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"Now, and Then” is a nice elliptical phrase, never standing on its own — inconclusive in an expansive kind of way. It can be read to mean “occasionally,” as in — now and then I have a craving for raw oysters. It can be understood comparatively: this is now and that was then or it can be read as a double state of mind, considering what we are doing now and what took place(...)
Border Crossings 169 : Now, and then
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"Now, and Then” is a nice elliptical phrase, never standing on its own — inconclusive in an expansive kind of way. It can be read to mean “occasionally,” as in — now and then I have a craving for raw oysters. It can be understood comparatively: this is now and that was then or it can be read as a double state of mind, considering what we are doing now and what took place then. This is the way in which our topic for the current issue came to mind. It might also serve as an anchor in our rudderless time, to be consistently nautical, in that we can be engaged in the unavoidable present but we can also be assured that there is a history behind us — both bolstering, and dreadful, some of it we can draw and build on and much for which we ask to be forgiven.
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How can architecture deliver on its promises when budgets are tight, tasks are pressing, and resources are limited? A new generation is rethinking the act of building: pragmatic, yet far from simplistic. By concentrating on what truly matters, they achieve unexpectedly inventive outcomes even under austere conditions. Standards, regulations, and established norms can(...)
Detail 1/2 2026 : Simply well built
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How can architecture deliver on its promises when budgets are tight, tasks are pressing, and resources are limited? A new generation is rethinking the act of building: pragmatic, yet far from simplistic. By concentrating on what truly matters, they achieve unexpectedly inventive outcomes even under austere conditions. Standards, regulations, and established norms can sometimes stand in the way of intelligent ideas – but they can also set them in motion. Building simply remains a complex field. In this issue, we hear from architects who have embraced the discipline of doing more with less.
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Les prophéties artistiques ouvrent des perspectives inédites et des brèches dans le temps pour faire tomber les évidences et interroger l’ordre des choses. Les artistes ont ainsi troqué les grandes utopies pour des visions fragmentaires, situées et sensibles. La conscience d’un futur qui se devine et se façonne dans le présent se révèle dans leur regard inquisiteur et(...)
Espace 142 : prophéties/ prophecies
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Les prophéties artistiques ouvrent des perspectives inédites et des brèches dans le temps pour faire tomber les évidences et interroger l’ordre des choses. Les artistes ont ainsi troqué les grandes utopies pour des visions fragmentaires, situées et sensibles. La conscience d’un futur qui se devine et se façonne dans le présent se révèle dans leur regard inquisiteur et dans les formes expressives de leurs pratiques plastiques et médiatiques. Ils et elles prennent ainsi le relais des oracles, des sibylles, des prophètes ou des chamans, à la fois en phase avec le réel et légèrement décalé·e·s, dans un positionnement qui confère à leurs relectures du monde une acuité particulière. Le dossier Prophéties réfléchit aux langages de l’art pour imaginer et pressentir l’avenir, aux rituels déployés pour réécrire l’histoire et à la notion même de croyance.
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples(...)
AD 01:95 Staged: Architecture for performance, exhibition, and fiction
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples of how architectural thinking can bring vitality to situations not usually perceived to be within the realms of traditional practice. The issue engages with popular culture, fictions, art, performance, technology, and architectural history and theory. Exploring the full spectrum of spatial propositions that architects can bring to staging events, the work featured is theatrical and exuberant, and the product of many collaborative architectural voices including curators, artists, performers, digital intelligences, fabricators, and writers.
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The first issue of 2026 opens with a tribute to the late Frank Owen Gehry (1929-2025). Larry Wayne Richards looks at how Frank’s legacy intersected with his hometown of Toronto, beyond the AGO and in-construction Forma towers; The editorial parses the news that the Ontario Place Protectors case is heading to the Supreme Court. A coalition is challenging the provincial(...)
Canadian Architect v.71 n.01 : February 2026
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The first issue of 2026 opens with a tribute to the late Frank Owen Gehry (1929-2025). Larry Wayne Richards looks at how Frank’s legacy intersected with his hometown of Toronto, beyond the AGO and in-construction Forma towers; The editorial parses the news that the Ontario Place Protectors case is heading to the Supreme Court. A coalition is challenging the provincial government’s ability to exempt the waterfront land from environmental and heritage requirements, and to broadly indemnify itself against civil litigation related to the development. This month’s cover story is the redevelopment of Toronto’s Union Station, a 14-year-long project led by NORR Architects & Engineers with heritage architect EVOQ Architecture. Pamela Young examines the comprehensive overhaul, which vastly increases and improves the public realm within Canada’s largest multi-modal transportation hub, equipping it to handle 130 million passengers annually.
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The latest issue is now available at the bookstore.
The Architectural Review 1480, April 2021 : underground
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The latest issue is now available at the bookstore.
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The latest issue is now available at the bookstore.
Texte zur kunst 122 : figuration
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The latest issue is now available at the bookstore.
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‘DOMa’ revisits the architectural process in an informed and elaborate manner, to understand and criticise it from within while ensuring the creative process is not overlooked. The magazine’s third edition follows the Belgian office of Jan de Vylder and Inge Vinck as they inhabit the architecture of an old warehouse, details the progression of a Swiss house by Lütjens(...)
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June 2021
Doma issue 03: De vylder Vinck, So-Il, Baukuh, Diego Arraigada
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‘DOMa’ revisits the architectural process in an informed and elaborate manner, to understand and criticise it from within while ensuring the creative process is not overlooked. The magazine’s third edition follows the Belgian office of Jan de Vylder and Inge Vinck as they inhabit the architecture of an old warehouse, details the progression of a Swiss house by Lütjens Padmanabhan, watches SO-IL unveil the tension between materiality and the urban fabric while designing the Amant Campus in Brooklyn, documents Baukuh’s positioning of a pavilion-as-monument within an old factory, and traces the geometrical exploration of Diego Arraigada’s House in La Pedrera.
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The latest issue is now available at the bookstore.
Detail 6 2021 : 60 years of architecture and construction details
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The latest issue is now available at the bookstore.
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Beside 10 (français)
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Pour ce numéro anniversaire, BESIDE met au jour des idées radicales, dont certaines sont millénaires, et des histoires de gens qui ont décidé d'habiter, de travailler, de cultiver, de manger, de vivre autrement. Car si la dernière année a révélé nos vulnérabilités, elle nous a aussi appris que nous pouvons nous transformer.
Beside 10 (français)
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Pour ce numéro anniversaire, BESIDE met au jour des idées radicales, dont certaines sont millénaires, et des histoires de gens qui ont décidé d'habiter, de travailler, de cultiver, de manger, de vivre autrement. Car si la dernière année a révélé nos vulnérabilités, elle nous a aussi appris que nous pouvons nous transformer.
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