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Title:
October 191
October 191
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In this issue: Six propositions: After Trump's second victory; Imitate Baldessari: Artists, teachers, and the making of conceptual art; Women on walls: Projection, anonymity, envy, and Eileen Gray; Plastic flesh and the biological oeuvre; The spectacular drone: Contesting pandemic lockdowns from above and below; Surface, materia bodies, and the avant-garde in philosophy(...)
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In this issue: Six propositions: After Trump's second victory; Imitate Baldessari: Artists, teachers, and the making of conceptual art; Women on walls: Projection, anonymity, envy, and Eileen Gray; Plastic flesh and the biological oeuvre; The spectacular drone: Contesting pandemic lockdowns from above and below; Surface, materia bodies, and the avant-garde in philosophy(...)
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October 191
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In this issue: Six propositions: After Trump's second victory; Imitate Baldessari: Artists, teachers, and the making of conceptual art; Women on walls: Projection, anonymity, envy, and Eileen Gray; Plastic flesh and the biological oeuvre; The spectacular drone: Contesting pandemic lockdowns from above and below; Surface, materia bodies, and the avant-garde in philosophy and film; On "The Painted World".
October 191
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In this issue: Six propositions: After Trump's second victory; Imitate Baldessari: Artists, teachers, and the making of conceptual art; Women on walls: Projection, anonymity, envy, and Eileen Gray; Plastic flesh and the biological oeuvre; The spectacular drone: Contesting pandemic lockdowns from above and below; Surface, materia bodies, and the avant-garde in philosophy and film; On "The Painted World".
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January 2025
January 2025
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Magazines
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Archivio opens its third editorial cycle: four thematic issues, each curated by a Guest Editor with deep expertise, offering access to worlds where past, present, and future converge. The third issue, Archivio N°11, focuses on technology and is curated by Massimo Banzi, co-founder of Arduino, together with Cecilia Botta, technology historian and Head of Memories at(...)
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Archivio opens its third editorial cycle: four thematic issues, each curated by a Guest Editor with deep expertise, offering access to worlds where past, present, and future converge. The third issue, Archivio N°11, focuses on technology and is curated by Massimo Banzi, co-founder of Arduino, together with Cecilia Botta, technology historian and Head of Memories at(...)
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Archivio n.11 : The Tech Issue
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Archivio opens its third editorial cycle: four thematic issues, each curated by a Guest Editor with deep expertise, offering access to worlds where past, present, and future converge. The third issue, Archivio N°11, focuses on technology and is curated by Massimo Banzi, co-founder of Arduino, together with Cecilia Botta, technology historian and Head of Memories at Promemoria Group, the magazine's publisher. Daniela Hamaui oversees editorial direction, while Alessandro Gori shapes the art direction. The cover, designed by artist Ailadi, pays tribute to the early aesthetics of the digital age. Created using PETSCII, the character set of Commodore 8-bit computers, it evokes the visual language of technology in its formative years. Archivio N°11 maps the international landscape of technology archives, tracing the roots of the digital revolution and exploring the places where our technological past is preserved, along with the collectors and institutions that recognized its cultural value.
Archivio n.11 : The Tech Issue
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Archivio opens its third editorial cycle: four thematic issues, each curated by a Guest Editor with deep expertise, offering access to worlds where past, present, and future converge. The third issue, Archivio N°11, focuses on technology and is curated by Massimo Banzi, co-founder of Arduino, together with Cecilia Botta, technology historian and Head of Memories at Promemoria Group, the magazine's publisher. Daniela Hamaui oversees editorial direction, while Alessandro Gori shapes the art direction. The cover, designed by artist Ailadi, pays tribute to the early aesthetics of the digital age. Created using PETSCII, the character set of Commodore 8-bit computers, it evokes the visual language of technology in its formative years. Archivio N°11 maps the international landscape of technology archives, tracing the roots of the digital revolution and exploring the places where our technological past is preserved, along with the collectors and institutions that recognized its cultural value.
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books
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December 2025
December 2025
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Magazines
Magazines
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books
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Title:
Liberté, no. 347
Liberté, no. 347
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En comité, nous nous sommes beaucoup demandé ce que nous attendions de ce dossier sur la roche. Car il allait de soi qu’il devait s’inscrire dans une perspective anti-extractiviste. Mais, en incorrigibles littéraires, nous ressentions la nécessité de construire cette réflexion commune en cherchant, en plus des discours à défaire, quels autres récits et quels autres(...)
