Elisabeth Wild: Fantasias
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This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and(...)
Elisabeth Wild: Fantasias
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$47.95
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Summary:
This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and precious stones are the cosmic architectural inhabitants that unveil the artist’s fantasies. Along with Wild’s collages, this volume includes contributions by poet Negma Coy, curator Adam Szymczyk, art educator and writer Barbara Casavecchia, art historian and critic Noit Banai, and gallerist Karolina Dankow of Karma International, all which frame the importance of this singular artist’s work and life. Born in Austria, Elisabeth Wild (1922-2020) fled to Argentina during WWII with her parents. In 1962 the family escaped the regime of Juan Peron and found a new home in Basel, Switzerland. Wild opened an antique shop at St. Johannstor which became the outlet for her creativity at the time and also supported her and her family financially. Until her death at the age of 98, Wild was carefully crafting her light-hearted, joyous abstract worlds walking the line between construction and deconstruction. Alongside her daughter, Vivian Suter, Wild has exhibited at Kunsthalle Basel, documenta 14, and the Powerplant in Toronto.
Contemporary Art Monographs
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Ernst Schwitters (1918-1996) began his career in photography in his teens, converting the family bathroom into a darkroom with the consent of his parents, Kurt and Helma Schwitters, at the age of 15 - by which time Ernst was already experimenting with photograms, following a visit from family friend Man Ray. His father encouraged him to undergo formal training in(...)
The colors of Norway, 1943-1963
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Ernst Schwitters (1918-1996) began his career in photography in his teens, converting the family bathroom into a darkroom with the consent of his parents, Kurt and Helma Schwitters, at the age of 15 - by which time Ernst was already experimenting with photograms, following a visit from family friend Man Ray. His father encouraged him to undergo formal training in photography, but Ernst declined, preferring to teach himself, and by 1930 he was already participating in international exhibitions, having found his preferred subject matter in the landscapes of Norway and England. Having led the Schwitters family's migration from Nazi Germany to Norway, Ernst was to receive great acclaim there for both his landscape and architectural photography, and was also able to establish financial security through assignments for the Norwegian advertising agency SS-UNU-Foto. It is little known that Schwitters is one of color photography's pioneers: he began working with color film in 1943, and within two decades, he had created more than 10,000 slides, many of which have been digitally restored for this new volume. The only monograph on the photographer currently in print, the publication debuts Schwitters' vast oeuvre of color landscape photography, and also includes a fascinating account of the digital restoration process that allowed for their publication here.
Photography monographs
books
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x, 165 pages, 41 unnumbered leaves of plates : illustrations, facsimiles, portraits ; 25 cm
Boston : Marshall Jones, 1923.
Boston days of William Morris Hunt / by Martha A.S. Shannon.
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x, 165 pages, 41 unnumbered leaves of plates : illustrations, facsimiles, portraits ; 25 cm
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Boston : Marshall Jones, 1923.
books
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2 pages ¡., 233 pages ; 22 x 18 cm
London : Privately printed, [1845]
Handbook of Chatsworth and Hardwick.
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2 pages ¡., 233 pages ; 22 x 18 cm
books
London : Privately printed, [1845]
Maude Arsenault: Resurfacing
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A follow up to her debut monograph ''Entangled'' (Deadbeat Club, 2020), ''Resurfacing'' furthers Maude Arsenault’s visual poetry with ongoing, honest exploration of the female experience. Time passes; family life fractures and splinters with it. Surfaces crack under a varnish of quiet and soft tones, as folds and crevasses are mirrors of an inner, newly reappropriated(...)
Maude Arsenault: Resurfacing
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A follow up to her debut monograph ''Entangled'' (Deadbeat Club, 2020), ''Resurfacing'' furthers Maude Arsenault’s visual poetry with ongoing, honest exploration of the female experience. Time passes; family life fractures and splinters with it. Surfaces crack under a varnish of quiet and soft tones, as folds and crevasses are mirrors of an inner, newly reappropriated body. ''Resurfacing'' is an essential extension of her work, translating the delicate and subdued power of her images into a tactile, textured design—giving amplitude and rhythm to Arsenault’s feminist visual language.
