The north end
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Award-winning documentary maker John Paskievich has made his name making films about places and people throughout the world. His films made for the National Film Board have chronicled groups as different as young Czechs trying to be North American Indians, the impoverished Roma community in Slovakia, and an isolated group of Orthodox Russians on the Canadian prairies. As(...)
The north end
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$39.95
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Award-winning documentary maker John Paskievich has made his name making films about places and people throughout the world. His films made for the National Film Board have chronicled groups as different as young Czechs trying to be North American Indians, the impoverished Roma community in Slovakia, and an isolated group of Orthodox Russians on the Canadian prairies. As a filmmaker, his work has been shown at film festivals throughout North America and Europe, including the Cannes Film Festival and the Toronto Festival of Festivals. In "The North End", Paskievich returns to his first love, photography. His lyrical black and white photographs chronicle a community closer to home, the iconic Winnipeg neighbourhood in which he grew up. Winnipeg’s North End is the great Canadian melting pot, the place "north of the tracks" that welcomed waves of immigrants from central and eastern Europe at the turn of the last century. It is a place that spawned some of Canada’s greatest cultural events and personalities, from the Winnipeg General Strike to the Guess Who. Paskievich captures the vibrancy and conflicts of the North End and other urban spaces like it, places where history, poverty, and resilience come together.
Photography monographs
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This is the first major English-language study of factography, an avant-garde movement of 1920s modernism. Devin Fore charts this style through the work of its key figures, illuminating factography’s position in the material culture of the early Soviet period and situating it as a precursor to the genre of documentary that arose in the 1930s. Factographers employed(...)
Soviet Factography: Reality without realism
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This is the first major English-language study of factography, an avant-garde movement of 1920s modernism. Devin Fore charts this style through the work of its key figures, illuminating factography’s position in the material culture of the early Soviet period and situating it as a precursor to the genre of documentary that arose in the 1930s. Factographers employed photography and film practices in their campaign to inscribe facts and to chronicle modernization as it transformed human experience and society. Fore considers factography in light of the period’s explosion of new media technologies—including radio broadcasting, sound in film, and photo-media innovations—that allowed the press to transform culture on a massive scale.
Theory of Photography
Tokyo Toilet
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If you have seen the film "Perfect Days" by Wim Wenders, about a man who leads a tranquil life cleaning public toilets in Shibuya, you might recognise just how truly beautiful such places can be. In the past, public toilets may not have left a good impression due to sanitary and safety concerns. These facilities were usually lacking inclusive design qualities. Toilets(...)
Commercial interiors, Building types
November 2023
Tokyo Toilet
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$71.00
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If you have seen the film "Perfect Days" by Wim Wenders, about a man who leads a tranquil life cleaning public toilets in Shibuya, you might recognise just how truly beautiful such places can be. In the past, public toilets may not have left a good impression due to sanitary and safety concerns. These facilities were usually lacking inclusive design qualities. Toilets should be accessible, comfortable, and anxiety-free for everyone at all times. With this in mind, the project team considered what sort of public toilet would be safe, clean, and comfortable for every user. These are the toilets featured in the film, now renovated to be gender-free and fitted with the latest sanitation equipment.
Commercial interiors, Building types
$75.00
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From early portraits of her five sisters, to photos taken above bookshelves and under beds, and later series on the New York City subway, Moyra Davey has spent four decades developing a practice that comprises photography, film and writing. This book surveys Davey's work, bringing together her photos and film stills, and her writings on photography, memory, art and(...)
Moyra Davey: Scotiabank award
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From early portraits of her five sisters, to photos taken above bookshelves and under beds, and later series on the New York City subway, Moyra Davey has spent four decades developing a practice that comprises photography, film and writing. This book surveys Davey's work, bringing together her photos and film stills, and her writings on photography, memory, art and historical figures, alongside a suite of new essays and interviews. These are some of the figures that haunt her imagery: Walter Benjamin, Mary Wollstonecraft, Jean Genet and Chantal Ackerman. As with her photographic accumulations of fragments, Davey approaches these touchstones indirectly, drawing from their letters, journals and less celebrated works to understand how they committed to living creative lives.
Photography monographs
books
Description:
239 pages : color illustrations ; 23 cm
[London] : MACK, [2016]
The complete essays 1973-1991 / Luigi Ghirri ; translated by Ben Bazalgette and Marguerite Shore ; edited by Michael Mack and Izabella Scott.
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239 pages : color illustrations ; 23 cm
books
[London] : MACK, [2016]
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Ce film est le portrait d'une canadienne d'exception, animée par une passion sans pareille pour l'architecture. Phyllis Lambert, née Bronfman, est rattachée à quelques-unes des grandes réalisations du siècle dernier : du Seagram Building, à New York, dont elle obtint de son père qu'il en confiât la conception à ce grand maître de la modernité que fut Mies van der Rohe, en(...)
