in a world where carelessness reigns, but it does not have to be this way. ''The care manifesto'' puts forth a vision for a truly caring world. The authors want to reimagine the role of care(...)
$19.95
(available to order)
Summary:
''The care manifesto'' puts care at the heart of the debates of our current crisis: from intimate care--childcare, healthcare, elder care--to care for the natural world. We live in a world where carelessness reigns, but it does not have to be this way. ''The care manifesto'' puts forth a vision for a truly caring world. The authors want to reimagine the role of care(...)
Title:
The care manifesto
Actions:
Price:
$19.95
(available to order)
Summary:
''The care manifesto'' puts care at the heart of the debates of our current crisis: from intimate care--childcare, healthcare, elder care--to care for the natural world. We live in a world where carelessness reigns, but it does not have to be this way. ''The care manifesto'' puts forth a vision for a truly caring world. The authors want to reimagine the role of care in our everyday lives, making it the organising principle in every dimension and at every scale of life. We are all dependent on each other, and only by nurturing these interdependencies can we cultivate a world in which each and every one of us can not only live but thrive. ''The care manifesto'' demands that we must put care at the heart of the state and the economy. A caring government must promote collective joy, not the satisfaction of individual desire. This means the transformation of how we organise work through co-operatives, localism and nationalisation. It proposes the expansion of our understanding of kinship for a more 'promiscuous care'. It calls for caring places through the reclamation of public space, to make a more convivial city. It sets out an agenda for the environment, most urgent of all, putting care at the centre of our relationship to the natural world.
The care manifesto
Actions:
Price:
$19.95
(available to order)
Summary:
''The care manifesto'' puts care at the heart of the debates of our current crisis: from intimate care--childcare, healthcare, elder care--to care for the natural world. We live in a world where carelessness reigns, but it does not have to be this way. ''The care manifesto'' puts forth a vision for a truly caring world. The authors want to reimagine the role of care in our everyday lives, making it the organising principle in every dimension and at every scale of life. We are all dependent on each other, and only by nurturing these interdependencies can we cultivate a world in which each and every one of us can not only live but thrive. ''The care manifesto'' demands that we must put care at the heart of the state and the economy. A caring government must promote collective joy, not the satisfaction of individual desire. This means the transformation of how we organise work through co-operatives, localism and nationalisation. It proposes the expansion of our understanding of kinship for a more 'promiscuous care'. It calls for caring places through the reclamation of public space, to make a more convivial city. It sets out an agenda for the environment, most urgent of all, putting care at the centre of our relationship to the natural world.
Form:
books
books
Publication:
September 2020
September 2020
Subject:
Social
Social