Photography monographs
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''Dishes for Dolls'' is a sort of spin-off of ''The Oldest Thing''. Based on this previous book, published in 2023 (now out of print), Ruth van Beek created a new selection of images from her archives, focusing on doll dishes. The book is presented as a leporello, with one side featuring a collage composition forming a collection of dishes, and the other side showcasing(...)
Ruth van Beek: Dishes for dolls
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''Dishes for Dolls'' is a sort of spin-off of ''The Oldest Thing''. Based on this previous book, published in 2023 (now out of print), Ruth van Beek created a new selection of images from her archives, focusing on doll dishes. The book is presented as a leporello, with one side featuring a collage composition forming a collection of dishes, and the other side showcasing tablecloths. It’s a new exploration of domestic life and childhood, which the artist examines in light of her family heritage.
Contemporary Art Monographs
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''Anywhere, California'' is another close look by Rudy VanderLans into the cultural landscape of his favorite subject, the Golden State. Whether it’s the garage where Apple started in Los Altos, or the former location where the Manson Family lived in Chatsworth, or an anonymous abandoned storefront in Calexico, VanderLans finds beauty in the unlikeliest of locations. Yet(...)
Rudy VanderLans: Anywhere, California
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''Anywhere, California'' is another close look by Rudy VanderLans into the cultural landscape of his favorite subject, the Golden State. Whether it’s the garage where Apple started in Los Altos, or the former location where the Manson Family lived in Chatsworth, or an anonymous abandoned storefront in Calexico, VanderLans finds beauty in the unlikeliest of locations. Yet he rarely divulges the why or what of his photographs. Instead he stresses that things aren’t always what they appear to be, leaving much to the imagination of the reader.
Photography monographs
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Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality,(...)
Imagining the turkish house: collective visions of home
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Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality, modernity, and identity—as well as the social roles of women and the family—could be approached, contested, revised, or embraced during this period of tumultuous change.
History until 1900, Asia
Trees: a rooted history
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Part botany, part history, part cultural anthropology—''Trees: A Rooted History'' goes beyond the basics to tell readers everything they might want to know about this particular branch of the plant kingdom. ''Trees'' explores the important roles trees play in our ecosystem, takes an up-close-and-personal look at the parts of trees (from roots to leaves), and unpacks the(...)
Trees: a rooted history
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Part botany, part history, part cultural anthropology—''Trees: A Rooted History'' goes beyond the basics to tell readers everything they might want to know about this particular branch of the plant kingdom. ''Trees'' explores the important roles trees play in our ecosystem, takes an up-close-and-personal look at the parts of trees (from roots to leaves), and unpacks the cultural impact of trees from classification systems (like family trees) to art forms (like bonsai trees). Looking forward, ''Trees'' also addresses the deforestation crisis.
Children's Books
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On two hundred acres in the Hudson Valley, Amy Goldman grows heirloom fruits and vegetables, an orchard full of apples, pears, and peaches, plots of squash, melons, cabbages, peppers, tomatoes, eggplants, and beets. The president of the New York Botanical Garden has called her "perhaps the world's premier vegetable gardener." It's her life's work, and she's not only(...)
Heirloom Harvest: modern daguerreotypes of historic garden treasures
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On two hundred acres in the Hudson Valley, Amy Goldman grows heirloom fruits and vegetables, an orchard full of apples, pears, and peaches, plots of squash, melons, cabbages, peppers, tomatoes, eggplants, and beets. The president of the New York Botanical Garden has called her "perhaps the world's premier vegetable gardener." It's her life's work, and she's not only focused on the pleasures of cultivating the land and feeding her family, she's also interested in preserving our agricultural heritage, beautiful and unique heirlooms that truly are organic treasures.
Food