Jan Schoonhoven
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Over the course of nearly 40 years, Dutch artist Jan Schoonhoven (1914–94) produced works on paper and sculptural reliefs, while maintaining his job as a civil servant employed by the Dutch Post Office. This new monograph places the artist, one of the most important Dutch artists of the 20th century, in an international context, arguing for his role as an influential(...)
Jan Schoonhoven
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Over the course of nearly 40 years, Dutch artist Jan Schoonhoven (1914–94) produced works on paper and sculptural reliefs, while maintaining his job as a civil servant employed by the Dutch Post Office. This new monograph places the artist, one of the most important Dutch artists of the 20th century, in an international context, arguing for his role as an influential player in European art after the Second World War. From his central position in the Netherlandish Informal Group, associated with Art Informel, to his later involvement with the Dutch Nul group, part of the international ZERO network, Schoonhoven participated in two of the most important currents of postwar European abstraction from his hometown of Delft. This volume features many hitherto unknown works and photographs, and sheds new light on the work of the "master of white."
Contemporary Art Monographs
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In the wake of the Second World War, aiming to occupy the children rampaging streets and parks, the City of Amsterdam founded Jongensland, a space where boys (and the occasional, officially disallowed girl) could play, build, create, and destroy, largely without supervision. Without adult intervention, they relied on shared resourcefulness and collaborative ingenuity. In(...)
Ursula Schulz-Dornburg: Huts, temples, castles
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In the wake of the Second World War, aiming to occupy the children rampaging streets and parks, the City of Amsterdam founded Jongensland, a space where boys (and the occasional, officially disallowed girl) could play, build, create, and destroy, largely without supervision. Without adult intervention, they relied on shared resourcefulness and collaborative ingenuity. In 1969, when Ursula Schulz-Dornburg moved to Düsseldorf with her two young children, she discovered Jongensland the other side of the border from Germany’s strictly regulated playgrounds. Fas¬cinated by the improvised buildings where her children would play, she made extensive photographs capturing them being constructed, used, demolished, and reshaped. This book presents Schulz-Dornburg’s largely unseen series alongside an ex¬tended alongside an extended essay by architectural historian Tom Wilkinson reflecting on the architectural themes and lessons Jongensland continues to offer.
Photography monographs
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This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and(...)
Education
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This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and arguments traced here is second-wave feminism, which questioned dominant notions of personal and institutional freedom as enacted through art teaching and practice. Similarly, education-based responses by the art community to the catastrophes of World War II and postcolonial conflict critically inform contemporary art confronting the interrelationships of education, power, market capitalism, and--as Michael Hardt and Antonio Negri describe it--the global condition of war. These writings by artists, philosophers, educators, poets, and activists center on three recurring and interrelated themes: the notion of "indiscipline" in theories and practices that challenge boundaries of all kinds; the present and future role of the art school; and the turn to pedagogy as medium in a diverse range of recent projects. Other writings address such issues as instrumentalism and control, liberation and equality, the production and the politics of culture, and the roots of research-based practice and experimental participatory works.
Art Theory
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Widely acknowledged as Britain's leading architectural historian, Sir Howard Colvin has been responsible for fundamental research that has helped to bring about a renaissance in English architectural history in the second half of the twentieth century. In this volume, Colvin gathers eighteen new and revised essays written throughout his distinguished career. The(...)
Essays in English architectural history
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Widely acknowledged as Britain's leading architectural historian, Sir Howard Colvin has been responsible for fundamental research that has helped to bring about a renaissance in English architectural history in the second half of the twentieth century. In this volume, Colvin gathers eighteen new and revised essays written throughout his distinguished career. The collection includes five essays never before published, including one which looks afresh at the architectural apparatus of sixteenth-century state entries and another that explores the use of caryatids and other formalized human figures in English architecture from Tudor times onwards. The author also offers reprinted essays, revised where necessary, on such topics as the idea of a "Court Style" in medieval English architecture, the south front of Wilton House, and the infiltration of the Georgian Office of Works by an architectural pressure group led by Lord Burlington. Several essays reflect the author's long-standing interest in the problem of the persistence of Gothic architecture in the sixteenth and seventeenth centuries and its revival in the eighteenth, and another treats his equally long-standing interest in the history of the architectural profession. The author concludes with his recollections of what can now be seen as a golden age of English architectural research in the years following the Second World War.
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August 1999, New Haven
History until 1900
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W.J.H.B. Sandberg (1897-1984) was a highly individual graphic designer as well as director of the Stedelijk Museum in Amsterdam, which after the Second World War he elevated to a leader among museums of modern art. This book gives a kaleidoscopic picture of Sandberg as the designer of almost all the Stedelijk's posters, catalogues and other printed matter and also shows(...)
Sandberg : designer + director of the Stedelijk
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W.J.H.B. Sandberg (1897-1984) was a highly individual graphic designer as well as director of the Stedelijk Museum in Amsterdam, which after the Second World War he elevated to a leader among museums of modern art. This book gives a kaleidoscopic picture of Sandberg as the designer of almost all the Stedelijk's posters, catalogues and other printed matter and also shows the decisive influence he had on the modernizing of the museum building. The war years 1940-45 brought a turning-point in Sandberg's life. During the German occupation he took an active part in the artists' resistance movement, where he became convinced of the stimulating and provocative role artists could play in society. After the war, with few means at his disposal but with a great sense of purpose, he set about transforming the Stedelijk into a meeting ground where the public could become acquainted with a wealth of contemporary art and design in an informal setting. He gave the old-fashioned building a bright, airy interior and added a transparent new wing. He also provided a generally accessible library at the core of the museum together with a restaurant and terrace. The atmosphere pervading Sandberg's Stedelijk could be attributed to his zestful personality, his talents as a designer and his tireless efforts on behalf of artists and art, driven by a firm social commitment. The author and compiler of this book (born in 1931) spent many years working at the Stedelijk Museum and was a friend of Sandberg.