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En comité, nous nous sommes beaucoup demandé ce que nous attendions de ce dossier sur la roche. Car il allait de soi qu’il devait s’inscrire dans une perspective anti-extractiviste. Mais, en incorrigibles littéraires, nous ressentions la nécessité de construire cette réflexion commune en cherchant, en plus des discours à défaire, quels autres récits et quels autres(...)
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Liberté, no. 347
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En comité, nous nous sommes beaucoup demandé ce que nous attendions de ce dossier sur la roche. Car il allait de soi qu’il devait s’inscrire dans une perspective anti-extractiviste. Mais, en incorrigibles littéraires, nous ressentions la nécessité de construire cette réflexion commune en cherchant, en plus des discours à défaire, quels autres récits et quels autres rapports à la roche nous avions envie de cultiver, de répandre, de favoriser. Écrire un dossier anti-extractiviste, ça ne signifie pas uniquement s’exprimer contre la logique d’exploitation des sols; ça implique aussi de tailler une place à d’autres relations que nous souhaitons créer ou renouveler avec le minéral. Ce serait quoi, prendre soin de la roche avec nos mots, avec nos gestes de pensée et de création? Quels liens sont à creuser? Est-il possible d’en réparer certains? Lesquels? Ce n’est pas vrai que rien ne pousse sur les cailloux.
Liberté, no. 347
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En comité, nous nous sommes beaucoup demandé ce que nous attendions de ce dossier sur la roche. Car il allait de soi qu’il devait s’inscrire dans une perspective anti-extractiviste. Mais, en incorrigibles littéraires, nous ressentions la nécessité de construire cette réflexion commune en cherchant, en plus des discours à défaire, quels autres récits et quels autres rapports à la roche nous avions envie de cultiver, de répandre, de favoriser. Écrire un dossier anti-extractiviste, ça ne signifie pas uniquement s’exprimer contre la logique d’exploitation des sols; ça implique aussi de tailler une place à d’autres relations que nous souhaitons créer ou renouveler avec le minéral. Ce serait quoi, prendre soin de la roche avec nos mots, avec nos gestes de pensée et de création? Quels liens sont à creuser? Est-il possible d’en réparer certains? Lesquels? Ce n’est pas vrai que rien ne pousse sur les cailloux.
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books
books
Publication:
June 2025
June 2025
Subject:
Magazines
Magazines
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books
books
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When it comes to Jun Aoki’s projects related to art, regardless of the intended function, the architecture remains open to diverse uses, inviting relationships that have yet to be fully seen or defined. Aoki embraces ambiguity and contradictions, allowing for the coexistence of differing values and rhythms that each individual brings to the experience of art. The 25(...)
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When it comes to Jun Aoki’s projects related to art, regardless of the intended function, the architecture remains open to diverse uses, inviting relationships that have yet to be fully seen or defined. Aoki embraces ambiguity and contradictions, allowing for the coexistence of differing values and rhythms that each individual brings to the experience of art. The 25(...)
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A+U 657 06:25 : Jun Aoki Museum
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When it comes to Jun Aoki’s projects related to art, regardless of the intended function, the architecture remains open to diverse uses, inviting relationships that have yet to be fully seen or defined. Aoki embraces ambiguity and contradictions, allowing for the coexistence of differing values and rhythms that each individual brings to the experience of art. The 25 featured projects include public art museums, galleries, exhibition designs, and artworks. Each transforms into a unique spatial experience depending on the art it hosts, the people who visit, and its moment in time. With new essays and commentary by Aoki, this is a glimpse of architecture’s potential to suggest a freer future.
A+U 657 06:25 : Jun Aoki Museum
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When it comes to Jun Aoki’s projects related to art, regardless of the intended function, the architecture remains open to diverse uses, inviting relationships that have yet to be fully seen or defined. Aoki embraces ambiguity and contradictions, allowing for the coexistence of differing values and rhythms that each individual brings to the experience of art. The 25 featured projects include public art museums, galleries, exhibition designs, and artworks. Each transforms into a unique spatial experience depending on the art it hosts, the people who visit, and its moment in time. With new essays and commentary by Aoki, this is a glimpse of architecture’s potential to suggest a freer future.
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books
books
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June 2025
June 2025
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Magazines
Magazines
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books
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$52.00
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Summary:
The cradle-to-cradle principle envisions buildings returning to the natural cycle after use. In practice, however, most are only partially composed of natural or compostable materials. One notable exception is Florian Nagler’s Garden House, winner of the Detail Award, which closely follows this principle. Another route is the reuse or refurbishment of components from(...)
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The cradle-to-cradle principle envisions buildings returning to the natural cycle after use. In practice, however, most are only partially composed of natural or compostable materials. One notable exception is Florian Nagler’s Garden House, winner of the Detail Award, which closely follows this principle. Another route is the reuse or refurbishment of components from(...)