DVD Citizen Lambert / Jeanne d'architecture
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Ce film est le portrait d'une canadienne d'exception, animée par une passion sans pareille pour l'architecture. Phyllis Lambert, née Bronfman, est rattachée à quelques-unes des grandes réalisations du siècle dernier : du Seagram Building, à New York, dont elle obtint de son père qu'il en confiât la conception à ce grand maître de la modernité que fut Mies van der Rohe, en passant par le retour aux sources que représenta pour elle la guérilla qu'elle a menée pour sauver le Vieux-Montréal, jusqu'à la création de cette institution sans égale dans le monde qu'est le Centre Canadien d'Architecture. Il restait à en tirer un film : ce qu'à réussi Teri Wehn-Damisch, en suivant des voies elles-mêmes toutes de traverses.
DVDs
Amie Siegel: double negative
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Known for her layered, meticulously constructed works that trace the undercurrents of systems of value and image-making, Chicago-born artist Amie Siegel’s (born 1974) work moves between film, video, photography, performance and installation. Double Negative surveys the last decade of her art.
Contemporary Art Monographs
January 2017
Amie Siegel: double negative
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Known for her layered, meticulously constructed works that trace the undercurrents of systems of value and image-making, Chicago-born artist Amie Siegel’s (born 1974) work moves between film, video, photography, performance and installation. Double Negative surveys the last decade of her art.
Contemporary Art Monographs
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In San Francisco many theaters built between 1910 and 1950 are still standing, and some even remain in operation, serving as poignant reminders of Hollywood's Golden Age and the social interactions that once came with movie-going. R.A. McBride's lush color photographs--made with film cameras, of course--showcase these temples to celluloid in all their threadbare grandeur.(...)
Left in the dark: Portraits of San Francisco movie theatres
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In San Francisco many theaters built between 1910 and 1950 are still standing, and some even remain in operation, serving as poignant reminders of Hollywood's Golden Age and the social interactions that once came with movie-going. R.A. McBride's lush color photographs--made with film cameras, of course--showcase these temples to celluloid in all their threadbare grandeur. Photographed empty, the buildings' architectural qualities, from rotunda chandeliers and warmly glowing walls to drab lobbies and worn armrests, come to the fore. Essays by scholars and film exhibitors including Rebecca Solnit, Julie Lindow, Eddie Muller, Chi-Hui Yang and Gary Meyer cast light from personal and scholarly perspectives, examining the movie houses' roles as characters in the cultural drama of the city.
Commercial interiors, Building types
Spike Jonze: I'm Here
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I’m Here is the latest film from director Spike Jonze (of Where the Wild Things Are fame), a half-hour narrative short that premiered at the Sundance Film Festival in January 2010 and was released on the movie’s own website in March. I’m Here is your typical boy-robot-librarian-meets-girl-robot-free-spirit, boy-robot-librarian-gets-girl-robot-free-spirit… in truth, I’m(...)
Spike Jonze: I'm Here
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I’m Here is the latest film from director Spike Jonze (of Where the Wild Things Are fame), a half-hour narrative short that premiered at the Sundance Film Festival in January 2010 and was released on the movie’s own website in March. I’m Here is your typical boy-robot-librarian-meets-girl-robot-free-spirit, boy-robot-librarian-gets-girl-robot-free-spirit… in truth, I’m Here, a whimsical and touching look at love among robots in contemporary L.A., isn’t typical of anything, and neither is this charming book, which provides spreads of color stills from the movie. I’m Here isn’t drawn or stop-motion animation; the movie is live action, with the actors wearing wonderfully awkward costumes concocted of obsolete computer parts.
small format
Jeff Liao: Coney Island
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In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist. A new incarnation of Luna Park opened to the public, the municipal government actively engaged in redevelopment, and the area visibly transformed. At the same time, Liao’s approach to picture making changed as he experimented with new strategies and techniques.(...)
Jeff Liao: Coney Island
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In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist. A new incarnation of Luna Park opened to the public, the municipal government actively engaged in redevelopment, and the area visibly transformed. At the same time, Liao’s approach to picture making changed as he experimented with new strategies and techniques. He started the project working with traditional transparency film. Although he had always used digital technology to transform the film images into a finished image, he slowly introduced digital picture-making technology to the process of recording the scenes. The resulting large-scale prints have a visual sweep often associated with cinema, encompassing the viewer and providing a strong sense of place. Edition of 500 copies
Photography monographs