Graphic Designers, Monographs
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Otto Treumann (1919-2001) is regarded as a major pioneer in the modernization of graphic design in the Netherlands. Premised on Swiss typography and the Bauhaus, Treumann's oeuvre is distinguished by an easy-to-read combination of visual elements and an iconoclastic treatment of colour. These benefit from his(...)
Otto Treumann : graphic design in the Netherlands
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Otto Treumann (1919-2001) is regarded as a major pioneer in the modernization of graphic design in the Netherlands. Premised on Swiss typography and the Bauhaus, Treumann's oeuvre is distinguished by an easy-to-read combination of visual elements and an iconoclastic treatment of colour. These benefit from his wide knowledge of printing techniques acquired during the Second World War when he forged documents for the resistance. He enjoyed a special relationship with industrial clients, invariably achieving top quality and innovation in the arena where economics meets culture. His work has proved eminently suitable for house styles and logos, including those for Wolters Noordhoff the publishers, the Kröller-Müller Museum, the Royal Institute of Dutch Architects and El Al Airlines. He also designed posters for the Industries Fair in Utrecht, the Rotterdam Ahoy' and Tattoo in Delft. The book is designed by Irma Boom.
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June 2001, Rotterdam
Graphic Designers, Monographs
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The project “Half Houses”, started in 2016 from an aesthetic puzzle (does the house lack the second half?). This project was rethought, and gradually shrouded in contexts and new layers. The compositional feeling of scarcity looking at the empty space next to the half-timbered houses of Vilijampole is a suggestive response to the loss experienced by this place, the lost(...)
Inga Navickaité-Drasuté: Pusiniai namai / Half Houses
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The project “Half Houses”, started in 2016 from an aesthetic puzzle (does the house lack the second half?). This project was rethought, and gradually shrouded in contexts and new layers. The compositional feeling of scarcity looking at the empty space next to the half-timbered houses of Vilijampole is a suggestive response to the loss experienced by this place, the lost side of the history of this city. In any case, both the houses and their residents do not forget what has been lost – it can be heard even in a short conversation, during a break between farm work. Already in the early 18th century, most inhabitants of the town of Vilijampole were Jewish. During World War II, the Vilijampole Jewish ghetto was established, which was turned into a concentration camp on 15 September 1943. Out of 37,000 Kaunas Jews, less than 3,000 survived the Holocaust.
Photography monographs
Unbuilt Victoria
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For most people, resident and visitor alike, Victoria, British Columbia, is a time capsule of Victorian and Edwardian buildings. For its first 50 years the settlement flourished as the capital of the province. A smallpox epidemic in the 1890s closed Victoria's port, causing the city to go into decline and shelving plans for the Canada Western Hotel, for a replica of the(...)
Unbuilt Victoria
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For most people, resident and visitor alike, Victoria, British Columbia, is a time capsule of Victorian and Edwardian buildings. For its first 50 years the settlement flourished as the capital of the province. A smallpox epidemic in the 1890s closed Victoria's port, causing the city to go into decline and shelving plans for the Canada Western Hotel, for a replica of the Parthenon in Beacon Hill Park, and for the grandiose Italianate facade that was to complete City Hall. Victoria tried to reinvent itself as a tourist destination, but it wasn't until the modernizing boom after the Second World War that attempts were made to drag the city's built environment into the mainstream. Unbuilt Victoria examines some of the architectural plans that were proposed but rejected. That some of them were ever dreamed of will probably amaze; that others never made it might well be a matter of regret.
Architecture in Canada
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How can “Nordic Modernism” be defined? Did German city planners look to the North for inspiration after the Second World War? In what way did their social model affect architecture and city planning in the Nordic countries? What specific features characterize architecture and town planning in the Nordic countries compared with postwar Germany? The fiftieth anniversary of(...)
Nortopia: Nordic modern architecture and postwar Germany
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How can “Nordic Modernism” be defined? Did German city planners look to the North for inspiration after the Second World War? In what way did their social model affect architecture and city planning in the Nordic countries? What specific features characterize architecture and town planning in the Nordic countries compared with postwar Germany? The fiftieth anniversary of Interbau 1957 presented a timely opportunity to reappraise the Hansaviertel in Berlin and the entire New Building movement. In this context, Nordic conceptions of architecture and town planning seemed particularly worthy of critical reflection. The “people's home” (folkhem), as well as various national strands of modernization, architectural preferences and even geopolitical considerations play a role in the formation of the Nordic model. The contributors to this volume take the example of the Hansaviertel as an opportunity to investigate Nordic-German transfer in modernism—aesthetically, socioculturally and programmatically.
Architectural Theory
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del(...)
Contemporary Art Monographs
September 2005, Como
Dan Graham : half square half crazy
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del Fascio. For Graham, the pavilion is a tool to critically fathom modern architecture. It is an instrument for studying the rapport between the interior (private) and exterior (public) environment as well as a way to examine the relationship of the individual to the urban scheme. His architectural structure moves from contemplative object to meeting point: a place of exchange and reflection. This volume presents an exhaustive documentation of the Como pavilion together with a selection of recent works by Dan Graham and two interviews with the artist. The dvd included records the course of the Como pavilion from its construction to inauguration.
Contemporary Art Monographs