Title:
Detail 6 2025 : Circular construction
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The cradle-to-cradle principle envisions buildings returning to the natural cycle after use. In practice, however, most are only partially composed of natural or compostable materials. One notable exception is Florian Nagler’s Garden House, winner of the Detail Award, which closely follows this principle. Another route is the reuse or refurbishment of components from demolished buildings. But this, too, is complex – components are often scarce and costly to extract and and make fit for new applications. To facilitate recycling, some structures are being designed for disassembly. Yet even timber joints fixed with screws can prove difficult to undo after years in place. A research group in Arles sees itself as a recycler of remnants, developing new materials from construction debris and agricultural waste: sunflower stalks become acoustic panels, while rice straw from cultivation is turned into insulation. The team also experiments with local resources: in nearby salt pans, salt crystallises on metal racks to form tiles, while algae are used to make lamps, vases, and wall finishes. Architecture made from rubble, clad in salt, rice, and seaweed – a compelling vision of the future. Perhaps the most promising path lies in combining these diverse strategies.
Detail 6 2025 : Circular construction
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The cradle-to-cradle principle envisions buildings returning to the natural cycle after use. In practice, however, most are only partially composed of natural or compostable materials. One notable exception is Florian Nagler’s Garden House, winner of the Detail Award, which closely follows this principle. Another route is the reuse or refurbishment of components from demolished buildings. But this, too, is complex – components are often scarce and costly to extract and and make fit for new applications. To facilitate recycling, some structures are being designed for disassembly. Yet even timber joints fixed with screws can prove difficult to undo after years in place. A research group in Arles sees itself as a recycler of remnants, developing new materials from construction debris and agricultural waste: sunflower stalks become acoustic panels, while rice straw from cultivation is turned into insulation. The team also experiments with local resources: in nearby salt pans, salt crystallises on metal racks to form tiles, while algae are used to make lamps, vases, and wall finishes. Architecture made from rubble, clad in salt, rice, and seaweed – a compelling vision of the future. Perhaps the most promising path lies in combining these diverse strategies.
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books
books
Publication:
June 2025
June 2025
Subject:
Magazines
Magazines
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books
books
Title:
Histoire Québec v.30 n.04
Histoire Québec v.30 n.04
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Ce numéro du magazine met en lumière le patrimoine lié à la santé. Juliette Delrieu présente cinq vases d’exposition de la pharmacie W.-E. Brunet de Québec, récemment acquis par la Société québécoise d’histoire de la pharmacie. Joseph Graham explore les figures de la santé de Sainte-Agathe. Jo Ann Gagnon et Donat Savoie analysent l'impact de la tuberculose chez les(...)
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Ce numéro du magazine met en lumière le patrimoine lié à la santé. Juliette Delrieu présente cinq vases d’exposition de la pharmacie W.-E. Brunet de Québec, récemment acquis par la Société québécoise d’histoire de la pharmacie. Joseph Graham explore les figures de la santé de Sainte-Agathe. Jo Ann Gagnon et Donat Savoie analysent l'impact de la tuberculose chez les(...)
Title:
Histoire Québec v.30 n.04
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Ce numéro du magazine met en lumière le patrimoine lié à la santé. Juliette Delrieu présente cinq vases d’exposition de la pharmacie W.-E. Brunet de Québec, récemment acquis par la Société québécoise d’histoire de la pharmacie. Joseph Graham explore les figures de la santé de Sainte-Agathe. Jo Ann Gagnon et Donat Savoie analysent l'impact de la tuberculose chez les Inuits, tandis qu'Emily Mack examine l'effet social du diagnostic d’hystérie chez les femmes. Alexandre Klein et Annie-Pier Brunelle clôturent le dossier sur le matrimoine des communautés religieuses. En supplément, Delia Oltean s’intéresse aux costumes de bains, Richard M. Bégin à l’hôtel British d’Aylmer, et Jocelyn Duff à un chemin des Premières Nations à Montréal. Le numéro présente aussi une nouvelle chronique ethnologique de Pierrette Maurais sur des trésors archivistiques de la Côte-du-Sud, ainsi qu’une chronique Mots d’ici de Gabriel Martin, qui se penche sur l’expression « speak white. »
Histoire Québec v.30 n.04
