Ornament and crime
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Adolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training(...)
Ornament and crime
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Adolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why ''the lack of ornament is a sign of intellectual power''.
Architectural Theory
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From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about(...)
Zooming in: histories of photography in China
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From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about China’s shifting sociopolitical contexts and the different agendas, technologies, and aesthetics that have helped define its arts.
Theory of Photography
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Discussing an aspect of the European avant-garde that has often been neglected-its relationship to the embodied experience of food, its sensation, and its consumption-Cecilia Novero exposes the surprisingly key roles that food plays in the theoretical foundations and material aesthetics of a broad stratum of works ranging from the Italian Futurist Cookbook to the magazine(...)
Antidiets of the avant-garde: from futurist cooking to eat art
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Discussing an aspect of the European avant-garde that has often been neglected-its relationship to the embodied experience of food, its sensation, and its consumption-Cecilia Novero exposes the surprisingly key roles that food plays in the theoretical foundations and material aesthetics of a broad stratum of works ranging from the Italian Futurist Cookbook to the magazine Dada, Walter Benjamin's writings on eating and cooking, Daniel Spoerri's Eat Art, and the French New Realists.
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In this fascinating and unique book, Alexandru Balasescu explores questions of Islamic dress, modernity and public space in Paris and Tehran. How are we to understand the exclusion of the Islamic dress from public space in France if, at the same time, trendy French women and wealthy Middle Eastern tourists shop for designer-label hijab, apparently accepting its conversion(...)
January 2007, Bucharest
Paris chic, Teheran thrills : aesthetic bodies, political subjects
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In this fascinating and unique book, Alexandru Balasescu explores questions of Islamic dress, modernity and public space in Paris and Tehran. How are we to understand the exclusion of the Islamic dress from public space in France if, at the same time, trendy French women and wealthy Middle Eastern tourists shop for designer-label hijab, apparently accepting its conversion into a (depoliticited, deracinated) commodity? And how are we to understand the creation of "designer label" Islamic dress, when fashionable women recast the meanings and practices associated with veiling, understood by Western observers to be the mark of their subordination to a religious regime, into couture?
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This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation.(...)
Aesthetic revolutions and twentieth-century avant-garde movements
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This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation. Following the work of philosophers such as Friedrich Schiller and Jacques Rancière, the contributors argue that the aesthetic is inherently political and that aesthetic avant-garde art is essential for political revolution.
Art Theory
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Meyers analyses the shape of sound; architecture and sound; form; materiality; windows; the urban soundscape, its politics, aesthetics and social character; reflection; virtuality; sound art; and silence. This publication offers new theoretical insights into sound and the spatial experience accompanied by several key case studies. These include Meyers work with Stephen(...)
Victoria Meyers: shape of sound
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Meyers analyses the shape of sound; architecture and sound; form; materiality; windows; the urban soundscape, its politics, aesthetics and social character; reflection; virtuality; sound art; and silence. This publication offers new theoretical insights into sound and the spatial experience accompanied by several key case studies. These include Meyers work with Stephen Vitiello, whose piece A Bell For Every Minute animated the New York High Line project, and her collaborations with composer and sound artist Michael Schumacher.
Architecture Monographs
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Drawing is a form of research, a means to investigate, explore and gain a better understanding of an idea, a condition or a phenomenon. Drawing is a practice of representation, one that inquires, explores materiality, and establishes its own time and dialogue. This book brings together 23 authors who represent 18 critical and reflexive practices of drawing in design. The(...)
—in drawing: Inquiry, time, dialogue, materiality
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Drawing is a form of research, a means to investigate, explore and gain a better understanding of an idea, a condition or a phenomenon. Drawing is a practice of representation, one that inquires, explores materiality, and establishes its own time and dialogue. This book brings together 23 authors who represent 18 critical and reflexive practices of drawing in design. The assembled texts engage drawing aesthetics (spatial, temporal, and material) and drawing ethics (investigating and making sense together) as well as four overarching themes: inquiry, time, dialogue and materiality —in drawing. Taken as a collective conversation on drawing practice, this book offers a shared reflection on the agency of drawing, on its potential to explore issues raised by our built and cultural environment, and on the ability of drawing to support and contribute to design research. It farmes drawing as a research practice, one that is both deeply rooted in its disciplinary context and openly challenging its limits and conventions. "—in drawing" adds to a continuing conversation on design research methods and the ethics and aesthetics of representation. It seeks to further establish the significance of drawing as a legitimate mode of inquiry across design disciplines and beyond.
Design Theory
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A unique look at how popular music and culture have influenced the evolution of British design. The aesthetics and spirit of popular culture have been increasingly relevant to British graphic designers over the past several decades. “Communicate” offers a fascinating selection of this innovative work, examining closely the influence of youth culture, pop music, and new(...)
Communicate : independent British graphic design since the sixties
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A unique look at how popular music and culture have influenced the evolution of British design. The aesthetics and spirit of popular culture have been increasingly relevant to British graphic designers over the past several decades. “Communicate” offers a fascinating selection of this innovative work, examining closely the influence of youth culture, pop music, and new wave aesthetics on graphic design during the 1960s and ever since. Illustrated in full colour, “Communicate” features 350 images that range from classic designs of the sixties to the work of today’s emerging design teams, including record album covers for groups including The Beatles, Led Zeppelin, and Roxy Music; political protest posters; psychedelic concert posters; typeface projects and signage; and designs for books, magazines, and film. Focusing on work from small, independent studios where creativity, rather than the bottom line, is paramount, the book includes projects by some 60 outstanding designers including Derek Birdsall, Richard Hollis, Neville Brody, Why Not Associates, and Scott King. Contributors to the volume trace how and why British graphic design has developed as it has, and interviews with ten key designers - Julian House, Ian Anderson, and Margaret Calvert among them - provide unique insider views of the design world.
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March 2005, New Haven
Graphic Design and Typography
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In a volume that brings together a wide range of disciplines - art history, sociology, architecture, cultural anthropology, and environmental psychology - Irene Cieraad presents a collection of articles that focuses on the practices and symbolism of domestic space in Western society. These essays go beyond the discussion of conventional issues such as aesthetics and(...)
At home : An anthroplogy of domestic space
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In a volume that brings together a wide range of disciplines - art history, sociology, architecture, cultural anthropology, and environmental psychology - Irene Cieraad presents a collection of articles that focuses on the practices and symbolism of domestic space in Western society. These essays go beyond the discussion of conventional issues such as aesthetics and social standing. At Home takes an in-depth anthropological look at how different cultures use their homes as a visual model of the culture's social structure.
Architectural Theory
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This book reconstructs and reconsiders the history of the sensation. In twenty-five concise chapters that move freely among ancient, medieval, and modern cultures, Daniel Heller-Roazen investigates a set of exemplary phenomena that have played central roles in philosophical, literary, psychological, and medical accounts of the nature of animal existence. Here sensation(...)
The inner touch : archaeology of a sensation
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This book reconstructs and reconsiders the history of the sensation. In twenty-five concise chapters that move freely among ancient, medieval, and modern cultures, Daniel Heller-Roazen investigates a set of exemplary phenomena that have played central roles in philosophical, literary, psychological, and medical accounts of the nature of animal existence. Here sensation and self-sensation, sleeping and waking, aesthetics and anesthetics, perception and apperception, animal nature and human nature, consciousness and unconsciousness, all acquire a new meaning.
Architectural Theory