Pippa Garner: Personal ads
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Pippa Garner’s work challenges the conventions of art by putting into play fashion and consumer culture with her subversive, visionary insight. Featuring a selection of images that includes never-before-seen photographs and editorial projects spanning from the 1970s to the 1990s, Personal Ads reveals Pippa Garner’s capacity for reimagining everyday life and turning it(...)
Pippa Garner: Personal ads
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Pippa Garner’s work challenges the conventions of art by putting into play fashion and consumer culture with her subversive, visionary insight. Featuring a selection of images that includes never-before-seen photographs and editorial projects spanning from the 1970s to the 1990s, Personal Ads reveals Pippa Garner’s capacity for reimagining everyday life and turning it into a cultural critique. It brings to the fore how she employed fashion as a tool for bodily reinvention and art as a vehicle for personal and political expression — highlighting how she rejected categorization to embrace hybridity, humor, and radical transformation. The publication includes an interview with Pippa by Luca Lopinto, former director of Macro museum (Rome), an artistic contribution by fashion collective BLESS and an introduction by Giorgia Basch, creative Director of BilderAtlas.
Photography monographs
Trans 48: Pseudo
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Unfolding across five parts, this issue frames the notion of pseudo along and beyond its ties with the "fake". While part one, "Simulation," blends the artificial with the familiar – whether in scale models or controlled biomes – the following part, "Promise," explores how futures are staged to organise the present. "Role" examines how identities become naturalized(...)
Magazines
March 2026
Trans 48: Pseudo
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Unfolding across five parts, this issue frames the notion of pseudo along and beyond its ties with the "fake". While part one, "Simulation," blends the artificial with the familiar – whether in scale models or controlled biomes – the following part, "Promise," explores how futures are staged to organise the present. "Role" examines how identities become naturalized through space, claiming to be neutral, caring or traditional. "Scam" investigates architecture and urbanism as credible deceptive practices, where authenticity is fabricated and images pave the way for a collective participation in illusions. "Construction" examines how territorial interventions, such as camps, corridors, or quarries, produce political realities and stabilise power, turning narration into infrastructure. Ultimately, pseudo emerges as a condition that both shifts and suspends reality: not fully true, yet never entirely false.
Magazines
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From the Renaissance to the present day, each generation of artists, architects, and writers has used the powerful images of ruins to project its own vision of time and human destiny. The metamorphosis of the ruin motif in art explains not only the separations but the continuities between the perception of past and present that characterize the different art movements.(...)
Ruins
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From the Renaissance to the present day, each generation of artists, architects, and writers has used the powerful images of ruins to project its own vision of time and human destiny. The metamorphosis of the ruin motif in art explains not only the separations but the continuities between the perception of past and present that characterize the different art movements. Drawing from all media of Western art including garden design, photography, and fine art, Michel Makarius explores the rich and diverse iconography of ruins from da Vinci to Van Gogh, from Botticelli to Roy Lichtenstein. Ruins is a reminder of history at a time when few art motifs still have the power to demand attention for our immense collective past - and at a moment when a reminder is sorely needed.
History until 1900, Classicism
Encyclopédie
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L'article "Encyclopédie" est la pièce maîtresse de la "machine de guerre de la pensée nouvelle contre les dogmes et les obscurantismes" que constitue l'Encyclopédie, ou Dictionnaire raisonné des sciences, des arts et des métiers, telle que la conçoit Diderot. Projet au coeur de l'oeuvre, comme la clé d'un tiroir dans le tiroir lui-même, il ouvre la voie à une conception(...)
Encyclopédie
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L'article "Encyclopédie" est la pièce maîtresse de la "machine de guerre de la pensée nouvelle contre les dogmes et les obscurantismes" que constitue l'Encyclopédie, ou Dictionnaire raisonné des sciences, des arts et des métiers, telle que la conçoit Diderot. Projet au coeur de l'oeuvre, comme la clé d'un tiroir dans le tiroir lui-même, il ouvre la voie à une conception collective et relativiste de la connaissance, synonyme dès lors de liberté. Ecrit dans un style d'une extraordinaire vigueur, où "l'impétuosité de l'éloquence" rivalise avec "la rapidité de la pensée", il prend aujourd'hui une dimension nouvelle avec le développement des "communautés de la toile" et des encyclopédies en ligne, que n'aurait peut-être pas désavouées Diderot si elles avaient su associer à l'accumulation des connaissances une pleine conscience des limites de l'accumulation.
Critical Theory
François Morelli
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Le 1700 La Poste présente une exposition solo dédiée à l’artiste montréalais François Morelli. La carrière exceptionnelle de François Morelli se déploie sur quatre décennies, investissant sur plus de six disciplines artistiques à leur manière à travers le temps. Du dessin libre à l’estampe, de l’action publique à la performance et à l’installation in situ, l’œuvre de(...)
November 2017
François Morelli
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Le 1700 La Poste présente une exposition solo dédiée à l’artiste montréalais François Morelli. La carrière exceptionnelle de François Morelli se déploie sur quatre décennies, investissant sur plus de six disciplines artistiques à leur manière à travers le temps. Du dessin libre à l’estampe, de l’action publique à la performance et à l’installation in situ, l’œuvre de François Morelli trouve son fondement dans une pratique quotidienne du dessin, croisée d’une volonté constante d’intervenir dans le tissu social. À travers une démarche très polyvalente, François Morelli s’intéresse aux notions de passage, de migration et de transformation. Il investit le corps comme sujet d’étude tant au niveau personnel qu’au niveau social et historique. L’œuvre traite des frontières entre mémoire collective et mémoire personnelle, des rapports entre le politique et le domestique, entre le tragique et le grotesque.