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Ce numéro du magazine met en lumière le patrimoine lié à la santé. Juliette Delrieu présente cinq vases d’exposition de la pharmacie W.-E. Brunet de Québec, récemment acquis par la Société québécoise d’histoire de la pharmacie. Joseph Graham explore les figures de la santé de Sainte-Agathe. Jo Ann Gagnon et Donat Savoie analysent l'impact de la tuberculose chez les Inuits, tandis qu'Emily Mack examine l'effet social du diagnostic d’hystérie chez les femmes. Alexandre Klein et Annie-Pier Brunelle clôturent le dossier sur le matrimoine des communautés religieuses. En supplément, Delia Oltean s’intéresse aux costumes de bains, Richard M. Bégin à l’hôtel British d’Aylmer, et Jocelyn Duff à un chemin des Premières Nations à Montréal. Le numéro présente aussi une nouvelle chronique ethnologique de Pierrette Maurais sur des trésors archivistiques de la Côte-du-Sud, ainsi qu’une chronique Mots d’ici de Gabriel Martin, qui se penche sur l’expression « speak white. »
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books
books
Publication:
June 2025
June 2025
Subject:
Magazines
Magazines
Form:
books
books
Title:
Continuité no. 185
Continuité no. 185
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Le patrimoine industriel est un témoin important du développement du Québec. Encore aujourd’hui, on peut apprécier les diverses facettes de cet héritage, qu’il soit bâti, paysager ou encore mémoriel. Dans ce numéro d’été, on cherche à en tracer l’évolution, la sauvegarde et les enjeux. Les différents articles retraceront l’histoire et le développement du patrimoine(...)
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Le patrimoine industriel est un témoin important du développement du Québec. Encore aujourd’hui, on peut apprécier les diverses facettes de cet héritage, qu’il soit bâti, paysager ou encore mémoriel. Dans ce numéro d’été, on cherche à en tracer l’évolution, la sauvegarde et les enjeux. Les différents articles retraceront l’histoire et le développement du patrimoine(...)
Title:
Continuité no. 185
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Le patrimoine industriel est un témoin important du développement du Québec. Encore aujourd’hui, on peut apprécier les diverses facettes de cet héritage, qu’il soit bâti, paysager ou encore mémoriel. Dans ce numéro d’été, on cherche à en tracer l’évolution, la sauvegarde et les enjeux. Les différents articles retraceront l’histoire et le développement du patrimoine industriel à travers le Québec, en collaboration avec l’Association québécoise du patrimoine industriel; brosseront le portrait d’anciens bâtiments industriels qui ont une nouvelle vocation; présenteront les idées de la relève pour repenser la fonction d’anciens incinérateurs de la métropole, issues d’un concours d’Héritage Montréal; survoleront les paysages industriels pour voir comment ceux-ci ont transformé le territoire de la province; offriront une incursion dans la vie en usine en retraçant le patrimoine mémoriel des travailleurs et travailleuses; permettront de découvrir une mobilisation citoyenne pour la préservation du patrimoine du Quartier chinois et de son héritage industriel.
Continuité no. 185
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Le patrimoine industriel est un témoin important du développement du Québec. Encore aujourd’hui, on peut apprécier les diverses facettes de cet héritage, qu’il soit bâti, paysager ou encore mémoriel. Dans ce numéro d’été, on cherche à en tracer l’évolution, la sauvegarde et les enjeux. Les différents articles retraceront l’histoire et le développement du patrimoine industriel à travers le Québec, en collaboration avec l’Association québécoise du patrimoine industriel; brosseront le portrait d’anciens bâtiments industriels qui ont une nouvelle vocation; présenteront les idées de la relève pour repenser la fonction d’anciens incinérateurs de la métropole, issues d’un concours d’Héritage Montréal; survoleront les paysages industriels pour voir comment ceux-ci ont transformé le territoire de la province; offriront une incursion dans la vie en usine en retraçant le patrimoine mémoriel des travailleurs et travailleuses; permettront de découvrir une mobilisation citoyenne pour la préservation du patrimoine du Quartier chinois et de son héritage industriel.
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books
books
Publication:
June 2025
June 2025
Subject:
Magazines
Magazines
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books
books
Title:
GA Document 166
GA Document 166
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GA Document presents the finest in international design, focusing on architecture that expresses our time and striving to record the history of contemporary architecture. International scholars and critics provide insightful texts to further inform the reader of the most up-to-date ideas and events in the profession. This issue features projects by Steven Holl, Junya(...)
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GA Document presents the finest in international design, focusing on architecture that expresses our time and striving to record the history of contemporary architecture. International scholars and critics provide insightful texts to further inform the reader of the most up-to-date ideas and events in the profession. This issue features projects by Steven Holl, Junya(...)