Texte zur Kunst 102: Fashion
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Art and fashion have always been interrelated. And it’s due to fashion’s ability to quickly capture social shifts that the art world has repeatedly turned to it. But as Texte zur Kunst No. 102 proposes, it is fashion’s protagonists, recently, that have been markedly drawing on art conceptual practices (e.g., parasitism, collective authorship, détournement, and forms of(...)
Texte zur Kunst 102: Fashion
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Art and fashion have always been interrelated. And it’s due to fashion’s ability to quickly capture social shifts that the art world has repeatedly turned to it. But as Texte zur Kunst No. 102 proposes, it is fashion’s protagonists, recently, that have been markedly drawing on art conceptual practices (e.g., parasitism, collective authorship, détournement, and forms of institutional critique) as they push back against the pressures of a hyper-accelerated fashion market. In this issue, TzK examines, also, how the industry’s current volume is a product of its late-'00s promise of online democratization; the changing function of such long-held value designations as “luxury,” “discount,” and “underground,” and the role of “real”-er bodies in a climate wherein models are preferably “nodels” or “othered” bodies, hyper-individualised to stand out in the stream.
Magazines
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Pour sortir de la seule critique des élites au pouvoir, l’IRIS a décidé de brasser la cage. Quelles seraient les politiques qu’un gouvernement au service du bien commun pourrait mettre en branle dans un premier mandat?? Dans cet exercice de politique fiction, les chercheur.e.s passent de la réaction à la proposition à travers cinq chantiers prioritaires?: la réduction du(...)
Cinq chantiers pour changer le Québec
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Pour sortir de la seule critique des élites au pouvoir, l’IRIS a décidé de brasser la cage. Quelles seraient les politiques qu’un gouvernement au service du bien commun pourrait mettre en branle dans un premier mandat?? Dans cet exercice de politique fiction, les chercheur.e.s passent de la réaction à la proposition à travers cinq chantiers prioritaires?: la réduction du temps de travail, la démocratisation de l’économie et des lieux de travail, la solidarité sociale, l’occupation du territoire et la transition écologique. Il en ressort un éventail d’alternatives concrètes et audacieuses pour changer le Québec, à l’opposé des politiques d’austérité. Loin de vouloir imposer un plan déjà défini, l’idée est de lancer des débats. Avec le désir d’inspirer, au bout du compte, un certain goût pour l’audace et l’ambition collective. Vous embarquez??
Architecture du Québec
journals and magazines
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Our society seems to be locked into a position in which the user’s and voter’s choices determine how we shall live in the future. A disturbing collective urban life in a giant Big Brother House looms, a material and social world in which sensationalistic media and its commercial translation dominate. Our sense of what is real and what is quality is on the verge of(...)
Volume 16 engineering society
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Our society seems to be locked into a position in which the user’s and voter’s choices determine how we shall live in the future. A disturbing collective urban life in a giant Big Brother House looms, a material and social world in which sensationalistic media and its commercial translation dominate. Our sense of what is real and what is quality is on the verge of collapse. The practice and education of the engineers of this society is determined by short-term effect instead of long-term social responsibility. Culture becomes little more than a market, politics its façade and the city its stage. Instead of reviving old school high modernist social engineering or claiming the need for an intellectual junta, we solicit new forms of social engineering. Where shall this lead?
journals and magazines
July 2008, Amsterdam
Magazines
books
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This is the devastating book which first established Marshall McLuhan’s reputation as the foremost critic of modern mass communications. The Mechanical Bride is vintage McLuhan — so aptly illustrated by dozens of examples from ads, comic strips, columnists, etc., that those who were stung by McLuhan were hard put for rebuttals. It shows how sex was first used to sell(...)
The mechanical bride: folklore of industrial man
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This is the devastating book which first established Marshall McLuhan’s reputation as the foremost critic of modern mass communications. The Mechanical Bride is vintage McLuhan — so aptly illustrated by dozens of examples from ads, comic strips, columnists, etc., that those who were stung by McLuhan were hard put for rebuttals. It shows how sex was first used to sell industrial hardware, how Orphan Annie still keeps the world on track, and how an Arabian Nights wonderland of mass entertainment and suggestion makes information irrelevant, and sends us to bed at night too dazed to question whether we’re happy or not. We live in an age in which legions of highly educated professionals dedicate themselves to the task of getting inside the collective public mind with the object of manipulating, exploiting and controlling.
books
January 2005
Critical Theory
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For reasons both obvious and mysterious, even as our cultural and social constructions of domesticity change, the house remains a fundamental site for advancing modern architectural theory and practice: because it accommodates a full diurnal and annual cycle of life, and because it intricately stages ritual and routine, this most private of programs has become a medium of(...)
Architecture Monographs
January 2022
Thirteen ways of looking at a house. LEVENBETTS
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For reasons both obvious and mysterious, even as our cultural and social constructions of domesticity change, the house remains a fundamental site for advancing modern architectural theory and practice: because it accommodates a full diurnal and annual cycle of life, and because it intricately stages ritual and routine, this most private of programs has become a medium of publicity and polemic. This volume both participates in and critiques this contemporary tradition. The reader’s attention in this examination is directed not only to Levenbetts’ houses, but to all houses, and all parts of houses—pieces of home and rhetorics of domesticity that show up in our collective memory: from a stolen moment on a staircase in a John Cassavetes film, to the sturdy knife-edged contractor modernism of suburban late to mid-twentieth-century America.
Architecture Monographs