Title:
GA Document 166
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GA Document presents the finest in international design, focusing on architecture that expresses our time and striving to record the history of contemporary architecture. International scholars and critics provide insightful texts to further inform the reader of the most up-to-date ideas and events in the profession. This issue features projects by Steven Holl, Junya Ishigami, Morphosis Architects , Kengo Kuma, Renzo Piano Building Workshop, SANAA, ALA Architects , Ryue Nishizawa, Jean Nouvel, and selgascano.
GA Document 166
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GA Document presents the finest in international design, focusing on architecture that expresses our time and striving to record the history of contemporary architecture. International scholars and critics provide insightful texts to further inform the reader of the most up-to-date ideas and events in the profession. This issue features projects by Steven Holl, Junya Ishigami, Morphosis Architects , Kengo Kuma, Renzo Piano Building Workshop, SANAA, ALA Architects , Ryue Nishizawa, Jean Nouvel, and selgascano.
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books
books
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July 2025
July 2025
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Magazines
Magazines
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books
books
Title:
GA houses 198
GA houses 198
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‘'GA Houses'’ documents outstanding new residential architecture from all over the world. With projects by Aires Mateus, Katsuhiko Endo, WOJR, Masakatsu Matsuyama, Michael Maltzan, KUMA & ELSA, Luciano Kruk, Manabu Nay, and Masahiro Takasago .
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‘'GA Houses'’ documents outstanding new residential architecture from all over the world. With projects by Aires Mateus, Katsuhiko Endo, WOJR, Masakatsu Matsuyama, Michael Maltzan, KUMA & ELSA, Luciano Kruk, Manabu Nay, and Masahiro Takasago .
Title:
GA houses 198
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‘'GA Houses'’ documents outstanding new residential architecture from all over the world. With projects by Aires Mateus, Katsuhiko Endo, WOJR, Masakatsu Matsuyama, Michael Maltzan, KUMA & ELSA, Luciano Kruk, Manabu Nay, and Masahiro Takasago .
GA houses 198
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‘'GA Houses'’ documents outstanding new residential architecture from all over the world. With projects by Aires Mateus, Katsuhiko Endo, WOJR, Masakatsu Matsuyama, Michael Maltzan, KUMA & ELSA, Luciano Kruk, Manabu Nay, and Masahiro Takasago .
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books
books
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July 2025
July 2025
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Magazines
Magazines
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books
books
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No. 652 of ''a+u'' showcases 25 projects by Renzo Piano Building Workshop from 2010–2025, revealing how RPBW’s Genoa and Paris offices adapt to diverse urban contexts. Whether working in historic cities like London and Istanbul or creating new landmarks, RPBW emphasizes human experience through structural lightness and environmental integration. The solarpunk spirit that(...)
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No. 652 of ''a+u'' showcases 25 projects by Renzo Piano Building Workshop from 2010–2025, revealing how RPBW’s Genoa and Paris offices adapt to diverse urban contexts. Whether working in historic cities like London and Istanbul or creating new landmarks, RPBW emphasizes human experience through structural lightness and environmental integration. The solarpunk spirit that(...)
Title:
A+U 652 25:01 Renzo Piano Buidling Workshop 2010-2025
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No. 652 of ''a+u'' showcases 25 projects by Renzo Piano Building Workshop from 2010–2025, revealing how RPBW’s Genoa and Paris offices adapt to diverse urban contexts. Whether working in historic cities like London and Istanbul or creating new landmarks, RPBW emphasizes human experience through structural lightness and environmental integration. The solarpunk spirit that has distinguished RPBW over the years comes through in humanist projects like Uganda's Children's Surgical Hospital, combining rammed-earth construction with solar technology. Monumental institutions such as the cliff-like Stavros Niarchos Foundation Cultural Center in Athens demonstrate an analytical approach to site-specific challenges.
A+U 652 25:01 Renzo Piano Buidling Workshop 2010-2025
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No. 652 of ''a+u'' showcases 25 projects by Renzo Piano Building Workshop from 2010–2025, revealing how RPBW’s Genoa and Paris offices adapt to diverse urban contexts. Whether working in historic cities like London and Istanbul or creating new landmarks, RPBW emphasizes human experience through structural lightness and environmental integration. The solarpunk spirit that has distinguished RPBW over the years comes through in humanist projects like Uganda's Children's Surgical Hospital, combining rammed-earth construction with solar technology. Monumental institutions such as the cliff-like Stavros Niarchos Foundation Cultural Center in Athens demonstrate an analytical approach to site-specific challenges.
Form:
books
books
Publication:
July 2025
July 2025
Subject:
Magazines
Magazines
